RUNNING SCARED Jimmy Huston REVISED SECOND DRAFT JUNE
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Clones Stick Together
TVhome The Daily Home April 12 - 18, 2015 Clones Stick Together Sarah (Tatiana Maslany) is on a mission to find the 000208858R1 truth about the clones on season three of “Orphan Black,” premiering Saturday at 8 p.m. on BBC America. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., April 12, 2015 — Sat., April 18, 2015 DISH AT&T DIRECTV CABLE CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA SPORTS WBRC 6 6 7 7 6 6 6 6 AUTO RACING Friday WBIQ 10 4 10 10 10 10 6 p.m. FS1 St. John’s Red Storm at Drag Racing WCIQ 7 10 4 Creighton Blue Jays (Live) WVTM 13 13 5 5 13 13 13 13 Sunday Saturday WTTO 21 8 9 9 8 21 21 21 7 p.m. ESPN2 Summitracing.com 12 p.m. ESPN2 Vanderbilt Com- WUOA 23 14 6 6 23 23 23 NHRA Nationals from The Strip at modores at South Carolina WEAC 24 24 Las Vegas Motor Speedway in Las Gamecocks (Live) WJSU 40 4 4 40 Vegas (Taped) 2 p.m. -
Cata2006.Pdf
SOMMAIRE/CONTENTS S PARTENAIRES/PARTNERS & SPONSORS 005 ÉDITORIAUX/EDITORIALS 006 PRIX/PRIZES 030 JURYS/JURIES 033 jury de la compétition internationale/international competition jury 034 jury de la compétition française/french competition jury 040 jury son/soundtrack jury 046 jury GNCR, jury Marseille Espérance, jury des Médiathèques GNCR jury, Marseille Espérance jury and Public libraries jury 050 SÉLECTION OFFICIELLE/OFFICIAL SELECTION 051 éditorial/editorial 052 compétition internationale/international competition 057 film d’ouverture/opening film 058 compétition française/french competition 097 ÉCRANS PARALLÈLES/PARALLEL SCREENS 113 rétrospective harmut bitomsky / harmut bitomsky retrospective 115 rétrospective joaquin jordá / joaquin jordá retrospective 129 robert morin, fais-le toi-même ! / robert morin, do it yourself ! 141 be with me – la fiction avec le documentaire / be with me – fiction with documentary 157 toutes les nuits (en six jours) / all kinds of nights (in six days) 179 fenêtre allemande, tübingen / a glimpse of germany, tübingen 191 les sentiers / paths 195 SÉANCES SPÉCIALES/SPECIAL SCREENS 229 TABLES RONDES/ROUND TABLES 235 FIDMarseille AVEC/FIDMarseille WITH 237 VIDÉOTHÈQUE/VIDEO LIBRARY 245 ÉQUIPE ARTISTIQUE/ARTISTIC TEAM 261 REMERCIEMENTS/ACKNOWLEDGEMENTS 265 C.A. et ÉQUIPE FIDMarseille / FIDMarseille MANAGEMENT COMMITTEE and STAFF 266 INDEX/INDEX index des films / film index 267 index des réalisateurs / filmmaker index 269 index des producteurs / film producer index 270 004 PARTENAIRES/PARTNERS & SPONSORS Pa -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
Goldsmiths College University of London Locating Contemporary
Goldsmiths College University of London Locating Contemporary South Korean Cinema: Between the Universal and the Particular Seung Woo Ha A thesis submitted for the degree of Doctor of Philosophy to the department of Media and Communications January 2013 1 DECLARATION I, Seung Woo Ha confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed……………………….. Date…..…10-Jan-2013……… 2 ABSTRACT The thesis analyses contemporary South Korean films from the late 1980s up to the present day. It asks whether Korean films have produced a new cinema, by critically examining the criteria by which Korean films are said to be new. Have Korean films really changed aesthetically? What are the limitations, and even pitfalls in contemporary Korean film aesthetics? If there appears to be a true radicalism in Korean films, under which conditions does it emerge? Which films convey its core features? To answer these questions, the study attempts to posit a universalising theory rather than making particular claims about Korean films. Where many other scholars have focused on the historical context of the film texts’ production and their reception, this thesis privileges the film texts themselves, by suggesting that whether those films are new or not will depend on a film text’s individual mode of address. To explore this problem further, this study draws on the concept of ‘concrete universality’ from a Lacanian/Žižekian standpoint. For my purpose, it refers to examining how a kind of disruptive element in a film text’s formal structure obtrudes into the diegetic reality, thus revealing a cinematic ‘distortion’ in the smooth running of reality. -
Using Film in the College-Level KFL Classroom: Applying Theories and Developing Activities
Using Film in the College-level KFL Classroom: Applying Theories and Developing Activities Young-mee Yu Cho⋅Hee Chung Chun⋅Ji-Young Jung (Rutgers University⋅Rutgers University⋅University of Pennsylvania) 유영미⋅전희정⋅정지영. 2014. 영어권 학습자를 위한 교육용 영화 선정 과 활용방안. 한국어 교육 25-4: 249-275. 본 연구는 미국 대학의 한국어 교육과정에서 활용하기 위한 교육용 한국 영화를 선정하고 그 활용 방안 을 보이는데 그 목적이 있다. 한국어 교육용 영화 선정 기준과 활용 방안 에 대해 논의한 기존의 연구들은 학습자 및 수업의 성격과 규모의 차이 등을 이유로 미국 대학에 직접적으로 적용하기에 무리가 있을 것으로 보 인다. 이에 본고는 미국의 한국어 교육 환경을 고려하여 언어 교육에서 영화의 활용이 갖는 장점과 의의, 교육용 영화 선정 기준 및 그 활용 방 안을 이론과 실제 교실에의 적용을 중심으로 논의하고자 한다. 특히 본 고는 13개 미국 대학의 한국어 프로그램에서 실제 사용되는 한국어 교육 용 한국 영화의 사용 현황을 조사하고, 그에 대한 교사 및 학습자의 실제 반응을 논의한다. 또한, 현재 미국의 두 대학의 한국어 교육과정에서 활 용하고 있는 한국 영화와 그 활용 방안을 문화간 의사소통 능력 신장을 위한 활동을 중심으로 살펴본다는 데 그 의의가 있다. 주제어: 미국 내 한국어 교육(Korean language education in America), 교육용 한국 영화(Korean films for educational purpose), 영화 선정 원리(Criteria for educational film), 문화간 의사소통 능 력 (Intercultural competence), 영화 활용 활동(Activities using film) 1. Introduction In the second decade of the 21st century, no one questions the view that 250 Yonug-mee Yu Cho Hee Chung Chun Ji-Young Jung the use of multimedia has great potential to enhance learning and that its effective use is one of the most motivational tools available for language teachers. -
New Zealand Meets South Korea: Strategies for Film Co-Productions Between Two Countries
http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. New Zealand meets South Korea: Strategies for film co-productions between two countries A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Screen and Media Studies Department at The University of Waikato by JuHee Kim Year of submission 2017 Abstract This study investigates the state of international film co-productions between New Zealand and South Korea and whether such co-productions are possible, and if so, which modes or types of film co-productions are likely to succeed. The study is framed in the context of the two countries as well as the rapidly changing global marketplace. Increasingly, international film co-productions have gained importance in the film industry paralleling a growing tendency towards cross- border filmmaking. However, the phenomenon of international film co- productions, specifically between New Zealand and South Korea, has not been fully investigated to date. -
Critical Interpretation of Hybridisation in Korean
CRITICAL INTERPRETATION OF HYBRIDISATION IN KOREAN CINEMA: DOES THE LOCAL FILM INDUSTRY CREATE “THE THIRD SPACE”? DAL YONG JIN 72 - Abstract This paper examines the fundamental assumptions Dal Yong Jin is Associate of the concept of cultural hybridity in understanding the Professor in the Department swift growth of Korean popular culture, especially fi lms. It of Humanities and Social investigates whether hybridity, as a cultural globalization Sciences at Korea Advanced perspective, has generated new possible cultures, which Institute of Science and are free from western dominance, by analyzing the hybri- Technology (KAIST); e-mail: dised Korean fi lms. Unlike previous studies emphasising [email protected]. the crucial role of hybridisation in creating the third space, this paper empirically argues that the hybridisation process of the local popular culture is heavily infl uenced by West- ern norms and formats, and newly created local cultural products are rather representing Western culture, instead 55 1, pp. (2010), No. Vol.17 of unique local culture. It fi nally discusses the reasons why hybridity cannot adequately explain local cultures and identify some issues we have to consider in employing hybridity in interpreting globalisation. 55 Introduction Korean cinema has been considered a very distinctive non-Hollywood cinema in terms of the market share of domestic fi lms, and Korean fi lms are especially projected to have more success ahead as they recently began fi nding new audi- ences in other parts of the world. The swiV growth of Korean cinema has been identifi ed with several theoretical frameworks, including cultural imperialism and hybridisation. Contemporary cultural theories contain polarised ideas on whether culture is becoming increasingly homogeneous or heterogeneous under the scenario of globalisation, and cultural globalisation and/or hybridity, which emphasises either power to challenge and break the dominant culture of Western countries or power to sustain and develop local identities, has become a crucial and appealing theory. -
New Korean Cinema: Mourning to Regeneration
NEW KOREAN CINEMA: MOURNING TO REGENERATION by Seung-hwan Shin B. A. in English Literature, Yonsei University, Seoul, 1999 M. A. in Comparative Literature, Yonsei University, Seoul, 2003 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Seung-hwan Shin It was defended on March 3, 2014 and approved by Colin MacCabe, Distinguished Professor, English/Film Studies Adam Lowenstein, Associate Professor, Film Studies Kyung Hyun Kim, Associate Professor, Film & Media Studies, UC Irvine Dissertation Advisor: Marcia Landy, Distinguished Professor, Film Studies ii Copyright © by Seung-hwan Shin 2014 iii NEW KOREAN CINEMA: MOURNING TO REGENERATION Seung-hwan Shin, PhD University of Pittsburgh, 2014 The past two decades saw Korean cinema establishing itself as one of the most vibrant national cinemas in the world. Scholars have often sought clues in democratization in the early 1990s. Yet, the overall condition of Korean cinema had remained hardly promising until the late 1990s, which urges us to rethink the euphoria over democratization. In an effort to find a better account for its stunning and provocative revival, this dissertation challenges the custom of associating the resurgence of Korean cinema with democratization and contends that Korean cinema has gained its novelty and vitality, above all, by confronting the abortive nature of democratic transitions. The overarching concern of this study is thus elucidating the piquant tastes of the thematics and the styles Korean cinema has developed to articulate public discontents with recent historical changes. -
Ahn Sung-Ki Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Ahn Sung-ki Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) The Blue in You https://bg.listvote.com/lists/film/movies/the-blue-in-you-16169228/actors Sector 7 https://bg.listvote.com/lists/film/movies/sector-7-487482/actors The Eternal Empire https://bg.listvote.com/lists/film/movies/the-eternal-empire-16179781/actors Musa https://bg.listvote.com/lists/film/movies/musa-488321/actors A Battle of Wits https://bg.listvote.com/lists/film/movies/a-battle-of-wits-15902629/actors White Badge https://bg.listvote.com/lists/film/movies/white-badge-625401/actors The Divine Fury https://bg.listvote.com/lists/film/movies/the-divine-fury-56461564/actors To the Starry Island https://bg.listvote.com/lists/film/movies/to-the-starry-island-16261136/actors Spring in My Hometown https://bg.listvote.com/lists/film/movies/spring-in-my-hometown-16165782/actors A Fine, Windy Day https://bg.listvote.com/lists/film/movies/a-fine%2C-windy-day-4656754/actors Mom, the Star, and the Sea https://bg.listvote.com/lists/film/movies/mom%2C-the-star%2C-and-the-sea-anemone- Anemone 16163897/actors Come Unto Down https://bg.listvote.com/lists/film/movies/come-unto-down-5151291/actors Fair Love https://bg.listvote.com/lists/film/movies/fair-love-5429852/actors The Age of Success https://bg.listvote.com/lists/film/movies/the-age-of-success-7712871/actors Arahan https://bg.listvote.com/lists/film/movies/arahan-510456/actors Unbowed https://bg.listvote.com/lists/film/movies/unbowed-492458/actors Lee Jang-ho's Baseball Team https://bg.listvote.com/lists/film/movies/lee-jang-ho%27s-baseball-team-17051291/actors -
South Korea Cultural History Between 1960S and 201215
SOUTH KOREA CULTURAL HISTORY BETWEEN 1960S AND 201215 Mi Sook PARK University of Sheffield School of East Asian Studies Sheffield, UK [email protected] Abstract: This paper examines the development of South Korean cultural policy from the 1970s to the present. It contextualises South Korean state, culture and its cultural policy within the framework of state developmentalism, so as to understand their dynamics and relationships. A detailed analysis of how the national cultural policy is interpreted and implemented through institutional practices, historically and in its contemporary context shall be made. Key words: Cultural Policy, developmentalism, South Korea, Hallyu 1960 년대부터 2012 년 기간의 한국의 문화정책 초록: 본 논문은 1970 년부터 현재까지 한국의 문화정책에 관해 분석하였다. 국가발전주의 입장에서 문화정책이 어떻게 실행, 적용되었는지를 각 정권별로 문화정책과 기관을 통해 살펴 보았다. 이런 결과 문화정책은 박정희 정부에서부터 새마을 운동과 같은 근대화 운동을 비롯해 아시아 금융위기 이후 새로운 경제성장의 동력으로 연계되어 있는 것을 나타났다. 15 This paper prepared and edited from my PhD thesis -How “Hallyu” outcome in Asia since the early of 2000s- for the Second International Conference on Korean Humanities and Social Sciences - Language, Literature, Culture and Translation in Adam Mickiewicz University in Poland, 7th to 8th July 2014 71 International Journal of Korean Humanities and Social Sciences, vol. 1/2015 키워드: 문화정책, 발전주의, 한국, 한류 1. Overview This paper examines the development of South Korean cultural policy from the 1970s to the Lee Myoungbak government. It contextualises South Korean state, culture and its cultural policy within the frame- work of state developmentalism, so as to understand their dynamics and relationships. A detailed analysis of how the national cultural policy is interpreted and implemented through institutional practices, historically and in its contemporary context shall be made. -
IMPROVISATION and OTHER STORIES THESIS Presented In
IMPROVISATION AND OTHER STORIES THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Brian Richard Wade, B.S. Graduate Program in English The Ohio State University 2010 Thesis Committee: Professor Erin McGraw, Advisor Professor Lee Martin Copyright by Brian Richard Wade 2010 ABSTRACT Improvisation and Other Stories is a collection of original short stories and a novella linked solely by the eclectic imagination of its author. Within its pages you will find tales of barbarism and love, magical and mundane worlds, and diverse animals such as tropical fish, raccoons, and at least one ape. ii Dedicated to Todd Sewright, without whom this would not have been possible. iii ACKNOWLEDGEMENTS I would like to thank Erin McGraw for sticking with me through all these years; her patience, fierce standards, and wicked-smart advice made it possible for me to complete the work. I am further indebted to the irrepressible Michelle Herman and the sage Lee Martin for their kindness and advice. Thanks to Lee K. Abbott for sharing the “rules”; I shall not forget them. It was his stories that lured me to Ohio State in the first place. I am grateful to Maureen Traverse, Doug Watson, Kyle Minor, Laurel Gilbert, Donald Ray Pollack, Kim Bauer, and Jesse Quillian for their kind words and assistance shaping many of these stories. In addition, I would like to thank the Wordos writing group in Eugene, Oregon for setting me on my way. In particular, I am thankful to Dianna Rodgers, Eric M.