Glenn Osser's March Along
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"Public" (Pens in Los Angeles DETROIT Munity Activities
APRIL 27, 1953 35c PER COPY aTH OSES aD.zir dit ; SaEpi atd TTaetxey i8b2 (009-IQ) prj OAD'!66t,Tt ,.t/ty 9b£S voL> áE SuoLl TFiì?i.;'H 301 :7 uot4oaS I5-£N sTBtsa ñaesgi1 /Cltsaan u T f jT6 SdS[; T E E /"1111`.... NARTB :ONVENTION ISSUE The PUBLIC is you, Tit L the man next door . around the corner ... on the The next farm. The Storer Stations always keep this in mind. Their public service pro- grams are directed to the individual -not to a IN THIS ISSUE mysterious unknewn "public." For example . NARTB Convention "The Community News Reel" gives JBK-TV vivid, human interest support to com- "Public" (pens in Los Angeles DETROIT munity activities ... Better schools, Civil Defense, Community Chest, Page 35 Health Drives, Traffic Safety, Good Citizenship . all dramatized with actual people, real events. "Nothing lyde FCC Chairman; interests people more than people." Revamp in View "School Of The Air ". Vital programs in Page 37 WMMN broadcast five times weekly to 88 FAIRMONT schools. So valuable to the school system that many rural schools were Eisenhower Lauds electrified to receive these classes. Radio TV Service Page 45 "This is Georgia" - a colorful TV WA G A-T V series spotlighting Georgia communi- ties. Officially cited by the Georgia Public ATLANTA State Chamber of Commerce as one AAA Hears Radio, TV of the most productive public service lelp Bolster Economy programs ever created in Georgia. Page 64 "Tri -State Farm & Home Hour" - WWVA famous rural program now in its 18th EATURE SECTION WHEELING successful year. -
Jukebox Decades – 100 Hits Ultimate Soul
JUKEBOX DECADES – 100 HITS ULTIMATE SOUL Disc One - Title Artist Disc Two - Title Artist 01 Ain’t No Sunshine Bill Withers 01 Be My Baby The Ronettes 02 How ‘Bout Us Champaign 02 Captain Of Your Ship Reparata 03 Sexual Healing Marvin Gaye 03 Band Of Gold Freda Payne 04 Me & Mrs. Jones Billy Paul 04 Midnight Train To Georgia Gladys Knight 05 If You Don’t Know Me Harold Melvin 05 Piece of My Heart Erma Franklin 06 Turn Off The Lights Teddy Pendergrass 06 Woman In Love The Three Degrees 07 A Little Bit Of Something Little Richard 07 I Need Your Love So Desperately Peaches 08 Tears On My Pillow Johnny Nash 08 I’ll Never Love This Way Again D Warwick 09 Cause You’re Mine Vibrations 09 Do What You Gotta Do Nina Simone 10 So Amazing Luther Vandross 10 Mockingbird Aretha Franklin 11 You’re More Than A Number The Drifters 11 That’s What Friends Are For D Williams 12 Hold Back The Night The Tramps 12 All My Lovin’ Cheryl Lynn 13 Let Love Come Between Us James 13 From His Woman To You Barbara Mason 14 After The Love Has Gone Earth Wind & Fire 14 Personally Jackie Moore 15 Mind Blowing Decisions Heatwave 15 Every Night Phoebe Snow 16 Brandy The O’ Jays 16 Saturday Love Cherrelle 17 Just Be Good To Me The S.O.S Band 17 I Need You Pointer Sisters 18 Ready Or Not Here I The Delfonics 18 Are You Lonely For Me Freddie Scott 19 Home Is Where The Heart Is B Womack 19 People The Tymes 20 Birth The Peddlers 20 Don’t Walk Away General Johnson Disc Three - Title Artist Disc Four - Title Artist 01 Till Tomorrow Marvin Gaye 01 Lean On Me Bill Withers 02 Here -
Program Notes & Poster Design Music” and a Reprise of the Opening Fanfare, to a Triumphant Finale
Foothill Symphonic Winds David Bruce Adams, Director Piccolo: Bassoon: Foothill Norma Ford* - Household Engineer Erin Tiedens* - Happy Housewife Jennifer Co - Lawyer Peter Neumann - Computer Scientist Symphonic Flute: French Horn: Jennifer Co* - Lawyer Scott Dickerman* - Teacher Winds Rebecca Bauer - Scientist Becky Bell - Pharmacist Andrea Contreras - Sales Leader Kristina Granlund-Moyer - Teacher David Bruce Adams Norma Ford - Household Engineer Holly Grench - Student Director Ann Hepenstal - BC Consultant Nelson Iwai - Programmer presents Julie McAfee - Speech Pathologist Trumpet and Cornet: Oboe: Tim Swensen* - Electrical Engineer Jenny Wong* - Software Engineer Dana Bates - IT Tech (Retired) Dianne Alexander - Computer Paul Clement - Factory Worker Technician Paul Dhuse - QA Engineer Kim Hill - Clinical Lab Scientist Paul Hubel - Optical Engineer English Horn: Steve Kitzerow - Draftsman Kim Hill - Clinical Lab Scientist Mari Masuda - Software Engineer Fred Munic - Engineer E-flat Clarinet: Josh Parker - Software Engineer Roy Stehle 2 - Electronics Engr. (Retired) Trombone: Kyle Adler* - Photographer B-flat Clarinet: John Brenneise - Software Developer Chris Farrell* - Software Developer Pat Chow - Structural Engineer Steve Uhler* - Computer Scientist David Papay - Software Engineer Brian Becker - Engineer Bruce Packman - Navy Chief Musician Alicia Breen - Engineer (Retired) Susan Byrne - Nurse Luke Paulsen - Software Engineer Ann Guerra - Administrator Owen Hablutzel - Appraisal Inspector Euphonium: Laurie Ho - Loan Processor Art -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JOE WILDER NEA Jazz Master (2008) Interviewee: Joe Wilder (February 22, 1922 – May 9, 2014) Interviewer: Julie Burstein Date: August 25-26, 1992 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 129 pp. Burstein: I wanted to start by asking you about your beginnings in Colwyn, I guess. [She pronounces it as “coal-win.”] Wilder: Colwyn, it’s pronounced. [Wilder says “coll-win,” as in collar.] Burstein: Colwyn. Wilder: Yeah, Colwyn. Burstein: . Colywn, Pennsylvania, and about your family. Where were your folks from? Wilder: My – I think – I know my father’s family are from North Carolina. I think my mother’s family were also from North Carolina. Apparently they had come North much earlier than my father’s family, because my mother was born in Pennsylvania. My father was born in North Carolina. He left – my grandfather brought his family to Philadelphia – to Colwyn, as a matter of fact. That’s something I don’t really understand. I don’t know how they managed to end up in Colwyn, but that’s where they did. My father was 12 years old at that time. He’s now – he’ll be 92 in November – the 23rd of November. Burstein: So this was in 1912 that they came there. Wilder: Yeah, in 1912 he came – they came to Colwyn. There were – in Colwyn, I think there was my paternal grandparents and my maternal grandparents, and my aunts and uncles, and my family. -
Series 139 Playland Phonograph
Westchester County Archives Series 139 2199 Saw Mill River Road Elmsford, New York 10523 Playland Phonograph Collection (914) 231-1500 1911‐1970 (bulk late 1920s‐1950s) Playland Phonograph Collection, 1911-1970, bulk late 1920s-1950s Series 139 Approximately 650 phonographs. Unarranged. Phonographs – both 10 and 12 inch – played from the Playland Music Tower and possibly the Playland Ice Casino. The collection includes classical music as well as popular tunes, including some Hawaiian-themed music. The collection is divided into five parts – a set of numbered records; numbered and unnumbered album collections; loose phonographs, and phonographs that were housed in their original album jackets. The album jackets have Braille identification tags because the disc jockey who worked at the Playland Music Tower was blind. There are two different indexes on note cards for the phonograph albums, but neither one appears to be complete or clear as to its exact use. Therefore, a new index has been completed by Archives’ volunteers. Please note: The Archives does not have playback equipment necessary to listen to the phonographs that make up this collection. The five subseries of this collection can be more fully described as follows: 1. A set of numbered records. These phonographs have individual number labels on them and run up through number 998. Each individual phonograph has 2 numbers on it – one for each side. However, the collection is not complete and there are only about 350 individual phonographs in this group. They were originally housed in 39 cardboard cases that held several individual phonographs. Due to the poor condition of these cases they were disposed during processing, although the case number was recorded. -
Cash Box FOUNDED by BILL GERSH
AUGUST 29, 1953 www.americanradiohistory.com iW - Model 1436 * 0 f (naCp\\onosr SIMPLE SELECTION with the Single Button Line-O-Seleetor SIMPLE OPERATION with the amazing revolving record drum SIMPLE SERVICING with 3-Way service accessibility thru top, front and rear Proven Performance | ’'Available in two Proven Profits models for 78 RPM and 45 RPM records SEE,nAY-HEAR- OADER- Yournextpftotroyrap/rAv/n fyd/ot? www.americanradiohistory.com eCash Box FOUNDED BY BILL GERSH August 29, 1953 (Music Editorial) Vol. XIV Number 49 Publishers BILL GERSH JOE ORLECK The Cash Box Publishing Co., inc. 26 West 47th Street, New York 36, N. Y. (All Phones: JUdson 6-26+0) JOE ORLECK • CHICAGO OFFICE 32 West Randolph St., Chicago 1, III. (All Phones: DEarborn 2-00+5) BILL GERSH Karyl Long • LOS ANGELES OFFICE 6363 Wilshire Blvd., Los Angeles, Cal. (Phone: WEbster 1-1121) CARL TAFT • EXECUTIVE STAFF JOE ORLECK, Advertising Director BOB AUSTIN, General Mgr., Music Dept. SID PARNES, Editor-In-Chief NORMAN ORLECK, Associate Editor MARTY OSTROW, Associate Editor IRA STRASSBERG, Research A. ARTESE, Office Manager A. FORMAN, Circulation POPSIE, Staff Photographer BRUNO DUTKOWSKY, Art Director • JOCKEY ADVERTISING RATES on request. All advertising closes Friday at 12 Noon preceding week of issue. Advertisements subject to approval of publishers. • SUBSCRIPTION RATES $15 per year anywhere in the Since the advent of television, the How do you Explain the success of for jobbers and distributors at U.S.A. Special listing entire music business has been wonder- the show? It’s hard to explain. Tlie only $+8 per year includes +0 word classified advertisement each week for an entire year (52 weeks) plus the full ing how disk jockeys would fit into the thing we know is that by all criteria by year’s subscription free of charge. -
RAYBURN WRIGHT COLLECTION Eastman School of Music Archives
RAYBURN WRIGHT COLLECTION Eastman School of Music Archives RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Mathew T. Colbert Summer 2007 – Fall 2008 1 Rayburn Wright conducting the Eastman Jazz Ensemble (November 20, 1981). Photograph by Louis Ouzer, from Rayburn Wright Collection, Box 34, Folder 5. Rayburn Wright conducting the Eastman Studio Orchestra (1974). From ESPA 8-39 (8x10). 2 TABLE OF CONTENTS Description of Collection 4 Description of Series 7 Inventory 10 Series 1: Scores 10 Sub-series a: Original compositions 10 Sub-series b: Arrangements 18 Sub-series c: Works by other composers and arrangers 28 Sub-sub-series 1: Performance materials 28 Sub-sub-series 2: Presentation copies 36 Sub-sub-series 3: Study scores 37 Sub-series d: MS with no attribution 45 Series 2: Papers 46 Sub-series a: Professional papers 46 Sub-series b: Academic papers 65 Sub-sub-series 1: Pedagogical materials 65 Sub-sub-series 2: Student materials 68 Sub-series c: Personal papers 68 Series 3: Library 69 Series 4: Recordings 79 Sub-series a: 10 ½” Reels 79 Sub-series b: 5” Reels 79 Sub-series c: 7” Reels 80 Sub-series d: Cassettes 101 Sub-series e: 45 RPM EPs 117 Sub-series f: 33 1/3 RPM EPs 118 3 DESCRIPTION OF COLLECTION Rayburn Wright Collection Location: C3A 15,1 – 16,6 34 linear feet Biographical sketch Photograph from The Score, 1982. Rayburn Wright (b. August 27, 1922. Alma, Michigan; d. March 21, 1990. Rochester, New York) led a multifaceted, fully realized musical career in which he excelled as a composer, arranger, conductor, educator, performer and author.