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The Diary of Ann Frank Preview Inside this Issue 9 to 5 The Musical Auditions ............2 2014-2015 Season Preview ..............3 Historian’s Corner .............................4 Vol. 9.4 January, 2014 Players Begin 2014 with The Diary of Anne Frank by Bob McLaughlin Anne Frank’s Diary of a Young Girl is familiar to readers Amsterdam, the around the world; indeed, it serves many of us as diary, having been our introduction to the horror of the Holocaust, Nazi recovered after the Germany’s systematic attempt to exterminate the Jews arrest, was given to of Europe. It’s hard to imagine that this document was him, and he vowed almost passed over by history, but it’s true. to have it published. After a number The Franks and another Jewish family, the van Pels, of rejections, it tried to escape the Nazi persecution of the Jews in was published Amsterdam by moving into a secret annex in a building in Germany and where Anne’s father worked. There they hid for over two France in 1950, years, Anne recording the day-to-day events of their lives and, after several and her reflections on the war, life, and growing into more rejections, womanhood. In August 1944 the refugees were betrayed it was published to the authorities, arrested, and transported to the death in the United States in 1952, where it was favorably camps. Anne died at the Bergen–Belsen camp a few reviewed, including a rave review in the New York weeks before it was liberated in April 1945. Times Book Review by Meyer Levin. It was Levin who initially proposed that a dramatic adaptation of the Otto Frank, Anne’s father, was the only member of the diary be made, but after closing a deal with Otto Frank, family to survive. After the war, when he returned to completing a draft, and approaching some Broadway producers, playwright Lillian Hellman, a friend of the producers, suggested that Levin’s version was too Jewish. Hollywood screenwriters Frances Goodrich and Albert Hackett were brought in to rewrite the play, and their version opened on Broadway on October 5, 1955, with Susan Strasberg as Anne, Joseph Schildkraut as Otto, and Jack Gilford and Lou Jacobi among the other cast members. During its 717-performance run, it won the Tony Award for Best Play and the Pulitzer Prize in Drama. It was adapted into a successful film in 1959. In 1997 the play was newly revised by Wendy Kesselman, making use of The cast rehearses a scene from The Diary of Anne Frank. parts of the diary that Otto Frank had Continued on page 4 . 9 to 5 the Musical 9 to 5: The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the Jan. - Feb. 2014 1980 hit movie Nine to Five. Board Meetings January 21, 6:00 p.m. Pushed to the boiling point by their boss, three female February 18, 6:00 p.m. co-workers concoct a plan to get even with the sexist, Community Players Theatre egotistical, lying, hypocritical bigot they call their boss. They conspire to take control of their company and The Diary of Anne Frank Preview: January 16, 2014 learn there’s nothing they can’t do -- even in a man’s Performances: January 17–19, world. Set in the late 1970s, 9 to 5: The Musical is a and23–26, 2014 hilarious story of friendship and revenge in the Rolodex era. Outrageous, thought- provoking, and even a little romantic, 9 to 5: The Musical is about teaming up and 9 to 5 the Musical Auditions: Jan. 27, 28, and 29, 7 taking care of business. pm at the theater. Preview: March 20, 2014 Director Brett Cottone needs a cast of 20 or more men and women from the ages of Performances: March 21- 23rd, 18 - 60s. 27–30, and April 3–6, 2014 CHARACTER BREAKDOWN - Character Ages - Casting is Flexible VIOLET – 40s to early 50s. Attractive, strong, ambitious woman. Stands up for what she believes in. Head secretary and Mr. Hart’s administrative assistant. She is also a single mother of a teenager. (Lily Tomlin in film) DORALEE – late 20s to late 30s. Sexy in a wholesome country singer way. Character should “suggest” Dolly Parton-like character but not an impersonator. Needs to sing country. Community Players JUDY – late 20s to late 30s. Attractive, insecure, at first afraid of being on her own 201 Robinhood Lane but later becomes empowered and strong. She is the “new” girl. Husband just left Bloomington, IL 61701 her for his secretary. (Jane Fonda in the film) 309-663-2121 www.communityplayers.org ROZ KEITH – late 30s to 40s. The office kiss-up and second to the boss, a gossip, has an unrequited love for her boss and will do anything to win his approval Newsletter Committee Jim Kalmbach FRANKLIN HART – 40s to 50s. Arrogant, self-absorbed, male chauvinist corporate Wendi Fleming 70s boss. Is capable of a surface, smarmy charm. (Dabney Coleman in the film) John Lieder Bob McLaughlin MISSY – 40s to 50s. Hart’s wife. Fluttery and ditzy. Bruce Parrish Sally Parry JOE – 20s to 30s. The cute, young, office accountant. He’s smitten with VIOLET. DICK – 30s to 40s. Judy’s soon-to-be ex-husband. Average middle-aged guy, sporting We are always looking for a little less hair and a little more paunch than he did ten years ago. writers, artists, designers, and story ideas. Send comments and DWAYNE – 20s to early 30s. Doralee’s husband, very supportive of Doralee. suggestions to kalmbach@ilstu. edu JOSH – 18 to early 20’s (must look young) Violet’s teenage son. Curtain Calls is published six MARGARET – any age. Secretary. The office lush. times a year for the voting mem- bers of Community Players. ENSEMBLE (singers / dancers) – 18 to 60s For information about joining us, please contact our membership Auditions are Monday Jan. 27, Tuesday Jan. 28, and Wednesday Jan. 29 7 pm at the chair, Wendi Fleming at [email protected]. theater. Be prepared to dance, sing 16 bars to piano accompaniment, and read from the script. Back issues of Curtain Calls are available on the Commu- Any questions? Contact Brett Cottone at [email protected] nity Players web site. Click on “Newsletter Archive.” 2 Community Players Announces 2014-2015 season The Community Players Board of Governors recently announced their 2014-2015 season. Please note that all shows are subject to change pending licensing agreements. The Philadelphia Story Of Mice and Men (Play) (Play) A Comedy by Philip Barry A Drama by John Steinbeck Auditions: July 21 and 22, 2014 Auditions: November 24 and 25, 2014 Preview: September 4, 2014 Preview: January 15, 2015 Performances: September 5-7 and 11-14, 2014 Performances: January 16-18 and 22-25, 2015 Philip Barry’s romantic comedy John Steinbeck’s heartbreaking The Philadelphia Story opened 1937 American classic on Broadway at the Shubert comes to life in his own stage Theatre in March 1939 and adaptation. The play, which ran an entire year for 417 predates the Tony Awards performances. Katharine and the Drama Desk Awards, Hepburn played the lead, Tracy earned the 1938 New York Lord in one of Barry’s biggest Drama Critics’ Circle for Best successes. The play tells the Play. The 1937 production story of Philadelphia heiress opened while the novel was and socialite Tracy Lord. After still on best seller lists. It getting a divorce from C. K. tells the story of Lennie and Dexter Haven, she prepares George—farm workers in to marry again. However, in Depression-era California who the days before her wedding, are trying to scrape together Haven and a reporter, posing enough money to buy a house as her brother’s friend, show of their own. But when Lennie up at her doorstep. From there, Tracy is forced to choose stirs up trouble on the job, George must choose between among her past love, her present love, and her new love. protecting his friend or staying the course towards his version of the American dream. Rent (Musical) Dirty Rotten Scoundrels (Musical) Book, Music, and Lyrics by Jonathan Larson Book by Jeffrey Lane; Music and Lyrics by David Yazbek Auditions: September 15-17, 2014 Preview: November 6, 2014 Based on the film Dirty Rotten Scoundrels written by Performances: November 7-9, 13-16 and 20-23, 2014 Dale Launer, Stanley Shapiro, and Paul Henning Auditions: January 18-20, 2015 Set in the East Village of New York City, RENT is about Preview: March 12, 2015 falling in love, finding your voice and living for today. Winner of the Tony Award for Best Musical and the Performances: March 13-15, 19-22, and 26-29, 2015 Pulitzer Prize for Drama, RENT has become a pop Dirty Rotten Scoundrels has been described as stylish, cultural phenomenon with songs that rock and a story sexy, irreverent, and “Broadway musical comedy that resonates with audiences of all ages. Based loosely heaven.” Based on the popular 1988 film, Dirty Rotten on Puccini’s La Boheme, Jonathan Larson’s RENT follows Scoundrels centers on two con men living on the a year in the life of a group of impoverished young artists French Riviera. Lawrence Jameson makes his lavish and musicians struggling to survive and create in New living by talking rich ladies out of their money. Freddy York’s Lower East Side. How these young bohemians Benson more humbly swindles women by waking negotiate their dreams, loves, and conflicts provides the their compassion with fabricated stories about his narrative thread to this ground-breaking musical.
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