Jake Heggie's out of Darkness

Total Page:16

File Type:pdf, Size:1020Kb

Jake Heggie's out of Darkness Contact: Erika Beach, Director of Marketing Pensacola Opera Phone: 850-433-6737 Fax: 850-433-1082 Email: [email protected] Website: www.pensacolaopera.com FOR IMMEDIATE RELEASE: MARCH 2, 2016 PENSACOLA OPERA PRESENTS JAKE HEGGIE’S OUT OF DARKNESS March 31, April 1 and 2 at 7:30 p.m.; Sunday, April 3 at 2:00 p.m. At the Pensacola Opera Center | $35 March 31; $25 April 1-3 Pensacola, FL – Pensacola Opera is pleased to present Jake Heggie’s Out of Darkness, an opera in three parts in remembrance of the Holocaust, Thursday, March 31 through Saturday, April 2 at 7:30pm and Sunday, April 3 at 2:00 p.m. at the Pensacola Opera Center. Tickets are $35 for opening night (includes reception) and $25 for the remaining performances. Tickets can be purchased by calling (850) 433-6737 or ordering online at pensacolaopera.com. In Out of Darkness, composer Jake Heggie and Librettist Gene Scheer convey the vastness of the Holocaust’s scope through emotionally rich portraits of those caught in its grasp. The three powerfully raw works that comprise Out of Darkness are based upon the recollections and poetry of Auschwitz survivor Krystyna Zywulska, offering compelling musical witness to survival in the face of unimaginable adversity. Another Sunrise tells the amazing story of Krystyna Zywulska who, after being captured as a member of the Polish resistance, created poems and songs that circulated secretly and became anthems of defiance among her fellow prisoners. Farewell, Auschwitz adapts Krystyna’s lyrics, with their exhortations to preserve a sense of humanity in a place defined by inhuman behavior. For a Look or a Touch illuminates Nazi persecution of homosexuals, informing historical realities through an intensely intimate story of memory and loss. This production will be directed by Dugg McDonough with Xavier Suarez as pianist. Casting features Pensacola Opera’s 2016 Artists in Residence: Allison Nicholas as Krystyna, Amanda Fink as Zosha, Thaddeus Ennen as Manfred Lewin, and Nicholas DeMeo as Gad Beck. Jake Heggie Bio: Jake Heggie is the composer of the operas Dead Man Walking, Moby-Dick, Great Scott, Three Decembers, Out of Darkness, and the choral opera, The Radio Hour, among others. He has also composed more than 250 songs, as well as chamber, choral and orchestral works. The operas – most created with writers Terrence McNally and Gene Scheer – have been produced on five continents. Moby-Dick (Scheer) was telecast throughout the United States as part of Great Performances’ 40th Season and released on DVD (EuroArts). Dead Man Walking (McNally) has received nearly 50 international productions and has been recorded twice. A Guggenheim Fellow, Heggie has served as a mentor for the Washington National Opera’s American Opera Initiative and is a frequent guest artist at universities, conservatories and festivals throughout the USA and Canada. The composer was recently awarded the Eddie Medora King prize from the UT Austin Butler School of Music. Upcoming is the world premiere of Heggie’s sixth full-length opera, It’s A Wonderful Life (Scheer), for the Houston Grand Opera, conducted by Patrick Summers and directed by Leonard Foglia. -###- The mission of Pensacola Opera is to enrich the culture of Northwest Florida by producing professional opera performances, educational programs and other opera-related community events for people of all ages, interests and backgrounds. Pensacola Opera | 75 S. Tarragona St, Pensacola, FL 32502 | (850) 433-6737 | www.pensacolaopera.com .
Recommended publications
  • Rodgers & Hammerstein's
    2015/16 Season Rodgers & Hammerstein’s Rodgers & Hammerstein’s THE KING AND I Music by RICHARD RODGERS­Book and Lyrics by OSCAR HAMMERSTEIN II Based on “Anna and the King of Siam” by Margaret Landon­Original Orchestrations by Robert Russell Bennett ­ Original Dance Arrangements by Trude Rittmann­Original Choreography by Jerome Robbins LYRIC OPERA OF CHICAGO Table of Contents MARIE-NOËLLE ROBERT / THÉÂTRE DU CHÂTELET IN THIS ISSUE The King and I – pp. 25-41 6 From the President 14 Voyage Of Discovery: : 45 Lyric Unlimited/Education Corps and the General Director Lyric’s 2016-17 Season 46 Aria Society 8 Board of Directors 23 Tonight’s Performance 55 Breaking New Ground/ 25 Cast 10 Women’s Board/Guild Board/ Look to the Future Chapters’ Executive Board/ 26 Musical Numbers/Orchestra 57 Major Contributors – Special Ryan Opera Center Board 27 Artist Profiles Events and Project Support 12 Administration/Administrative 37 A Glorious Partnership 58 Ryan Opera Center Staff/Production and 40 A Talk with the Director Technical Staff 42 Just for Kids 59 Ryan Opera Center Contributors 60 Lyric Unlimited Contributors LYRIC 2016-17 SEASON PREVIEW pp. 16-22 61 Planned Giving: The Overture Society 63 Annual Corporate Support 64 Matching Gifts, Special Thanks and Acknowledgements 65 Annual Individual and MARIE-NOËLLE ROBERT/THÉÂTRE DU CHÂTELET Foundation Support 71 Commemorative Gifts 72 Facilities and Services/Theater Staff On the cover: Paolo Montalban as the King and Kate Baldwin as Anna, photographed by Todd Rosenberg. 2 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A.
    [Show full text]
  • Three Decembers” STARRING WORLD-RENOWNED MEZZO SOPRANO SUSAN GRAHAM and CELEBRATED ARTISTS MAYA KHERANI and EFRAÍN SOLÍS Available Via Online Streaming Anytime
    OPERA SAN JOSÉ EXTENDS ACCESS TO VIRTUAL PERFORMANCE OF Jake Heggie’s “Three Decembers” STARRING WORLD-RENOWNED MEZZO SOPRANO SUSAN GRAHAM AND CELEBRATED ARTISTS MAYA KHERANI AND EFRAÍN SOLÍS Available via online streaming anytime SAN JOSE, CA (3 February 2021) – In keeping with Opera San José’s mission to expand accessibility to its work, the company has announced that through the support of generous donors it is able to extend access to its hit virtual production of Jake Heggie’s chamber opera, Three Decembers, now making it available on a pay-what-you-can basis for streaming on demand. The production is being offered with subtitles in Spanish and Vietnamese, as well as English, furthering its accessibility to the Spanish and Vietnamese speaking members of the San Jose community, two of the largest populations in its home region. Featuring world-renowned mezzo-soprano Susan Graham in the central role, alongside celebrated Opera San José Resident Artists soprano Maya Kherani and baritone Efraín Solís, this world-class digital production has been met with widespread critical acclaim. Based on an unpublished play by Tony Award winning playwright Terrence McNally, Three Decembers follows the riveting story of a famous stage actress and her two adult children, struggling to connect over three decades, as long-held secrets come to light. With a brilliant, witty libretto by Gene Scheer and a soaring musical score by Jake Heggie, Three Decembers offers a 90-minute fullhearted American opera about family – the ones we are born into and those we create. Tickets for the modern work, which was recorded last Fall in the company’s Heiman Digital Media Studio, are pay-what-you-can beginning at $15 per household, which includes on-demand streaming for 30 days after date of purchase.
    [Show full text]
  • An Interview with Jake Heggie
    35 Mediterranean Opera and Ballet Club Culture and Art Magazine A Chat with Composer Jake Heggie Besteci Jake Heggie İle Bir Sohbet Othello in the Dansa Âşık Bir Kuğu: Seraglio Meriç Sümen Othello Sarayda FLÜTİST HALİT TURGAY Fotoğraf: Mehmet Çağlarer A Chat with Jake Heggie Composer Jake Heggie (Photo by Art & Clarity). (Photo by Heggie Composer Jake Besteci Jake Heggie İle Bir Sohbet Ömer Eğecioğlu Santa Barbara, CA, ABD [email protected] 6 AKOB | NİSAN 2016 San Francisco-based American composer Jake Heggie is the author of upwards of 250 Genç Amerikalı besteci Jake Heggie şimdiye art songs. Some of his work in this genre were recorded by most notable artists of kadar 250’den fazla şarkıya imzasını atmış our time: Renée Fleming, Frederica von Stade, Carol Vaness, Joyce DiDonato, Sylvia bir müzisyen. Üstelik bu şarkılar günümüzün McNair and others. He has also written choral, orchestral and chamber works. But en ünlü ses sanatçıları tarafından yorumlanıp most importantly, Heggie is an opera composer. He is one of the most notable of the kaydedilmiş: Renée Fleming, Frederica von younger generation of American opera composers alongside perhaps Tobias Picker Stade, Carol Vaness, Joyce DiDonato, Sylvia and Ricky Ian Gordon. In fact, Heggie is considered by many to be simply the most McNair bu sanatçıların arasında yer alıyor. Heggie’nin diğer eserleri arasında koro ve successful living American composer. orkestra için çalışmalar ve ayrıca oda müziği parçaları var. Ama kendisi en başta bir opera Heggie’s recognition as an opera composer came in 2000 with Dead Man Walking, bestecisi olarak tanınıyor. Jake Heggie’nin with libretto by Terrence McNally, based on the popular book by Sister Helen Préjean.
    [Show full text]
  • SF Opera Guild Virtual Event April 28.Pdf
    SAN FRANCISCO OPERA GUILD PRESENTS “LIFE. CHANGING. AN EVENING WITH FREDERICA VON STADE & JAKE HEGGIE,” APRIL 28 Frederica von Stade; Jake Heggie (photo: Karen Almond); Gasia Mikaelian SAN FRANCISCO, CA (April 21, 2021) — San Francisco Opera Guild will present a complimentary virtual livestream event Life. Changing. An Evening with Frederica von Stade & Jake Heggie on Wednesday, April 28 at 6 pm Pacific. Mezzo-soprano Frederica von Stade (“Flicka”), American composer Jake Heggie and San Francisco Opera Guild students, alumni and teachers will share inspiring stories and uplifting songs, while celebrating music’s power to change lives. The event includes an intimate Q&A that will give attendees the chance to ask Flicka and Jake questions. KTVU Mornings on 2 news anchor and longtime opera enthusiast Gasia Mikaelian will serve as emcee. Life. Changing. is open to the public; complimentary advance registration required: give.sfoperaguild.com/LifeChanging. 1 Frederica von Stade said: “I love being with my pal, the wonderful Jake Heggie, to celebrate the great efforts of San Francisco Opera Guild in reaching out to the young people of the Bay Area. It means so much to me because I know firsthand of these efforts and have seen the amazing results. I applaud the Guild’s Director of Education Caroline Altman and her work with the Opera Scouts and the amazing team at the Guild. Music changed my life, and I’m excited to celebrate how it changes the lives of our precious young people.” Jake Heggie said: “I'm delighted to join with my great friend Frederica von Stade to spotlight the important, ongoing work in music education made possible by San Francisco Opera Guild.
    [Show full text]
  • Cruzar La Cara De La Luna to Cross the Face of the Moon
    CRUZAR LA CARA DE LA LUNA TO CROSS THE FACE OF THE MOON MUSICA POR / MUSIC BY José “Pepe” Martínez | LETRAS POR / LYRICS BY José “Pepe” Martínez & Leonard Foglia LIBRO POR / BOOK BY Leonard Foglia HOUSTON GRAND OPERA | MARIACHI VARGAS DE TECALITLÁN BRIAN SHIRCLIFFE (MARK) | BRITTANY WHEELER Cruzar(DIANA) |la OC CaraTAVIO MOdeREN la OLuna (LAURENTINO) JUAN MEJÍA (CHUCHO/ VICTOR) | CECILIA DUARTE (RENATA) | VANESSA CERDA-ALONZO (LUPITA) DAVID GUZMAN (RAFAEL) | ATLAI CARREON (RAFAELTo JCrossÓVEN / YtheOUNG Face RAF AEL)of the Moon Musica por / Music by José “Pepe” Martínez 1 ON FRAGILE WINGS / EN FRÁGILES ALAS – MarkLetras [4:17] por / Lyrics by José “Pepe” Martínez and 2 EN FRÁGILES ALAS – Chucho, Lupita, Mariachi [2:51] 3 50 YEARS FROM NOW / A CINCUENTA AÑOS DELeonard AHORA – Foglia Young Laurentino, Renata, Mariachi, Lupita [3:03] 4 I’M ALWAYS HERE / SIEMPRE ESTOY AQUÍ – Diana,Libro Renatapor / Book[4:16] by Leonard Foglia 5 10 TIMES MORE / DIEZ VECES MAS – Chucho, Mariachi, Young Laurentino, Renata [4:29] 6 NUMBERS / NÚMEROS – Mark, Rafael [3:34] Houston Grand Opera 7 A TOWN WITHOUT MEN / UN PUEBLO SIN HOMBRES – Renata, Lupita [6:21] 8 NORTH / SOUTH; NORTE / SUR – Young Laurentino,Mariachi Chucho, Vargas Mariachi, de Renata Tecalitlán [9:49] 9 TO CROSS THE FACE OF THE MOON / CRUZARCecilia LA CARA DuarteDE LA LUNA | Octavio – Laurentino Moreno [6:28] | Vanessa Cerda— 10 YOUR MOTHER’S EYES / LOS OJOS DE TU MADAlonzoRE – Laurentino, Rafael [5:22] 11 WANNA DANCE? / ¿QUIERES BAILAR? – Renata [4:01] 12 EN FRÁGILES ALAS – REPRISE – Mark, LaurentinoBrian [3:43] Shircliffe | David Guzmán | Brittany Wheeler | 13 MY FATHER’S FATHER / EL PADRE DE MI PADJuanRE – Renata Mejía [3:48] 14 TO CROSS THE FACE OF THE MOON / CRUZAR LA CARA DE LA LUNA – REPRISE – Mariachi [:55] 15 MY HOME / MI HOGAR – Mark, Rafael, Diana, Renata [4:03] Total Time = 67:11 CRUZAR LA CARA DE LA LUNA TO CROSS THE FACE OF THE MOON WWW.ALBANYRECORDS.COM TROY1299 ALBANY RECORDS U.S.
    [Show full text]
  • And Return of Cruzar La Cara De La Luna (May 17, 19, 20) at HGO Resilience Theater
    Houston Grand Opera presents Bernstein’s West Side Story (April 20–May 6), Bellini’sNorma (April 27–May 11), and return of Cruzar la Cara de la Luna (May 17, 19, 20) at HGO Resilience Theater World’s first mariachi opera returns after New York triumph Houston, January 29, 2018— Houston Grand Opera (HGO) will present the first major American opera house production of Leonard Bernstein’s landmark musical West Side Story, April 20–May 6, and Bellini’s vocal powerhouse Norma, April 27–May 11, in the HGO Resilence Theater at the George R. Brown Convention Center. HGO will also bring back its popular groundbreaking production of the world’s first mariachi opera, Cruzar la Cara de la Luna/To Cross the Face of the Moon, for three special performances on May 17, 19, and 20, also in Resilience Theater. Composed by José “Pepe” Martínez with libretto by Leonard Foglia, the powerful story chronicling three generations of a family divided by countries and cultures has been performed to audience and critical acclaim all over the United States, in Paris, and in Mexico. It received rave reviews at its New York premiere at New York City Opera. Tickets for these productions at the HGO Resilience Theater in the George R. Brown Convention Center are available at HGO.org. Parking is available at the Avenida North Garage located at 1815 Rusk 1 Street, across from Resilience Theater. A sky bridge connects the parking garage to the GRB, and there is clear signage directing patrons to the theater. More information about parking can be found here.
    [Show full text]
  • Past TRC Productions
    TRINITY REPERTORY COMPANY 201 Washington Street, Providence, RI 02903 PAST PRODUCTIONS Counting seasons: In the official count of seasons (1st, 2nd, 3rd, etc.), it may have been decided in 1970 to not count 1963-64 as the first season. Or a mistake in a brochure may have never been caught until it was much too late. Subscription brochures for the 1969-70 Season and 1970-71 Season both refer to the upcoming season as the 7th Season. Brochures for the 1967-68 and 1968-69 Seasons refer to them respectively as the 5th and 6th Seasons, but a brochure for the 1965-66 Season refers to that as the “second full season.” During the 1963-64 Season, Trinity Players on the Square was not a fully professional company and there were no actual performances in 1963. 1964-65 was the first full season with Adrian Hall as artistic director and Equity contracts. The counting of the seasons proceeded consecutively from the second 7th Season. *World Premiere Production **American Premiere Production ***Pre-Season Productions + Booked-In, Rental, Competition Winner, Special Presentation, or Co-Production 1963-1964 Season • 1st Director Playwright Designers The Hostage Ira Zuckerman Brendan Behan Sets: Sandra Tilles Costumes: Joyce Anderson Lighting: Thomas J. Aubin Sound: Vincent Vessela The House of Bernarda Alba Ira Zuckerman Frederico Garcia Lorca Sets: Morris Nathanson Costumes: Sue Neely Lighting: Thomas J. Aubin and Catie Calvo Sound: Bud Peltier American Dream Adrian Hall Edward Albee Sets: Richard L. Peterson and Carl Ravenal Costumes: Edith Brown Lighting: Thomas J. Aubin and Catie Calvo Sound: Sandra Tilles Orpheus Descending Adrian Hall Tennessee Williams Costumes: Edith Brown Lighting: Thomas J.
    [Show full text]
  • Oral History Center University of California the Bancroft Library Berkeley, California Frederica Von Stade Frederica Von Stade
    Oral History Center University of California The Bancroft Library Berkeley, California Frederica von Stade Frederica von Stade: American Star Mezzo-Soprano Interviews conducted by Caroline Crawford in 2011, 2012, 2014, 2015 Copyright © 2020 by The Regents of the University of California Oral History Center, The Bancroft Library, University of California, Berkeley ii Since 1954 the Oral History Center of The Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Frederica von Stade dated February 2, 2012. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • Opera SAN JOSÉ
    2018 | 2019 SEASON Opera SAN JOSÉ Celebrating 35 YEARS of Excellence Message from General Director Larry Hancock I suspect that it is impossible to say in few words what Melville’s Moby- Dick is about. It seems to be about everything. It may be doubtful that anyone can say precisely what any great work of literature is about. In Search of Lost Time, War and Peace, Middlemarch, Great Expectations, Moby-Dick…The words string along, leading into deeper knowledge page after page, clearer understanding character by character, so that after 800 pages of, say, Middlemarch, you put the book down and know…what? That humanity is…what? That life is lived… how? By whom? But you know you’ve learned something. The search for a more concise meaning is a bit easier after epic literature has been put in the crucible of opera and rendered. Opera, using music, with its layered emotions, penetrates instantaneously on many levels and at once. The sounding of a single chord can convey a whole page of description. Composer Jake Heggie and librettist Gene Scheer have distilled Melville’s epic from 24 hours and 38 minutes (the duration of the audiobook) to three hours of music. Anything that is not essential to the narrative, and a great portion of Melville’s revolutionary novel is not narrative, has been set aside, and as a stage doesn’t provide scene changes by beginning new paragraphs, some words that were spoken in different times and other places have been moved into the here and now, and realizations in the novel that emerge only after long introspective monologues are expressed in a flash, expanded in meaning by an entire orchestra.
    [Show full text]
  • Shared Dramatic Pacing in Jake Heggie's Three Decembers
    James Madison University JMU Scholarly Commons Dissertations, 2020-current The Graduate School 5-7-2020 Shared dramatic pacing in Jake Heggie's Three Decembers Cynthia Wohlschlager Follow this and additional works at: https://commons.lib.jmu.edu/diss202029 Part of the Music Pedagogy Commons, Music Performance Commons, and the Music Practice Commons Recommended Citation Wohlschlager, Cynthia, "Shared dramatic pacing in Jake Heggie's Three Decembers" (2020). Dissertations, 2020-current. 14. https://commons.lib.jmu.edu/diss202029/14 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations, 2020-current by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Shared Dramatic Pacing in Jake Heggie’s Three Decembers Cynthia Skelley-Wohlschlager A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music May 2020 ________________________________________________________________________ FACULTY COMMITTEE: Committee Chair: Professor Kevin McMillan M.M. Committee Members/Readers: Don Rierson, Ph.D. Jamison Walker, D.M.A. Acknowledgments I want to thank my Committee Chair, Kevin McMillan M.M., for helping me to understand what my contribution to this art form can be, for holding the highest standards in the pursuance of excellence in this field while remaining human and kind, and for his sincere dedication in helping me with this document. His countless hours of creative and intelligent editing and professional guidance have been fundamental to me during this process.
    [Show full text]
  • Media Release
    Media Release FOR IMMEDIATE RELEASE: December 18, 2018 Contact: Edward Wilensky (619) 232-7636 [email protected] Jake Heggie’s Chamber Opera, Three Decembers, Continues San Diego Opera’s Season as Part of the dētour Series Mezzo-soprano Frederica von Stade reprises role she created for the world premiere San Diego Opera performs at PHAME Theatre for the first time in the Company’s History San Diego, CA – Jake Heggie’s chamber opera, Three Decembers, continues the Company’s dētour Series when it opens on Friday, March 8, 2019 at PHAME (Patrick Henry Arts, Music, Entertainment) Theatre for three performances. Additional performances are March 9 and 10 (matinee), 2019. This chamber opera, which is a meditation on the family we want versus the family we actually have, marks the welcome return of legendary mezzo-soprano Frederica von Stade as Madeline Mitchell, reprising the role she created for the world premiere of this opera. Also reprising the role she created for the world premiere is soprano Kristin Clayton in her house debut as Beatrice Mitchell. Baritone Steven LaBrie also makes his Company debut as Charlie Mitchell. Conductor Adam Turner makes his Company debut alongside stage director Karen Tiller. The scenic, lighting, and projection designer is Peter Dean Beck and the costume designer is Helen E. Rodgers. Three Decembers takes place in the month of December over the years 1986, 1996 and 2006 and tells the story of Madeline Mitchell, a famous actress, and her two adult children as they struggle to know and love each other. San Diego Opera is incredibly excited to present at the PHAME Theatre for the first time in the Company’s history.
    [Show full text]
  • About the Composer
    THE STORY SETTING: Holidays 1986, 1996, 2006 The two adult children of a famous actress, Madeline pares her to her father, setting off a chain reaction of Mitchell, have not come to terms with their mother’s recrimination, revelation, and at long last, resolution. The absorption with her career and resultant neglect of them. three central characters struggle to know and love each Their father, an actor, died in an accident when they were other over the course of three different holiday seasons, very small and Madeline (Maddy) rationalizes that as a single each ten years apart. “It is the universal story about the mother and breadwinner, it was necessary to put her career family we wish for and the family we wind up with.” first. Maddy’s daughter Beatrice and son Charlie are dealing with enormous problems: Bea is unhappily married and Three Decembers first premiered in 2008 with famed mezzo- seeks comfort from alcohol, while Charlie is about to lose soprano Frederica von Stade who created the role of his partner to AIDS. When Madeline is nominated for a Madeline Mitchell. Under the working title, Last Acts, the Tony, she invites Charlie and Bea to attend the awards cere - piece was first produced by Houston Grand Opera and mony. She and Bea plan to meet at her apartment before - based on the unfinished play, Some Christmas Letters, by hand to get dressed, but Maddy doesn’t show up on time. Terrence McNally. This intimate chamber opera incorpo - Once again let down by her mother, Bea drinks. When rates a small cast of three singers and approximately ten Maddy finally arrives and sees the state Bea is in, she com - instruments.
    [Show full text]