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Sir Andrew Davis the Grainger Collection / Topfoto / Arenapal
elgar FALSTAFF orchestral songs ‘grania and diarmid’ incidental music and funeral march roderick williams baritone sir andrew davis Sir Edward c. 1910 Elgar, The Grainger Collection / TopFoto / ArenaPAL Sir Edward Elgar (1857 – 1934) Falstaff, Op. 68 (1913) 35:57 Symphonic Study in C minor • in c-Moll • en ut mineur for Full Orchestra Dedicated to Sir Landon Ronald 1 I Falstaff and Prince Henry. Allegro – Con anima – Animato – Allegro molto – Più animato – 3:09 2 II Eastcheap. Allegro molto – Molto grandioso e largamente – Tempo I – Poco più tranquillo – 2:54 3 Gadshill. A Tempo I – The Boar’s Head. Revelry and sleep. Allegro molto – Con anima – Più lento – Giusto, con fuoco – Poco tranquillo – Allegro molto – Poco più lento – Allegro – Poco a poco più lento – 9:21 4 Molto tranquillo – Molto più lento – 1:14 5 Dream Interlude. Poco allegretto – 2:36 6 III Falstaff’s march. Allegro – Con anima – Poco meno mosso – Animato – A tempo [Poco meno mosso] – 2:58 7 The return through Gloucestershire. [ ] – Poco sostenuto – Poco a poco più lento – 1:27 8 Interlude. Gloucestershire, Shallow’s orchard. Allegretto – 1:34 3 9 The new king. Allegro molto – The hurried ride to London. [ ] – 1:06 10 IV King Henry V’s Progress. Più moderato – Giusto – Poco più allegro – Animato – Grandioso – Animato – 3:29 11 The repudiation of Falstaff, and his death. [ ] – Poco più lento – Poco più lento – Più lento – Poco animato – Poco più mosso – A tempo giusto al fine 6:00 Songs, Op. 59 (1909 – 10)* 6:31 12 3 Oh, soft was the song. Allegro molto 1:52 13 5 Was it some golden star? Allegretto – Meno mosso – Più mosso – Meno mosso – Tempo I 2:10 14 6 Twilight. -
The Hills of Dreamland
SIR EDWARD ELGAR (1857-1934) The Hills of Dreamland SOMMCD 271-2 The Hills of Dreamland Orchestral Songs The Society Complete incidental music to Grania and Diarmid Kathryn Rudge mezzo-soprano† • Henk Neven baritone* ELGAR BBC Concert Orchestra, Barry Wordsworth conductor ORCHESTRAL SONGS CD 1 Orchestral Songs 8 Pleading, Op.48 (1908)† 4:02 Song Cycle, Op.59 (1909) Complete incidental music to 9 Follow the Colours: Marching Song for Soldiers 6:38 1 Oh, soft was the song (No.3) 2:00 *♮ * (1908; rev. for orch. 1914) GRANIA AND DIARMID 2 Was it some golden star? (No.5) 2:44 * bl 3 Twilight (No.6)* 2:50 The King’s Way (1909)† 4:28 4 The Wind at Dawn (1888; orch.1912)† 3:43 Incidental Music to Grania and Diarmid (1901) 5 The Pipes of Pan (1900; orch.1901)* 3:46 bm Incidental Music 3:38 Two Songs, Op. 60 (1909/10; orch. 1912) bn Funeral March 7:13 6 The Torch (No.1)† 3:16 bo Song: There are seven that pull the thread† 3:33 7 The River (No.2)† 5:24 Total duration: 53:30 CD 2 Elgar Society Bonus CD Nathalie de Montmollin soprano, Barry Collett piano Kathryn Rudge • Henk Neven 1 Like to the Damask Rose 3:47 5 Muleteer’s Serenade♮ 2:18 9 The River 4:22 2 The Shepherd’s Song 3:08 6 As I laye a-thynkynge 6:57 bl In the Dawn 3:11 3 Dry those fair, those crystal eyes 2:04 7 Queen Mary’s Song 3:31 bm Speak, music 2:52 BBC Concert Orchestra 4 8 The Mill Wheel: Winter♮ 2:27 The Torch 2:18 Total duration: 37:00 Barry Wordsworth ♮First recordings CD 1: Recorded at Watford Colosseum on March 21-23, 2017 Producer: Neil Varley Engineer: Marvin Ware TURNER CD 2: Recorded at Turner Sims, Southampton on November 27, 2016 plus Elgar Society Bonus CD 11 SONGS WITH PIANO SIMS Southampton Producer: Siva Oke Engineer: Paul Arden-Taylor Booklet Editor: Michael Quinn Front cover: A View of Langdale Pikes, F. -
Elgar, Cello Concerto in E Minor
Cello Concerto in E minor, Op. 85 i. Adagio; Moderato ii. Lento; Allegro molto iii. Adagio iv. Allegro; Moderato; Allegro, ma non troppo; Poco più lento; Adagio Edward Elgar enjoys a curious reputation in his own country. To many, he is the composer of overtly nationalistic music such as Pomp and Circumstance, the musical incarnation of Edwardian imperialism. Although early works such as the Enigma Variations and Imperial March garnered him praise and fame, it is his later works from 1918-1919 that are much more autobiographical in content – none more so than the Cello Concerto in E minor. The Concerto was mostly composed between 1918 and 1919 at Brinkwells, a cottage in the Sussex woods where he wrote three other chamber works – the Violin Sonata, String Quartet and Piano Quintet. Like these other Brinkwells compositions, the Cello Concerto is a deeply introspective work which reveals much about the composer’s state of mind: an aging artist concerned about his waning popularity, his wife’s failing health, and reflecting on the horrors of the First World War. Despite a grossly under-rehearsed première at the Queen’s Hall on 27 October 1919, it has since been established as perhaps the finest cello concerto in the repertoire, alongside Dvořák’s, and the only work of Elgar’s to enjoy regular performances outside the English-speaking world. The Cello Concerto is an emotionally draining work not only for the players but also the listener, its overwhelming mood one of melancholy and autumnal world-weariness. The first movement opens with a declamatory, grandiose statement by the soloist leading, in almost improvisatory style, into a lilting melody; there is a wistfully lyrical middle section before the opening melody returns. -
≥ Elgar Sea Pictures Polonia Pomp and Circumstance Marches 1–5 Sir Mark Elder Alice Coote Sir Edward Elgar (1857–1934) Sea Pictures, Op.37 1
≥ ELGAR SEA PICTURES POLONIA POMP AND CIRCUMSTANCE MARCHES 1–5 SIR MARK ELDER ALICE COOTE SIR EDWARD ELGAR (1857–1934) SEA PICTURES, OP.37 1. Sea Slumber-Song (Roden Noel) .......................................................... 5.15 2. In Haven (C. Alice Elgar) ........................................................................... 1.42 3. Sabbath Morning at Sea (Mrs Browning) ........................................ 5.47 4. Where Corals Lie (Dr Richard Garnett) ............................................. 3.57 5. The Swimmer (Adam Lindsay Gordon) .............................................5.52 ALICE COOTE MEZZO SOPRANO 6. POLONIA, OP.76 ......................................................................................13.16 POMP AND CIRCUMSTANCE MARCHES, OP.39 7. No.1 in D major .............................................................................................. 6.14 8. No.2 in A minor .............................................................................................. 5.14 9. No.3 in C minor ..............................................................................................5.49 10. No.4 in G major ..............................................................................................4.52 11. No.5 in C major .............................................................................................. 6.15 TOTAL TIMING .....................................................................................................64.58 ≥ MUSIC DIRECTOR SIR MARK ELDER CBE LEADER LYN FLETCHER WWW.HALLE.CO.UK -
String Quartet in E Minor, Op 83
String Quartet in E minor, op 83 A quartet in three movements for two violins, viola and cello: 1 - Allegro moderato; 2 - Piacevole (poco andante); 3 - Allegro molto. Approximate Length: 30 minutes First Performance: Date: 21 May 1919 Venue: Wigmore Hall, London Performed by: Albert Sammons, W H Reed - violins; Raymond Jeremy - viola; Felix Salmond - cello Dedicated to: The Brodsky Quartet Elgar composed two part-quartets in 1878 and a complete one in 1887 but these were set aside and/or destroyed. Years later, the violinist Adolf Brodsky had been urging Elgar to compose a string quartet since 1900 when, as leader of the Hallé Orchestra, he performed several of Elgar's works. Consequently, Elgar first set about composing a String Quartet in 1907 after enjoying a concert in Malvern by the Brodsky Quartet. However, he put it aside when he embarked with determination on his long-delayed First Symphony. It appears that the composer subsequently used themes intended for this earlier quartet in other works, including the symphony. When he eventually returned to the genre, it was to compose an entirely fresh work. It was after enjoying an evening of chamber music in London with Billy Reed’s quartet, just before entering hospital for a tonsillitis operation, that Elgar decided on writing the quartet, and he began it whilst convalescing, completing the first movement by the end of March 1918. He composed that first movement at his home, Severn House, in Hampstead, depressed by the war news and debilitated from his operation. By May, he could move to the peaceful surroundings of Brinkwells, the country cottage that Lady Elgar had found for them in the depth of the Sussex countryside. -
52183 FRMS Cover 142 17/08/2012 09:25 Page 1
4884 cover_52183 FRMS cover 142 17/08/2012 09:25 Page 1 Autumn 2012 No. 157 £1.75 Bulletin 4884 cover_52183 FRMS cover 142 17/08/2012 09:21 Page 2 NEW RELEASES THE ROMANTIC VIOLIN STEPHEN HOUGH’S CONCERTO – 13 French Album Robert Schumann A master pianist demonstrates his Hyperion’s Romantic Violin Concerto series manifold talents in this delicious continues its examination of the hidden gems selection of French music. Works by of the nineteenth century. Schumann’s late works Poulenc, Fauré, Debussy and Ravel rub for violin and orchestra had a difficult genesis shoulders with lesser-known gems by but are shown as entirely worthy of repertoire their contemporaries. status in these magnificent performances by STEPHEN HOUGH piano Anthony Marwood. ANTHONY MARWOOD violin CDA67890 BBC SCOTTISH SYMPHONY ORCHESTRA CDA67847 DOUGLAS BOYD conductor MUSIC & POETRY FROM THIRTEENTH-CENTURY FRANCE Conductus – 1 LOUIS SPOHR & GEORGE ONSLOW Expressive and beautiful thirteenth-century vocal music which represents the first Piano Sonatas experiments towards polyphony, performed according to the latest research by acknowledged This recording contains all the major works for masters of the repertoire. the piano by two composers who were born within JOHN POTTER tenor months of each other and celebrated in their day CHRISTOPHER O’GORMAN tenor but heard very little now. The music is brought to ROGERS COVEY-CRUMP tenor modern ears by Howard Shelley, whose playing is the paradigm of the Classical-Romantic style. HOWARD SHELLEY piano CDA67947 CDA67949 JOHANNES BRAHMS The Complete Songs – 4 OTTORINO RESPIGHI Graham Johnson is both mastermind and Violin Sonatas pianist in this series of Brahms’s complete A popular orchestral composer is seen in a more songs. -
ONYX4206.Pdf
EDWARD ELGAR (1857–1934) Sea Pictures Op.37 The Music Makers Op.69 (words by Alfred O’Shaughnessy) 1 Sea Slumber Song 5.13 (words by Roden Noel) 6 Introduction 3.19 2 In Haven (Capri) 1.52 7 We are the music makers 3.56 (words by Alice Elgar) 8 We, in the ages lying 3.59 3 Sabbath Morning at Sea 5.24 (words by Elizabeth Barrett Browning) 9 A breath of our inspiration 4.18 4 Where Corals Lie 3.43 10 They had no vision amazing 7.41 (words by Richard Garnett) 11 But we, with our dreaming 5 The Swimmer 5.50 and singing 3.27 (words by Adam Lindsay Gordon) 12 For we are afar with the dawning 2.25 Kathryn Rudge mezzo-soprano 13 All hail! we cry to Royal Liverpool Philharmonic the corners 9.11 Orchestra & Choir Vasily Petrenko Pomp & Circumstance 14 March No.1 Op.39/1 5.40 Total timing: 66.07 Artist biographies can be found at onyxclassics.com EDWARD ELGAR Nowadays any listener can make their own analysis as the Second Symphony, Violin Sea Pictures Op.37 · The Music Makers Op.69 Concerto and a brief quotation from The Apostles are subtly used by Elgar to point a few words in the text. Otherwise, the most powerful quotations are from The Dream On 5 October 1899, the first performance of Elgar’s song cycle Sea Pictures took place in of Gerontius, the Enigma Variations and his First Symphony. The orchestral introduction Norwich. With the exception of Elizabeth Barrett Browning, all the poets whose texts Elgar begins in F minor before the ‘Enigma’ theme emphasises, as Elgar explained to Newman, set in the works on this album would be considered obscure -
Vision, Desire and Economies of Transgression in the Films of Jess Franco
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation. -
Update on the Three Counties Medical School
Update on the Three Counties Medical School Dear Colleague You are receiving this because you have previously expressed interest in the formation of a Three Counties Medical School (TCMS). This is intended to give you an update on progress. The Course To start with a few basics, the course will be: • Four year, graduate-entry course • 100 students/year • First admissions September 2021 • Course based on that of Swansea who are the ‘contingent partner’ • Entry criteria o 1 or 2i degree in any subject o Pass GAMSAT (Graduate Medical School Admission Test; basic science related to health) to a requisite level o Interview • Widening participation is a key objective • Emphasis on primary care and psychiatry o But must graduate pluri-potential doctors Clinical Environment The TCMS is based at the University of Worcester. The University has significant strengths in a range of health-related subjects, including Physician Associates, and its graduates are well regarded in the local health services. The area of TCMS covers the counties of Herefordshire, Gloucestershire and Worcestershire and the NHS facilities in all of these will be essential in providing the clinical, and some basic medical science, learning and teaching. This may be extended to the contiguous areas if the environment is suitable. Clinical placements will be in approximately equal numbers in the community and in secondary care. The ‘community’ is taken to include both primary care and specialist care provided out with the major hospitals. It is anticipated that ‘hubs’ of community hospitals, their associated general practitioners and the related health care team will provide a suitable framework. -
'In the Footsteps of the Ancients'
‘IN THE FOOTSTEPS OF THE ANCIENTS’: THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI Ronald G. Witt BRILL ‘IN THE FOOTSTEPS OF THE ANCIENTS’ STUDIES IN MEDIEVAL AND REFORMATION THOUGHT EDITED BY HEIKO A. OBERMAN, Tucson, Arizona IN COOPERATION WITH THOMAS A. BRADY, Jr., Berkeley, California ANDREW C. GOW, Edmonton, Alberta SUSAN C. KARANT-NUNN, Tucson, Arizona JÜRGEN MIETHKE, Heidelberg M. E. H. NICOLETTE MOUT, Leiden ANDREW PETTEGREE, St. Andrews MANFRED SCHULZE, Wuppertal VOLUME LXXIV RONALD G. WITT ‘IN THE FOOTSTEPS OF THE ANCIENTS’ ‘IN THE FOOTSTEPS OF THE ANCIENTS’ THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI BY RONALD G. WITT BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Witt, Ronald G. ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. Witt. p. cm. — (Studies in medieval and Reformation thought, ISSN 0585-6914 ; v. 74) Includes bibliographical references and indexes. ISBN 9004113975 (alk. paper) 1. Lovati, Lovato de, d. 1309. 2. Bruni, Leonardo, 1369-1444. 3. Latin literature, Medieval and modern—Italy—History and criticism. 4. Latin literature, Medieval and modern—France—History and criticism. 5. Latin literature, Medieval and modern—Classical influences. 6. Rhetoric, Ancient— Study and teaching—History—To 1500. 7. Humanism in literature. 8. Humanists—France. 9. Humanists—Italy. 10. Italy—Intellectual life 1268-1559. 11. France—Intellectual life—To 1500. PA8045.I6 W58 2000 808’.0945’09023—dc21 00–023546 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Witt, Ronald G.: ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. -
Stay & Explore
Stay & Explore Tewkesbury & Around UPCOMING EVENTS IN THE AREA CHELTENHAM MUSIC FESTIVAL Music artists in the Town Hall, Pump Rooms, choral music in Tewkesbury Abbey and Gloucester Cathedral. Musical experiences for all the family, from relaxed events for toddlers to virtual reality orchestras on the High Street. Wednesday 1 - Monday 6 May RHS MALVERN SPRING FESTIVAL Based at the Three Counties Showground in Malvern, Worcestershire and framed by the picturesque Malvern Hills, the RHS Malvern Spring Festival is the perfect opportunity to prepare for the upcoming gardening season. Thursday 9 - Sunday 12 May TEWKESBURY FOOD & DRINK FESTIVAL Offering a wealth of local produce including award-winning cheeses, locally reared meat, homemade cakes and pastries, local wine, beer and cider plus much more. Saturday 22 - Sunday 23 June GLOUCESTER TALL SHIP FESTIVAL Adventures from the high seas and bygone days from the Victorian period will be brought to life at the Gloucester Tall Ships festival. Friday 24 - Monday 27 May TEWKESBURY MEDIEVAL FESTIVAL Learn the history surrounding the Battle of Tewkesbury, the origins of the festival, and meet the team who bring it all to life. Saturday 13 - Sunday 14 July GLOUCESTER ROYAL INTERNATIONAL AIR TATTOO The Air Tattoo, one of the UK's premier outdoor events, returns this summer with an extravaganza of entertainment for all the family. Alongside the thrilling flying action, visitors will be treated to non-stop entertainment on the ground. Friday 19 - Sunday 21 July THREE CHOIRS FESTIVAL One of the world’s oldest music festivals held across cathedral cities of Gloucester, Worcester & Hereford. Friday 26 July – Friday 3 August THE BIG FEASTIVAL The Big Feastival returns in 2018, it is a summer festival for all the family, combining top-class food with live music from your favourite bands on Alex James’ Farm in Kingham, The Cotswolds. -
January – February 2018 Concert Diary
JAN/ FEB 2017/18 SEASON www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five prices ranges: In Person Stalls C – M Highest price 7 days a week: 10am – 8.30pm. Stalls A – B, N – P 2nd highest price Days without an evening concert 10am – 5pm. Balcony A – D 2nd highest price No advance booking in the half hour prior to Stalls BB, CC, Q – S 3rd highest price a concert. Stalls AA, T – V 4th highest price Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am–7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am–5.00pm. BB BB There is a non-refundable £3.00 administration CC CC A A charge for each transaction. B B C C D D Online: www.wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. G G There is a non-refundable £2.00 administration H H I I charge. J J K K L L Standby Tickets M M N N Standby tickets for students, senior citizens and O O P P the unemployed are available from one hour Q Q before the performance (subject to availability) R R S S with best available seats sold at the lowest price. REAR REAR T STALLS STALLS T U U NB standby tickets are not available for V V Lunchtime and Coffee Concerts.