Tommy Hilfiger and Actor and Activist, Indya Moore Co-Design
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Ballrooms, Voguing, Houses
ANALYSE FPS - 2020 Ballrooms, Voguing, Houses : un bout de culture queer Ballrooms, Voguing, Houses : un bout de culture queer – FPS 2020 Eléonore Stultjens Secrétariat général des FPS Chargée d’études [email protected] Photo de couverture : POSE de BBC/FX Éditrice responsable : Noémie Van Erps, Place St-Jean, 1-2, 1000 Bruxelles. Tel : 02/515.04.01 2 Ballrooms, Voguing, Houses : un bout de culture queer – FPS 2020 Introduction Aujourd’hui être transgenre implique encore une multitude d’obstacles, que ce soit en Belgique ou ailleurs dans le monde1. Ceux-ci peuvent prendre des formes diverses : discrimination à l’emploi, comportements haineux, violences ou encore stigmatisation dans le secteur de la santé2. En tant que mouvement féministe, progressiste et de gauche nous prônons l’égalité dans le respect des identités de genre de chacun·e. Afin d’apporter une pierre à cet édifice de l’inclusion, nous souhaitons visibiliser dans cette analyse la culture spécifique des ballrooms, espaces d’émancipation et de pouvoir. Par ce biais, nous voulons également mettre en lumière les combats des personnes transgenres. Au travers d’une description de la culture des ballrooms dans le contexte étasunien, nous aborderons la problématique de l’appropriation culturelle de la danse voguing. Nous verrons que ce phénomène d’appropriation à des fins commerciales efface les discriminations plurielles et intersectionnelles subies par les communautés latino-noire transgenres et, en même temps, nie complètement les privilèges des américain·e·s blanc·he·s cisgenres. Ensuite, nous ferons un arrêt historique sur les luttes LGBTQIA+ et le combat contre le VIH pour appréhender la façon dont les luttes transgenres sont perçues au sein d’un mouvement plus large, entre des dynamiques d’inclusion et d’exclusion. -
Saturday Church
SATURDAY CHURCH A Film by Damon Cardasis Starring: Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher Running Time: 82 minutes| U.S. Narrative Competition Theatrical/Digital Release: January 12, 2018 Publicist: Brigade PR Adam Kersh / [email protected] Rob Scheer / [email protected] / 516-680-3755 Shipra Gupta / [email protected] / 315-430-3971 Samuel Goldwyn Films Ryan Boring / [email protected] / 310-860-3113 SYNOPSIS: Saturday Church tells the story of 14-year-old Ulysses, who finds himself simultaneously coping with the loss of his father and adjusting to his new responsibilities as man of the house alongside his mother, younger brother, and conservative aunt. While growing into his new role, the shy and effeminate Ulysses is also dealing with questions about his gender identity. He finds an escape by creating a world of fantasy for himself, filled with glimpses of beauty, dance and music. Ulysses’ journey takes a turn when he encounters a vibrant transgender community, who take him to “Saturday Church,’ a program for LGBTQ youth. For weeks Ulysses manages to keep his two worlds apart; appeasing his Aunt’s desire to see him involved in her Church, while spending time with his new friends, finding out who he truly is and discovering his passion for the NYC ball scene and voguing. When maintaining a double life grows more difficult, Ulysses must find the courage to reveal what he has learned about himself while his fantasies begin to merge with his reality. *** DAMON CARDASIS, DIRECTOR STATEMENT My mother is an Episcopal Priest in The Bronx. -
A National Epidemic: Fatal Anti-Transgender Violence in the United States in 2019 from President Alphonso David
A NATIONAL EPIDEMIC: FATAL ANTI-TRANSGENDER VIOLENCE IN THE UNITED STATES IN 2019 FROM PRESIDENT ALPHONSO DAVID At this moment, transgender women of color are living in crisis. Over the past several years, more than 150 transgender people have been killed in the United States, nearly all of them Black transgender women. At the time of publication of this report, we advocates who have been doing this work for know of at least 22 transgender and gender decades to provide additional support, advance non-conforming people who have been killed programs and ultimately change systems to this year in this country. drive long-term change across this country. With our partners, we are working to support While the details of the cases differ, it is clear advocates through capacity building, leverage that the intersections of racism, sexism and our strengths with our corporate and community transphobia conspire to deny so many members partners to deliver new economic and training of the transgender community access to opportunities, and work with local governments housing, employment and other necessities to to drive systematic change in areas most survive and thrive. needed – public safety, healthcare, housing, education and employment. As the stories documented in this report make clear, this is a national crisis that demands the This is urgent work — and it requires all of us attention of lawmakers, law enforcement, the to engage. In this report, the Human Rights media and every American. Campaign’s team of researchers, policy experts and programmatic specialists have For transgender women of color who are living laid out steps that every person can take to in crisis, their crisis must become our crisis help eliminate anti-transgender stigma, remove as well. -
Representações Da Performatividade LGBTQ+ No Audiovisual a Partir Do Seriado Pose (2018)
UNIVERSIDADE FEDERAL DE UBERLÂNDIA INSTITUTO DE HISTÓRIA PROGRAMA DE PÓS-GRADUAÇÃO Olávio Bento Costa Neto Queerness em tela: representações da performatividade LGBTQ+ no audiovisual a partir do seriado Pose (2018) UBERLÂNDIA 2020 OLÁVIO BENTO COSTA NETO Queerness em tela: representações da performatividade LGBTQ+ no audiovisual a partir do seriado Pose (2018) Dissertação apresentada ao Programa de Pós-graduação em História da Universidade Federal de Uberlândia como requisito para a obtenção do título de Mestre em História. Linha de pesquisa: História e Cultura Orientadora: Profª. Drª. Mônica Brincalepe Campo 04/12/2020 SEI/UFU - 1861490 - Ata de Defesa - Pós-Graduação UNIVERSIDADE FEDERAL DE UBERLÂNDIA Coordenação do Programa de Pós-Graduação em História Av. João Naves de Ávila, 2121, Bloco 1H, Sala 1H50 - Bairro Santa Mônica, Uberlândia-MG, CEP 38400-902 Telefone: (34) 3239-4395 - www.ppghis.inhis.ufu.br - [email protected] ATA DE DEFESA - PÓS-GRADUAÇÃO Programa de Pós-Graduação História em: Defesa de: DISSERTAÇÃO DE MESTRADO, Ata 4, PPGHI Dezenove de fevereiro de dois Hora de Data: Hora de início: 16:00 17h28 mil e vinte encerramento: Matrícula do 11812HIS014 Discente: Nome do Olávio Bento Costa Neto Discente: Título do Queerness em tela: representações da performavidade LGBTQ+ no audiovisual a parr do seriado Trabalho: Pose (2018) Área de História Social concentração: Linha de História e Cultura pesquisa: Projeto de Narravas Subjevas: a memória, a história e o discurso em primeira pessoa nas narravas Pesquisa de cinematográficas vinculação: Reuniu-se na Sala 48, Bloco 1H - Campus Santa Mônica, da Universidade Federal de Uberlândia, a Banca Examinadora, designada pelo Colegiado do Programa de Pós-graduação em História, assim composta: Professores Doutores: Reinaldo Maximiano Pereira (UFU), Sabina Reggiani Anzuategui (FACASPER - parcipou via SKYPE), Mônica Brincalepe Campo orientadora do candidato. -
Joe Fryer to Host Transamerica, One-Hour Special on Nbc News Now Examining Issues Facing the Transgender Community on June 17
JOE FRYER TO HOST TRANSAMERICA, ONE-HOUR SPECIAL ON NBC NEWS NOW EXAMINING ISSUES FACING THE TRANSGENDER COMMUNITY ON JUNE 17 • NBC News NOW will stream TRANSAMERICA, hosted by Morning News NOW co-host Joe Fryer at 8 p.m. ET on June 17, examining state laws discriminating against transgender Americans and showcasing stories of transgender lawmakers making a difference in their communities. Fryer will also interview parents of transgender children and will moderate an anti-violence panel to discuss what can be done to raise awareness and help prevent crimes against the transgender community. The special will also examine the mental health challenges that many in the transgender community face from the pressure, stigma, and fears of everyday society that does not accept or understand them. Additionally, previews of the special will air on TODAY and Nightly News with Lester Holt. TODAY, NBC NIGHTLY NEWS, AND MEET THE PRESS TO HIGHLIGHT PRIDE CELEBRATIONS, SPOTLIGHT LGBTQ TRAILBLAZERS OF THE PAST AND PRESENT AND EXPLORE THE EVOLUTION OF LGBTQ SUPPORT • On TODAY, Joe Fryer will take a deep-dive look at Pride celebrations taking place this year and will explore how LGBTQ bars across the country are approaching reopening. Plus, marking 40 years since the first reported case of HIV/AIDS, Fryer will report on the historical, scientific, and cultural impact of the virus as well as advances in prevention and treatment. • Throughout the month,Deadline TODAY will highlight a variety of inspiring stories and perspectives of the LGBTQ experience including: the first gay married couple in the U.S. fifty years ago, Jack Baker and Michael McDonnel, discuss the story that inspired the book “Two Grooms on a Cake”; SNL’s Bowen Yang reflects on coming out and how the process has changed; actresses Indya Moore and Angelic Ross of FX’s Pose reflect on the pioneering nature of the series and its final close this summer; and more. -
Weekly Nightlife Section in Weekly Nightlife Section In
/nightspots @nightspotschicago /nightspots @nightspotschicago /nightspots @nightspotschicago nightspots nightspots weekly nightlife section in weekly nightlife section in weekly nightlife section in 26 June 6, 2018 WINDY CITY TIMES TELEVISION REVIEW From the very beginning, when the House of Abundance breaks into a museum for costumes, Pose we are immediately presented with a piece of work that thinks outside the box. We may not Director: Ryan Murphy (first two episodes) agree with everything the characters do but Pose Starring: Evan Peters, MJ Rodriguez is going to show us everything, warts and all. and Dominique Jackson, among others The cast lives each part possibly from expe- Time: Varies rience, and the scenes feel authentic. Murphy Premiere date: June 3 insisted on using trans actors to convey his poi- gnant story where the real category is finding a BY JERRY NUNN job to survive. One heartbreaking scene has An- gel, portrayed by Indya Moore, trying desperately The new FX series Pose is set in the ‘80s, and to work at an upscale clothing store—only to be tells the story of slices of life in the Big Apple. rejected to return to a life of hustling. Times may In each episode the characters (a slew of LGBTQ have not changed drastically but bringing aware- individuals, in a television set-up that is way ness to this discrimination is a step in the right overdue) face challenges that grow deeper with direction. Murphy has done his part by employing each episode. and spotlighting a diverse cast that deserves to The drag-ball scene is depicted, with the House be there for this important journey. -
Fatal Anti-Transgender Violence in the United States in 2019 from President Alphonso David
A NATIONAL EPIDEMIC: FATAL ANTI-TRANSGENDER VIOLENCE IN THE UNITED STATES IN 2019 FROM PRESIDENT ALPHONSO DAVID At this moment, transgender women of color are living in crisis. Over the past several years, more than 150 transgender people have been killed in the United States, nearly all of them Black transgender women. At the time of publication of this report, we advocates who have been doing this work for know of at least 22 transgender and gender decades to provide additional support, advance non-conforming people who have been killed programs and ultimately change systems to this year in this country. drive long-term change across this country. With our partners, we are working to support While the details of the cases differ, it is clear advocates through capacity building, leverage that the intersections of racism, sexism and our strengths with our corporate and community transphobia conspire to deny so many members partners to deliver new economic and training of the transgender community access to opportunities, and work with local governments housing, employment and other necessities to to drive systematic change in areas most survive and thrive. needed – public safety, healthcare, housing, education and employment. As the stories documented in this report make clear, this is a national crisis that demands the This is urgent work — and it requires all of us attention of lawmakers, law enforcement, the to engage. In this report, the Human Rights media and every American. Campaign’s team of researchers, policy experts and programmatic specialists have For transgender women of color who are living laid out steps that every person can take to in crisis, their crisis must become our crisis help eliminate anti-transgender stigma, remove as well. -
Where We Are on Tv 2018 – 2019 Where We Are on Tv 2018 – 2019
WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 2018–2019 Where We Are on TV 1 PB WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 Contents 4 From the Desk of Sarah Kate Ellis 5 Methodology 6 Executive Summary 8 Summary of Broadcast Findings 10 Summary of Cable Findings 12 Summary of Streaming Findings 14 Gender Representation 16 Race & Ethnicity 18 Representation of Black Characters 20 Representation of Latinx Characters 22 Representation of Asian-Pacific Islander Characters 24 Representation of Characters With Disabilities 26 Representation of Bisexual+ Characters 28 Representation of Transgender Characters 30 Representation in Alternative Programming 31 Representation in Daytime, Kids & Family Programming 32 Representation on Other SVOD Streaming Services 33 Representation in Spanish-Language Programming 34 About GLAAD 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 From the Desk of Sarah Kate Ellis GLAAD has tracked the presence of lesbian, gay, Inclusive shows also pay off in the ratings. NBC’s bisexual, transgender, and queer (LGBTQ) characters season nine premiere of Will & Grace counted 15 on television for 23 years, and this year marks our million viewers in the first week of release, ABC’s 14th report since expanding that focus into what is Modern Family ranked in the top 20 broadcast series now the Where We Are on TV (WWAOTV) report among 18-49 year old viewers for the entirety of its in 2005. -
The Fat Body in Queer-Centered Television Charlotte Stout
1 Queer Sexualities, Normative Bodies: The Fat Body in Queer-Centered Television Charlotte Stout Submitted in Partial Fulfillment of the Prerequisite for Honors in AmeriCan Studies Under the Advisement of MiChael Jeffries May 2020 © 2020 Charlotte Stout 2 ACknowledgments Without support and help from many people, this project would not have been possible. Many thanks: To my thesis and major advisor, Professor Michael Jeffries, for your support and guidance this year on my thesis and throughout all of my time at Wellesley. Your confidence in my research and your thoughtful comments on my work shaped this project into what it is. To Professor Clutario, Professor Fisher, and Professor Creef for serving on my thesis committee and giving me your time, even remotely on Zoom, to discuss my work with you. Thank you to Professor Musto for giving me space to discuss my thesis with you even as the world was rapidly changing and you had only known me for one semester – your kindness meant a lot in continuing my work from home. To my father, Dave Stout, for picking me up from Wellesley every year and helping me settle into a new lifestyle after we all left campus in March. Thank you for holding me accountable to my work and encouraging me to dive deeper into it while I was at home. Your surprise smoothies and creative meals fueled much of this work! To my mother, Rebecca Coles, for believing in me and encouraging me to pursue my passions and the subject matter I’m interested in. Your steadfast support all the way from California has helped me to keep going even after I had to leave campus. -
Press 3 February 2021 the 25 Defining Works of the Black
TIME The 25 Defining Works of the Black Renaissance 3 February 2021 The 25 Defining Works of the Black Renaissance “I’m rooting for everybody Black.” So said Issa Rae on the red carpet at the 2017 Emmy Awards, capturing the electricity of a moment when “everybody Black” referred to quite a large group of ascendant voices—not only those up for awards that night, and not only those in Hollywood, but artists across the cultural landscape. While there has never been a shortage of Black artists making great work, the past six or so years have seen these creators claiming the spotlight like never before. Image: O.J. Made in America: ESPN Films/Everett Collection; Slave Play: Sarah Krulwich—The New York Times/Redux; Black Panther: Marvel/Walt Disney Studios Motion Pictures/Everett Collection; Getty Images In fact, the hardest part of compiling this list of 25 works that have defined the current Black Renaissance was coming to terms with what had to be left out: vital films, series, albums, books, poetry collections, plays and works of fashion. For guidance, TIME assembled some of the era’s most influential figures—artists who have also become advocates, mentors and changemakers—to help curate the list. These luminaries across disciplines voted on hundreds of works to reach a compilation of original, ambitious art, from paintings that will live in perpetuity in the National Portrait Gallery to music that became the soundtrack to a movement; books about marriage and memory and TV series that are as weird as they are wise. The works of this new canon are defined by their breadth and diversity—a movement of pop stars and public intellectuals, superheroes and screwups, horror and ecstasy, individuality and unity. -
BLANCA EVANGELISTA from POSE1 José Javier Torres
CHOSEN FAMILIES AND FEMINIST MOTHERING IN THE BALLROOM COMMUNITY: BLANCA EVANGELISTA FROM POSE1 José Javier Torres Fernández2 Chosen Families and Feminist Mothering in the Ballroom Community: Blanca Evangelista from POSE. Abstract: The ballroom community and its subculture present the notion of chosen families as a group of, mainly, Black and Latinx LGBTQ people who gather in a socially configured structure called a house. Ballroom houses are families in which queer mothering is presented as feminist mothering embodied by Black and Latinx trans women in POSE (2018–present). Ruddick’s maternal thinking and O’Reilly’s feminist mothering weaken the normative patriarchal discourse of mothering and motherhood and convey new meanings to this practice. This article tackles these concepts as part of Blanca Evangelista’s identity as a woman and as a mother in POSE. Keywords: motherhood, ballroom, identity, family, community, gender studies, trans studies, performativity. Familias elegidas y maternidad feminista en la comunidad del ballroom: Blanca Evangelista en POSE. Resumen: La comunidad del ballroom y su subcultura presentan el concepto de familias elegidas como un grupo de, en su mayoría, personas negras y latinas LGTBQ que se juntan en casas, estructuras configuradas socialmente. Las casas del ballroom son familias en las cuales la maternidad queer se presenta como feminista representada por mujeres trans negras y latinas en POSE (2018–presente). El pensamiento maternal de Ruddick y la maternidad feminista de O’Reilly debilitan el discurso patriarcal normativo de la maternidad y otorga nuevos significados a esta práctica. Este artículo desarrolla estos conceptos como parte de la identidad de Blanca Evangelista como madre y como mujer en POSE. -
Responsibility Studio Index
2020 Studio Responsibility Index STUDIO RESPONSIBILITY INDEX 2020 From the Office of the President & CEO, Sarah Kate Ellis GLAAD created the Studio Responsibility Index in Two years ago, GLAAD issued a challenge - 20 2013 to track lesbian, gay, bisexual, transgender, percent of annual major studios releases must include and queer (LGBTQ) inclusion in major studio films LGBTQ characters by the 2021-year’s end, and that after seeing the progress our TV research had driven 50 percent must include LGBTQ characters by the in the industry and with creators. Entertainment is end of 2024. While the COVID-19 global pandemic America’s most widespread cultural export – reflecting has and will continue to have ripple effects across the the culture that produces it while also having the film business and all businesses, we still believe in this opportunity to shape culture through nuanced and challenge and reaffirm our commitment to holding inclusive storytelling – and wide release major studio the industry accountable for telling inclusive stories. films are marketed to and accessible by billions of Four studios individually hit this 20 percent goal: people across the U.S. and around the world. Yet, Paramount Pictures at 33 percent of their annual slate LGBTQ characters are still often sidelined or entirely including LGBTQ characters, United Artists Releasing excluded from major Hollywood releases. at 29 percent, Lionsgate at 25 percent, and Walt While we have seen consistent forward movement in Disney Studios rounding out at 21 percent – though no LGBTQ representation on television in recent years, studio hit the previous years’ established record high mainstream films continue to lag behind.