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2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
Desiring Postcolonial Britain: Genre Fiction Since the Satanic Verses
Desiring Postcolonial Britain: Genre Fiction sinceThe Satanic Verses Sarah Post, BA (Hons), MA Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy November 2012 This thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere ProQuest Number: 11003747 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003747 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 1 Acknowledgements The completion of this project would not have been possible without the academic, financial and emotional support of a great number of people. I would like to thank all those that offered advice on early drafts of my work at conferences and through discussions in the department. Special thanks go to the Contemporary Gothic reading group at Lancaster for engendering lively debate that fed into my understanding of what the Gothic can do today. Equally, I could not have finished the project without financial support, for which I am grateful to the Lancaster English Department for a fee waiver and to Dr. -
ATTACK the BLOCK by Joe Cornish a FINAL SHOOTING SCRIPT (Inc
ATTACK THE BLOCK by Joe Cornish A FINAL SHOOTING SCRIPT (Inc. Reshoots) 10.11.10 BAFT Big Talk Pictures Ltd. 26 Nassau Street London W1W 7AQ +44 (0)20 7255 1131 [email protected] 1 EXT. STARSCAPE - NIGHT 1 The NIGHT SKY, speckled with STARS. But look closely and -- one of the stars is SHOOTING. 2 EXT. SOUTH LONDON SKYLINE - EVENING 2 Miles beneath, the South London SKYLINE. TOWER BLOCKS line the horizon like broken teeth. FIREWORKS crackle and bloom in the distance. Must be early November. Fireworks Night. Lower still, a teeming scrum of COMMUTERS and VEHICLES around an UNDERGROUND STATION. 3 EXT. UNDERGROUND STATION - EVENING 3 SAM, mid 20s, emerges from the crowd. Pretty, brightly dressed amongst the grey commuters. She takes out her mobile, lifts it to her ear and begins to walk. SAM Hey mum... A 4 EXT. BUSY HIGH STREET - MOMENTS LATER 4 We follow SAM’S face amongst a crowd of pedestrians. SAM ...sorry I couldn’t call sooner, I haven’t had a chance, it’s been crazy...BAFT Little kids run past waving SPARKLERS. Now SAM walks through a bustling market street. SAM ...no, I’m just walking back to the flat, my shift ran over... 5 EXT. RESIDENTIAL STREET - MOMENTS LATER 5 Now she walks down a street of stuccoed Georgian houses. KIDS run past with sparklers, families in tow. SAM ...oh you know, loads of kids with firework burns... nothing exciting. How’s dad..? Attack The Block - FINAL SCRIPT (Inc. Reshoots) 10.11.10 2 5 CONTINUED: 5 SAM crosses the road. -
Steven Price
STEVEN PRICE COMPOSER CREDITS AWARDS & NOMINATIONS ACADEMY AWARD NOMINATION 2013 GRAVITY Best Original Score BAFTA AWARD 2013 GRAVITY Original Music GOLDEN GLOBE AWARD GRAVITY NOMINATION 2013 Best Original Score CRITICS CHOICE AWARD 2013 GRAVITY Best Score FEATURE FILMS FURY Bill Block, John Lesher, Ethan Smith, prods. Columbia Pictures David Ayer, dir. BLACK SEA Kevin Macdonald, Charles Steel, prods. Focus Features Kevin Macdonald, dir. THE WORLD’S END Tim Bevan, Eric Fellner, prods. Working Title Edgar Wright, dir. GRAVITY David Heyman, Geyer Kosinski, prods. Warner Bros Alfonso Cuaron, dir. MARLEY Charles Steel, prod. Cowboy Films Kevin Macdonald, dir. ATTACK THE BLOCK Nira Park, James Wilson, prods. Big Talk Joe Cornish, dir. SCOTT PILGRIM VS THE WORLD Eric Glitter, Nira Park, Marc Platt, Universal Edgar Wright, prods. *Additional Music Edgar Wright, dir. THE BOAT THAT ROCKED Hilary Bevan Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Richard Curtis, dir. MR. BEANS HOLIDAY Peter Bennett-Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Steve Bendelack, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 STEVEN PRICE SEED OF CHUCKY David Kirschner, Corey Sienega, prods. Rogue Features Don Mancini, dir. *Additional Music AROUND THE WORLD IN 80 DAYS Bill Badalato, Hal Lieberman, prods. Walden Media / Disney Frank Coraci, dir. *Additional Music GLADIATRESS Graham Broadbent, Bruce Davey, Icon Entertainment Damian Jones, prods. *Additional Music Brian Grant, dir. LEAGUE OF EXTRAORDINARY Trevor Albert, Don Murphy, prods. GENTLEMEN Stephen Norrington, dir. Fox Pictures *Additional Music ASHES AND SAND Andrew Holmes, prod. Open Road Productions Bob Blagden, dir. *Additional Music TELEVISION BELIEVE J.J. -
Norwich Film Festival Is Accredited by Both the British Independent Film Awards and the British Academy of Film and Television Arts
NORWICH FILMFESTIVAL #NFF2019 6-17 NOVEMBER 2019 Supported by THANK YOU TO ALL OUR SUPPORTERS SPONSORS OF BEST SPONSORS OF BEST SPONSORS OF BEST DOCUMENTARY FILM EAST ANGLIAN FILM SHORT FILM THE TIMOTHY COLMAN TRUST NORWICH FILM FESTIVAL IS ACCREDITED BY BOTH THE BRITISH INDEPENDENT FILM AWARDS AND THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS BIFA BAFTA QUALIFYING FESTIVAL QUALIFYING FESTIVAL BRITISH SHORT FILM BRITISH SHORT FILM CONTENTS WELCOME NOTES 4 OUR TEAM 5 FESTIVAL MAP 6 SUMMARY OF EVENTS 8 LAUNCH NIGHT 12 DAY ONE 13 DAY TWO 14 DAY THREE 15 DAY FOUR 18 DAY FIVE 21 DAY SIX 22 DAY SEVEN 24 DAY EIGHT 26 DAY NINE 30 DAY TEN 35 OFFICIAL SELECTION 38 OUR JUDGES 40 NOMINATED FILMS 42 FESTIVAL TIMETABLE 46 norwichfilmfestival.co.uk 3 WE’RE BACK and we’re incredibly excited to bring you the ninth Norwich Film Festival! We’ve had a record number of submissions this year, and we’ve spent months carefully choosing our Official Selection to present to you this month. We have 111 great short films, as well as 10 brilliant feature films, and a huge selection of industry sessions and talks. We’re extremely grateful for the continued support of our sponsors, partners, and friends, and we wouldn’t be where we are today without your help. We’re also proud of the ongoing commitment from our team of volunteers and the staff of all the venues hosting us across the city. The festival is what it is because of them, but also because of you, our audience. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Current, September 06, 2011 University of Missouri-St
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 9-6-2011 Current, September 06, 2011 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, September 06, 2011" (2011). Current (2010s). 85. http://irl.umsl.edu/current2010s/85 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. SEPTEMBER 6, 2011 VOL. 45; TheWWW.T H E CCurrentURREN T- O N L INE .COM ISSUE 1351 Tritons Roller Hockey prepares for upcoming season By Matthew B. Poposky, page 15 ALSO INSIDE NewMan SSBEating study Sandwich center “Attack the Block” UMSL Women LEAD 74 NewImprovements art installation to student feeds study one areas man 139 Space invaders take path of “Shaun” 13 Sue Shear Institute assists UMSL women 2 | The Current | SEPTEMBER 6, 2011 | WWW.THECURRENT-ONLINE.COM | | NEWS TheCurrent VOL. 45, ISSUE 1351 News WWW.THECURRENT-ONLINE.COM College of Nursing Dean at University of EDITORIAL Editor-in-Chief....................................................Matthew B. Poposky Managing Editor.........................................................Janaca Scherer Missouri-St. Louis resigns after 5 years News Editor..................................................................Minho Jung Features Editor............................................................Ashley -
An Idiothole's Guide to the Show
AN ID I OTHOLE ’S GU I DE TO THE SHOW ABOUT THE SHOW AN INTRODUCT I ON The Adam and Joe Show is a BBC6 Music radio slot on Saturday morning that starts at an un-godly 9:00am and ends at a much more reasonable 12:00pm. To date I must confess I have only ever once dragged myself out of bed to listen to the show. It was hard, but worth it if only for the communal idea of us all being...um...awake at the same time. (Not sure if I could manage it again. My partner grumbled about my early morning homage the whole way through. “Adam & Joe! Stupid Adam and Joe! I’m going to call them and tell them they are ruining my life!“ said with no small level of venom.) The show is hosted by Adam Buxton, a comedian, actor and music buff & Joseph Murray Cornish a writer, occasional actor and movie fanatic. Once upon a time they used to be on TV hosting their home-made pop-culture laden show on Channel 4 which for some reason Channel 4 ended after four seasons (what fools!). Luckily all the shows have been archived online and are free to watch at leisure. (Go to the Useful Links page for the web link. The show features music broken up by listener interactive elements and a lot of chit-chat bewteen the duo (who have known each other since they were in school) that you can giggle at while on the way to work, at work or even as suggested by A&J, on the loo. -
Steven Price
STEVEN PRICE COMPOSER Steven Price is an Academy Award winning film composer. His unique, story-driven approach to the craft of film scoring has seen him work on some of the most innovative productions of recent years. From Alfonso Cuaron’s Gravity to Edgar Wright’s Baby Driver, Steven’s individualistic scores seek to enhance the ideas and images of great filmmakers in truly bespoke ways. Steven’s diverse music reflects the wide range of movie and television projects he has been involved with. Beginning his career in the late 1990s, he contributed to productions such as The Lord of the Rings trilogy and Batman Begins, before making his scoring debut in 2011 with Joe Cornish’s inner-city horror comedy, Attack the Block. Recent years have seen him compose distinctive scores for Claire McCarthy’s reimagining of Hamlet, Ophelia, David Ayer’s Suicide Squad, and the Paramount Animation Wonder Park. From his incorporation of original WW2 tanks in the percussion of the Brad Pitt starring Fury to the wind instrument driven score created for Tom Harper’s The Aeronauts, the music created for each production seeks to give each story its unique voice, the result of an experimental and collaborative process. His work in the Natural History realm, working alongside Sir David Attenborough on The Hunt, (for which Steven won a Bafta), and the Netflix Original Our Planet, (nominated for two score Emmys), will continue in 2020 with a new live arena spectacular, Our Planet Live in Concert, the premiere for which will be held at London’s O2 Arena in October 2020. -
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK at the PICTURES a Film by Fenton Bailey & Randy Barbato
FILM MANUFACTURERS INC. Presents MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy BArbAto BERLINALE SCREENING SCHEDULE (PREMIERE) Sunday, February 14th at 5:00 PM @ (P&I SCREENING) Sunday, FebruAry 14th At 9:00 PM @ Running Time: 1:48:24 minutes For press materials, please visit: Press ContAct Press ContAct Public Insight Dogwoof Andrea Klasterer Yung Kha Office: +49/ 89/ 78 79 799-12 Office: +44(0)20 7253 6244 Andrea cell: +49 163 680 51 37 Yung cell: +44 7788546706 Email: [email protected] Email: [email protected] InternAtionAl Sales InternAtionAl Press DOGWOOF [email protected] Vesna Cudic [email protected] / +44 7977 051 577 www.mapplethorpefilm.com www.facebook.com/MapplethorpeFilm www.twitter.com/Mapplethorpedoc www.filminc.com MAPPLETHORPE: LOOK AT THE PICTURES A film by Fenton Bailey & Randy Barbato SHORT SYNOPSIS MAPPLETHORPE: LOOK AT THE PICTURES is the first definitive, feature length portrait of the controversial artist since his untimely death in 1989. A catalyst and an illuminator, but also a magnet for scandal, Robert Mapplethorpe had but one goal: to ‘make it’ as an artist and as an art celebrity. He could not have picked a better time: the Manhattan of Warhol’s Factory, Studio 54, and an era of unbridled hedonistic sexuality. His first solo exhibition in 1976 already unveils his subjects: flowers, portraits and nudes. Mapplethorpe quickly gains notoriety through his explicitly sexual photographs from the gay sadomasochistic scene as well as nude pictures of black men. Directors Fenton Bailey and Randy Barbato were given unrestricted access to Mapplethorpe’s archives for their documentary Mapplethorpe: Look at the Pictures, in which this exceptional artist talks candidly about himself in recently discovered interviews. -
Academic Track
Confusion 2021 – Academic Track Friday 2nd April 2021 Session One: String Theory Made Easy Presented by: Maciej Matuszewski String theory is often considered to be one of the most difficult branches of modern physics. However, it is far from an impenetrable subject and the basic ideas can be readily understood by a layperson. String theory is the result of a long-time trend in physics to attempt to arrive at unified theories of seemingly distinct phenomena. The great successes of twentieth century physics have been general relativity – which explains how gravity behaves at large scales – and the standard model – which explains the subatomic world. However, it has been difficult to see how these two theories work together – for example, we do not know how gravity works for subatomic particles. String theory was created to describe subatomic particles called mesons – however it was also found to naturally ‘predict’ gravity. It is therefore hoped that it can be the missing ‘Theory of Everything’. Even if it is not correct as a fundamental theory in and of itself, the mathematics of string theory is very interesting. The so-called AdS/CFT correspondence is a trick that uses this new mathematics to simplify complicated calculations in areas such as high energy physics and solid state physics. My work has, in particular, looked at how the AdS/CFT correspondence can be used to make simpler, but hopefully still accurate, models of how mesons decay. This presentation will provide an accessible but detailed historical and scientific background which led up to string theory and the AdS/CFT correspondence, and then briefly outline the specifics of these theories themselves. -
Attack the Block Study Booklet
GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block KING EDWARD VI SCHOOL GCSE FILM STUDIES STUDY BOOKLET GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block KO Test 1 1 2 3 4 5 6 7 8 9 10 TOTAL /10 KO Test 2 1 2 3 4 5 6 7 8 9 10 TOTAL /10 GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block KO Test 3 1 2 3 4 5 6 7 8 9 10 TOTAL /10 KO Test 4 1 2 3 4 5 6 7 8 9 10 TOTAL /10 GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block KO Test 5 1 2 3 4 5 6 7 8 9 10 TOTAL /10 KO Test 6 1 2 3 4 5 6 7 8 9 10 TOTAL /10 GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block KO Test 7 1 2 3 4 5 6 7 8 9 10 TOTAL /10 KO Test 8 1 2 3 4 5 6 7 8 9 10 TOTAL /10 GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block KO Test 9 1 2 3 4 5 6 7 8 9 10 TOTAL /10 KO Test 10 1 2 3 4 5 6 7 8 9 10 TOTAL /10 GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block KO Test 11 1 2 3 4 5 6 7 8 9 10 TOTAL /10 KO Test 12 1 2 3 4 5 6 7 8 9 10 TOTAL /10 GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block KO Test 13 1 2 3 4 5 6 7 8 9 10 TOTAL /10 GCSE Film Studies Component 2, Section C: Contemporary UK Film Attack the Block Reflections on Knowledge Organiser Tests: Metacognition KO What revision Did they work well? Why do you think that How do you plan to Test strategies did you use? they did/didn’t work? revise next time? No.