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Bands Mit Weiblicher Beteiligung Rock/Metal/Alternative Nr
www.musicswomen.de Music S Women* [email protected] Bands mit weiblicher Beteiligung Rock/Metal/Alternative Nr. Name 1 ¡Tomar Control! 2 24/7 Diva Heaven 3 4 Promille 4 70 cm³ of Your Chest 5 A Very Special Episode 6 A.A. Williams 7 About Monsters 9 Abrupt 10 Acht Eimer Hühnerherzen 11 Acid Blood 12 Acid King 13 Adrats 14 Adult Mom 15 Against Me 16 Akne Kid Joe 17 Alanis Morissette 18 Alarmbaby 19 Alice Merton 20 Aliced Lugosh 21 Alien Fight Club 22 Alien Placenta 23 Alison Mosshart 24 All Dogs 25 All for nothing 26 All things Eve 27 Alli Neumann 28 Alte Sau 29 Alter Egon! 30 Altin Gün 31 Alvvays 32 Amaranthe 33 Amore Meow 34 Amoss Hart 35 Amy Lee 36 Amygdala 37 Amyl and the Sniffers 38 An Horse 39 Angel Olsen 40 Angerboys 41 Angry Spells 42 Ani Di Franco 43 Ani Yokore 1 www.musicswomen.de Music S Women* [email protected] 44 Ankor 45 Anna Calvi 46 Anthrax Fields 47 Anti-Corpos 48 Antigen 49 Antiqva 50 Apocalipstix 51 Appalachian Terror Unit 52 Appaloosa 53 Apsurd 54 Arch Enemy 55 Arctic Flowers 56 Arooj Aftab 57 ARXX 58 Ashnikko 59 Ataxie 60 Atom Atom 61 Attic Stories 62 Aurora 63 Aus 64 Auxiliö 65 Ava Adore 66 Avengers 67 Avery Syndrom 68 Avitacion 101 69 Avril Lavigne 70 AxeRash 71 Aye Nako 72 B’schissn 73 Babes in Toyland 74 Baboon Show 75 Baby of the Bunch 76 Baby Shakes 77 Baby Spice 78 BABYMETAL 79 Backswing 80 Bad Affair 81 Bad Cop/Bad Cop 82 Bad Seed Rising 83 Bad Skin 84 Bag, Alice 85 BALA 86 Bambix 87 Banana Of Death 88 Band of Sculls 89 Banner Of Hope 2 www.musicswomen.de Music S Women* [email protected] 90 Bantam 91 Bar -
Aquest És L'espectacular Cartell Del Primavera Sound 2019 El Festival Presenta El Llistat De Noms
A la xarxa | Redacció | Actualitzat el 05/12/2018 a les 20:54 Aquest és l'espectacular cartell del Primavera Sound 2019 El festival presenta el llistat de noms Rosalía, al Sónar. | ACN Rosalía, J Balvin, Cardi B, Erykah Badu, Neneh Cherry, Solange i Tame Impala són alguns dels caps de cartell del Primavera Sound 2019, que s'ha anunciat aquest divendres. El festival, que se celebrarà del 30 de maig a l'1 de juny al Parc del Fòrum, obre la porta a grups molt coneguts de reggaeton i de ritmes urbans populars. També se sumen als caps de llista grups més clàssics com són Stereolab, Primal Scream, Interpol, el cantant de Pulp, Jarvis Cocker i Suede. El certamen ha destacat la "paritat, l'eclecticisme i l'atreviment" del cartell, que s'ha donat a conèixer als estudis de la nova Ràdio Primavera Sound. El Primavera Sound ha defensat que amb aquest cartell presentat aquest divendres "afiança la seva reinvenció apostant decididament per la música urbana sense deixar de costar els referents de la seva essència". El Primavera ha recalcat sobretot la paritat del cartell entre homes i dones i el seu eclecticisme estilístic. Un cartell que "és la culminació del que ja s'intuïa en les darreres edicions del festival, concretat en 226 noms dels quals més d'un 50% són dones amb una gran diversitat de gèneres que van des del metal extrem al reggaeton passant pel pop, el hip hop, el jazz, el trap i l'indie rock". https://www.naciodigital.cat/noticia/168398/aquest-es-espectacular-cartell-primavera-sound-2019 Pagina 1 de 2 L'edició 2019 del festival està formada per noms com el retorn de Solange; de pop psicodèlic de Tame Impala; el hip hop nord-americà de Cardi B; el colombià J Balvin, màxim exponent actual del reggaeton; Erykah Badu, figura actual del soul; el trap de Future; Janelle Monáe i el seu pop, i la reconeguda Rosalía, qui ha publicat recentment l'exitós 'El mal querer'. -
The New Culture Industry Tracing Democratization, Cultural Pluralism, and a New ‘Stillness’ in Modern Music
Savoy 1 The New Culture Industry Tracing democratization, cultural pluralism, and a new ‘stillness’ in modern music Augie Savoy Professor Jennifer Friedlander 9/28/20 Savoy 2 PREFACE In this country, it’s very hard for creative thought to escape capitalism. —Juan Atkins I have the impression that many of the elements that are supposed to provide access to music actually impoverish our relationship with it. —Michel Foucault As a listener, my earliest memory of music is hearing Michael Jackson’s Off the Wall on a portable CD player when I went to pre-school in Norway. Because my family had recently moved there, I had no experience speaking Norwegian and, until I figured it out, my parents thought I could listen to music to pass the time. For better or worse, it did far more than that. It started my love affair with music. On the surface, Off the Wall was straight to the point, ener- getic, and loud. As I replayed it, I realized that I could stick my head into the production and hear all the small details. The drums were rigid and robotic. The bass was relaxed and fluid. Michael Jackson’s voice was elastic, traveling across an entire emotional spectrum from tender to harsh. The production felt like a spectrum of different faces and characters. It was the storytelling and humanness of the record that made it compelling. It turned an uneventful day in pre-school, sur- rounded by kids I couldn’t understand, into a cinematic piece of art. Like Michael Jackson’s legacy, however, my relationship to music has become more complicated as I’ve gotten older. -
An Organizational Analysis of Independent Record Labels
Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-1-2011 An Organizational Analysis of Independent Record Labels Daniel Creahan Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the Business Administration, Management, and Operations Commons Recommended Citation Creahan, Daniel, "An Organizational Analysis of Independent Record Labels" (2011). Syracuse University Honors Program Capstone Projects. 280. https://surface.syr.edu/honors_capstone/280 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. An Organizational Analysis of Independent Record Labels A Capstone Project Submitted in Partial Fulfillment of the Requirements of the Renée Crown University Honors Program at Syracuse University Daniel Creahan Candidate for B. A. Degree and Renée Crown University Honors May 2011 Honors Capstone Project in Music Business Capstone Project Advisor: __________________________ Dr. Ulf Oesterle Honors Reader: __________________________________ Prof. William DiCosimo Honors Director:__________________________________ James Spencer, Interim Director Date: __________________________________________ © 2011 by Creahan, Daniel Creahan All Rights Reserved -
Rosalía, J Balvin I Tame Impala, Entre Els Caps De Cartell Del Primavera Sound
Cultura i Mitjans | Redacció | Actualitzat el 05/12/2018 a les 20:47 Rosalía, J Balvin i Tame Impala, entre els caps de cartell del Primavera Sound Neneh Cherry, Stereolab, Primal Scream, Jarvis Cocker, Suede, altres noms de la pròxima edició Rosalía, al Sónar. | ACN Rosalía, J Balvin, Cardi B, Erykah Badu, Neneh Cherry, Solange i Tame Impala són alguns dels caps de cartell del Primavera Sound 2019, que s'ha anunciat aquest divendres. El festival, que se celebrarà del 30 de maig a l'1 de juny al Parc del Fòrum, obre la porta a grups molt coneguts de reggaeton i de ritmes urbans populars. També se sumen als caps de llista grups més clàssics com són Stereolab, Primal Scream, Interpol, el cantant de Pulp, Jarvis Cocker i Suede. El certamen ha destacat la "paritat, l'eclecticisme i l'atreviment" del cartell, que s'ha donat a conèixer als estudis de la nova Ràdio Primavera Sound. El Primavera Sound ha defensat que amb aquest cartell presentat aquest divendres "afiança la seva reinvenció apostant decididament per la música urbana sense deixar de costar els referents de la seva essència". El Primavera ha recalcat sobretot la paritat del cartell entre homes i dones i https://www.naciodigital.cat/noticia/168397/rosalia-balvin-tame-impala-entre-caps-cartell-primavera-sound Pagina 1 de 2 el seu eclecticisme estilístic. Un cartell que "és la culminació del que ja s'intuïa en les darreres edicions del festival, concretat en 226 noms dels quals més d'un 50% són dones amb una gran diversitat de gèneres que van des del metal extrem al reggaeton passant pel pop, el hip hop, el jazz, el trap i l'indie rock". -
2017-2018 Otter Student Union Annual Report
2017-2018 Annual Report Otter Student Union 1 Organizational Chart Executive Summary Mission, Vision, Values Otter Cross Cultural Center Union Programming Board Marketing Technical Production Facility Use Finances Board of Directors Staff Achievements July 2018 Otter Student Union 2 Otter Student Union Board of Directors 2017-2018 Chair, Cassidy Merideth Vice Chair, Mufaro Madzingira Treasurer, Justin Rocha Secretary, Christina Lemus Aaisha Ahad Christian Candelaria Zoë Carter Esteban Castillo Chi-Chun Chou Anna Gaytan Jasmine Lottier Joshua Mueller Kamitra Rowe Christy Underwood Olivia Warren July 2018 Otter Student Union 3 Executive Summary The Otter Student Union (OSU) in 2017-2018 achieved full incorporation and approval from the California State University Chancellor as a stand-alone, 501(c)(3) non-profit auxiliary organization, created to support students, faculty, staff, and community of California State University—Monterey Bay. The OSU also secured approval to move forward on construction of a 70,000-square-foot facility with meeting and event space, multiple food venues, the CSUMB Bookstore, student and administrative offices, the Otter Cross Cultural Center, study rooms, lounges, outdoor programming spaces, and an outdoor terrace that will embrace the Monterey Bay environment. The Otter Student Union celebrated with a ceremonial Groundbreaking Ceremony in April 2018. The official start of construction is anticipated in 2018. Full incorporation of the new OSU was made possible through extensive development of the Otter Student Union Board of Directors, including creation of numerous policies necessary for incorporation, as well as formation and clarification of OSUs mission and vision. These developments were shepherded by an expanded staff. In 2018, OSU expanded from a staff of four to a staff of eight, full-time professional staff, including its first Director, Assistant Director of the Otter Cross Cultural Center, Assistant Director of Programs & Communications, Audio Visual & Technical Services Coordinator, and Coordinator for Affinity Groups. -
KVSC's Top 88 Albums of 2018
KVSC’s Top 88 Albums of 2018 Rank Artist Album 1 Courtney Barnett Tell Me How You Really Feel 2 Hippo Campus Bambi 3 Kurt Vile Bottle It In 4 KenDrick Lamar Black Panther OST 5 WooDen Shjips V. 6 deM atlaS Bad Actress 7 Bad Bad Hats Lightning RounD 8 Denzel Curry TA1300 9 Hop Along Bark Your Head Off, Dog 10 Tokyo Police Club TPC 11 Arthur Buck Arthur Buck 12 Snail Mail Lush 13 San Holo album1 14 Remo Drive Pop Music 15 Caroline Rose Loner 16 Low Double Negative 17 Big ReD Machine S/T 18 Father John Misty GoD's Favorite Customer 19 Devotchka This Night Falls Forever 20 Ryan ADams Prisoner 21 Weezer Black Album 22 Mint FielD Pasar De las Luces 23 Leon BriDges GooD Thing 24 BROCKHAMPTON iridescence 25 Wye Oak The LouDer I Call, The Faster It Runs 26 The Jayhawks Backroads anD AbanDoneD Motels 27 DeaD Can Dance Dionysus 28 Robyn Honey 29 Rolling Blackouts Coastal Fever Hope Downs 30 The Ophelias Almost 31 Kevin Krauter Toss Up 32 RicharD Russell Everything Is RecorDeD 33 The Kooks Let's Go Sunshine 34 Iron & Wine WeeD GarDen 35 John Prine The Tree of Forgiveness 36 SpiritualizeD AnD Nothing Hurt 37 Glitterati In PasaDena 38 Neko Case Hell-On 39 The Decemberists I'll Be Your Girl 40 Soccer Mommy Clean KVSC’s Top 88 Albums of 2018 41 Foxing Nearer My GoD 42 The Essex Green HarDly Electronic 43 TranscenDental Strangers? Strange TranscenDance 44 Phoebe BriDgers, Lucy Dacus, Julien Baker Boygenius 45 BranDi Carlile By the Way, I Forgive You 46 Valley Maker RhoDoDenDron 47 King Princess Make My BeD 48 Beach House 7 49 Phosphorescent C'est La Vie 50 Halloween, Alaska Le Centre 51 Foxwarren S/T 52 Donny McCaslin Blow 53 The Beths Future Me Hates Me 54 Enjoy Small Car Big Wheels 55 Grapetooth S/T 56 Nothing Dance on the Blacktop 57 Peter, Bjorn anD John Darker Days 58 Jeff Rosenstock POST- 59 J. -
And How Congress Can Help
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayJUNE 30, 2020 Page 1 of 30 Leader; Travis Denning Makes History INSIDE Thievery Corporations: Don Henley Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville),on debuts How at No. 1 on Billboard Giant’s lion audience Online impressions, up 16%). Platforms Top Country• Meet The Albums Queer chart dated April 18. In its first week (ending April 9), it earnedCreatives 46,000 Bringing equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingYour toFavorite Nielsen Artists’ Music/MRC Data. Rip Off Creatorsand total Country Airplay No. 1— as “Catch”And (Big Machine How Label Group) ascends SouthsideVision marks To Life Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart and fourth top 10. It follows freshman LP Congress Can HelpYoung’s first of six chart entries, “Sleep With- Montevallo• Inside, whichthe Virtual arrived at the summit in No - out You,” reached No. 2 in December 2016. He BET Awards: How vember 2014 and reigned for nine weeks. To date, BY ROBERT LEVINE followed with the multiweek No. 1s “In Case You MontevalloThey Pulled has earned It Off 3.9 & million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionWhy inIt albumMight sales.Change You” (three, January 2018), “Mercy” (two, August Montevallothe Future has of spentAward 267 weeks on the list, tying 2018) and “Here Tonight” (two, April 2019). -
Ed84oep8qb95gmsuz1wo 1574
ÍNDICE Primavera Pro 2019……………………………………………………………………………………. 1 Primavera Sound en números…………………………………………………………………….... 3 Estadísticas……………………………………………………………………………………………….. 6 Participantes…………………………………………………………………………………………….... 9 Day Pro Conference……………………………………….…………………………………………... 16 Showcases………………………………………………………………………………………………... 30 Colaboradores………………………………………………………………………………………….... 31 PRIMAVERA PRO 2019 Centre de Cultura Contemporània de Barcelona (CCCB) Parc del Fòrum - Del 29 de mayo al 2 de junio de 2019 Cuando los valencianos Tin Robots exprimieron las últimas notas de su radiante pop-rock en el escenario Day Pro el domingo 2 de junio, Primavera Pro 2019 llegó oficialmente a su final. La décima edición del encuentro internacional del sector musical ofreció una programación feminista, transversal y aperturista, en consonancia con la nueva normalidad que Primavera Sound ha adoptado como lema. Un granito de arena con el que contribuir a un cambio de paradigma en cuyo centro refulge una constatación innegable: la de que es posible articular un evento que responde a la brecha de género en la industria colocando a una mayoría de mujeres encima del escenario, como ponentes y como artistas. Que se puede, en definitiva, crear un foro en el que no tienen cabida los triunfalismos, y sí la lucha, la crítica y, también, la autocrítica sin la cual no podríamos dar un paso adelante para lograr que el entorno de la música sea, verdaderamente, un espacio de cuidados, como se defendió en la iluminadora mesa redonda sobre bienestar y salud mental. El aniversario de Primavera Pro, cuyas principales actividades tuvieron lugar entre el 29 y el 31 de mayo en el Centre de Cultura Contemporània de Barcelona, se ha escrito con tinta violeta, la que identifica el programa de Insumisas, la nueva sección realizada en colaboración con la 1 asociación Mujeres de la Industria de la Música para hablar de la dimensión política del feminismo, tanto en el ámbito musical como en el de la cultura global. -
8Smcppjvngbyw00egrfs 159972
INDEX Primavera Pro 2019……………………………………………………………………………………. 1 Primavera Sound in numbers.…………………………………………………………………….... 3 Statistics………..………………………………………………………………………………………….. 6 Participants…………………..………………………………………………………………………….... 9 Day Pro Conference……………………………………….…………………………………………... 16 Showcases………………………………………………………………………………………………... 30 Collaborators………...………………………………………………………………………………….... 31 PRIMAVERA PRO 2019 Centre de Cultura Contemporània de Barcelona (CCCB) Parc del Fòrum - From 29th May to 2nd June 2019 With the last notes of the radiant pop rock by the Valencia band Tin Robots on the Day Pro nd stage on Sunday 2 June, Primavera Pro 2019 officially ended. The tenth edition of the international meeting of the music sector offered a feminist, cross-sectional and diverse programme, in tune with the new normality that Primavera Sound has adopted as its slogan. A grain of sand with which to contribute to a change of paradigm in the centre which there shines an undeniable confirmation: that it is possible to organize an event as a response to the gender gap in the industry by putting a majority of women on stage, both as speakers and as artists. It also proves that you can, definitely, create a forum in which there is no room for high fives but for combat, criticism, and also, self-criticism without which we would not be able to move forward to make the music environment, a truly healthy one, as it emerged from the enlightening roundtable discussion about well-being and mental health. th st The anniversary of Primavera Pro, whose main activities took place from the 29 to the 31 May at the Centre de Cultura Contemporània de Barcelona, was written in purple ink, the 1 one which identifies the Insumisas (“untamed”) programme, the new section organized in collaboration with the association Mujeres de la Industria de la Música to discuss the political dimension of feminism, both in the music sector and in international culture. -
Dossier Prensa Es.Pdf
FESTIVAL 3 CARTEL 5 UBICACIÓN 10 ORGANIZACIÓN Y PARTNERS 11 TICKETS 13 CAMPAÑA GRÁFICA 14 CITAS DE PRENSA 15 CONTACTO 16 EL FESTIVAL Año tras año y desde hace 19, el cartel de Primavera Sound marca la temperatura de la música contemporánea, aunan- do en un mismo festival las últimas propuestas musicales del ámbito independiente junto a artistas de contrastada trayectoria, abarcando cualquier estilo o género aunque apostando esencialmente por el pop, el rock, la música urba- na y las tendencias más underground de la música electrónica y de baile. El festival ha contado a lo largo de su historia con propuestas de los más diversos colores y estilos. Así lo demues- tran los artistas que durante estos años han desfilado por sus escenarios: Radiohead, Pixies, Arcade Fire, PJ Harvey, The National, Nine Inch Nails, Kendrick Lamar, Neil Young, Sonic Youth, Portishead, Pavement, Lou Reed, My Bloody Valentine, Brian Wilson, Pulp, Patti Smith, Nick Cave, Cat Power, Public Enemy, Franz Ferdinand, Television, Devo, Enrique Morente, The White Stripes, LCD Soundsystem, The Cure, Bon Iver, The xx, Iggy & The Stooges, De La Soul, Arctic Monkeys, Blur, Wu-Tang Clan, Phoenix, Tame Impala, The Strokes, Antony & the Johnsons, The Black Keys, James Blake, Interpol y Sleater-Kinney entre muchísimos otros. Primavera Sound se ha consolidado como el festival urbano por excelencia con unas características únicas que lo han proyectado internacionalmente como cita cultural de referencia. El evento se desmarca del resto de macro eventos musicales y se mantiene fiel a la línea artística, el nivel de exigencia y la calidad organizativa de sus primeras edi- ciones. -
Cuco Para Mi Album Download
cuco para mi album download zip Cuco - Para Mi (2019) Artist : Cuco Title : Para Mi Year Of Release : 2019 Label : Cuco / Interscope PS Genre : Indie Pop, Experimental Quality : 320 kbps | FLAC (tracks) Total Time : 00:37:35 Total Size : 90 mb | 234 mb WebSite : Album Preview. 01. Intro [feat. Foos Gone Wild] 02. Keeping Tabs [feat. Suscat0] 03. Bossa No Sé [feat. Jean Carter] 04. Perihelion (Interlude) 05. Feelings 06. Lovetripper 07. Ego Death In Thailand 08. Hydrocodone 09. Far Away From Home 10. Brokey The Pear (Interlude) 11. Best Friend 12. Room Tone (Interlude) 13. Do Better. Cuco para mi album download zip. Cuco Para Mi Interscope. “Where is this fool going?” blares a nasally, robotic voice on the Intro of Cuco’s Para Mi , a sun-dappled day trip of a debut album. Kicking off one of the year’s most highly anticipated projects with such throwaway self-awareness is indicative of the California cool that the singer/multi- instrumentalist born Omar Banos oozes with enviable ease. And while Para Mi may not offer a definitive answer to its formative query, few could deny that this record takes you to places altogether different. Cuco has been independently releasing music since he was 16 and it shows. Even the weakest moments on Para Mi reveal a close attention to detail, from the sharp pop hooks to the gelatinous soundscapes fusing funk and psychedelia. Singles Hydrocodone and Feelings are the gold standard for this intoxicating blend; the former showcasing gutting lyrical sensibilities, the latter a consummate understanding of mixing, where each layer of instrumentation is richly felt, the contours rigid even as they melt together.