DOCSLIB.ORG

Mayan Life Path Astrology Report for Carlos Santana Page 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mayan Life Path Astrology Report for Carlos Santana Page 2 Mayan Life Path Astrology Report for Carlos Santana Text by Bruce Scofield Copyright ®1990-2006 Bruce Scofield, Barry C. Orr Copyright ®2006 Astrolabe Inc. Mayan Life Path Astrology Report for Carlos Santana Page 2 Carlos Santana Autlan De Navarro, Mexic Jul 20 1947 2:00:00 AM CST Mayan Long Count: 12.16.13.11.4 Sacred Day: 184 Night Lord: 8 Birth Year: 1-South (Grass). The Astrology Of Time The ancient Maya and Aztec astrologers studied the mysterious influence of the rhythms of the sky on earthly life. Everyone knows the Sun rises and sets every day -- this is the basic rhythm of life around which we set our clocks and calendars. What the ancient astrologers discovered was that other time cycles existed that were multiples of this basic day cycle. This fact was discovered about 100 years ago in Europe and these cycles (there are many of them) are now called biorhythms. The most important time cycles in ancient Mayan and Aztec astrology are those of the day, 9-days, 13-days, and 20-days. Additionally, years are counted also, in groups of 4 and 13. Each day is then part of several other cycles, so no two days are exactly the same. Your Maya/Aztec horoscope below shows exactly where in each of the cycles you were born. Each category below examines a specific cycle and a specific aspect of your personality. Keep in mind that our personalities are complex and contain many contradictions. All of us present a different "face" depending on who we meet. The delineations below will reflect this, but they will also give you a clear picture of who you really are. The true value of astrology lies in self-knowledge, the first step to wisdom. Your Most Personal Traits -- The Day-Sign Of Your Birth Here are your strongest and most obvious personality traits. The delineation below describes who you are and how you appear to others, at least on the surface. In Aztec astrology this part of your horoscope is your Tonalli, or Day-Sign, the form bestowed upon you by the Sun. The glyph on the left is the Mayan representation, and the right hand glyph is Aztec. Lizard You are a true individual and an activist. You compromise only under extreme pressure, and then resent it if you have to. You often attract attention by being different, but this attention often fulfils your "performance needs." More often, you are simply too involved in your own interests even to care what other people think about you -- and eventually you become extremely individualized and highly specialized. It is possible that this could lead to great fame, or a controversial reputation as an egotist. Because you have a strong desire to appear before the public in some way, it is highly likely that you do work that is creative or performance oriented. You also are interested in leadership, or at least a kind of leadership where a personal performance is necessary. You thoroughly enjoy such situations and, in general, are probably very competent, and possibly outstanding, at what you do. Your standards are always high and you are probably an influential force in your world. Mayan Life Path Astrology Report for Carlos Santana Page 3 You do not tolerate superficiality. You take your interests very seriously, these often being "heavy" subjects like science, philosophy, religion and metaphysics. You are a powerful thinker, often an expert on one thing or another, though you tend to lack flexibility of mind. Once you have thought out something, you are not easily swayed by argument. But you are not necessarily logical, you simply use your mind as a vehicle for rationalizing what you sense. The result is an intense determination that allows you to accomplish as much as you do. Down deep, you are very, very serious about your life. While you have a powerful mind, you also have powerful senses. There is a large part of you that operates on instinct or automatic pilot. You crave challenging situations because these give your "gut instincts" a workout. It may be that there is a split between mind and body within you that you try to heal by working through crises of one sort or another. In relationship matters, sexuality is a major issue for you. You are probably a highly-sexed individual who needs to have an outlet for all that primal energy roaring within you. Many Lizard personalities channel this energy into work, music, ritual or other rhythmic and artistic projects. You strive to lead a creative and productive life and maintain stable, though usually somewhat unconventional, relationships with those of the opposite sex. However, there are times when you are confused about sex or have problems with it, and it interferes with the rhythm of your life. You need to find a balance between overt sexual aggressiveness, which can lead to unstable and controversial relationship patterns, and sexual repression, which can cause just as much damage. The term "lounge lizard" may have relevance in understanding your nature. Like lizards, which perch on rocks or branches waiting for their meals to come to them, you may often appear on the surface to be lazy. But in reality, you are a passive stalker who works in full public view. You are quick to react to opportunities and make contacts with the right people. It is this receptive/aggressive nature that allows you to move upward socially without directly offending or displacing too many people. The Aztecs called this day-sign Cuetzpallin, which means lizard, and they linked the old god of gaiety and dance Ueuecoyotl with it. It is thought that the powerful energies released in people by music and dance was the force that this sign was a symbol for. From this perspective, Lizard is a sign of creative forces, both sexual and artistic, as the above description suggests. In ancient times, persons born under Lizard were said to prosper with excess effort. It is the fourth of the twenty day-signs. The personality of your day-sign is reflected in the planet and sign emphasis in your Western astrological chart. The chances are high that your birthchart contains a prominent Sun, Saturn or Uranus, or the signs Leo, Capricorn and Aquarius. These symbolize your need for recognition and independence. But the signs Virgo, Scorpio and Sagittarius may also be important as well and they show your critical mind, sexual interests and need for freedom. What You Share With The Others Of Your Birth Year The Maya and Aztec astrologers recognized that each year produces a unique group of people. Each individual year in a 52-year cycle is linked with a number and a compass direction that has an astrological meaning. The delineation below says something about you in only a general sense. It describes the general traits that you share with others born in your year. Mayan Life Path Astrology Report for Carlos Santana Page 4 1-South You were born during the year called 1-South. From the perspective of ancient Mexico, the South is a region characterized by the triumph of life over nature. The South is where the uncontrolled growth of the jungle overuns even the mountains. Accordingly, the southern direction symbolizes power and energies of feelings and emotions. Being born during a year of the South, you are probably strongly motivated by your feelings and emotions, in a general sense at least. You are strongly driven by what you feel you need to do, not just what you think you need to do. The urgings within you have a great deal of power and may sometimes cause you do to things that others deem irrational. To others you may seem confused. On some occasions that may be so, but more often your instincts and feelings prove to be correct and appropriate. This is your gift -- sensitivity of feelings. Your challenge is to develop your mind and understand choice from a different perspective. The number 1 preceeding your birth direction indicates that it is a starting year, the first of 13, for the direction you were born under. You experience the energies and general orientation of the direction in its most pure form. Your Deeper Self -- The 13-Day Week Of Your Birth Each of us reacts to the world around us in different ways. Our reactions are mostly unconscious; they represent what our deeper self needs. Our reactions both attract and repel us from things, people, and situations. What we like, what we like to do, and who we really are is shown by the 13-day week called the Trecena that we were born under. Each of these periods begins with the number 1 and the name of the day-sign that starts it. A number is attached to your position within the 13-day period that may be an important number for you. 2 Lizard You were born on the second day of the 13-day period that begins with the day-sign 1-House. Beneath your surface personality you are a person who needs secure foundations. You feel best when you have a long past and a solid place to stand. Your securities may be intellectual, as in systems of thought like science or religion, or they may be material, as in possession of valuables. You are patient in your search for a more secure life. You don't fear time. Whether or not you seek mental or economic security, you are a person with standards to meet and uphold. You tend to excel at activities that require precise calculations.
Load more

Recommended publications
  • MAYA GLYPHS – Book 2
    Maya Numbers & TTTheThe Maya Calendar A Non-Technical Introduction to MAYA GLYPHS – Book 2 by Mark Pitts Maya Numbers and Maya Calendar by Mark Pitts © Mark Pitts 2009 This book is dedicated to the Maya people living today in Mesoamerica. Title Page: A Maya glyph signifying10 periods of about 20 years each, or about 200 years. From Palenque, Mexico. 2 Book 22:::: Maya Numbers & TTTheThe Maya Calendar A Non-Technical Introduction to MAYA GLYPHS Table of Contents 3 Book 2: Maya Numbers and the Maya Calendar CHAPTER 1 – WRITING NUMBERS WITH BARS AND DOTS • The Basics: The Number Zero and Base 20 • Numbers Greater Than 19 • Numbers Greater Than 399 • Numbers Greater Than 7999 CHAPTER 2 - WRITING NUMBERS WITH GLYPHS • Maya Head Glyphs • The Number 20 CHAPTER 3 – THE SACRED AND CIVIL CALENDAR OF THE MAYA • Overview of the Maya Calendar • An Example • The Sacred Calendar and Sacred Year (Tzolk’in) • The Civil Calendar and Civil Year (Haab) • The Calendar Round CHAPTER 4 - COUNTING TIME THROUGH THE AGES • The Long Count • How to Write a Date in Maya Glyphs • Reading Maya Dates • The Lords of the Night • Time and The Moon • Putting It All Together Appendix 1 – Special Days in the Sacred Year Appendix 2 – Maya Dates for 2004 4 Appendix 3 – Haab Patrons for Introductory Glyphs Resources Online Bibliography Sources of Illustrations Endnotes 5 Chapter 111.1. Writing Numbers wwwithwithithith Bars and Dots A Maya glyph from Copán that denotes 15 periods of about 20 years each, or about 300 years. 6 THE BASICS: THE NUMBER ZERO AND BASE 20 The ancient Maya created a civilization that was outstanding in many ways.
    [Show full text]
  • On the Origin of the Different Mayan Calendars Thomas Chanier
    On the origin of the different Mayan Calendars Thomas Chanier To cite this version: Thomas Chanier. On the origin of the different Mayan Calendars. 2014. hal-01018037v1 HAL Id: hal-01018037 https://hal.archives-ouvertes.fr/hal-01018037v1 Submitted on 3 Jul 2014 (v1), last revised 14 Jan 2015 (v3) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. On the origin of the different Mayan Calendars T. Chanier∗1 1 Department of Physics, University of Namur, rue de Bruxelles 61, B-5000 Namur, Belgium The Maya were known for their astronomical proficiency. Whereas Mayan mathematics were based on a vigesimal system, they used a different base when dealing with long periods of time, the Long Count Calendar (LCC), composed of different Long Count Periods: the Tun of 360 days, the Katun of 7200 days and the Baktun of 144000 days. There were three other calendars used in addition to the LCC: a civil year Haab’ of 365 days, a religious year Tzolk’in of 260 days and a 3276- day cycle (combination of the 819-day Kawil cycle and 4 colors-directions). Based on astronomical arguments, we propose here an explanation of the origin of the LCC, the Tzolk’in and the 3276-day cycle.
    [Show full text]
  • H. Braakhuis Artificers of the Days: Functions of the Howler Monkey Gods Among the Mayas
    H. Braakhuis Artificers of the days: Functions of the howler monkey gods among the Mayas In: Bijdragen tot de Taal-, Land- en Volkenkunde 143 (1987), no: 1, Leiden, 25-53 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/01/2021 08:43:37PM via free access H. E. M. BRAAKHUIS ARTIFICERS OF THE DAYS: FUNCTIONS OF THE HOWLER MONKEY GODS AMONG THE MAY AS* Car j'installe, par la science, L'hymne des coeurs spirituels En 1'oeuvre de ma patience, Atlas, herbiers et rituels. (Mallarmé, ProsepourDes Esseintes) 1. INTRODUCTION In his study entitled 'Supernatural Patrons of Maya Scribes and Artists', M. D. Coe has been able to establish that the gods Hun Batz and Hun Choven, 'One Howler Monkey' and 'One Artisan', repeatedly occur as the subjects of funerary vase representations, dating from the Late Classic period (600-900 A.D.) of Mayan civilization. An important sixteenth-century Quiché-Mayan source, the Popol Vuh, presents these deities as the malicious elder stepbrothers of its heroes, Hunahpu, 'One Blowgunner', and his companion Xbalanque. In accordance with some of their functions in the Popol Vuh, the simians, or figures substituted for them, are depicted in the acts of writing and carving. In 1981, the article of M. D. Coe was followed by a chapter on scribes in the catalogue raisonné of codex-style vase paintings published by F. Robicsek and D. M. Hales. Although adding quite a few pictures of Howler Monkeys and other writing and carving gods, the authors did not present any new points of view but stayed within the confines of Coe's earlier explanations.
    [Show full text]
  • The Mayan Long Count Calendar Thomas Chanier
    The Mayan Long Count Calendar Thomas Chanier To cite this version: Thomas Chanier. The Mayan Long Count Calendar. 2014. hal-00750006v9 HAL Id: hal-00750006 https://hal.archives-ouvertes.fr/hal-00750006v9 Preprint submitted on 5 Aug 2014 (v9), last revised 16 Dec 2015 (v12) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Mayan Long Count Calendar T. Chanier∗1 1 Department of Physics, University of Namur, rue de Bruxelles 61, B-5000 Namur, Belgium The Maya were known for their astronomical proficiency. Whereas Mayan mathematics were based on a vigesimal system, they used a different base when dealing with long periods of time, the Long Count Calendar (LCC), composed of different Long Count Periods: the Tun of 360 days, the Katun of 7200 days and the Baktun of 144000 days. There were three other calendars used in addition to the LCC: a civil year Haab’ of 365 days, a religious year Tzolk’in of 260 days and a 3276- day cycle (combination of the 819-day Kawil cycle and 4 colors-directions). Based on astronomical arguments, we propose here an explanation of the origin of the LCC, the Tzolk’in and the 3276-day cycle.
    [Show full text]
  • On the Origin of the Different Mayan Calendars
    On the origin of the different Mayan Calendars Thomas Chanier To cite this version: Thomas Chanier. On the origin of the different Mayan Calendars. 2015. <hal-01018037v3> HAL Id: hal-01018037 https://hal.archives-ouvertes.fr/hal-01018037v3 Submitted on 14 Jan 2015 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. On the origin of the different Mayan Calendars T. Chanier∗1 1 Universit´ede Bretagne Occidentale, 6 avenue Victor Le Gorgeu, F-29285 Brest Cedex, France The Maya were known for their astronomical proficiency. This is demonstrated in the Mayan codices where ritual practices were related to astronomical events/predictions. Whereas Mayan mathematics were based on a vigesimal system, they used a different base when dealing with long periods of time, the Long Count Calendar (LCC), composed of different Long Count Periods: the Tun of 360 days, the Katun of 7200 days and the Baktun of 144000 days. There were two other calendars used in addition to the LCC: a civil year Haab' of 365 days and a religious year Tzolk'in of 260 days. Another cycle was also in use: a 3276-day cycle (combination of the 819-day Kawil cycle and the 4 directions-colors).
    [Show full text]
  • Zeus Grants Stupid Wishes.Pdf
    ZEUS GRANTS STUPID WISHES A No-Bullshit Guide to World Mythology Cory O’Brien ILLUSTRATIONS BY SARAH E. MELVILLE A PERIGEE BOOK A PERIGEE BOOK Published by the Penguin Group Penguin Group (USA) Inc. 375 Hudson Street, New York, New York 10014, USA USA / Canada / UK / Ireland / Australia / New Zealand / India / South Africa / China Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England For more information about the Penguin Group, visit penguin.com. Copyright © 2013 by Cory O’Brien Illustrations by Sarah E. Melville All rights reserved. No part of this book may be reproduced, scanned, or dis- tributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. PERIGEE is a registered trademark of Penguin Group (USA) Inc. The “P” design is a trademark belonging to Penguin Group (USA) Inc. Library of Congress Cataloging-in-Publication Data O’Brien, Cory. Zeus grants stupid wishes : a no-bullshit guide to world mythology / Cory O’Brien ; illustrations by Sarah E. Melville.— First edition. pages cm ISBN 978-1-101-61967-4 1. Mythology—Humor. I. Melville, Sarah E., illustrator. II. Title. BL311.O25 2013 201'.30207—dc23 2012042666 First edition: March 2013 While the author has made every effort to provide accurate telephone num- bers, Internet addresses, and other contact information at the time of public- ation, neither the publisher nor the author assumes any responsibility for er- rors, or for changes that occur after publication. Further, the publisher does 4/494 not have any control over and does not assume any responsibility for author or third-party websites or their content.
    [Show full text]
  • Version with Searchable Text
    To the memory of Karl Ruppert Michael D. Coe The Maya Scribe and His World The Grolier Club New York MCMLXXIII Copyright © 1973 by The Grolier Club. All rights reserved . This book may not be reproduced, in whole or in part, in any form, except by reviewers for the public press, without written permission from the publishers. Library of Congress catalog card number: 73-17731 International standard book number: 0-8139-0568-0 The Committee on Publications of the Grolier Club certifies that this copy of "The Maya Scribe and his World" is one of an edition of one thousand copies printed by the Meriden Gravure Company. Norman Ives designed the book. Preface from specialists. For myself, at least, a whole new world Contents Preface 5 of native American thought was opened up. In addition, certain objects in the exhibit possessed an intrinsic in­ terest by their very uniqueness; in particular, the gen­ One August day, during the Corn Dance at Santo Dom­ erosity of an anonymous collector made it possible to Introduction ingo Pueblo, New Mexico, I was asked by my friends put on display for the first time a previously unknown Ancient Maya writing and calligraphy 7 Alfred Bush and Douglas Ewing to organize an exhibi­ Maya codex (No. 87) . It should be understood, however, Funerary ceramics of the Classic Maya 11 tion on ancient Maya writing at the Grolier Club. I agreed that this catalogue does not contain all the pieces Symbolism and ceremonial paraphernalia 16 reluctantly, since I was then (and am still) engaged in actually exhibited.
    [Show full text]
  • Version with Searchable Text
    PRIMERA MESA REDONDA DE PALENQUE PART I. A Conference on the Art, Iconography, and Dynastic History ofPalenque Palenque, Chiapas, Mexico. December 14-22, 1973 MERLE GREENE ROBERTSON, EDITOR The Robert Louis Stevenson School Pre-Columbian Art Research Pebble Beach. California PACAL Probably the greatest ruler ofPalenque. He ruled from 9.9.2.4.8 (A.D. 615) to 9.12.11.5.18 (A.D. 683). He ascended the throne at age 12 years 125 days, and died at age 80 years 158 days. He is entombed in the sarcophagus of the Temple of the Inscriptions. Above is one of several forms of the glyphic expression of his name. It is from the west panel of the Temple of the Inscriptions, column A, row 3. LEFT GLYPH. Superfix: Mah K'ina, a title of honor and respect for lineage heads and rulers. Main sign: An iconic sign for Shield, possibly read as PacaL, a Mayan word for shield, or as ChimaL, another widely used word for shield, which was a borrowing from Nahuatl. RIGHT GLYPH. Top: a phonetic sign for the syllablepa. Center: a phonetic sign for the syllable ca. Bottom: a phonetic sign for the syllable La or for a finalL following a. The three together read Pa-ea-L, a spelling of the Maya word for shield. His name was probably a double name, with a personal name 'Shield' (either PacaL or ChimaL) and a lineage name 'Shield' (certainly pronounced PacaL). The name Pacal is well documented as a lineage name among the Quiche, still in use throughout the sixteenth century.
    [Show full text]
  • Wayeb Notes No. 22
    f No. 22, 2006 WAYEB NOTES ISSN 1379-8286 GLYPHS G AND F: IDENTIFIED AS ASPECTS OF THE MAIZE GOD1 Sven Gronemeyer Institut für Altamerikanistik und Ethnologie (IAE) Rheinische Friedrich-Wilhelms-Universität Bonn Introduction Being the first person to identify the cycle of the nine G-Glyphs, Thompson (1929: 224) noted that these hieroglyphs may represent an introductory glyph for the lunar series and may, according to Sylvanus G. Morley, name deities connected with the moon. Andrews (1936: 306) however, realized that Glyph G is outside of the Lunar Series as there is evidence for some of them standing isolated only with a Calendar Round. Thompson associated the nine G-Glyphs with the nine “Lords of the Night” known from the Mixtec Codex Borbonicus. In his basic publication about Maya writ- ing, he stated that this cycle “... clearly corresponded in function to the nine lords of the night of central Mexico ....” (1950: 208). In the 1970s, Kelley tried to correlate the series with the Aztec and a Zapotec cycle of nine days. By comparing this cycle with a “series of nine planets” (Kelley 1972: 58) he attempted to correlate each glyph with a planet with the aid of the ancient Indian Vishnu-dharma. For example, he connected G7 with Saturn. With the idea of the G-Glyphs as the “Nine Lords” established, all subsequent works focused on gathering more supporting evidence, and after the breakthrough in deci- phering the system of Maya writing, in finding a phonetic rendering. Schele and Miller (1983: 90) read Glyph F as the “being in office” of the appropriate “G-God”, based on the identification of the sign T128 as “tying” by Schele (1991b: 2) and T60 and its allographs as “headband” by Grube (Schele 1991a: 40, see also the discus- sion further below), an identification that has stood until the present paper.
    [Show full text]
  • From the Aztecs Their Tax Systems; of The
    From the Aztecs Their Tax Systems; Of the Incas Their Accounts, And of the Mayas Their Scripture; The Outcome is the Pre-Columbian Accounting (*) Reynaldo Frausto Mena Instituto Politécnico Nacional, Mexico Abstract On this occasion, I speak as three of the greatest Pre-Columbian cultures they let us different legacies that manifest such as a whole they exercised their accounting, primarily over who and in what form they practiced this. Also I will expose of the three different Pre-Columbian cultures, both at space and in time, such as: The Azteca (Mexico), The Inca (Peru), and The Maya (Mexico, Guatemala, Belize, Honduras and El Salvador). I discuss of these Pre-Columbian cultures from these three populations who are to talk about at that time they were very brilliant, as distinguished from other by their systems, same that empires reached to form genuine. The Aztecs bequeathed us their taxation systems,were the last in arriving Valley of Mexico where they established the capital of Tenochtitlan (1325). Kingdom which dominated cultural and politically Mesoamerica Over the fourteenth century and first quarter of sixteenth They were located within the geographical area that corresponds to southern half of the contemporary Mexico, where he developed a great cultural activity since approximately 2000 BC. In this region lived in various towns, some of whom us are all left their thriving culture as in the case of the archaeological remains the City of Teotihuacan, and uninhabited when the Spanish arrived. (*) Bu Araştırma, 19-22 Haziran 2013 tarihinde İstanbul’da yapılan 3rd International Conference on Luca Pacioli in Accounting History’de ve 3rd Balkans and Middle East Countries Conference on Accounting and Accounting History (3 BMAC) Konferansı’nda bildiri olarak sunulmuştur.
    [Show full text]
  • The Mayan Long Count Calendar
    The Mayan Long Count Calendar Thomas Chanier∗1 1 Universit´ede Bretagne Occidentale, 6 avenue Victor le Gorgeu, F-29285 Brest Cedex, France The Mayan Codices, bark-paper books from the Late Postclassic period (1300 to 1521 CE) contain many astronomical tables correlated to ritual cycles, evidence of the achievement of Mayan naked- eye astronomy and mathematics in connection to religion. In this study, a calendar supernumber is calculated by computing the least common multiple of 8 canonical astronomical periods. The three major calendar cycles, the Calendar Round, the Kawil and the Long Count Calendar are shown to derive from this supernumber. The 360-day Tun, the 365-day civil year Haab' and the 3276-day Kawil-direction-color cycle are determined from the prime factorization of the 8 canonical astronomical input parameters. The 260-day religious year Tzolk'in and the Long Count Periods (the 360-day Tun, the 7200-day Katun and the 144000-day Baktun) result from arithmetical calculations on the calendar supernumber. My calculations explain certain aspect of the Mayan Calendar notably the existence of the Maya Epoch, a cycle corresponding to 5 Maya Eras of 13 Baktun. Modular arithmetic considerations on the calendar supernumber give the position of the Calendar Rounds at the Mayan origin of time, the Long Count Calendar date 0.0.0.0.0 4 Ahau 8 Cumku. Various long count numbers identified on Mayan Codices and monuments are explained by my approach. In particular, the results provide the meaning of the Xultun numbers, four enigmatic long count numbers deciphered in 2012 by Saturno et al.
    [Show full text]
  • MAYA GLYPHS – Book 2
    Maya Numbers & TTTheThe Maya Calendar A Non-Technical Introduction to MAYA GLYPHS – Book 2 by Mark Pitts Maya Numbers and Maya Calendar by Mark Pitts © Mark Pitts 2009 This book is dedicated to the Maya people living today in Mesoamerica. Title Page: A Maya glyph signifying10 periods of about 20 years each, or about 200 years. From Palenque, Mexico. 2 Book 22:::: Maya Numbers & TTTheThe Maya Calendar A Non-Technical Introduction to MAYA GLYPHS Table of Contents 3 Book 2: Maya Numbers and the Maya Calendar CHAPTER 1 – WRITING NUMBERS WITH BARS AND DOTS • The Basics: The Number Zero and Base 20 • Numbers Greater Than 19 • Numbers Greater Than 399 • Numbers Greater Than 7999 CHAPTER 2 - WRITING NUMBERS WITH GLYPHS • Maya Head Glyphs • The Number 20 CHAPTER 3 – THE SACRED AND CIVIL CALENDAR OF THE MAYA • Overview of the Maya Calendar • An Example • The Sacred Calendar and Sacred Year (Tzolk’in) • The Civil Calendar and Civil Year (Haab) • The Calendar Round CHAPTER 4 - COUNTING TIME THROUGH THE AGES • The Long Count • How to Write a Date in Maya Glyphs • Reading Maya Dates • The Lords of the Night • Time and The Moon • Putting It All Together Appendix 1 – Special Days in the Sacred Year Appendix 2 – Maya Dates for 2004 4 Appendix 3 – Haab Patrons for Introductory Glyphs Resources Online Bibliography Sources of Illustrations Endnotes 5 Chapter 111.1. Writing Numbers wwwithwithithith Bars and Dots A Maya glyph from Copán that denotes 15 periods of about 20 years each, or about 300 years. 6 THE BASICS: THE NUMBER ZERO AND BASE 20 The ancient Maya created a civilization that was outstanding in many ways.
    [Show full text]