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Representações Da Performatividade LGBTQ+ No Audiovisual a Partir Do Seriado Pose (2018)

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Representações Da Performatividade LGBTQ+ No Audiovisual a Partir Do Seriado Pose (2018) UNIVERSIDADE FEDERAL DE UBERLÂNDIA INSTITUTO DE HISTÓRIA PROGRAMA DE PÓS-GRADUAÇÃO Olávio Bento Costa Neto Queerness em tela: representações da performatividade LGBTQ+ no audiovisual a partir do seriado Pose (2018) UBERLÂNDIA 2020 OLÁVIO BENTO COSTA NETO Queerness em tela: representações da performatividade LGBTQ+ no audiovisual a partir do seriado Pose (2018) Dissertação apresentada ao Programa de Pós-graduação em História da Universidade Federal de Uberlândia como requisito para a obtenção do título de Mestre em História. Linha de pesquisa: História e Cultura Orientadora: Profª. Drª. Mônica Brincalepe Campo 04/12/2020 SEI/UFU - 1861490 - Ata de Defesa - Pós-Graduação UNIVERSIDADE FEDERAL DE UBERLÂNDIA Coordenação do Programa de Pós-Graduação em História Av. João Naves de Ávila, 2121, Bloco 1H, Sala 1H50 - Bairro Santa Mônica, Uberlândia-MG, CEP 38400-902 Telefone: (34) 3239-4395 - www.ppghis.inhis.ufu.br - [email protected] ATA DE DEFESA - PÓS-GRADUAÇÃO Programa de Pós-Graduação História em: Defesa de: DISSERTAÇÃO DE MESTRADO, Ata 4, PPGHI Dezenove de fevereiro de dois Hora de Data: Hora de início: 16:00 17h28 mil e vinte encerramento: Matrícula do 11812HIS014 Discente: Nome do Olávio Bento Costa Neto Discente: Título do Queerness em tela: representações da performavidade LGBTQ+ no audiovisual a parr do seriado Trabalho: Pose (2018) Área de História Social concentração: Linha de História e Cultura pesquisa: Projeto de Narravas Subjevas: a memória, a história e o discurso em primeira pessoa nas narravas Pesquisa de cinematográficas vinculação: Reuniu-se na Sala 48, Bloco 1H - Campus Santa Mônica, da Universidade Federal de Uberlândia, a Banca Examinadora, designada pelo Colegiado do Programa de Pós-graduação em História, assim composta: Professores Doutores: Reinaldo Maximiano Pereira (UFU), Sabina Reggiani Anzuategui (FACASPER - parcipou via SKYPE), Mônica Brincalepe Campo orientadora do candidato. Iniciando os trabalhos a presidente da mesa, Dra. Mônica Brincalepe Campo, apresentou a Comissão Examinadora e o candidato, agradeceu a presença do público, e concedeu ao Discente a palavra para a exposição do seu trabalho. A duração da apresentação do Discente e o tempo de arguição e resposta foram conforme as normas do Programa. A seguir o senhor(a) presidente concedeu a palavra, pela ordem sucessivamente, aos(às) examinadores(as), que passaram a arguir o(a) candidato(a). Ulmada a arguição, que se desenvolveu dentro dos termos regimentais, a Banca, em sessão secreta, atribuiu o resultado final, considerando o(a) candidato(a): Aprovado. Esta defesa faz parte dos requisitos necessários à obtenção do tulo de Mestre. O competente diploma será expedido após cumprimento dos demais requisitos, conforme as normas do Programa, a legislação pernente e a regulamentação interna da UFU. https://www.sei.ufu.br/sei/controlador.php?acao=documento_imprimir_web&acao_origem=arvore_visualizar&id_documento=2107385&infra_sistema=… 1/2 04/12/2020 SEI/UFU - 1861490 - Ata de Defesa - Pós-Graduação Nada mais havendo a tratar foram encerrados os trabalhos. Foi lavrada a presente ata que após lida e achada conforme foi assinada pela Banca Examinadora. Documento assinado eletronicamente por Mônica Brincalepe Campo , Professor(a) do Magistério Superior, em 19/02/2020, às 17:29, conforme horário oficial de Brasília, com fundamento no art. 6º, § 1º, do Decreto nº 8.539, de 8 de outubro de 2015. Documento assinado eletronicamente por Reinaldo Maximiano Pereira, Professor(a) do Magistério Superior, em 19/02/2020, às 17:29, conforme horário oficial de Brasília, com fundamento no art. 6º, § 1º, do Decreto nº 8.539, de 8 de outubro de 2015. Documento assinado eletronicamente por Sabina Reggiani Anzuategui, Usuário Externo, em 19/02/2020, às 17:30, conforme horário oficial de Brasília, com fundamento no art. 6º, § 1º, do Decreto nº 8.539, de 8 de outubro de 2015. A autencidade deste documento pode ser conferida no site hps://www.sei.ufu.br/sei/controlador_externo.php? acao=documento_conferir&id_orgao_acesso_externo=0, informando o código verificador 1861490 e o código CRC 8956E89E. Referência: Processo nº 23117.008995/2020-05 SEI nº 1861490 https://www.sei.ufu.br/sei/controlador.php?acao=documento_imprimir_web&acao_origem=arvore_visualizar&id_documento=2107385&infra_sistema=… 2/2 AGRADECIMENTOS Primeiramente, gostaria de agradecer a todos que me apoiaram e estiveram ao meu lado durante esses dois anos de mestrado. Minha família, meus amigos e colegas, minha gata e ao mundo da cultura pop que me fascina desde sempre. Um agradecimento especial a minha orientadora Mônica Campo, pela paciência com meu processo de pesquisa e escrita, desde a graduação. A Mirella e ao Rafael, que aguentaram essa jornada comigo desde o começo e também estão finalizando esse caminho árduo da pós- graduação. Agradeço também à Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) pelo apoio financeiro que me permitiu realizar essa pesquisa. Por fim, gostaria de agradecer a todos que dividiram um copo de cerveja, uma taça de vinho ou até uma dose de pinga comigo. Obrigado por me ajudarem a me distrair durante esse maremoto da vida acadêmica. A todos vocês, sempre serei muito grato por tudo. O-P-U-L-E-N-C-E. Opulence. You own everything. Everything is yours. Junior LaBeija (Paris is Burning - 1991) RESUMO A presente dissertação tem como objetivo estudar e analisar a representação audiovisual da performatividade de sujeitos LGBTQ+s e suas condições precárias dentro da sociedade contemporânea e dos anos 1980/1990 a partir do seriado norte americano Pose, tendo como principal referência os escritos da filósofa Judith Butler. O trabalho aborda temáticas como sexualidade, gentrificação, assim como os conceitos de simulacro, de Gaston Bachelard, e imaginação, de Jean Baudrillard, procurando perceber suas relações dentro do roteiro do seriado e como o mesmo aborda as temáticas sugeridas. Também pretende analisar a relação entre a obra audiovisual e seu público, pensando em uma construção dupla, a partir das reflexões de Jesús Martin-Barbero. Outros temas como a influência da cultura dos balls nova iorquinos dentro dos movimentos culturais a partir dos anos 1980, percebendo suas ligações com uma cultura pop contemporânea. Questões como a AIDS e assedio para com esses sujeitos também serão abordas. Todas as temáticas deste trabalho serão analisadas e colocadas em contraponto com a representação feita pelo seriado televisivo e quais são os seus significados dentro dessa narrativa. Palavras-chave: LGBTQ+, audiovisual, performatividade, performance. ABSTRACT This dissertation aims to study and analyze the audiovisual representation of LGBTQ + subjects' performativity and their precarious conditions within contemporary society and the 1980s / 1990s from the North American series Pose, having as main reference the writings of the philosopher Judith Butler. The work addresses themes such as sexuality, gentrification, as well as the concepts of simulacrum, by Gaston Bachelard, and imagination, by Jean Baudrillard, seeking to understand their relationships within the script of the series and how it addresses the suggested themes. It also intends to analyze the relationship between the audiovisual work and its audience, thinking about a double construction, based on the reflections of Jesús Martin- Barbero. Other themes such as the influence of New York balls' culture within cultural movements from the 1980s onwards, realizing its links with a contemporary pop culture. Issues such as AIDS and harassment towards these subjects will also be addressed. All the themes of this work will be analyzed and placed in counterpoint with the representation made by the television series and what are their meanings within this narrative Keywords: LGBTQ +, audiovisual, performativity, performance. Sumário INTRODUÇÃO ........................................................................................................................ 8 CAPÍTULO 1 – O QUEER NO AUDIOVISUAL: UM PERCURSO SOCIOCULTURAL DENTRO DO PROCESSO HISTÓRICO ........................................................................... 19 1.1 – New Queer Cinema: propostas de uma representação LGBTQ+ no audiovisual ........... 22 1.2 – A televisão seriada e suas representações da queerness .................................................. 26 CAPITULO 2 – A CONSTRUÇÃO DA PRECARIEDADE NO AUDIOVISUAL E SEU DIÁOLOGO COM O PÚBLICO .......................................................................................... 37 2.1 – Relações do audiovisual com as manifestações culturais ................................................ 41 2.2 – O desejo de ascensão e suas relações éticas .................................................................... 52 2.3 – O papel da imagem na construção de um imaginário crítico de seus receptores ............ 61 CAPITULO 3 – GÊNERO, SEXUALIDADE E PERFORMANCE QUEER .................. 66 3.1 – Assédio, relações familiares e AIDS: como a precariedade age na performance ........... 69 3.2 – Relações sociais da prostituição e fetichização na comunidade LGBTQ+ ..................... 78 3.3 – A performatividade da paródia drag ................................................................................ 87 CONSIDERAÇÕES FINAIS ................................................................................................. 93 FONTE .................................................................................................................................... 97 REFERÊNCIAS BIBLIOGRÁFICAS ................................................................................
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