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≥ Elgar Sea Pictures Polonia Pomp and Circumstance Marches 1–5 Sir Mark Elder Alice Coote Sir Edward Elgar (1857–1934) Sea Pictures, Op.37 1
≥ ELGAR SEA PICTURES POLONIA POMP AND CIRCUMSTANCE MARCHES 1–5 SIR MARK ELDER ALICE COOTE SIR EDWARD ELGAR (1857–1934) SEA PICTURES, OP.37 1. Sea Slumber-Song (Roden Noel) .......................................................... 5.15 2. In Haven (C. Alice Elgar) ........................................................................... 1.42 3. Sabbath Morning at Sea (Mrs Browning) ........................................ 5.47 4. Where Corals Lie (Dr Richard Garnett) ............................................. 3.57 5. The Swimmer (Adam Lindsay Gordon) .............................................5.52 ALICE COOTE MEZZO SOPRANO 6. POLONIA, OP.76 ......................................................................................13.16 POMP AND CIRCUMSTANCE MARCHES, OP.39 7. No.1 in D major .............................................................................................. 6.14 8. No.2 in A minor .............................................................................................. 5.14 9. No.3 in C minor ..............................................................................................5.49 10. No.4 in G major ..............................................................................................4.52 11. No.5 in C major .............................................................................................. 6.15 TOTAL TIMING .....................................................................................................64.58 ≥ MUSIC DIRECTOR SIR MARK ELDER CBE LEADER LYN FLETCHER WWW.HALLE.CO.UK -
11 Witney - Hanborough - Oxford
11 Witney - Hanborough - Oxford Mondays to Saturdays notes M-F M-F S M-F M-F Witney Market Square stop C 06.14 06.45 07.45 - 09.10 10.10 11.15 12.15 13.15 14.15 15.15 16.20 - Madley Park Co-op 06.21 06.52 07.52 - - North Leigh Masons Arms 06.27 06.58 07.58 - 09.18 10.18 11.23 12.23 13.23 14.23 15.23 16.28 17.30 Freeland Broadmarsh Lane 06.35 07.06 08.07 07.52 09.27 10.27 11.32 12.32 13.32 14.32 15.32 16.37 17.40 Long Hanborough New Road 06.40 07.11 08.11 07.57 09.31 10.31 11.36 12.36 13.36 14.36 15.36 16.41 Eynsham Spareacre Lane 06.49 07.21 08.20 09.40 10.40 11.45 12.45 13.45 14.45 15.45 16.50 Eynsham Church 06.53 07.26 08.24 08.11 09.44 10.44 11.49 12.49 13.49 14.49 15.49 16.54 17.49 Botley Elms Parade 07.06 07.42 08.33 08.27 09.53 10.53 11.58 12.58 13.58 14.58 15.58 17.03 18.00 Oxford Castle Street 07.21 08.05 08.47 08.55 10.07 11.07 12.12 13.12 13.12 15.12 16.12 17.17 18.13 notes M-F M-F S M-F M-F S Oxford Castle Street E2 07.25 08.10 09.10 10.15 11.15 12.15 13.15 14.15 15.15 16.35 16.35 17.35 17.50 Botley Elms Parade 07.34 08.20 09.20 10.25 11.25 12.25 13.25 14.25 15.25 16.45 16.50 17.50 18.00 Eynsham Church 07.43 08.30 09.30 10.35 11.35 12.35 13.35 14.35 15.35 16.55 17.00 18.02 18.10 Eynsham Spareacre Lane 09.34 10.39 11.39 12.39 13.39 14.39 15.39 16.59 17.04 18.06 18.14 Long Hanborough New Road 09.42 10.47 11.47 12.47 13.47 14.47 15.47 17.07 17.12 18.14 18.22 Freeland Broadmarsh Lane 07.51 08.38 09.46 10.51 11.51 12.51 13.51 14.51 15.51 17.11 17.16 18.18 18.26 North Leigh Masons Arms - 08.45 09.55 11.00 12.00 13.00 -
George Frideric Handel (1685-1759)
George Frideric Handel (1685-1759) Messiah Handel was, like most composers of his day, a fast worker, but few of his scores show such evidence of having been written at white heat as that of Messiah, which was set down on paper in a mere 24 days, between 22 August and 14 September 1741. Earlier the same year he had received an invitation from the Duke of Devonshire, Lord Lieutenant of Ireland, to visit Dublin in order to give some concerts in aid of charitable institutions in the city, and it was probably with this impending concert tour in view that he composed his new oratorio. His early biographer John Mainwaring, in his Memoirs of the Life of the late George Frederic Handel published in 1760, a year after the composer's death, seems to have been responsible for the widely credited theory that Handel went to Ireland after "his Messiah had met with a cold reception" in London, and because "he hoped to find that favour and encouragement in a distant capital, which London seemed to refuse him", but there is no evidence that this was so. Indeed a copy of Mainwaring's book carries a terse note in the margin, in the hand of its original owner, Charles Jennens (who, as Handel's collaborator, had good cause to know) that "Messiah was not performed in London till after his return from Ireland." Moreover, Charles Burney (who as a 15-year-old school boy in Chester witnessed a rehearsal of some of the choruses in Messiah that Handel held there in November 1741 while on his way from London to Dublin) devoted several paragraphs of his General History of Music (1776-89) to proving the falseness of Mainwaring's assertion. -
ONYX4206.Pdf
EDWARD ELGAR (1857–1934) Sea Pictures Op.37 The Music Makers Op.69 (words by Alfred O’Shaughnessy) 1 Sea Slumber Song 5.13 (words by Roden Noel) 6 Introduction 3.19 2 In Haven (Capri) 1.52 7 We are the music makers 3.56 (words by Alice Elgar) 8 We, in the ages lying 3.59 3 Sabbath Morning at Sea 5.24 (words by Elizabeth Barrett Browning) 9 A breath of our inspiration 4.18 4 Where Corals Lie 3.43 10 They had no vision amazing 7.41 (words by Richard Garnett) 11 But we, with our dreaming 5 The Swimmer 5.50 and singing 3.27 (words by Adam Lindsay Gordon) 12 For we are afar with the dawning 2.25 Kathryn Rudge mezzo-soprano 13 All hail! we cry to Royal Liverpool Philharmonic the corners 9.11 Orchestra & Choir Vasily Petrenko Pomp & Circumstance 14 March No.1 Op.39/1 5.40 Total timing: 66.07 Artist biographies can be found at onyxclassics.com EDWARD ELGAR Nowadays any listener can make their own analysis as the Second Symphony, Violin Sea Pictures Op.37 · The Music Makers Op.69 Concerto and a brief quotation from The Apostles are subtly used by Elgar to point a few words in the text. Otherwise, the most powerful quotations are from The Dream On 5 October 1899, the first performance of Elgar’s song cycle Sea Pictures took place in of Gerontius, the Enigma Variations and his First Symphony. The orchestral introduction Norwich. With the exception of Elizabeth Barrett Browning, all the poets whose texts Elgar begins in F minor before the ‘Enigma’ theme emphasises, as Elgar explained to Newman, set in the works on this album would be considered obscure -
Park and Formal Garden Walks Icon Key 2 Formal Gardens Exit 20 Bladon Bridge Information Formal Gardens Lake
23 No vehicle access Vehicle Exit To Churchill’s Burial Site, 20 A4095 St Martin’s Church, Bladon P 10 11 8 9 5 4 13 6 7 6 Due to the Cascades One Way having essential A4095 Traffic 12 restoration works South there is no access. Lawn Formal 3 7 Gardens No access is possible 9 to The Boathouse for 8 2 your safety. 21 Hensington P 4 5 Drive Vehicle access only 2 3 1 1 A44 P 19 Woodstock Entrance 14 22 Pedestrian access only Rowing Boats 2 1 15 Great Lake 17 Hi gh Street Queen Pool 3 18 The water levels are lower due to the Cascade essential works taking place. Levels Market Street will be returned by the end of August. The town of Woodstock Visit wakeuptowoodstock.com 16 Park Farm this way This is not a public area. Flagstaff Information Point and Facilities Formal Garden exit YOUR ON-SITE 2 3 3 GUIDE East NEW Courtyard PALACE ENTRANCE ENTRANCE FORMAL GARDENS AUDIO GUIDE Entrance 2 Ditchley A44 1 Gate & TREASURE HUNT WHERE YOU The Palace and grounds are a working Estate and there are vehicles using the CAN ENTER TO WIN PRIZES roads. Please follow guidance on any safety signage around the site during EXIT your visit. All children under 12 years old must be supervised at all times. blenheimpalace.com/app MAP KEY KEEPING The Palace and grounds are a working Estate and there are YOU vehicles using the roads. Please follow guidance on any SAFE safety signage around the site during your visit. -
January – February 2018 Concert Diary
JAN/ FEB 2017/18 SEASON www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five prices ranges: In Person Stalls C – M Highest price 7 days a week: 10am – 8.30pm. Stalls A – B, N – P 2nd highest price Days without an evening concert 10am – 5pm. Balcony A – D 2nd highest price No advance booking in the half hour prior to Stalls BB, CC, Q – S 3rd highest price a concert. Stalls AA, T – V 4th highest price Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am–7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am–5.00pm. BB BB There is a non-refundable £3.00 administration CC CC A A charge for each transaction. B B C C D D Online: www.wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. G G There is a non-refundable £2.00 administration H H I I charge. J J K K L L Standby Tickets M M N N Standby tickets for students, senior citizens and O O P P the unemployed are available from one hour Q Q before the performance (subject to availability) R R S S with best available seats sold at the lowest price. REAR REAR T STALLS STALLS T U U NB standby tickets are not available for V V Lunchtime and Coffee Concerts. -
Oxfordshire Archdeacon's Marriage Bonds
Oxfordshire Archdeacon’s Marriage Bond Index - 1634 - 1849 Sorted by Bride’s Parish Year Groom Parish Bride Parish 1635 Gerrard, Ralph --- Eustace, Bridget --- 1635 Saunders, William Caversham Payne, Judith --- 1635 Lydeat, Christopher Alkerton Micolls, Elizabeth --- 1636 Hilton, Robert Bloxham Cook, Mabell --- 1665 Styles, William Whatley Small, Simmelline --- 1674 Fletcher, Theodore Goddington Merry, Alice --- 1680 Jemmett, John Rotherfield Pepper Todmartin, Anne --- 1682 Foster, Daniel --- Anstey, Frances --- 1682 (Blank), Abraham --- Devinton, Mary --- 1683 Hatherill, Anthony --- Matthews, Jane --- 1684 Davis, Henry --- Gomme, Grace --- 1684 Turtle, John --- Gorroway, Joice --- 1688 Yates, Thos Stokenchurch White, Bridgett --- 1688 Tripp, Thos Chinnor Deane, Alice --- 1688 Putress, Ricd Stokenchurch Smith, Dennis --- 1692 Tanner, Wm Kettilton Hand, Alice --- 1692 Whadcocke, Deverey [?] Burrough, War Carter, Elizth --- 1692 Brotherton, Wm Oxford Hicks, Elizth --- 1694 Harwell, Isaac Islip Dagley, Mary --- 1694 Dutton, John Ibston, Bucks White, Elizth --- 1695 Wilkins, Wm Dadington Whetton, Ann --- 1695 Hanwell, Wm Clifton Hawten, Sarah --- 1696 Stilgoe, James Dadington Lane, Frances --- 1696 Crosse, Ralph Dadington Makepeace, Hannah --- 1696 Coleman, Thos Little Barford Clifford, Denis --- 1696 Colly, Robt Fritwell Kilby, Elizth --- 1696 Jordan, Thos Hayford Merry, Mary --- 1696 Barret, Chas Dadington Hestler, Cathe --- 1696 French, Nathl Dadington Byshop, Mary --- Oxfordshire Archdeacon’s Marriage Bond Index - 1634 - 1849 Sorted by -
Sea Pictures Falstaff
ELGAR BARENBOIM SEA PICTURES- ELINA GARANČA FALSTAFF STAATSKAPELLE BERLIN EDWARD ELGAR 1857–1934 Sea Pictures Op.37 Falstaff Op.68 Song cycle for mezzo-soprano and orchestra Symphonic study for orchestra 1 I. Sea Slumber Song 4.41 (after Henry IV and Henry V by William Shakespeare) 2 II. In Haven (Capri) 1.45 6 I. Falstaff and Prince Henry 3.09 3 III. Sabbath Morning at Sea 6.11 7 II. Eastcheap – 2.52 4 IV. Where Corals Lie 3.58 8 Gadshill – The Boar’s Head – 8.56 5 V. The Swimmer 7.06 9 Revelry and Sleep 1.27 10 Dream Interlude: “Jack Falstaff, now Sir John, a boy, and page, to Thomas Mowbray, Duke of Norfolk” 2.32 11 III. Falstaff’s March – 2.49 12 The Return through Gloucestershire 1.27 13 Interlude: Gloucestershire, Shallow’s Orchard 1.49 14 The New King – The Hurried Ride to London 1.03 15 IV. King Henry V’s Progress – 3.21 16 The Repudiation of Falstaff, and his Death 5.48 58.58 Live recordings ELĪNA GARANČA mezzo-soprano (1–5) STAATSKAPELLE BERLIN 2 DANIEL BARENBOIM ea Pictures was written in the summer of 1899, in the weeks One reason for its failure (as the composer’s biographer after the successful premiere of the Enigma Variations had Michael Kennedy pointed out) was the extreme diffi culty of the broughtS Elgar to national prominence. It had been commissioned instrumental writing, unsuited to “the orchestral conditions of for the Norfolk and Norwich triennial festival that October, at those days when very few rehearsals were possible”. -
Initial Document Template
West Oxfordshire District Council – DELEGATED ITEMS Agenda Item No. 5 Between 24 May and 21 June 2017 Application Types Key Suffix Suffix ADV Advertisement Consent LBC Listed Building Consent CC3REG County Council Regulation 3 LBD Listed Building Consent - Demolition CC4REG County Council Regulation 4 OUT Outline Application CM County Matters RES Reserved Matters Application FUL Full Application S73 Removal or Variation of Condition/s HHD Householder Application POB Discharge of Planning Obligation/s CLP Certificate of Lawfulness Proposed CLE Certificate of Lawfulness Existing CLASSM Change of Use – Agriculture to CND Discharge of Conditions Commercial PDET28 Agricultural Prior Approval HAZ Hazardous Substances Application PN56 Change of Use Agriculture to Dwelling PN42 Householder Application under Permitted POROW Creation or Diversion of Right of Way Development legislation. TCA Works to Trees in a Conservation Area PNT Telecoms Prior Approval TPO Works to Trees subject of a Tree NMA Non Material Amendment Preservation Order WDN Withdrawn Decision Description Decision Description Code Code APP Approve RNO Raise no objection REF Refuse ROB Raise Objection P1REQ Prior Approval Required P2NRQ Prior Approval Not Required P3APP Prior Approval Approved P3REF Prior Approval Refused P4APP Prior Approval Approved P4REF Prior Approval Refused West Oxfordshire District Council – DELEGATED ITEMS Application Number. Ward. Decision. 1. 17/00249/HHD Brize Norton and Shilton APP Affecting a Conservation Area Erection of two storey and single storey rear extensions together with new porch and rooflight (amended). Grooms Cottage Asthall Burford Mrs Rachel Harber 2. 17/00304/CND Woodstock and Bladon APP Affecting a Conservation Area Discharge of condition 4 of Planning Permission 13/1473/P/FP. -
Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Elgar Sea Slumber Song from Sea Pictures Sheet Music
Elgar Sea Slumber Song From Sea Pictures Sheet Music Download elgar sea slumber song from sea pictures sheet music pdf now available in our library. We give you 6 pages partial preview of elgar sea slumber song from sea pictures sheet music that you can try for free. This music notes has been read 3521 times and last read at 2021-10-01 06:38:10. In order to continue read the entire sheet music of elgar sea slumber song from sea pictures you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Voice, Cello, Viola, Violin, Voice Solo Ensemble: String Quartet Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Sea Slumber Song Sea Pictures F Minor Sea Slumber Song Sea Pictures F Minor sheet music has been read 2784 times. Sea slumber song sea pictures f minor arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-10-01 03:30:52. [ Read More ] Sea Slumber Song Sea Pictures G Minor Sea Slumber Song Sea Pictures G Minor sheet music has been read 2927 times. Sea slumber song sea pictures g minor arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-09-30 06:28:36. [ Read More ] Slumber Song Of The Infant Jesus Slumber Song Of The Infant Jesus sheet music has been read 3411 times. Slumber song of the infant jesus arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-10-01 05:14:39. -
GCSE, AS and a Level Music Difficulty Levels Booklet
GCSE, AS and A level Music Difficulty Levels Booklet Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Music (1MU0) Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) First teaching from September 2016 First certification from 2017 (AS) 2018 (GCSE and A level) Issue 1 Contents Introduction 1 Difficulty Levels 3 Piano 3 Violin 48 Cello 71 Flute 90 Oboe 125 Cla rinet 146 Saxophone 179 Trumpet 217 Voic e 240 Voic e (popula r) 301 Guitar (c lassic al) 313 Guitar (popula r) 330 Elec tronic keyboa rd 338 Drum kit 344 Bass Guitar 354 Percussion 358 Introduction This guide relates to the Pearson Edexcel Level 1/Level 2 GCSE (9-1) in Music (1MU0), Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) and Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) qualifications for first teaching from 2016. This guide must be read and used in conjunction with the relevant specifications. The music listed in this guide is designed to help students, teachers, moderators and examiners accurately judge the difficulty level of music submitted for the Performing components of the Pearson Edexcel GCSE, AS and A level Music qualifications. Examples of solo pieces are provided for the most commonly presented instruments across the full range of levels. Using these difficult y levels For GCSE, teachers will need to use the book to determine the difficulty level(s) of piece(s) performed and apply these when marking performances. For AS and A Level, this book can be used as a guide to assist in choosing pieces to perform, as performances are externally marked.