DOCSLIB.ORG

Jake Heggie & Gene Scheer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Jake Heggie THEATER 17/18 & Gene Scheer FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week. Non-Permit Holders access to IU Garages Free Friday 6 p.m. – Monday 7 a.m. Monday – Thursday: Maximum of $10 after 5 p.m. (less if parked up to 90 minutes). Two Hundred Seventy-Fourth Program of the 2017-18 Season _______________________ Indiana University Opera Theater presents as its 457th production It’s a Wonderful Life Opera in Two Acts Music by Jake Heggie Libretto by Gene Scheer Based in part on the film It’s a Wonderful Life by permission of Paramount Licensing, Inc., and on The Greatest Gift, a story by Philip Van Doren Stern David Neely, Conductor Leonard Foglia, Stage Director Robert Brill, Set Designer David Woolard, Costume Designer Brian Nason, Lighting Designer Elaine McCarthy, Projection Artist E. M. Gimenez, Sound Designer Keturah Stickann, Associate Director and Choreographer Walter Huff, Chorus Master Gene Scheer, Supertitle Author Heggie and Scheer’s It’s a Wonderful Life is a co-commission and co-production with Houston Grand Opera, San Francisco Opera, and the IU Jacobs School of Music (collegiate premiere). _________________ Musical Arts Center Friday, November Tenth Saturday, November Eleventh Thursday, November Sixteenth Friday, November Seventeenth Seven-Thirty O’Clock music.indiana.edu Cast of Characters Friday, November 10 Thursday, November 16 Saturday, November 11 Friday, November 17 George Bailey ........... Edward Atkinson Terrence Chin-Loy Clara .................. Cadie Jordan Anne Slovin Henry Potter ............ Marcus Simmons David Tahere Mary Bailey ............. Rachel Mikol Virginia Mims Harry Bailey ............ Benjamin Seiwert Ian Murrell Uncle Billy .............. Justin Brunette Andrew Flanagin Ernie .................. Nick Farmer Nick Farmer Mother Bailey ........... Amber McKoy Amber McKoy Helen Bailey ............ Madeline Coffey Madeline Coffey Angel Quartet ........... Rose-Antoinette Bellino Rose-Antoinette Bellino Aaron Cooker Aaron Cooker Kaitlyn McMonigle Kaitlyn McMonigle Stephen Walley Stephen Walley Ed . Michael Parham Michael Parham Randall ..................Leo Williams Leo Williams Mrs. Thompson ............Lindsey Allen Lindsey Allen Suitor ....................Hunter Aldridge Hunter Aldridge Mr. Martini ...............Carl Rosenthal Carl Rosenthal Mr. Ruffino ...............Lucas DeBard Lucas DeBard Mr. Delgado ..............Bruno Sandes Bruno Sandes Mrs. Delgado ..............Katherine Jones Katherine Jones Mrs. O’Malley .............Nicola Santoro Nicola Santoro A Woman .................Emily Rosoff Emily Rosoff A Man ...................Kevin Masters Kevin Masters Sam Wainwright ...........Conner Allison Conner Allison Young Mary/Janie ..........Mae Hayashi Mae Hayashi Young George/Tommy ......Ron Kalinovsky Ron Kalinovsky Young Sam Wainwright ......Callum Miles Callum Miles Young Harry ..............Marcus Westphal Marcus Westphal Zuzu ....................Evelyn Steele Evelyn Steele Supernumerary ............Garrett Godsey Garrett Godsey Opera Chorus Soprano/Alto Tenor/Bass Lindsey Allen Hunter Aldridge Avery Boettcher Lucas DeBard Alyssa Dessoye Glen Hall Katherine Jones Rivers Hawkins Shayna Jones Slade LaCounte Gretchen Krupp Joey LaPlant Hayley Lipke Ting Li Annika Mauss Kevin Masters Rebecca Rogers Michael Parham Emily Rosoff Carl Rosenthal Nicola Santoro Bruno Sandes Savanna Webber Leo Williams Special thanks to Brent Gault, director of the IU Children’s Choir Synopsis On Christmas Eve 1945, in Bedford Falls, New York, George Bailey is suicidal. Prayers for him reach Heaven, where Clara, Angel Second Class, is assigned to save George in order to earn her angel wings. To prepare, Clara is shown flashbacks of George’s life. The first is in 1916, when 12-year-old George saves his younger brother Harry from drowning when he falls through the ice on a frozen pond. On Harry’s graduation night in 1925, George has a romantic encounter with Mary Hatch, who has been in love with him from an early age. They are interrupted by news of his father’s death. George postpones his travel plans in order to sort out the family business, Bailey Brothers’ Building and Loan, a longtime competitor to Henry F. Potter, the local banker and the richest man in town. Potter wishes to dissolve the Building and Loan to take over its business. George makes the decision to stay on in Bedford Falls and run the business, along with his absent-minded Uncle Billy. Reconnecting after four years apart, George and Mary get married. As they leave for their honeymoon, they witness a run on the bank and use their honeymoon savings to lend financial support at the Building and Loan until the bank reopens. Over time, George establishes Bailey Park, a housing development with small houses financed by loans from Bailey Building and Loan, which allows people to own their own homes rather than pay rent to live in Potter’s overpriced slums. Potter, frustrated at losing control of the housing market, attempts to lure George into becoming his assistant; George is momentarily tempted but rejects the offer. During World War II, Harry becomes a Navy pilot and shoots down a kamikaze plane that would have bombed an amphibious transport; he is awarded the Congressional Medal of Honor. On Christmas Eve morning 1945, the town prepares a hero’s welcome for Harry. Uncle Billy goes to Potter’s bank to deposit $8,000 for the Building and Loan. (The $8,000 was worth over $100,000 in 2017 dollars.) He teases Potter, taking his newspaper and bragging about Harry being on the front page; the banker angrily grabs the newspaper, inside of which Billy has unintentionally tucked the envelope containing the money. Upon seeing the money, Potter realizes the potential scandal could lead to the Building and Loan’s downfall. Potter hides the money, knowing its loss will cause severe Watch IU sports news on the go with the Hoosier Sports Report app for iPhone and Android The Hoosier Sports Report app is now available for free on iOS and Android devices—watch IU sports news anywhere! Hoosier Sports Report features IU sports video news focusing on athletes and coaches, athletic facilities and fans. Our reporters also provide on-camera analysis, in studio and out in the field. HSR has covered more than 20 different IU sports. Additional programming includes post-game, pre-game, special topics, fan shows and more. Watch at home, too, on your Roku, AppleTV, or AmazonFireTV. Search “Hoosier Sports Report” on your supported streaming device or smartphone to get the app. Follow @HooSportsRep and #HSRtv on Twitter for new video news and updates. Hoosier Sports Report is produced by financial problems for the Building and Loan. When Uncle Billy cannot find the money, he and George frantically search for it. A bank examiner arrives to review their records, and George berates his uncle for endangering the Building and Loan. He goes home and takes out his frustration on his bewildered family. George desperately appeals to Potter for a loan. When George offers his life insurance policy as collateral, Potter says George is worth more dead than alive and tells George he will send the police to arrest him. The opera’s narrative catches up to the time of the opening scene. Before he can jump, Clara dives into the river just before George does, forcing George to rescue Clara rather than killing himself. George does not believe Clara’s subsequent claim to be his guardian angel. When George says he wishes he had never been born, Clara decides to grant his wish and show George an alternate timeline in which he never existed. Bedford Falls is named Pottersville and is a much less congenial place. The Building and Loan has long since closed down, because George wasn’t there to take over after Mr. Bailey’s passing. George’s mother does not recognize him; she reveals that Uncle Billy was institutionalized after the collapse of the Building and Loan. In the cemetery where Bailey Park would have been, George discovers the grave of his brother. Clara tells George that Harry could not have saved all of the men on the transport during the war, because George had not been there to save Harry from drowning. George, now convinced that Clara is really his guardian angel, runs back to the bridge and begs for his life back; the alternate timeline changes back to the original reality. George runs home to find the bank examiner and police ready to make their arrest. However, Mary and Uncle Billy arrive, having rallied the townspeople, who have donated what they can to help George. Harry bursts in with a telegram from George’s childhood friend Sam Wainwright, now a wealthy businessman, who has wired $25,000 to help save the Bailey Building and Loan.
Recommended publications
  • L'opéra Moby Dick De Jake Heggie

    L'opéra Moby Dick De Jake Heggie

    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 20 | 2020 Staging American Nights L’opéra Moby Dick de Jake Heggie : de nouveaux enjeux de représentation pour l’œuvre d’Herman Melville Nathalie Massoulier Édition électronique URL : http://journals.openedition.org/miranda/26739 DOI : 10.4000/miranda.26739 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Nathalie Massoulier, « L’opéra Moby Dick de Jake Heggie : de nouveaux enjeux de représentation pour l’œuvre d’Herman Melville », Miranda [En ligne], 20 | 2020, mis en ligne le 20 avril 2020, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/26739 ; DOI : https://doi.org/10.4000/ miranda.26739 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. L’opéra Moby Dick de Jake Heggie : de nouveaux enjeux de représentation pour ... 1 L’opéra Moby Dick de Jake Heggie : de nouveaux enjeux de représentation pour l’œuvre d’Herman Melville Nathalie Massoulier Le moment où une situation mythologique réapparaît est toujours caractérisé par une intensité émotionnelle spéciale : tout se passe comme si quelque chose résonnait en nous qui n’avait jamais résonné auparavant ou comme si certaines forces demeurées jusque-là insoupçonnées se mettaient à se déchaîner […], en de tels moments, nous n’agissons plus en tant qu’individus mais en tant que race, c’est la voix de l’humanité tout entière qui se fait entendre en nous, […] une voix plus puissante que la nôtre propre est invoquée.
  • It's a Wonderful Life

    It's a Wonderful Life

    It’s a Wonderful Life KIOWA COUNTY 4 Watch the Table of Contents Movie Online 2 Reflections on a Small Town 4 Becoming George Bailey Three Journeys to One 10 Destination Three Poems by Two 14 Campbells 16 The Signature of a Life 22 Rural Free Delivery Holiday Tournament Defines 24 Christmas in Southeast CO 28 Eva’s Christmas Story “You see, George, you really 30 do have a wonderful life” Kiowa County Independent Publisher Betsy Barnett Advertising Cindy McLoud 1316 Maine Street Editor Priscilla Waggoner Web Page Kayla Murdock PO Box 272 Layout and Design William Brandt Distribution Denise Nelson Eads, CO 81036 Advertising John Contreras Special thanks to Sherri Mabe for use of [email protected] her photos: sherrimabeimages.com. Kiowa Countykiowacountyindependent.com Independent © December 2018 It’s a Wonderful Life | 1 ne morning not long ago, a prominent, local are, nonetheless, the things he does. What he is… man came into the newspaper office. He’s is a thinker. And he’d clearly been thinking about Odone that a few times before. He might be something that morning because he clearly had on his way to Denver, or he might have come to something to say. town on business. Whatever the circumstance or, “I’ve been all around the world,” he began. he’s stopped by the office just to say hello, just to “Russia. Asia. All sorts of different places in Eu- make sure we’re continuing to do what we do and, rope—I’ve been there. I’ve been very lucky to sometimes, just to let us know he’s glad we’re do- have opportunities present themselves that just ing it.
  • Riders of the Purple Sage, Arizona Opera February & March 2017 As

    Riders of the Purple Sage, Arizona Opera February & March 2017 As

    Riders of the Purple Sage, Arizona Opera February & March 2017 As her helper, the gunslinger Lassiter, Morgan Smith gave us a stunning performance of a role in which the character’s personality gradually unfolds and grows in complexity. Maria Nockin, Opera Today, 7 March 2017 On opening night in Tucson, the lead roles of Jane and Lassiter were sung by soprano Karin Wolverton and baritone Morgan Smith, who both deliver memorable arias. Smith plays Lassiter with vintage Clint Eastwood menace as he growls out his provocative maxim, “A man without a gun is only half a man.” Kerry Lengel, Arizona Republic, 27 February 2017 Moby-Dick, Dallas Opera November 2016 Morgan Smith brings a dense, dark baritone to the role of Starbuck, the ship's voice of reason Scott Cantrell, Dallas News, 5 November 2016 Morgan Smith, who played Starbuck, gave a stunningly powerful performance in this scene, making the internal conflict in the character believable and real. Keith Cerny, Theater Jones, 6 December 2016 First Mate Starbuck is again sung by baritone Morgan Smith, who offers convincing muscularity and authority. J. Robin Coffelt, Texas Classical Review, 6 November 2016 Morgan Smith finely acted in the role of second in command, Starbuck, and his singing was even finer. When Starbuck attempts to dissuade Captain Ahab from his fool’s mission to wreck vengeance on the white whale, the audience was treated to the evening's most powerful and passionate singing — his duets with tenor Jay Hunter Morris as Ahab in particular. Monica Smart, Dallas Observer, 8 November 2016 Madama Butterfly, Kentucky Opera September 2016 With a diplomatic air and a rich, velvety baritone, he upheld the title of Consul and caretaker in a fatherly way.
  • Leonard Bernstein

    Leonard Bernstein

    Leonard Bernstein THEATER 17/18 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week.
  • Rodgers & Hammerstein's

    Rodgers & Hammerstein's

    2015/16 Season Rodgers & Hammerstein’s Rodgers & Hammerstein’s THE KING AND I Music by RICHARD RODGERS­Book and Lyrics by OSCAR HAMMERSTEIN II Based on “Anna and the King of Siam” by Margaret Landon­Original Orchestrations by Robert Russell Bennett ­ Original Dance Arrangements by Trude Rittmann­Original Choreography by Jerome Robbins LYRIC OPERA OF CHICAGO Table of Contents MARIE-NOËLLE ROBERT / THÉÂTRE DU CHÂTELET IN THIS ISSUE The King and I – pp. 25-41 6 From the President 14 Voyage Of Discovery: : 45 Lyric Unlimited/Education Corps and the General Director Lyric’s 2016-17 Season 46 Aria Society 8 Board of Directors 23 Tonight’s Performance 55 Breaking New Ground/ 25 Cast 10 Women’s Board/Guild Board/ Look to the Future Chapters’ Executive Board/ 26 Musical Numbers/Orchestra 57 Major Contributors – Special Ryan Opera Center Board 27 Artist Profiles Events and Project Support 12 Administration/Administrative 37 A Glorious Partnership 58 Ryan Opera Center Staff/Production and 40 A Talk with the Director Technical Staff 42 Just for Kids 59 Ryan Opera Center Contributors 60 Lyric Unlimited Contributors LYRIC 2016-17 SEASON PREVIEW pp. 16-22 61 Planned Giving: The Overture Society 63 Annual Corporate Support 64 Matching Gifts, Special Thanks and Acknowledgements 65 Annual Individual and MARIE-NOËLLE ROBERT/THÉÂTRE DU CHÂTELET Foundation Support 71 Commemorative Gifts 72 Facilities and Services/Theater Staff On the cover: Paolo Montalban as the King and Kate Baldwin as Anna, photographed by Todd Rosenberg. 2 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A.
  • The Man Who Invented Christmas Film Adaptations of Dickens’ a Christmas Carol Dr Christine Corton

    The Man Who Invented Christmas Film Adaptations of Dickens’ a Christmas Carol Dr Christine Corton

    10TH DECEMBER 2019 The Man Who Invented Christmas Film Adaptations of Dickens’ A Christmas Carol Dr Christine Corton A Christmas Carol is now over 175 years old. Written in 1843, it is certainly the most televised of Dickens’s works and equals if not beats, its closest rival, Oliver Twist (1837-39) for cinema releases. It’s had a huge influence on the way we understand the Christmas festival. It was written at a time when the festival was being revived after centuries of neglect. And its impact was almost immediate. A Christmas Carol quickly achieved iconic status, far more so than any of Dickens’s other Christmas stories. You have to have been living on some far-off planet not to have heard of the story – the word ‘Scrooge’ has come to represent miserliness and ‘Bah, Humbug’ is a phrase often resorted to when indicating someone is a curmudgeon. Even, Field Marshall Montgomery concluded his Christmas Eve message to the Eighth Army on the battlefield with Tiny Tim’s blessing. In 1836 Dickens described Christmas at Dingley Dell in The Pickwick Papers in which of course one of the most famous of the interpolated tales appears, The Story of the Goblins who Stole a Sexton and for those who know the tale, the miserable and mean Gabriel Grub is not a million miles away from Scrooge. Both Mr Pickwick’s Christmas at Wardle’s (1901) and Gabriel Grub: The Surly Sexton (1904) were used as the basis for silent films at around the same time as the first silent version of the 11 minute long: Scrooge: Or Marley’s Ghost which was released in 1901.
  • Three Decembers” STARRING WORLD-RENOWNED MEZZO SOPRANO SUSAN GRAHAM and CELEBRATED ARTISTS MAYA KHERANI and EFRAÍN SOLÍS Available Via Online Streaming Anytime

    Three Decembers” STARRING WORLD-RENOWNED MEZZO SOPRANO SUSAN GRAHAM and CELEBRATED ARTISTS MAYA KHERANI and EFRAÍN SOLÍS Available Via Online Streaming Anytime

    OPERA SAN JOSÉ EXTENDS ACCESS TO VIRTUAL PERFORMANCE OF Jake Heggie’s “Three Decembers” STARRING WORLD-RENOWNED MEZZO SOPRANO SUSAN GRAHAM AND CELEBRATED ARTISTS MAYA KHERANI AND EFRAÍN SOLÍS Available via online streaming anytime SAN JOSE, CA (3 February 2021) – In keeping with Opera San José’s mission to expand accessibility to its work, the company has announced that through the support of generous donors it is able to extend access to its hit virtual production of Jake Heggie’s chamber opera, Three Decembers, now making it available on a pay-what-you-can basis for streaming on demand. The production is being offered with subtitles in Spanish and Vietnamese, as well as English, furthering its accessibility to the Spanish and Vietnamese speaking members of the San Jose community, two of the largest populations in its home region. Featuring world-renowned mezzo-soprano Susan Graham in the central role, alongside celebrated Opera San José Resident Artists soprano Maya Kherani and baritone Efraín Solís, this world-class digital production has been met with widespread critical acclaim. Based on an unpublished play by Tony Award winning playwright Terrence McNally, Three Decembers follows the riveting story of a famous stage actress and her two adult children, struggling to connect over three decades, as long-held secrets come to light. With a brilliant, witty libretto by Gene Scheer and a soaring musical score by Jake Heggie, Three Decembers offers a 90-minute fullhearted American opera about family – the ones we are born into and those we create. Tickets for the modern work, which was recorded last Fall in the company’s Heiman Digital Media Studio, are pay-what-you-can beginning at $15 per household, which includes on-demand streaming for 30 days after date of purchase.
  • Topical Weill: News and Events

    Topical Weill: News and Events

    Volume 27 Number 1 topical Weill Spring 2009 A supplement to the Kurt Weill Newsletter news & news events Summertime Treats Londoners will have the rare opportunity to see and hear three Weill stage works within a two-week period in June. The festivities start off at the Barbican on 13 June, when Die Dreigroschenoper will be per- formed in concert by Klangforum Wien with HK Gruber conducting. The starry cast includes Ian Bostridge (Macheath), Dorothea Röschmann (Polly), and Angelika Kirchschlager (Jenny). On 14 June, the Lost Musicals Trust begins a six-performance run of Johnny Johnson at Sadler’s Wells; Ian Marshall Fisher directs, Chris Walker conducts, with Max Gold as Johnny. And the Southbank Centre pre- sents Lost in the Stars on 23 and 24 June with the BBC Concert Orchestra. Charles Hazlewood conducts and Jude Kelly directs. It won’t be necessary to travel to London for Klangforum Wien’s Dreigroschenoper: other European performances are scheduled in Hamburg (Laeiszhalle, 11 June), Paris (Théâtre des Champs-Elysées, 14 June), and back in the Klangforum’s hometown, Vienna (Konzerthaus, 16 June). Another performing group traveling to for- eign parts is the Berliner Ensemble, which brings its Robert Wilson production of Die Dreigroschenoper to the Bergen Festival in Norway (30 May and 1 June). And New Yorkers will have their own rare opportunity when the York Theater’s “Musicals in Mufti” presents Knickerbocker Holiday (26–28 June). Notable summer performances of Die sieben Todsünden will take place at Cincinnati May Festival, with James Conlon, conductor, and Patti LuPone, Anna I (22 May); at the Arts Festival of Northern Norway, Harstad, with the Mahler Chamber Orchestra led by HK Gruber and Ute Gfrerer as Anna I (20 June); and in Metz, with the Orchestre National de Lorraine, Jacques Mercier, conductor, and Helen Schneider, Anna I (26 June).
  • Music with Heart.Pdf

    Music with Heart.Pdf

    Wonderful Life 2018 insert.qxp_IAWL 2018 11/5/18 8:07 PM Page 1 B Y E DWARD S ECKERSON usic M with Heart American opera is alive and well in the imagination of Jake Heggie LMOND A AREN K 40 SAN FRANCISCO OPERA Wonderful Life 2018 insert.qxp_IAWL 2018 11/5/18 8:07 PM Page 2 n the multifaceted world of music theater, opera has true only to himself and that his unapologetic fondness for and always occupied the higher ground. It’s almost as if love of the American stage at its most lyric would dictate how he the very word has served to elevate the form and would write, in the only way he knew how: tonally, gratefully, gen- willfully set it apart from that branch of the genre where characters erously, from the heart. are wont to speak as well as sing: the musical. But where does Dissenting voices have accused him of not pushing the enve- thatI leave Bizet’s Carmen or Mozart’s Magic Flute? And why is it lope, of rejoicing in the past and not the future, of veering too so hard to accept that music theater comes in a great many forms close to Broadway (as if that were a bad thing) and courting popu- and styles and that through-sung or not, there are stories to be lar appeal. But where Bernstein, it could be argued, spent too told in words and music and more than one way to tell them? Will much precious time quietly seeking the approval of his cutting- there ever be an end to the tedious debate as to whether Stephen edge contemporaries (with even a work like A Quiet Place betray- Sondheim’s Sweeney Todd or Leonard Bernstein’s Candide are ing a certain determination to toughen up his act), Heggie has musicals or operas? Both scores are inherently “operatic” for written only the music he wanted—needed—to write.
  • An Interview with Jake Heggie

    An Interview with Jake Heggie

    35 Mediterranean Opera and Ballet Club Culture and Art Magazine A Chat with Composer Jake Heggie Besteci Jake Heggie İle Bir Sohbet Othello in the Dansa Âşık Bir Kuğu: Seraglio Meriç Sümen Othello Sarayda FLÜTİST HALİT TURGAY Fotoğraf: Mehmet Çağlarer A Chat with Jake Heggie Composer Jake Heggie (Photo by Art & Clarity). (Photo by Heggie Composer Jake Besteci Jake Heggie İle Bir Sohbet Ömer Eğecioğlu Santa Barbara, CA, ABD [email protected] 6 AKOB | NİSAN 2016 San Francisco-based American composer Jake Heggie is the author of upwards of 250 Genç Amerikalı besteci Jake Heggie şimdiye art songs. Some of his work in this genre were recorded by most notable artists of kadar 250’den fazla şarkıya imzasını atmış our time: Renée Fleming, Frederica von Stade, Carol Vaness, Joyce DiDonato, Sylvia bir müzisyen. Üstelik bu şarkılar günümüzün McNair and others. He has also written choral, orchestral and chamber works. But en ünlü ses sanatçıları tarafından yorumlanıp most importantly, Heggie is an opera composer. He is one of the most notable of the kaydedilmiş: Renée Fleming, Frederica von younger generation of American opera composers alongside perhaps Tobias Picker Stade, Carol Vaness, Joyce DiDonato, Sylvia and Ricky Ian Gordon. In fact, Heggie is considered by many to be simply the most McNair bu sanatçıların arasında yer alıyor. Heggie’nin diğer eserleri arasında koro ve successful living American composer. orkestra için çalışmalar ve ayrıca oda müziği parçaları var. Ama kendisi en başta bir opera Heggie’s recognition as an opera composer came in 2000 with Dead Man Walking, bestecisi olarak tanınıyor. Jake Heggie’nin with libretto by Terrence McNally, based on the popular book by Sister Helen Préjean.
  • SF Opera Guild Virtual Event April 28.Pdf

    SF Opera Guild Virtual Event April 28.Pdf

    SAN FRANCISCO OPERA GUILD PRESENTS “LIFE. CHANGING. AN EVENING WITH FREDERICA VON STADE & JAKE HEGGIE,” APRIL 28 Frederica von Stade; Jake Heggie (photo: Karen Almond); Gasia Mikaelian SAN FRANCISCO, CA (April 21, 2021) — San Francisco Opera Guild will present a complimentary virtual livestream event Life. Changing. An Evening with Frederica von Stade & Jake Heggie on Wednesday, April 28 at 6 pm Pacific. Mezzo-soprano Frederica von Stade (“Flicka”), American composer Jake Heggie and San Francisco Opera Guild students, alumni and teachers will share inspiring stories and uplifting songs, while celebrating music’s power to change lives. The event includes an intimate Q&A that will give attendees the chance to ask Flicka and Jake questions. KTVU Mornings on 2 news anchor and longtime opera enthusiast Gasia Mikaelian will serve as emcee. Life. Changing. is open to the public; complimentary advance registration required: give.sfoperaguild.com/LifeChanging. 1 Frederica von Stade said: “I love being with my pal, the wonderful Jake Heggie, to celebrate the great efforts of San Francisco Opera Guild in reaching out to the young people of the Bay Area. It means so much to me because I know firsthand of these efforts and have seen the amazing results. I applaud the Guild’s Director of Education Caroline Altman and her work with the Opera Scouts and the amazing team at the Guild. Music changed my life, and I’m excited to celebrate how it changes the lives of our precious young people.” Jake Heggie said: “I'm delighted to join with my great friend Frederica von Stade to spotlight the important, ongoing work in music education made possible by San Francisco Opera Guild.
  • Download the Closing Recital Program Notes and Artist Bios

    Download the Closing Recital Program Notes and Artist Bios

    Closing Recital: The Music of (Un)told Stories Thursday, March 14 at 5 PM Colton Recital Hall, Fine Arts Building Program Notes Romance for Violin and Piano, Op. 24 Amy Beach (1867–1944) Dr. Ioana Galu, violin Dr. Susan Keith Gray, piano Amy Beach was arguably the earliest and most prominent American woman composer, becoming a leading representative of the late 19th century Romantic style. She was largely a self-taught composer and never studied abroad. As a child prodigy, she taught herself to read at the age of three and composed mentally several piano pieces at the age of four. She studied piano with her mother, and then with Ernst Perabo, debuting as a concert pianist at sixteen. After her marriage to the famous Boston surgeon Dr. H.H. A. Beach, she limited her solo concerts to charity events and focused all her energy to composing. She returned to professional public performances after the death of her husband in 1910, touring Europe and the US. She dedicated the “Romance” to the prestigious American violinist Maud Powell, and they premiered it together on July 6th 1893 during the World’s Columbian Exposition. The audience cheered enthusiastically at the conclusion of the piece, so much they had to repeat it. About that day, Maud Powell reminisced: “Our meeting in Chicago and the pleasure of playing together made a most delightful episode in my Summer’s experience. I trust it soon may be repeated.” Source: ALS Maud Powell to Amy Beach, 6 December 1993, Special Collections, University of New Hampshire Library. Iconic Legacies: First Ladies at the Smithsonian (Scheer) Jake Heggie (b.