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News Release NEWS RELEASE FOR RELEASE: MONDAY, MAY 15, 10:30 a.m. ARIZONA THEATRE COMPANY NAMES DAVID IVERS AS NEW ARTISTIC DIRECTOR David Ira Goldstein Will Bid Adieu to ATC on June 30 After a nationwide search, the Arizona Theatre Company (ATC) board of directors has named David Ivers, most recently the artistic director at Utah Shakespeare Festival, as ATC’s new Artistic Director. Ivers will begin his new role on July 1. ATC’s current artistic director, David Ira Goldstein, will remain with the company until June 30 when his enduring 25-year tenure will officially come to end and he moves on to pursue new challenges and opportunities. He will become Artistic Director Emeritus. “The search process, guided and organized by consulting and executive recruiting firm AlbertHall & Associates, was extensive and, ultimately, incredibly rewarding with the hiring of David Ivers,” said ATC Board Chair Lynne Wood Dusenberry. “There were a number of truly wonderful candidates for the position, but David was clearly the right person to build upon David Ira Goldstein’s remarkable artistic legacy and guide Arizona Theatre Company to the next level of success.” Ivers served as artistic director at the Utah Shakespeare Festival for seven years, having acted and directed in more than 50 productions with the company over 20 years. During his tenure, Ivers, a native of San Rafael, Calif. who holds a Master’s in Fine Arts from the University of Minnesota, helped lead a $40 million facilities expansion that included two new theatres, a new rehearsal hall, costume shop and administrative offices. His tenure also was marked by a significant rebrand of the organization and several key initiatives, highlighted by the launch of the WORDS3 (cubed) New Play Development Program featuring the world premiere of Neil Labute’s How to Fight Loneliness in August, which Ivers will direct. Earlier in his career, Ivers was Associate Artistic Director at Portland Repertory Theatre. He has appeared in productions at some of the nation’s top regional theatres and recently directed productions at The Guthrie Theatre, where he will direct Blithe Spirit in November, Berkeley Repertory Theatre, The Oregon Shakespeare Festival, South Coast Repertory Theatre and Pioneer Theatre Company, among others. He also spent 10 years as a resident artist with the Denver Center Theatre Company, building more than 40 productions as an actor and director. “Because of the richness of the cultural offerings and heritage in both Tucson and Phoenix, I’m humbled and excited about Arizona Theatre Company’s impact, contribution and potential as we start the next half century,” Ivers said. “ATC has been and should be the crown cultural jewel of Arizona and, though we bring great, thoughtful and quality theatre to two different communities, we serve the entire state.” He joins ATC as it heads into the 51st season with a lineup chosen by David Ira Goldstein that includes Neil Simon’s Chapter Two, directed by Marsha Mason (Tucson: Sept. 9-30; Phoenix: October 5-22); The River Bride by Marisela Treviño Orta and directed by Kinan Valdez (Tucson: Oct. 21 to Nov. 11; Phoenix: Nov. 16 to Dec. 3); Man of La Mancha, book by Dale Wasserman, lyrics by Joe Darion, music by Mitch Leigh, directed by David Bennett (Tucson: Dec. 2-23; Phoenix: Jan. 11-28, 2018); Outside Mullingar by John Patrick Shanley (Tucson: Jan. 20 to Feb. 10; Phoenix: Feb. 15 to March 4); Low Down Dirty Blues, by Randal Myler and Dan Wheetman, directed by Randal Myler (Tucson: March 10-31; Phoenix: April 5- 22); and The Diary of Anne Frank, dramatized by Frances Goodrich and Albert Hackett, adapted by Wendy Kesselman, directed by David Ira Goldstein, a co-production with Geva Theatre Center of Rochester, NY (Tucson: April 21 to May 12; Phoenix: May 17 to June 3). Season ticket packages are now available. Build-your-own subscriptions for 3, 4 or 5 play packages and Flex Passes also are on sale. Season-packages in Tucson range from $135 to $345 and in Phoenix from $135 to $435. For more information, visit www.arizonatheatre.org or call the box office in Tucson at (520) 622-2823 or in Phoenix at (602) 256-6995. -30- Contact: Steve Carr, The Kur Carr Group, Inc., (602) 317-3040 About Arizona Theatre Company: Arizona Theatre Company (ATC) is the preeminent fully professional theatre in the state of Arizona, committed to inspiring, engaging, and entertaining - one moment, one production, and one audience at a time. Boasting the largest seasonal subscriber base in the performing arts in Arizona, ATC is the only resident company in the U.S. that is fully based in two cities providing its wide array of programming and community outreach across the region. Now in its 50th season, more than 130,000 people each year attend our performances at the historic Temple of Music and Art in Tucson, and the elegant Herberger Theater Center in downtown Phoenix. Each season of home-grown productions reflects the rich variety of world drama—from classics to contemporary plays, from musicals to new works—along with a wide array of community outreach programs, educational opportunities, access initiatives and new play programs. Designated The State Theatre of Arizona, ATC is led by Artistic Director David Ira Goldstein and a dedicated Board of Trustees. NEWS RELEASE FOR IMMEDIATE RELEASE: May 25, 2017 ARIZONA THEATRE COMPANY BOARD NAMES BILLY RUSSO MANAGING DIRECTOR TO COMPLETE EXECUTIVE MANAGEMENT TEAM ATC Heads into 51st Season On Heels of Record-Breaking 50th Anniversary Season The Arizona Theatre Company Board of Trustees has named Billy Russo as full-time Managing Director to complete the executive management team following the announcement that David Ivers will assume responsibilities as Artistic Director beginning July 1. Russo, who has served as Acting Managing Director since 2015, collaborated with current Artistic Director David Ira Goldstein, staff and the Board of Trustees to help ATC navigate through a period of serious financial challenges in 2016 and helped plan and executive the critically and financially successful 50th anniversary season. The 50th anniversary season comes to a close on May 28 with the final performance of the world premiere of Holmes and Watson, now on stage at the Herberger Theater Center. “Billy not only brings an incredible depth of theater company and artistic management experience to ATC, he already knows the Arizona cultural landscape and community and has a first-hand understanding of Arizona Theatre Company. He doesn’t need to hit the ground running because he’s already covered so much ground,” said Lynne Wood Dusenberry, chair of the ATC Board of Trustees. “We head into our next half century extremely confident and excited about the future of Arizona Theatre Company, buoyed by a highly experienced and motivated management team, a tremendously dedicated staff and committed board, and a solid financial base.” Russo assumed executive management duties in October 2015. He came to ATC as part of a consulting team from Albert Hall & Associates, a full-service consulting and executive recruiting firm that assisted the company in conducting the national search resulting in Ivers’ hiring. Previously, Russo had been Managing Director of the award-winning American Repertory Theater, Managing Director of New York Theatre Workshop and General Manager of Playwrights Horizons, a major off-Broadway company. While Russo was with American Repertory Theater, the company produced a 50 percent increase in contributed income. At New York Theatre Workshop, he developed and implemented a strategy toward achieving organizational stability that included restructuring staff, administration and programmatic costs, retiring a $1.3 million deficit and rebuilding cash reserves. The company also produced the world premieres of Once and Peter and the Starcatcher, both of which transferred to Broadway, garnering 13 of the 26 competitive Tony Awards in 2012. He joins ATC as it heads into the 51st season with a lineup chosen by David Ira Goldstein and on the heels of the nearly-completed 2016-17 season which broke box office records for single ticket tales, saw a 16 percent increase in subscription sales over the previous year and a 25 percent increase in contributed income above the past ten-year average. “Our 50th anniversary season has been an overwhelming success on every level,” Dusenberry said. “We expect to close the season with a six-figure operating surplus, improve our balance sheet by nearly $1 million and be in a strong financial position.” The lineup for the 2017-18 Arizona Theatre Company season includes Neil Simon’s Chapter Two, directed by Marsha Mason (Tucson: Sept. 9-30; Phoenix: October 5-22); The River Bride by Marisela Treviño Orta and directed by Kinan Valdez (Tucson: Oct. 21 to Nov. 11; Phoenix: Nov. 16 to Dec. 3); Man of La Mancha, book by Dale Wasserman, lyrics by Joe Darion, music by Mitch Leigh, directed by David Bennett (Tucson: Dec. 2-31; Phoenix: Jan. 5-28, 2018); Outside Mullingar by John Patrick Shanley, directed by David Ivers (Tucson: Jan. 20 to Feb. 10; Phoenix: Feb. 15 to March 4); Low Down Dirty Blues, by Randal Myler and Dan Wheetman, directed by Randal Myler (Tucson: March 10-31; Phoenix: April 5-22); and The Diary of Anne Frank, dramatized by Frances Goodrich and Albert Hackett, adapted by Wendy Kesselman, directed by David Ira Goldstein, a co-production with Geva Theatre Center of Rochester, NY (Tucson: April 21 to May 12; Phoenix: May 17 to June 3). Season ticket packages are now available. Build-your-own subscriptions for 3, 4 or 5 play packages and Flex Passes also are on sale. Season-packages in Tucson range from $135 to $345 and in Phoenix from $135 to $435.
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