Of 10 Straightening Bent Handsaw Blades

Total Page:16

File Type:pdf, Size:1020Kb

Of 10 Straightening Bent Handsaw Blades Page 1 of 10 Straightening Bent Handsaw Blades The best Western and Japanese handsaws are quite thin yet in competent hands won’t kink in a cut, and the spring steel they are made from is tempered to allow sharpening with files. They are usually taper ground in two dimensions, so the blade’s cutting edge is thicker than the back, and both the back and the cutting edge taper from the saw’s heel to the saw’s toe. The thinner the cutting edge, the greater the taper, and the higher the polish, the higher the saw’s quality, as taper results in less set required for the teeth, aided by the steel’s polish that inhibits binding in the cut. All these features allow for a narrower kerf requiring less sawing effort. There are two fundamental choices in manufacturing a thin saw that won’t kink. The least expensive choice is to make the saw stiff by using hard steel and disposable blades, because such saws can’t be economically re-sharpened. The second choice is to temper the saw so that it can be filed, and to stiffen it by tensioning the blade using hammer and anvil. When a thin blade is struck on an anvil by a convex-faced round hammer, a dimple is created; often so small it can’t be seen by the eye. Steel from the area around the dimple is pulled inwards toward the point of impact, making the steel in the circular area radiating from the dimple stiffer, or “tensioned” on its surface. Hundreds of such hammer blows applied in certain patterns equally to both sides of a handsaw blade can make it stiffer, can true a warped circular sawblade, or can dish a large bandsaw blade to conform to its wheels while at the same time tensioning the cutting edge. Truing sawblades are not low-order skills, and the major saw factories and filing shacks of logging camps and commercial sawmills was where you found them. Today it’s largely done on computerized machines, except for hand saws. Here you either find an old, retired saw doctor who worked for a big mill, a Japanese saw maker still tensioning by hand, or are on your own because there are few references. I’m not going to make a saw doctor out of you today. But I can get you started with some basics to practice with on old sawblades. This old saw has a 3/8” kink in the area marked in chalk, and before I do anything else to rehabilitate the saw, I’ll remove this kink and true the cutting edge. Page 2 of 10 The first step is to remove the handle and bend the blade using your hands in as complete a circle as possible… in both directions. This relieves any recent stress put in the saw, and sometimes makes the existing kink worse or reveals additional problems like bow or twist. The tools I’ll use to remove the kink are a steel anvil and two hammers, both heavy and light, both with slightly convex faces. I’ll mark the areas to be struck with chalk and using and oily rag, keep all steel surfaces clean and oiled to prevent marking the blade. Removing a kink or bow requires stretching the steel surface on the concave side of the kink, and compressing the surface on the convex side. Before doing either, the saw’s tension at the cutting edge needs to removed or my attempt may make the kink worse. Page 3 of 10 I accomplish this on the concave side by striking along a line running an inch or slightly less upwards from the tooth gullets. Each “X” represents two light hammer hits. I made identical chalk marks on the opposite side of the saw, but I don’t attempt to strike them yet. Page 4 of 10 On the identical marks on the convex side of the kink, I’ll accomplish two tasks simultaneously using light hits with the heavy hammer. The heavier hammer strikes will both remove the tension from this side of the saw and straighten out the kink by reversing the conditions that caused it, compressing the near side and stretching the far side of the blade. I sight down the cutting edge to insure I removed the kink and repeat the previous steps if necessary. Once the kink is removed, I tension the cutting edge using identical light hammer strikes on both sides of the saw in turn, around ¼” to 3/8” above the gullets, insuring I don’t strike the gullets or teeth. Page 5 of 10 When tensioning is complete, the saw should flex in either direction as I did at the beginning, and return to dead straight. Only after the blade is straight and tensioned do I continue with rehabilitation. This saw was habitually filed without jointing, and instead of straight or crown-breasted, the cutting edge resembles the hooked nose of the Wicked Witch of the West. Accordingly, I must stamp in new teeth. And guess what? 7 new teeth per inch on a 26” cutting edge require 182 strikes of the stamping dies, and a major re-toothing usually bows the blade. So as soon as the blade comes out of the carrier, I again bend it both ways and strike 182 blows on the convex side just above the gullets with the light hammer. Part II - Lump and Cup Removal On saws that have been kinked repeatedly or severely, it’s common to achieve a straight cutting edge by hammering and tensioning as I described in the previous installment, but still not have a saw that will cut smoothly. This Disston #16’s cutting edge was hammered straight, but you can see a small bend remaining in the saw’s back and what appears to be a cup or lump remaining that will bind in the kerf during sawing and cause the saw to wander. Page 6 of 10 A short straightedge run down the blade allows chalking the lump’s outline on the concave side. Turn the saw over and transfer the marks to the convex side of the lump. Any tension in the concavity is removed using a small, convex-faced hammer, hammering on the marks from the outside of the circle inwards. Each mark represents two light hammer strikes. Page 7 of 10 Flipping the blade to the convex side, the lump is hammered out using the large hammer in exactly the same sequence and locations as in the previous step. The blade is checked again using the straightedge and while there are still lumps and hollows, they are smaller. Rub out the old chalk marks and use the straightedge to make new ones, then repeat the same marking and hammering sequence of using the light hammer on the concave side and the heavy hammer on the convex side. Stop when the straightedge makes full contact with the blade. Page 8 of 10 Then tension the saw as I did in the first installment using the small hammer. Strikes near the edges provide tension to the edges, strikes near the center flatten the saw. If strikes are not made equally in force, location and number on both sides of the saw, the saw will bow or cup, and this is the basic principle used to both tension the blade and hammer out defects. Page 9 of 10 Cupped toes can be difficult and often not worth the effort, so I’ll shorten the saw instead. Sawblade steel grinds to the line easily on the coarse wheel with an occasional water dip to keep it cool. The preceding article was posted on WoodenBoat Forum. Below are some of the questions posted to Bob and his answers. Boatbuilding will soon be the last font of hand saw use by professionals, if it Page 10 of 10 isn't already. In few other trades do you find cuts that can't be made anyway else as well, and many of them 30 linear feet long. And both Western and Japanese saws have their proper places. I could have made this indexing cut without ruining the paint with a shorter Japanese saw, but I'd'a had to do it from beneath, and working down hill with the best of the taper-ground Western saws with no set was easier. To remove frozen sex bolts, which can be difficult, I drill into bolthead side so I can hammer in a square Easyout that can be held in a vise to either unscrew or drill out the nut. I keep the bolt from spinning when drilling by locking a screwdriver in a vise with just a bit of the tip protruding, position the nut on the screwdriver tip, and apply downward pressure with one hand while drilling with the other .
Recommended publications
  • ARC 328W / 392W Wood Design Unique # 00780 / 01195 Spring
    ARC 328W / 392W Wood Design Instructor – Mark Maček Unique # 00780 / 01195 [email protected] Spring 2019 office hours TTh 2:30 - 5:30 pm by appointment Build Lab GOL 1.101 GOL 3.106 Objectives Practice woodworking skills: tool sharpening, layout, millwork, joinery, gluing, & sanding. Learn the characteristics of the material wood, including specific species. Analyze the strength of wood joints. Design a piece of furniture based on a program, with materials and techniques in mind. Understand the point of view of the maker within the design process. Complete the final project. Schedule The first six weeks, we practice solid wood joinery using hand tools and power tools. This is a crucial time to attend every day and stay current. There will be an assignment each week due on Tuesday morning. Students sharpen chisels and mill lumber so it’s flat and straight. Our discussions are grounded in wood’s cellular structure and anisotropy. Strength derives from long grain, weakness from the lack of long grain. Changing moisture content creates expansion and contraction in predictable ways. We will study furniture design history and visit the shops of Austin craftspeople to see how they work. The final project is one piece of furniture of your choice of program. It must be mostly solid wood, no digital fabrication, and no larger than 25 cubic feet. Final project design assignments include sketches, scaled drawings, models at 3”=1’-0”, and full-scale mock-ups. The class holds two design reviews before construction begins, allowing seven weeks for completion. The class participates in school-wide final reviews with other design studios.
    [Show full text]
  • Hand Saws Hand Saws Have Evolved to fill Many Niches and Cutting Styles
    Source: https://www.garagetooladvisor.com/hand-tools/different-types-of-saws-and-their-uses/ Hand Saws Hand saws have evolved to fill many niches and cutting styles. Some saws are general purpose tools, such as the traditional hand saw, while others were designed for specific applications, such as the keyhole saw. No tool collection is complete without at least one of each of these, while practical craftsmen may only purchase the tools which fit their individual usage patterns, such as framing or trim. Back Saw A back saw is a relatively short saw with a narrow blade that is reinforced along the upper edge, giving it the name. Back saws are commonly used with miter boxes and in other applications which require a consistently fine, straight cut. Back saws may also be called miter saws or tenon saws, depending on saw design, intended use, and region. Bow Saw Another type of crosscut saw, the bow saw is more at home outdoors than inside. It uses a relatively long blade with numerous crosscut teeth designed to remove material while pushing and pulling. Bow saws are used for trimming trees, pruning, and cutting logs, but may be used for other rough cuts as well. Coping Saw With a thin, narrow blade, the coping saw is ideal for trim work, scrolling, and any other cutting which requires precision and intricate cuts. Coping saws can be used to cut a wide variety of materials, and can be found in the toolkits of everyone from carpenters and plumbers to toy and furniture makers. Crosscut Saw Designed specifically for rough cutting wood, a crosscut saw has a comparatively thick blade, with large, beveled teeth.
    [Show full text]
  • February 2004 Fleam
    True Japanese Dovetail Saws 2 new rip-tooth dozuki saws are efficient dovetailers. utting dovetail pins and tails is primarily a ripping C operation. So it has always bewildered me that almost every Japanese saw sold for dovetailing had teeth designed for crosscut- ting or cutting plywood. A few specialty importers do sell Japanese backsaws with a rip- tooth configuration, but these are made mostly by hand and cost between $140 and $1,500. Why, I wonder, isn’t there a machine-made dozuki that sells for about $35 – the cost of a de- cent crosscutting dozuki? Well, I don’t have the answer yet, but the two new rip-tooth dozukis on the market are considerably less expensive (between $70 and $80). To check the quality, I com- pared them to a premium rip- tooth dozuki that I’m quite fa- miliar with – the Kaneharu rip- ping dozuki, sold by Hiraide America for $182 (see the Sources box for more information). Sure they look like standard dozukis, but these saws have rip teeth.We by Christopher Schwarz compare the Kaneharu (in use) with new saws from Harima-Daizo (left) Comments or questions? Contact Chris and Lee Valley (right). at 513-531-2690 ext. 1407 or Photo by Al Parrish Photo by [email protected]. 62 POPULAR WOODWORKING February 2004 Fleam The Kaneharu saw has graduated teeth. Near the handle (left) there are 15 teeth per The Lee Valley saw has 18 tpi and a The Harima-Daizo Deluxe saw has inch, while at the toe (right) there are 10 tpi.This combination of tpi makes the saw small fleam that it uses for crosscutting.
    [Show full text]
  • 1. Hand Tools 3. Related Tools 4. Chisels 5. Hammer 6. Saw Terminology 7. Pliers Introduction
    1 1. Hand Tools 2. Types 2.1 Hand tools 2.2 Hammer Drill 2.3 Rotary hammer drill 2.4 Cordless drills 2.5 Drill press 2.6 Geared head drill 2.7 Radial arm drill 2.8 Mill drill 3. Related tools 4. Chisels 4.1. Types 4.1.1 Woodworking chisels 4.1.1.1 Lathe tools 4.2 Metalworking chisels 4.2.1 Cold chisel 4.2.2 Hardy chisel 4.3 Stone chisels 4.4 Masonry chisels 4.4.1 Joint chisel 5. Hammer 5.1 Basic design and variations 5.2 The physics of hammering 5.2.1 Hammer as a force amplifier 5.2.2 Effect of the head's mass 5.2.3 Effect of the handle 5.3 War hammers 5.4 Symbolic hammers 6. Saw terminology 6.1 Types of saws 6.1.1 Hand saws 6.1.2. Back saws 6.1.3 Mechanically powered saws 6.1.4. Circular blade saws 6.1.5. Reciprocating blade saws 6.1.6..Continuous band 6.2. Types of saw blades and the cuts they make 6.3. Materials used for saws 7. Pliers Introduction 7.1. Design 7.2.Common types 7.2.1 Gripping pliers (used to improve grip) 7.2 2.Cutting pliers (used to sever or pinch off) 2 7.2.3 Crimping pliers 7.2.4 Rotational pliers 8. Common wrenches / spanners 8.1 Other general wrenches / spanners 8.2. Spe cialized wrenches / spanners 8.3. Spanners in popular culture 9. Hacksaw, surface plate, surface gauge, , vee-block, files 10.
    [Show full text]
  • Gränsfors Bruks Small Forest Axe VS Roselli Long Axe
    Gränsfors Bruks Small Forest Axe VS Roselli Long Axe Outdoors-Magazine.com http://outdoors-magazine.com Gränsfors Bruks Small Forest Axe VS Roselli Long Axe James - Gear reviews and tests - Edged tools - Axes and hatchets - Publication: Monday 8 September 2003 Description : I find axes in the 50 cm size very useful, much more than hatchets that can be easily replaced by a knife. Here is a comparative of two very different small axes. Copyright (c) Outdoors-Magazine.com under a Creative Commons Attribution-Non-Commercial-Share Alike License Copyright © Outdoors-Magazine.com Page 1/11 Gränsfors Bruks Small Forest Axe VS Roselli Long Axe The Roselli long axe, and just below, the Gränsfor Bruks SFA The same, here shown with a huge japanese saw, Note the differences in length and compactness Copyright © Outdoors-Magazine.com Page 2/11 Gränsfors Bruks Small Forest Axe VS Roselli Long Axe The Gränsfors Bruks Small Forest Axe Here in it's sheath Copyright © Outdoors-Magazine.com Page 3/11 Gränsfors Bruks Small Forest Axe VS Roselli Long Axe Here stuck in a piece of olive wood The Small Forest Axe, is a very nice looking axe. The head is forged (machine forged), and the handle is some nicely grained american hickory wood. The poll can be used as a hammer. The Small Forest Axe (SFA) is really targeted at nordic forests, so its head is very thin and concave after the bevel, excellent for limbing and cutting in soft green woods. It is very well balanced, and handling it is a pleasure. It comes with a sturdy leather head protection.
    [Show full text]
  • Paradoxical Territories of Traditional and Digital Crafts in Japanese Joinery
    Paradoxical Territories of Traditional and Digital Crafts in Japanese Joinery While one can argue that a certain traditional craft such as Japanese Joinery should remain adhered to its processes, materials and methods, others could see potential possibilities that might be explored through applying contemporary technological advancements such as digital fabrication and engineered timber. This can only leave us with more questions than answers; what are the advantages and the possibili- ties? Does technology offer a “one size fits all” solution to any building material, or are there profound limitations? Where do we draw the line between traditional and contemporary craftsmanship? INTRODUCTION AHMED K. ALI When Torashichi Sumiyoshi and Gengo Matsui wrote their 1989 book titled Wood Joints in Texas A&M University Classical Japanese Architecture, Computer Numerically Controlled technology (CNC) and digital fabrication methods as we know it today were still in its infancy. While Japanese join- ery has traditionally been reserved for solid heavy timber, the increased use of both CNC and engineered timber (CLT, Glulam, LVL,..etc) as a sustainable material and an alternative to concrete and steel gives rise to number of interesting questions. While one can argue that a certain traditional craft such as Japanese Joinery should remain adhered to its pro- cesses, materials and methods, others could see potential possibilities that might be explored through applying contemporary technological advancements such as digital fabrication and engineered
    [Show full text]
  • Gardener's Saw
    Gardener's Saw Outdoors-Magazine.com http://outdoors-magazine.com Generic Gardener's Saw James - Gear reviews and tests - Edged tools - Saws - Publication: Saturday 13 July 2002 Description : A light, cheap, and very efficient saw. Copyright (c) Outdoors-Magazine.com under a Creative Commons Attribution-Non-Commercial-Share Alike License Copyright © Outdoors-Magazine.com Page 1/5 Gardener's Saw I often hear about big blades, hatchets, axes, but rarely about saws: By example, this is a 160 grams, 20cm (8"), 10 US$, carbon steel saw, with a blade lock, and rubbery handle cover, sold as garden saw. I cut a 4x2" pine wood in two in 30 to 60 seconds with it. I doubt one can do faster by whacking! (it is also the best wood-cutting saw I have ever owned, due to the fine, sharp and deep teeth) Here it is near my Soldier SAK Copyright © Outdoors-Magazine.com Page 2/5 Gardener's Saw Copyright © Outdoors-Magazine.com Page 3/5 Gardener's Saw I have used it on many occasions outdoors, camping, or when a big blade is not "politically correct", and I am quite happy about it. These saws are generally Japanese made, and show teeth that are designed to cut wood across the fibers (cross-cut teeth) and only on pulling. This way, the blade can be maintained very thin, as there is no chance to warp it or break it when pushing. Opinel does some similar saws, with the same cross-cut teeth, one based on a #12 handle, and one definitively longer.
    [Show full text]
  • Japanese Wood
    JAPANESE WOOD The tools, techniques and philosophies that make Japan’s unique woodworking culture so special, and CRAFTSMANSHIP the lessons that can be learnt by makers in the UK HUGH MILLER 1 “Masonry and steel are ‘building’ materials. Wood is a ‘thinking and building’ material” Fukushima Katsu, 2015 Timber elevation in the Gion district of Kyoto 2 3 Tools and Techniques of Japanese Woodwork: 30 Control of the Pull-Stroke Use of Water Contents: Use of Fire Slice over Scratch Philosophies of Making: 56 An Absence of Noise Executive Summary: 6 Maintenance over Robustness Abstract A Search for Lightness Key Themes & Findings Experimentation and Innovation Summary of Recommendations A Contribution to Harmony About the Author 11 A Japanese Contemporary Vernacular Aesthetic: 96 A Maker’s Guide Acknowledgements 12 Japanese Contemporary Vernacular Aesthetic in Architecture Introduction 15 Conclusion 108 The Anatomy of this Study: 16 Recommendations 112 Structure Scope and Duration Bibliography and Further Reading 120 Methods Map 122 Craftsmanship and Society in Japan: 18 Craftsmanship in Everyday Life Tending the Flame of Tradition The Veneration of the Practitioner over the Object Age and Gender in the Order of Precedence Planes and chisels stored in Sugawara The Pressure-Cooker Effect Hiroyuki workshop, Saitama 4 5 Abstract: Executive Summary: In November and December 2015 I travelled to Japan on a Winston Churchill Memorial Fellowship in order to uncover what it is that makes wood craftsmanship in Japan so special. From their unique set of tools, to the many obscure techniques that have been developed, to the philosophies that guide decision making, there is something different about Japanese woodworking.
    [Show full text]
  • 2017 Packet 5/27 Web Version
    37TH ANNUAL DENVER FALL SHOW AND SALE Page !1 Table of Contents: The Denver Museum of Miniatures, Dolls & Toys Show & Sale Admission Prices 1 Package Deals & A La Carte Options 2-3 Roundtable Workshops 3 Incentive GiFt Details 4 Dealer List 4 Pre-Paid Workshops 5-8 September 6 - 10, 2017 Children’s Workshops 9 Make-It/Take-It 9 Mini Mansion Mystery will weave a tale oF Fantasy, mystery (not murder) and mischievousness not to be believed. The Fun Filled RaFFles 9 weekend with lots oF great giFts and workshops plus camaraderie Exhibit Room Honoree 10 extraordinaire, For which the Denver show is Famous, will include a Exhibits 10 special ALL DAY WORKSHOP. The box room will provide not only a rewarding piece at the end oF a day well spent, but a back drop For Hotel & Travel InFo 10 many oF the wonderFul giFts you will receive over the weekend, or Exhibit/Volunteer Forms 11 house your own idea oF an elegant room setting. The special as- Volunteers Needed! 11 always Sales Room will oFFer treats beyond expectations. Enter the mysteries oF this Mansion’s secrets as you explore its Fantasies and Removable Registration 12-13 reveal its hidden surprises. Read through this registration Form For Show Schedule 14 descriptions oF events, workshops and giFts and see them in color on DMMDT Museum 15-16 the website. Another “Evening with the Experts,”,sharing skills and ideas, is on Thursday and is FREE to all. Many choices are limited in size so sign up early and don’t miss out! Co - Chairs Dona Mandell 303-321-1078 A special feature this year is the Franklin Mint “Rose Cottage”, which has been donated to the museum by joan Eischen’s estate.
    [Show full text]
  • Yestermorrow Design/Build School Woodworking Certificate Program
    Yestermorrow Design/Build School Woodworking Certificate Program Yestermorrow's 11-week Woodworking Certificate program is designed to give amateurs and aspiring professionals a solid grounding in woodworking and furniture- making techniques, led by Yestermorrow's talented and nationally recognized faculty. Skills learned in the program include design and drafting, wood selection and preparation, joinery, traditional hand skills, sharpening, power tool techniques, and finishing. The curriculum has a strong focus on the integration of design in the woodworking process, part of Yestermorrow's core philosophy of design/build. The Certificate begins with an analysis of trees and the wood they produce, an overview of felling and milling practices, and an introduction to the tactile essence of working with green wood. The program then moves into the realm of Cabinetry, in which students become oriented to the tools of the woodshop and basic principles of wood movement and layout. Additional program segments include Beginning Furnituremaking, Traditional Handtool Chairmaking, Joinery, Boxmaking, Care & Repair of Shop Machines, Small Scale Design/Build, Intermediate Furniture Techniques, and Wood Finishes. The program culminates in a two-week studio where each student will design and build a piece of his or her own choosing. The Certificate will be led by Program Director Justin Kramer – furniture designer, woodworker, sculptor, and educator. Other instructors include Steve Skonieczny, Randy Taplin, Andrew Russell, Kim Winkle, Joel Taplan, and other guests. This year’s program will be offered twice: January 31st through April 15th and September 4th through November 18th. Classes are generally scheduled 9am-5pm Monday through Friday, with some occasional weekend shop days and evening lectures/shop time.
    [Show full text]
  • The Anarchist's Tool Chest" by Christopher Schwarz
    An Index To "The Anarchist's Tool Chest" By Christopher Schwarz A List of Photographs & Illustrations A List of Personages Mentioned Notable Quotes Index created by Suzanne Ellison Published by Lost Art Press LLC Copyright 2011 An Index to "The Anarchist's Tool Chest" -- A -- Anarchy: 10, 24-27, 339-353, 459-460 aesthetics 10, 346-347 Cincinnati Time Store 343-344 craftsmanship 349-350 design 350-351 'Josiah Warren: The First American Anarchist' (quote) 347-348 'Native American Anarchism' (quote) 24, 347 switching from money to time 342-346 tools 351-353 tool chests 353 woodworker's perspective 24-27 Appendices: 463-471 tool list comparison (1658-1973) 463-466 tool dealers & organizations 467-471 Appliances for the workshop: 283-306 bench hook 283-285 cork-backed sanding block 293-294 end grain shooting board 287-290 long grain shooting board 290-291 mitre box 286-287 mitre shooting board 291-293 sawbenches 285-286 workbench & rules for 294-306, see Workbench Arkansas Chris Schwarz and 35, 44-46, 187 oilstones hard & soft 269-270 Auger bits: 30, 218-222 auger bit file 221 cleaning 220 cutting lip 221-222 lead screws 219-222 spirals 222 spurs 221 Awls: 31, 224-226 birdcage 31, 224-225 brad 225 marking 225-226 -- B -- Band saw: 42-43, 182 Bailey (style) plane: 63 Bathing suit area: 51 Beading plane, see Planes Beckets: see Exterior Add-ons under Tool Chest Bench hook: 31, 283-285 Bench planes, see Planes Belt sander: 41 Birdcage awl, see Awl Block plane, see Planes Boat building expressions: 115-116 Bombproof (or bulletproof) joinery: 350, 361, 419 Bowsaw, see Saws Boxwood rules: 130-132 buying 130-131 graduations 131 left & right reading 132 lightening the boxwood 132 Brace: 30, 212-216 chuck 214 features 213-214 pad 216 ratcheting 215 sweep 214-215 Brad point bits: 32, 223-224 HSS (high speed steel) 223 quality 223-224 Burning an inch: 133 Burnisher (for card scraper): 30, 279-281, see Sharpening Systems Buying tools: 50-56, 62, 467-471 Appendix 467-471 bench planes 62 new tools 53-55 vintage tools 50-53 -- C -- Cabinet scraper (No.
    [Show full text]
  • PWM Style Book Jan 2014.Pdf
    Style Book Revised: January 2014 PW Style Book Revised: Jan 2014 Numbers, Measurements • #400-grit (adj) • 30 years adze (n): a primitive tool for surfacing lumber and Callouts • #400 grit (n) • #0000 steel wool • #1,000 grit stone • 1-pound cut, 2-pound cut etc. aftermarket (n): the market for parts, accessories and repairs • 40-tooth (adj) (for shellac) • thickness x width x length of a product; also, a secondary • On anything dimensional, • $2,800 (not $2800) • 1 horsepower; 1 hp (1-hp market for a product after the use numerals and birds’ feet, router); spell out ‘horsepower’ primary market; an aftermarket • 2" scale even if it’s an approximation on first reference, then can use fence for a table saw, for example • 32" x 48" ‘hp’ abbreviation (this departs from AP style) AIA (abbreviation): American • 4' x 7' 1/4"-20 (machine screw thread; • 4/4 lumber (reads as “four- Institute of Architects • 2x4; 2x4s (Name for quarter lumber”; refers to rough- 1/4" is diameter, 20 is threads per air-conditioner (n); construction-grade lumber, cut lumber measured by quarters inch) air-conditioning (A/C) (n); usually pine, generally used for or an inch; do not set as stacked • 70°F (no space; don’t spell out air-conditioned (adj) wall studs; is not really 2" by 4", fractions) on first ref.) air-dry (v); air-dried (adj): a but an estimate of the size used • mid-1800s • 3D (departure from AP) commonly; do not include inch method of seasoning lumber •30mm, 25 cm marks) which permits the sawn wood, • model 41293 which is usually protected from • 90°
    [Show full text]