DOCSLIB.ORG

Captain Marvel Lands on the New Cover of Disney Twenty-Three

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Captain Marvel Lands on the New Cover of Disney Twenty-Three CAPTAIN MARVEL LANDS ON THE NEW COVER OF DISNEY TWENTY-THREE BRIE LARSON GOES HIGHER, FURTHER, AND FASTER FOR A BEHIND-THE-SCENES LOOK AT THE MAKING OF THE THRILLING NEW MARVEL STUDIOS FILM PLUS, D23 TAKES READERS UNDER DUMBO’S BIG TOP; AVENGERS: ENDGAME DIRECTORS ANTHONY AND JOE RUSSO TEASE WHAT’S IN STORE FOR EARTH’S MIGHTIEST HEROES; AND ANT-MAN AND THE WASP ARE READY TO BATTLE HYDRA IN THE NEWEST ATTRACTION AT HONG KONG DISNEYLAND BURBANK, Calif. – February 14, 2019 – This March, Marvel Studios’ epic new adventure Captain Marvel flies into theaters, and Disney twenty-three was on set during production. The new movie explores the origin story of Carol Danvers, who just might be the most powerful Super Hero ever. Stars Brie Larson and Samuel L. Jackson talk about making this groundbreaking film, as well as how they have become good friends—Jackson loves to show off the impressive iPhone video Larson sent him of the grueling training she endured to transform into the courageous character. Plus, every copy of Disney twenty-three, which is delivered to Gold Members of D23: The Official Disney Fan Club, will include an exclusive poster highlighting 10 amazing characters moviegoers will meet when the film opens in March. That’s not all the Marvel Universe has to offer in the Spring issue. Avengers: Endgame directors Anthony and Joe Russo preview what fans can expect in the follow-up to last year’s smash hit, Avengers: Infinity War. Marvel Studios’ executive vice president of production, Victoria Alonso, opens the doors to her impressive office. Author Lorraine Cink gives a preview of some of the 65 powerful women celebrated in her colorful and very funny new book, Marvel Powers of a Girl. And fans will shrink down to explore the new attraction Ant-Man and The Wasp: Nano Battle!, a pulse-quickening adventure that will have the titular heroes—and guests at Hong Kong Disneyland—facing off against the powers of the wicked agents of Hydra. Also this March, Tim Burton reimagines Dumbo with a dazzling, live-action tale that opens up the magical world of the animated classic in thrilling ways. In exclusive interviews, Burton and stars Colin Farrell and Danny DeVito reveal what it took to bring this enchanting tale to life—and we finally find out what happens after the title character’s famous first flight. And in celebration of D23’s 10th anniversary, the back cover of the publication features a “10 FAN- tastic Years” patch, exclusively for D23 Gold Members. Also included in the Spring issue of Disney twenty-three: • The stars of Disney Channel’s Kim Possible live-action movie talk about accomplishing their Vancouver “bucket list” and celebrating the original animated series • A fond look back at Walt Disney World Resort’s Dumbo’s Circus Parade • Disneynature’s icebreaking new feature, Penguins, which follows a first-time father’s hilarious and heartfelt adventures • Raven-Symoné reflects on the 20th anniversary of Zenon: Girl of the 21st Century • An exploration of Walt Disney’s revolutionary Alice Comedies, which blended animation and live-action in innovative new ways • Every big Disney Parks announcement from D23’s Destination D event—from Star Wars: Galaxy’s Edge news to a first look at the Disney Skyliner • Regular features including By the Numbers, Character Analysis, D Society, and Ask Dave Disney twenty-three, which is delivered directly to fans’ doorsteps, is offered exclusively to D23 Gold and Gold Family Members as a benefit of their membership. The latest issue will begin arriving in late February. About D23 The name “D23” pays homage to the exciting journey that began in 1923 when Walt Disney opened his first studio in Hollywood. D23 is the first official club for fans in Disney’s 90-plus-year history. It gives its members a greater connection to the entire world of Disney by placing them in the middle of the magic through its quarterly publication, Disney twenty-three; a rich website at D23.com with members-only content; member-exclusive discounts; and special events for D23 Members throughout the year. Fans can join D23 at Gold Membership ($99.99), Gold Family Membership ($129.99), and General Membership (complimentary) levels at D23.com and at shopDisney.com/D23. To keep up with all the latest D23 news and events, follow DisneyD23 on Twitter, Facebook, Instagram, and YouTube. For images, logos, and press releases, please visit D23.com/Media. # # # Contact: Jeffrey Epstein The Walt Disney Company 818-560-8125 / [email protected] .
Load more

Recommended publications
  • Marvel Studios' Black Panther Activity Packet
    ACTIVITY PACKET Created in Partnership with Disney’s Animals, Science and Environment CONTENTS: Welcome to Wakanda 4 Meet the Characters 5 The Mantle of Black Panther 6 The Strength of Nature 8 Zuri’s Wisdom 10 Shuri’s Technology Hunt 12 Horns & Heroes 14 Acknowledgments Disney’s Animals, Science and Environment would like to take this opportunity to thank the amazing teams that came together to develop the “Black Panther” Activity Packet. It was created with great care, collaboration and the talent and hard work of many incredible individuals. A special thank you to Dr. Mark Penning for his ongoing support in developing engaging educational materials that arvel Studios’ “Black Panther” follows T’Challa who, after the death of his father, the connect families with nature. These materials would not have happened without the diligence and King of Wakanda, returns home to the isolated, technologically advanced African nation dedication of Kyle Huetter who worked side by side with the filmmakers and educators to help M create these compelling activities and authored the unique writing found throughout each page. to succeed to the throne and take his rightful place as king. But when a powerful old enemy A big thank you to Hannah O’Malley, Cruzz Bernales and Elyssa Finkelstein whose creative reappears, T’Challa’s mettle as king—and Black Panther—is tested when he is drawn into a thinking and artistry developed games and crafts into a world of outdoor exploration for the superhero in all of us. Special thanks to director Ryan Coogler and producer Kevin Feige, formidable conflict that puts the fate of Wakanda and the entire world at risk.
    [Show full text]
  • Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell
    APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off.
    [Show full text]
  • Alan Horn Chairman, the Walt Disney Studios the Walt Disney Company
    Alan Horn Chairman, The Walt Disney Studios The Walt Disney Company As Chairman of The Walt Disney Studios, Alan Horn oversees worldwide operations for The Walt Disney Studios including production, distribution, and marketing for Disney, Walt Disney Animation Studios, Pixar Animation Studios, Disneynature, Marvel Studios, and Lucasfilm, as well as Twentieth Century Fox Film, Fox Family, Fox Searchlight, Fox 2000, and Blue Sky Studios following The Walt Disney Company’s 2019 acquisition of 21st Century Fox. He also oversees Disney’s music and theatrical groups. Under Horn’s leadership, The Walt Disney Studios has set numerous records at the box office with global smash hits including Disney’s live-action “Beauty and the Beast” and “The Jungle Book”; Walt Disney Animation Studios’ “Frozen” and “Zootopia”; Pixar’s “Finding Dory,” “Coco,” and “Incredibles 2”; Marvel Studios’ “Avengers: Infinity War,” “Black Panther,” and “Captain Marvel”; and Lucasfilm’s “Star Wars: The Force Awakens,” “Rogue One: A Star Wars Story,” and “Star Wars: The Last Jedi,” among others. Prior to joining The Walt Disney Studios in 2012, Horn served as President and COO of Warner Bros., leading the studio’s theatrical and home entertainment operations, including the Warner Bros. Pictures Group, Warner Bros. Theatrical Ventures, and Warner Home Video. During Horn’s tenure from 1999 to 2011, Warner Bros. was the top-performing studio at the global box office seven times and released numerous critically acclaimed films and box office hits including the eight-film Harry Potter series, “Batman Begins,” “The Dark Knight,” “Charlie and the Chocolate Factory,” “Happy Feet,” “Sherlock Holmes,” “The Departed,” “Million Dollar Baby,” the second and third Matrix films and the Ocean’s Eleven trilogy.
    [Show full text]
  • Marvel Entertainment LLC FACT SHEET
    Marvel Entertainment LLC FACT SHEET FOUNDED PRODUCTS & SERVICES June 1998 Publishing: comics, trade paperbacks, advertising, custom project HISTORY • Licensing: portfolio of characters (Food, cloth, accessories, and more) Marvel Entertainment, LLC was formerly and toy licensing and production known as Marvel Enterprises, Inc. and • Film Production: motion pictures, changed its name to Marvel Entertainment, direct to videos, television, and video LLC in September 2005. As of December 31, games 2009, Marvel Entertainment, LLC operates as a subsidiary of The Walt Disney WEBSITE Company. www.marvel.com CORPORATE PROFILE AWARRDS Headquarter: Oscar Awards New York City, New York Nominations Annual Revenue Iron Man (2008) Disney Studio Entertainment 2014 Revenue: • Best Visual Effects 7,278 million • Best Sound Editing Iron Man 2 (2010) Number of Employees: • Best Visual Effects Over 250 employees The Avengers (2012) • Best Visual Effects MISSION STATEMENT Iron Man 3 (2013) • Best Visual Effects Our mission to expand enables our legends Captain America: The Winter Solider like Thor and The X-Men to come to life in (2014) unexpected ways. We also want to resonate • Best Visual Effects with people today and to evolve with X-Men: Days of Future Past (2014) generations to come. • Best Visual Effects Guardians of the Galaxy (2014) LEADERSHIP • Best Visual Effects • Best Makeup and Hairstyling Isaac Perlmutter CEO Learn more about Marvel Entertainment’s numerous awards at Alan Fine http://marvel.disneycareers.com/en/about-marvel/over President view/ Kevin Feige President of Production – Marvel Studios MARVEL CINEMATIC UNIVERSE PHASES POSITION See Official Timeline for Phase 1 to Phase 3 - FORTUNE named Marvel one of the on the next page.
    [Show full text]
  • Female Representation in the Marvel Cinematic Universe
    Volume 10 Issue 2 (2021) AP Research Superheroines and Sexism: Female Representation in the Marvel Cinematic Universe Folukemi Olufidipe1, Ms. Yunex Echezabal1 1Doral Academy Charter High School, Miami, FL, USA DOI: https://doi.org/10.47611/jsrhs.v10i2.1430 ABSTRACT The Marvel Cinematic Universe (MCU) is the highest-grossing film franchise of all time and since the premiere of Iron Man in 2008, it has risen to fame as a source of science-fiction entertainment. Sexism in the film industry often goes brushed aside but the widespread success of Marvel Studios calls attention to their treatment of gender roles. This paper explores the progression of six female superheroes in the MCU and what effect feminist movements have had on their roles as well as upcoming productions in the franchise. This paper used an interdisciplinary, mixed- methods design that studied movie scripts and screen time graphs. 14 MCU movies were analyzed through a feminist film theory lens and whenever a female character of interest was chosen, notes were taken on aspects including, but not limited to, dialogue, costume design, and character relationships. My findings showed that females in the MCU are heavily sexualized by directors, costume designers, and even their male co-stars. As powerful as some of these women were found to be, it was concluded that Marvel lacks in female inclusivity. Marvel’s upcoming productions, many of which are female-focused, still marginalize the roles of their superheroines which is a concern for the future of the film industry. Marvel is just one franchise but this study shows how their treatment of female characters uphold patriarchal structures and perpetuate harmful stereotypes that need to be corrected in the film industry as a whole.
    [Show full text]
  • Iron Man 3 Notes
    ADVANCE rom Marvel Studios comes “Iron Man 3,” which continues the epic, big-screen adventures of the world’s favorite billionaire-inventor-Super Hero, Tony Stark aka FIron Man. Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man? Based on the ever-popular Marvel comic book Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968, “Iron Man 3” returns Robert Downey Jr. (“Sherlock Holmes: A Game of Shadows,” “Tropic Thunder”) as Tony Stark, the iconic Super Hero, along with Gwyneth Paltrow (“Thanks for Sharing,” “Contagion”) as Pepper Potts, Don Cheadle (“Flight,” “Hotel Rwanda”) as James “Rhodey” Rhodes, Guy Pearce (“The Hurt Locker,” “Memento”) as Aldrich Killian, Rebecca Hall (“The Prestige,” “The Town,”) as Maya Hansen, Jon Favreau ( “Identity Thief,” “People Like Us”) as Happy Hogan and Ben Kingsley (“Schindler’s List,” “Gandhi,”) as The Mandarin.
    [Show full text]
  • Activision and Marvel Entertainment Expand Alliance and Extend Interactive Rights for Spider-Man and X-Men Franchises; Deal Extends Relationship Through 2017
    Activision and Marvel Entertainment Expand Alliance and Extend Interactive Rights for Spider-Man and X-Men Franchises; Deal Extends Relationship Through 2017 SANTA MONICA, Calif. & NEW YORK, Nov 11, 2005 (BUSINESS WIRE) -- Activision, Inc. (Nasdaq: ATVI) and Marvel Entertainment, Inc. (NYSE: MVL) jointly announced today that the companies have expanded their long-term, broad-based strategic alliance by signing a multi-year extension to their current video game licensing agreements for the Spider-Man(TM) and X-Men(TM) franchises through 2017. This agreement replaces all previous agreements between the companies. Under the terms of the agreement, Activision has extended its exclusive worldwide publishing rights to two of Marvel's most renowned comic book properties for interactive entertainment software products for console, PC and handheld platforms. The original agreements were set to expire in 2009. Activision's Spider-Man and the X-Men video games rank among the company's most successful franchises, having sold more than 25 million units across all platforms to date. "This announcement further underscores the strength of our relationship with Marvel and reinforces our leadership position in the superhero genre," states Mike Griffith, President and CEO, Activision Publishing, Inc. "Spider-Man and the X-Men are two of the most popular entertainment franchises today and some of the most coveted characters in interactive entertainment. This agreement will allow us to continue developing exceptional games based on these legendary characters well into the future." Tim Rothwell, Worldwide President, Consumer Media Group, Marvel Entertainment, added, "The interactive entertainment category continues to be one of Marvel's key strategic categories.
    [Show full text]
  • The Walt Disney Studios Presents Upcoming Film Slate from Disney, Pixar, Marvel, and Lucasfilm at D23 Expo 2017
    THE WALT DISNEY STUDIOS PRESENTS UPCOMING FILM SLATE FROM DISNEY, PIXAR, MARVEL, AND LUCASFILM AT D23 EXPO 2017 ‘Celebration of an Animated Classic: The Lion King’ Event Announced BURBANK, Calif., June 27, 2017 – The Walt Disney Studios presents an exclusive look at its unparalleled film slate at D23 Expo 2017 in Anaheim, California, taking place July 14–16. At two marquee Hall D23 presentations, the Studio will give fans a behind-the-scenes glimpse at its upcoming releases, with animated films from Walt Disney Animation Studios and Pixar Animation Studios showcased on Friday, July 14, and live-action projects from Disney, Marvel Studios, and Lucasfilm taking the stage on Saturday, July 15. Disney, Pixar, Marvel, and Lucasfilm are responsible for some of the world’s biggest movie hits, including recent blockbusters such as Disney’s Beauty and the Beast, Pirates of the Caribbean: Dead Men Tell No Tales, and The Jungle Book; Walt Disney Animation Studios’ Zootopia and Moana; Pixar Animation Studios’ Inside Out, Finding Dory, and Cars 3; Marvel Studios’ Guardians of the Galaxy Vol. 2, Doctor Strange, and Captain America: Civil War; and Lucasfilm’s Star Wars: The Force Awakens and Rogue One: A Star Wars Story. While the films to be featured in Hall D23 will remain under wraps until showtime, the Studio’s upcoming slate includes Pixar’s Coco; Marvel Studios’ Thor: Ragnarok, Black Panther, and Avengers: Infinity War; Lucasfilm’s Star Wars: The Last Jedi; Disney’s A Wrinkle in Time and Mary Poppins Returns; Walt Disney Animation Studios’ Ralph Breaks the Internet: Wreck-It Ralph 2; and more.
    [Show full text]
  • Wakanda Rising: Black Panther and Commodity Production in the Disney Universe
    Wakanda rising: Black Panther and commodity production in the Disney universe > Shenid Bhayroo Department of English, St Joseph’s University Philadelphia, Philadelphia, United States of America [email protected] ABSTRACT This article examines the superhero film Black Panther as a cultural commodity produced and distributed within an industrial capitalist system. The film has not only generated millions of dollars for the Disney Company, but has also stoked collective imaginations and energised the agency of audiences with its portrayal of the Afrofuturistic utopia, the kingdom of Wakanda, untouched by the ravages of colonialism and ruled by benevolent leaders endowed with superpowers. The film, is currently ranked first in terms of its lifetime gross revenues in the categories of comic book adaptation and superhero film and is the most successful of the Marvel Cinematic Universe characters’ films so far. Black Panther’s many firsts in the superhero genre reflect its non-financial feats: first to feature an almost entirely Black cast; first top-grossing film with an almost entirely Black cast; and biggest debut for an African American director (Disney 2018a). I demonstrate that while Black Panther showcases the work of African American filmmakers, storytellers and artists, and recognises Afrofuturism narratives, the film is also a commodity that sustains the system that produced it. Recognising and establishing the connections between commodity, cultural production and economics also offers a chance to identify opportunities for counter-hegemonies and challenges to the systemic erasure of Afro-histories. Keywords: Afrofuturism; Black Panther; commodity; Walt Disney Company; Marvel Comic Universe; political economy. Number 33, 2019 ISSN 2617-3255 page 01 of 20 DOI: http://dx.doi.org/10.17159/2617-3255/2018/n33a3 Creative Commons Attribution 4.0 International (CC BY 4.0) Introduction On 16 February 2018, four months after its record-setting opening weekend in the United States, global box office receipts forBlack Panther reached $1.4 billion.
    [Show full text]
  • (905) 403-6450
    IMAX CORPORATION 2525 Speakman Drive Mississauga, Ontario, Canada L5K 1B1 Tel: (905) 403-6500 Fax: (905) 403-6450 www.imax.com IMAX® AND DISNEY EXTEND BLOCKBUSTER SLATE DEAL THROUGH 2019 Lucasfilm’s Star Wars: The Last Jedi to Feature Select Scenes Captured with IMAX® Cameras LOS ANGELES – Feb. 22, 2017 – Building on their existing long-standing relationship, IMAX Corporation (NYSE:IMAX) and The Walt Disney Studios, a division of The Walt Disney Company (NYSE: DIS), announced today that both companies have extended their multi-faceted agreement with a new multi-picture deal — beginning this year and extending through 2019 — that includes the much- anticipated live-action and animated tentpole releases from Disney, Walt Disney Animation Studios, Pixar, Marvel and Lucasfilm. Highlights of the agreement include IMAX’s involvement in the release of Lucasfilm’s untitled Indiana Jones film, untitled Han Solo Star Wars anthology film, Star Wars: The Last Jedi and Star Wars: Episode IX; Marvel’s Black Panther, Ant-Man and the Wasp, Captain Marvel, Avengers: Infinity War and the untitled Avengers sequel; Disney’s Beauty and the Beast, A Wrinkle in Time and Mulan; Pixar’s The Incredibles 2 and Toy Story 4 and Walt Disney Animation Studios’ Wreck-It Ralph sequel. Following J.J. Abrams’ iconic use of IMAX® cameras in Star Wars: The Force Awakens, the companies have also announced that director Rian Johnson has captured key sequences of Star Wars: The Last Jedi using IMAX’s extremely high-resolution cameras, delivering IMAX audiences greater scope and increased image quality in IMAX’s exclusive aspect ratio for a uniquely immersive experience.
    [Show full text]
  • The 2020 Investor Day Programming Fact Sheet
    THE 2020 INVESTOR DAY PROGRAMMING FACT SHEET ©Disney Today at The Walt Disney Company’s Investor Day event, Lucasfilm President Kathleen Kennedy announced an impressive number of exciting Disney+ series and new feature films destined to expand theStar Wars galaxy like never before. Introducing the Disney+ slate, Kennedy said, “We have a vast and expansive timeline in the Star Wars mythology spanning over 25,000 years of history in the galaxy—with each era being a rich resource for storytelling. Now with Disney+, we can explore limitless story possibilities like never before and fulfill the promise that there is truly a Star Wars story for everyone.” Among the 10 projects announced for Disney+ is “Obi-Wan Kenobi,” starring Ewan McGregor, with Hayden Christensen returning as Darth Vader, in what Kennedy called, “the rematch of the century.” Also announced are two new series from Jon Favreau and Dave Filoni, off-shoots of the multiple Emmy®-winning “The Mandalorian.” “Rangers of the New Republic” and “Ahsoka,” a series featuring the fan-favorite character Ahsoka Tano, will take place in “The Mandalorian” timeline. Kennedy announced that the next Star Wars feature film, releasing in December 2023, will be “Rogue Squadron,” which will be directed by Patty Jenkins of the “Wonder Woman” franchise. In July 2022, the next installment of the “Indiana Jones” franchise premieres, starring Harrison Ford, who reprises his iconic role. The film is directed by James Mangold. Following are the announced projects, listed in announcement order under the Disney+ and feature film headers: DISNEY+ Ahsoka After making her long-awaited, live-action debut in “The Mandalorian,” Ahsoka Tano’s story, written by Dave Filoni, will continue in a limited series, Ahsoka, starring Rosario Dawson and executive produced by Dave Filoni and Jon Favreau.
    [Show full text]
  • Authorship and Authenticity in the Transmedia Brand: the Case of Marvel's Agents of S.H.I.E.L.D
    Authorship and Authenticity in the Transmedia Brand: The Case of Marvel's Agents of S.H.I.E.L.D. LEORA HADAS, University of Nottingham ABSTRACT The Marvel Cinematic Universe (MCU) is the first filmmaking endeavour of its kind: multiple separate superhero films taking place within a single diegetic world, united in a single sequel, The Avengers (2012). The third highest-grossing film in history, The Avengers drew not only on the success of its prequels, its established characters and its stars, but perhaps most of all on its writer- director, cult favourite television auteur Joss Whedon. Having delivered on the film, and with considerable experience in creating quirky, character-based telefantasy, Whedon was a natural choice for Marvel for creating the MCU's first expansion into television, ABC’s Marvel's Agents of S.H.I.E.LD (ABC Studios/Marvel Television/Mutant Enemy, 2013- ). This article examines the use of Whedon's name and his presence in the promotional discourse of Agents of S.H.I.E.LD as a case study of the role of the media creator in extending the transmedia brand. With the names of creators becoming increasingly visible in association with many texts where they were previously absent, such as television series and blockbuster Hollywood cinema, the use of the author name as a brand name sees growing prevalence across the screen industries. In theorizing transmedia storytelling, Elizabeth Evans (2010) has, accordingly, named authorship as one of the key dimensions in which cohesion is established. In this context, I examine the use of Whedon's involvement in the Marvel Cinematic Universe, where the discourse of authorship operates as a guarantor of consistency and authenticity.
    [Show full text]