INDEX

Primavera Pro 2019……………………………………………………………………………………. 1 ​ Primavera Sound in numbers.…………………………………………………………………….... 3 ​ Statistics………..………………………………………………………………………………………….. 6 ​ Participants…………………..………………………………………………………………………….... 9 ​ Day Pro Conference……………………………………….…………………………………………... 16 ​ Showcases………………………………………………………………………………………………... 30 ​ Collaborators………...………………………………………………………………………………….... 31 ​

PRIMAVERA PRO 2019

Centre de Cultura Contemporània de Barcelona (CCCB) Parc del Fòrum -

From 29th May to 2nd June 2019

With the last notes of the radiant pop rock by the Valencia band Tin Robots on the Day Pro ​ ​ nd stage on Sunday 2 ​ June, Primavera Pro 2019 officially ended. The tenth edition of the ​ ​ international meeting of the music sector offered a feminist, cross-sectional and diverse programme, in tune with the new normality that Primavera Sound has adopted as ​ its slogan. A grain of sand with which to contribute to a change of paradigm in the centre which there shines an undeniable confirmation: that it is possible to organize an event as ​ a response to the gender gap in the industry by putting a majority of women on stage, both as speakers and as artists. It also proves that you can, definitely, create a forum in ​ which there is no room for high fives but for combat, criticism, and also, self-criticism without which we would not be able to move forward to make the music environment, a truly healthy one, as it emerged from the enlightening roundtable discussion about well-being and mental health.

th st The anniversary of Primavera Pro, whose main activities took place from the 29 ​ to the 31 ​ ​ May at the Centre de Cultura Contemporània de Barcelona, was written in purple ink, the

1 one which identifies the Insumisas (“untamed”) programme, the new section organized in ​ ​ collaboration with the association Mujeres de la Industria de la Música to discuss the ​ ​ ​ political dimension of feminism, both in the music sector and in international culture. ​ This was a first edition marked by the presence, at two roundtable discussions, of activists, writers and artists including Brigitte Vasallo, Remedios Zafra, Cristina Morales and ​ ​ ​ ​ ​ ​ Rebeca Lane: an antidote to the condescending patriarchal discourse directed at women ​ who, for their part, to paraphrase the participant Clara!, know how to do their job very well ​ ​ and what button to press to turn the volume up.

Primavera Pro 2019 has also been marked by one name in particular, that of Neneh Cherry, whose risky, unpredictable and nonconformist career was recognized by the Primavera Award, and was explained in a generous, career-spanning conversation in which ​ the artist defended the mutability of the present times: “Maybe we don’t need to defend ourselves constantly. Maybe it is enough just to be there. Just to be”

While on the other hand, the full house in the Auditori of the CCCB for the session ​ dedicated to analysing the rise of Latin music in the most diverse sectors of the international panorama and the differences and dialogues between the Latin American scenes vindicated the clamour that the “buena vibra” has engendered and which, ​ ​ today, seems unstoppable -this debate included speakers who had travelled to Barcelona ​ ​ thanks to the support of the Programme of Internationalization of the Spanish Culture of ​ Spanish Cultural Action (AC/E)-. The selection of musical film sequences by Stephen ​ Malkmus, in which there was room for both the classics like The Exterminating Angel by ​ ​ ​ Luis Buñuel and the groove of vintage porn, revealed the tousled and laid-back film buff profile of a true slacker rock hero. This dialogue between cinema and music that continued with the master class by Daniel Pemberton about his soundtrack for Spider Man: Into the ​ ​ ​ Spider-Verse, a overwhelming mixture of film score and urban textures that the author ​ dissected by showing exclusive unreleased material and even by occasionally playing the piano.

This session by Pemberton constituted the perfect conclusion to the Day Pro Conference ​ activities, that also including the presentation of emerging projects, the congresses of ​ concert venues and of independent labels, effervescent mentoring sessions and, of course, a line up of 36 showcases coming from a dozen different countries and which ​ ​ ​ saw the debut of the rhythms and flavours of the fertile independent scene of Uruguay. ​

Primavera Pro 2019 has thus been a place at which the boundaries and conventions of the music industry were tested, while serving as a meeting point for three thousand professionals from the sector. It invited people to open the doors to the unexpected, to ​ look into each other’s eyes and ask themselves: “What if...?”. Imagining a future of possibilities that, maybe, we will start to get to know next year.

2 PRIMAVERA SOUND IN NUMBERS

Primavera Sound:

Public: 220.000 visits Number of concerts: 331 shows Number of artists: 295 bands

Primavera Pro:

Professionals: 3.000 delegates Activities (conferences, presentations, networking sessions, etc): 69 Showcases Primavera Pro: 59

3 LINE UP

Primavera Sound Cupido (ES) Japanese (PA) 070 Shake (US) Cybotron live (US) Jarvis Cocker dj set (UK) 107 Faunos (AR) Dâm-Funk (US) Jarvis Cocker introducing JARV IS... Agoria live (FR) Danny Brown (US) (UK) Agost (ES) Danny L Harle live (UK) JASSS (ES) Aïsha Devi (CH) David August (DE) Jawbreaker (US) AJ Tracey (UK) Daymé Arocena (CU) Jayda G (CA) Albany (ES) Deerhunter (US) Job Jobse (NL) Aldous Harding (NZ) Demdike Stare (UK) Joy Orbison (UK) Aleesha (ES) Denis Sulta (UK) JPEGMAFIA (US) Alice Phoebe Lou (ZA) Derby Motoreta's Burrito Kachimba Julia Holter (US) Aliment play Television Personalities (ES) Julien Baker (US) (ES) Dirty Projectors (US) June of 44 (US) Alondra Bentley (ES) Djrum (UK) Jungle (UK) Ama Lou (UK) Dr. Rubinstein (RU) Junglepussy (US) Amyl and The Sniffers (AU) Drab Majesty (US) Just Mustard (IE) Anastasia Kristensen live (RU/DK) Dream Wife (UK) Kali Uchis (CO-US) Anthony Naples live (US) Ecran Total (FR) Kate Tempest (UK) Apparat live & dj (DE) Efrim Manuel Menuck (CA) Kaydy Cain (ES) Avalon Emerson (US) El Mató a un Policía Motorizado feat. Kelly Kapøwsky (ES) Bakar (UK) Amaia, J y Manu Ferrón (AR) Kodie Shane (US) Batu (UK) Elena Setién (ES) Kokoshca play Las Grecas Bbymutha (ES) Empress Of (US) Krystal Klear (IE) Bea Pelea (ES) Epsilove (FR) Kurt Vile & The Violators (US) BEAK> (UK) Erik Urano (ES) La Goony Chonga (US) The Beths (NZ) Erykah Badu (US) La Tiguerita (ES) The Bevis Frond (UK) Evripidis And His Tragedies sing The La Zowi (ES) BFlecha (ES) Magnetic Fields Las Odio (ES) Big Red Machine (US) Fantastic Man b2b Tornado Wallace Laurel Halo dj set (US) Big Thief (US) (AU) Lidia Damunt (ES) Birkins feat. Ken Stringfellow play Filthy Friends (US) Lil Moss (ES) Ziggy Stardust (ES) FKA twigs (UK) Linn Da Quebrada (BR) Bliss Signal (UK) Flaca (AR) Lisabö (ES) Boy Pablo (NO) Flohio (UK) Little Simz (UK) Brat Star (CA) Forest Drive West (UK) Liz Phair (US) Bridget St. John (UK) Frank Carter & The Rattlesnakes Lizzo (US) Built To Spill performs 'Keep It Like (UK) Lndfk (TN) A Secret' (US) Frinda Di Lanco (DE) Lolina (UK) Bush Tetras (US) Fucked Up (CA) Low (US) Cálido Lehamo (ES) Future (US) Loyle Carner (UK) Carcass (UK) Gangsta Boo (US) Lucy Dacus (US) Cariño (ES) Goa (ES) Mac DeMarco (CA) Carly Rae Jepsen (CA) GOTHBOICLIQUE (US) Mad Miran (NL) Cate Le Bon (UK) Guided By Voices (US) Mafalda (PT) Caterina Barbieri (IT) Haru Nemuri (JP) The Mani-las (ES) Celeste (US) Hatchie (AU) DJ Marcelle / Another Nice Mess CHAI (JP) Helena Hauff (DE) (NL) Chandra (US) Hieroglyphic Being (US) María José Llergo (ES) Channel Tres (US) Homeshake (CA) Maribou State (UK) Charli XCX (UK) Hurricane G feat Tony Touch Marie Davidson (CA) Christina Rosenvinge (ES) (PR-US) Mark Luva (ES) Christine and the Queens (FR) Ian Isiah (US) Martyn (NL) Chynna (US) IDK (US) Me And The Bees play The Breeders Clairo (US) Iglooghost (UK) (ES) Clara! (ES) IM (ES) Melenas (ES) DJ Coco (ES) Interpol (US) The Messthetics (US) The Comet Is Coming Isa·bel (ES) Midori Takada (JP) Coucou Chloe (UK) Ivy Queen (PR) Miley Cyrus (US) Courtesy (DK) Izabel (NL) Mina (UK) Courtney Barnett (AU) J Balvin (CO) Miya Folick (US) Cuco (US) James Blake (UK) Modeselektor live (DE) cupcakKe (US) Janelle Monáe (US) Mow (ES) 4 Mozhgan (IR) Soccer Mommy (US) Primavera Pro Mucho Muchacho (ES) Solange (US) 5K HD (AT) Mujeres play Los Saicos (ES) Somadamantina (ES) A. Smyth (IE) Mura Masa (UK) Sons of Kemet XL (UK) Agost (ES) Museless (ES) SOPHIE (UK) Belau (HU) Mykki Blanco (US) Steffi (NL) Birthh (IT) Myrkur (DK) Stephen Malkmus & The Jicks (US) Bonish (UY) The Mystery of the Bulgarian Voices Stereolab (UK) Bronko Yotte (CL) featuring Lisa Gerrard (BU-AU) Sticky M.A. (ES) Conttra (ES) Nas (US) Stiff Little Fingers (IE) DTSQ (KR) Nathy Peluso (AR) Suede (UK) Edsun (LU) The Necks (AU) Dj Supermarkt (DE) Egosex (ES) Neneh Cherry (SE) Suzanne Ciani (US) ELI ALMIC & DJ RC (UY) Nilüfer Yanya (UK) Swervedriver (UK) F5 (UY) Nina Kraviz (RU) Tame Impala (AU) HÅN (IT) Ninhomalo (ES) Terry Riley & Gyan Riley (US) Kirara (KR) Nitzer Ebb (UK) Tierra Whack (US) Kojaque (IE) Nosedrip (BE) Tim Burgess (The Charlatans) dj set L8CHING (TW) Object Blue (CN) (UK) LAOISE (IE) Objekt live & dj (JP) Tim Hecker & Konoyo Ensemble Lonker See (PL) Octo Octa b2b Eris Drew (EU) (CA) Lorena Álvarez (ES) Odina (ES) Tirzah (UK) Malihini (IT) Overmono live & dj (UK) Tomberlin (US) Mayberian Sanskülotts (HU) PAVVLA (ES) Tony Touch & Friends (Don Chezina Meuko! Meuko! (TW) Peach (CA) + Soni WithanEYE) (US) Mr. Perfumme (ES) Peggy Gou (KR) upsammy (NL) Museless (ES) Phosky (ES) Uzielito Mix (MX) Nfx (CL) Piroshka (UK) Veronica Vasicka live (US) OMINIRA (ES) Dj Playero (PR) Viva Belgrado play At The Drive In P POSTMAN ft. Emergency Tiara, Pond (AU) (ES) Darko & Mahkenna, DJ Unknown Primal Scream (UK) Voiski live (FR) (ZA, JP, US) Princess Nokia (US) Wednesday Campanella (JP) Phoro (UY) Pusha T (US) Xols (ES) Retirada! (ES) Putochinomaricón (ES) Yaeji (US-KR) Sistemas Inestables (CL) Pylon Reenactment Society (US) Ylia (ES) Tęskno (PL) r.e.a.l. (ES) Yung Beef dj set (ES) Thumper (IE) Retirada! (ES) Yves Tumor full band (US) Tin Robots (ES) Richard Colburn (Belle And We Will Fail (PL) Sebastian) dj set (UK) Wyvern Lingo (IE) Richie Hawtin CLOSE (CA) Rico Nasty (US) Robyn (SE) Róisín Murphy (IE) Rosa Pistola (CO) Rosalía (ES) Dj Rosario & Sama Yax (ES) Roza Terenzi (AU) RRUCCULLA (ES) Severed Heads (AU) Shakti Alliance (Ivy, Modet, Vir) (ES) Shellac (US) Shonen Knife (JP) Sigrid (NO) slowthai (UK) Snail Mail (US)

5 PROFESSIONAL DELEGATES AT PRIMAVERA PRO 2019 BY TYPE OF COMPANY

6 PROFESSIONAL DELEGATES AT PRIMAVERA PRO 2019 BY COUNTRY

7 JOURNALISTS AT PRIMAVERA SOUND 2019 BY COUNTRY

8 PARTICIPANTS

AUSTRIA MUSIC EXPORT (AT)

Austrian Music Export is a common initiative of the Austrian Music Information Center mica – music austria and the Austrian Music Fund. Its aim is to be a service and resource center for exporters of contemporary Austrian music in all genres and aspects (recordings, live, synch, etc). This includes providing access to information on Austrian artists and companies, building a substantial network of industry professionals and media, providing travel support and representing Austrian music at international trade shows, conferences and festivals.

Showcase: 5K HD

CATALAN ARTS (ES)

The Catalan Institute for Cultural Companies (ICEC) is a public institution of the Government of Catalonia’s Ministry of Culture that looks after the development and the consolidation of the Catalan creative sectors as an uplift for its professionalization. ICEC advises and accompanies Catalan companies in their development process in several sectors such as: music, performing arts, visual arts, audiovisual, books and digital culture.

Catalan Arts is the brand used by ICEC for the international promotion of Catalan companies. We work on a variety of lines of action to connect, mentor and support creative companies in their international journey. To this end, with Catalan Arts we strengthen the presence of Catalan companies and creative works at international fairs and key professional events and offers all kinds of useful materials and resources to professionals.

Showcases: Agost Museless Retirada!

9 DON’T PANIC! WE’RE FROM POLAND

The Don’t Panic! We’re From Poland (DPWFP) programme, initiated in 2008 by the Adam Mickiewicz Institute / Culture.pl promotes artists worldwide and is a brand that is widely recognized as a synonym for fresh, promising music from Poland. The programme comprehensively promotes contemporary Polish music abroad, through the participation of Polish artists and music-industry professionals in musical events such as showcase festivals, conferences and trade fairs.

Over the last few years, Polish artists have had the opportunity to perform at the world’s most important showcase festivals, such as SXSW, Eurosonic Noorderslag, The Great Escape, the Reeperbahn Festival and Primavera Sound. The role of Don’t Panic! We’re from Poland is to supply tools to allow artists to consistently improve their position on foreign markets. So far it has presented over 360 selected performers at more than 150 events in 21 countries.

Don’t Panic! We’re From Poland and the blue and pink rabbit that symbolizes the brand has become not only the synonym for the export of Polish music, but also an inspiration for similar projects in neighbouring countries.

Showcases: Lonker See Teskno We Will Fail

HUNGARIAN ONCOMING TUNES (HU)

HOTS (Hungarian Oncoming Tunes) is the Hungarian music export office with the main aim to support emerging talents and songwriters to find their own artistic vision, and the markets they'd like to enter. In 2018, HOTS was able to support 113 Hungarian artists and 37 professional delegates to learn, earn visibility and inspire each other in 41 countries around the world.

Showcases: Belau Mayberian Sanskülotts

10 ITALIA MUSIC EXPORT / A BUZZ SUPREME / MODERNISTA (IT)

The Italian team at Primavera Pro 2019 were Italia Music Export - SIAE, A Buzz Supreme and Modernista, three young companies with years of experience on the Italian music scene.

Italia Music Export is Italy’s first music export office, powered by SIAE and launched in November 2017 with the aim of putting Italy back on the music business world map. Italia Music Export is a resource center for exporters of Italian music, but it also gives advice and assistance to international professionals interested in working with Italian artists and companies.

A Buzz Supreme is a promotion, publishing and management company that works with artists, labels, distributors and international publishers, promoting some of the most interesting and original Italian artists both in Italy and abroad. The company guides self-produced musicians into the music business and also helps them choose all the necessary partners. A Buzz Supreme also offers editorial consulting for cinema and television synch.

Modernista is a new booking and management agency, dealing with live music, with booking, with art direction and with events. Shaping new and original music forms, eclectic and non-standardized, with local and universal languages. Modernista works and has worked both with Italian and foreign artists. Modernista is always ready for innovation and research into artistic and musical fields, as well as with into the use of methods and instruments that can speed up contacts with promoters.

Showcases: Birthh Han Malihini

IMEXSA (ZA)

Independent Music Exporters South Africa (IMEXSA) is a non-profit organisation dedicated to developing South African music around the world. It provides assistance, creates opportunities for emerging music companies to be internationally successful and promotes professional exchange between South Africa and other countries, while contributing significantly to the growth of their economy.

IMEXSA's focus is to develop the number of music exporters in South Africa by identifying trade opportunities and assisting companies to take advantage of them.

Showcases: P Postman ft. Emergency Tiara, Darko & Mahkenna, DJ Unknown

11 IMICHILE (CL)

Industria Musical Independiente de Chile (IMICHILE) is the first organisation that unites the independent sector of music from Chile. The members include record labels, promoters and distributors, who together represent the wide-ranging repertoire of the Chilean independent music scene.

Its objective is to develop the independent music industry through teamwork and cooperation in order to boost the production, the commercialization and the exportation of the recording productions. It also aims to promote the importance of the recording industry both as a tangible and as an immaterial cultural patrimony, identifying and promoting the social and cultural diversity of the country through music.

IMICHILE is part of WIN and since its inception has been present at all the main fairs and markets worldwide. This was the ninth year running that it participated with a delegation at Primavera Pro and Primavera Sound.

Showcases: Bronko Yotte NFX Sistemas Inestables

MEC/IBERMÚSICAS/URUGUAY XXI (UY)

Ibermúsicas is the Programa de Fomento (development programme) for Ibero-American music that in Uruguay is managed from the area of Music of the National Directorate of Culture of the Ministry of Education and Culture.

Uruguay XXI is the agency responsible for the promotion of investments, exports and of the image of the country.

Showcases: Bonish Eli Almic & DJ RC F5 Phoro

12 MINISTRY OF CULTURE OF TAIWAN / 9KICK (TW)

As a member of the Executive Yuan, the Ministry of Culture of The Republic of China (Taiwan) supervises and promotes Taiwan’s soft power in the area of arts and humanities, in the development of community, craftwork, cultural exchanges in the Taiwan Strait, international cultural participation, literature and other publications, aesthetics, television, cinema and pop music.

The Taipei Economic and Cultural Office was established in the Centro Sun Yat-Sen in Madrid in 1973 to maintain and develop substantive bilateral relations between the Republic of China (Taiwan) and Spain. Since then, it has promoted all types of activities between the two countries. The current representative of the Taipei Economic and Cultural Office in Spain is D. Simón Shen-yeaw Ko, who has held this position since January 2016.

9 Kick is an independent cultural agency specialised in the production of experimental music events and music marketing for brands. The Agency also host and set up their own musical events, “Night Market”, where they present artists and Asian chefs in Europe in order to share and create a physical and virtual space with other passionate and curious people.

Showcases: L8ching Meuko! Meuko!

Music from Ireland (IE)

Music From Ireland is the Irish Music Export office run by First Music Contact in partnership with Culture Ireland. Music From Ireland funds and delivers the Irish showcases at leading international music events such as ESNS, SXSW, The Great Escape, Primavera Pro, A2IM Indie Week NYC, Reeperbahn, Mondo NYC, Ireland Week and M for Montreal.

Showcases: A. Smyth Kojaque Laoise Thumper Wyvern Lingo

13 music:LX (LX) music:LX is a non-profit organisation and network created in 2009 with the aim of promoting all kinds of music made in Luxembourg and professional exchange with other territories.

There are four essential services offered by music:LX: supporting national bands, providing information about the markets and industry, engaging in networking and developing music from Luxembourg worldwide.

Its purpose is to encourage these bands and their music and giving them the opportunity to play in front of a large audience and other sector music professionals. music:LX will be there to meet these professionals, connect them to the bands and help them develop work relationships.

Showcase: Edsun

Sounds from Valencia (ES)

Sounds From Valencia is a platform that supports newcomer bands from province that participate in the Valencia County Council Competition, “Sona la Dipu Pop-Rock”.

One of the objectives of this platform is to boost the promotion and communication of emerging bands from Valencia and to position them on the national and international panorama.

Showcases: Mr. Perfumme Tin Robots

14 ZANDARI FESTA (KR)

Zandari Festa is an annual music festival located in the heart of Hongdae, the epicenter of youth culture in South Korea and ground zero for the country's indie music scene. After its inception in 2012, Zandari Festa quickly established itself as South Korea's premier music showcase festival, creating a bridge that connects artists, fans and delegates as well as connecting Korea’s underground music scene to the rest of the world. At the last edition, over 60 artists from different countries made the trip to Seoul to perform in some of Korea’s most iconic venues. Zandari aims to make a great festival for the artists, fans and delegates and to provide everyone with a variety of opportunities to do business together.

Showcases: DTSQ Kirara

15

DAY PRO CONFERENCE

MAIN PROGRAMME

What do brands sound like? History and practical cases of audio branding

Many companies are instantly recognizable by their logo. Some, we could even identify with our eyes shut, simply by listening to their audio identity. As a fundamental marketing tool that has yet to be fully explored, audio branding offers a multitude of possibilities to integrate a brand into our acoustic landscape. We analysed them with the founders of Dadadada, the company ​ ​ behind Primavera Sound’s audio logo.

Speakers: Jordi Soto, Glòria Sallent (Dadadada) ​

Well-being and mental health in the music sector

In the last few years, the risks for the well-being and mental health of artists and agents in the music industry have been becoming more evident. There are an increasing number of therapists who offer specific treatments for professionals from a sector in which on many occasions the boundaries between work and play become blurred, and in which pressure is very high. This roundtable looked at this subject from the perspective of musicians, therapists and psychologists.

Speakers: Ariane Paras (Olympia Coaching), Pau Rodríguez (musician), Rosana Corbacho ​ (M.I. Therapy)

37d03d: a playground for musicians

On 37d03d you won’t find hits, at least not in the strictest sense of the term. The streaming platform launched by Justin Vernon (Bon Iver) and the brothers Aaron and Bryce Dessner (The National) and directed by Mary Hickson works in a totally different way to any other digital music service. It is a virtual locus amoenus, in which musicians from all around the world can share projects which are work-in-progress and pieces that do not have a place in their official discography, as well as communicating and collaborating amongst themselves. Without subscription fees or advertising, with free access and seeing the listeners not as clients but rather as potential and proactive sponsors. Revolution or utopia or both things at the same time? We let the creators speak, so that they could explain where the infinite playing field of 37d03d comes from, and its hopes for the future.

Speakers: Aaron Dessner (The National), Mary Hickson (37d03d) ​ Interviewer: Laura Snapes (The Guardian) ​

16 La buena vibra: analysing the international surge boom of Latin music

Latin music has been announcing its arrival for a while now. Today this boom is an unquestionable reality, both internationally and in terms of audience appeal. The affinity of Latin American and Spanish artists for urban sounds, and the progressive familiarity of the audience with the language have created the perfect storm to take these sounds right into the centre of mainstream, and to lead media, festivals and institutions to pay attention to them. This roundtable analysed the new Latin order from all possible angles, as well as the circuits that have been created between Spain and Latin America as a result.

Speakers: Alba Blasi (Canada Editorial), Lalo Rojas (Caballeros.tv), Philippe Siegenthaler ​ (Páramo Presenta), Judy Cantor-Navas (Billboard) Moderator: Yumber Vera Rojas (journalist) ​

Where is the money from my IP rights? The power of data at the service of music

Many artists ask themselves this question when they stop and think about the new business model of music, which is increasingly based on streaming and live performances. Music is more and more present in all sorts of services and its use has become massive via new platforms and contents. How do the giants of distribution act in this terrain? Is it complicated to assure that the artist is getting paid for all the use of their music? The answer can only come from the management companies that also had to adapt to a digital ecosystem with new and complex rules and that have become high technology service companies. This roundtable curated by AIE analysed the question.

Speakers: Luis Mendo Muñoz (AIE), Sergio Ramos (Rule Eleven), José Luis Sevillano (AIE) ​

Needs and expectations of the artists in the digital environment

Streaming has become the main channel of distribution and diffusion for the work of musicians. Together with the distribution platforms, the artists organise their tours and releases through an extensive use of digital tools: web pages and social media are used everyday to keep audiences and media informed about their careers. How do they interact? How can you guarantee their rights in this environment? To answer these questions, AIE invited professionals, artists, managers and journalists to this roundtable discussion.

Speakers: José Balet (Querol e Yzaguirre ABOGADOS), Joan S. Luna (MondoSonoro), José ​ Cano (The Nova Management), Nacho G. Vega (IAO), Rocío Márquez (artist) Moderator: Consol Sáenz (journalist) ​

Festivals feat trolls: vulnerability in the digital environment

Festivals and concerts depend on social networks and digital platforms to make themselves known, but there is a very high risk of virtual coordinate attacks, trolls and unfounded allegations. These attacks can make these events invisible and generate huge losses as if an account is blocked it disappears from the public’s eye. Is it possible to protect yourself? How can one adapt to this digital environment? This roundtable curated by APM tried to offer an answer to this issues.

17

Speakers: Borja Suárez (Law21), Cristina Ribas (UPF-BSM), Paula Juan (Producciones ​ Baltimore) Moderator: Diana Aller (scriptwriter) ​

The importance of knowing your fans

In this keynote, three experts working at Ticketmaster shared with Primavera Pro attendees their knowledge about live music fans. They presented an analysis of consumers and also show the innovations that will be game changers in the future of the consumer experience.

Speakers: Sergio Castrodeza, Jordi Anglés, Celia Carrillo (Ticketmaster) ​

Musical identity: does “our” music and “their” music exist?

Many western artists, motivated by curiosity, go beyond their coordinates to move closer to sounds coming from distant civilisations and cultures. The results can be surprising and fascinating, but, beyond the element of aesthetic discovery, what conceptual and ethical implications does this mixture hold? What sort of bond is created between the visiting musicians and the roots of those styles and genres that they work with? It is a complex and nuanced question that we will debate with artists, journalists and cultural activists.

Free entrance. Preference for Primavera Pro 2019 accreditation holders.

Speakers: Fermin Muguruza (artist), Iki Yos (sociologist), Lechuga Zafiro (artist) ​ Moderator: Aïda Camprubí (journalist) ​

Blinded by the rising sun: redefining the circulation of Japanese music

Japan is an endless source of fascination for the West, but sometimes it is difficult to access its cultural products, especially music. The streaming platforms and other digital tools have helped to break down barriers, creating an ever-increasing global cult for many artists. More and more bands are also venturing out of the archipelago, as can be seen from the significant Japanese element in the Primavera Sound 2019 line up. At this round table, we analysed the particularities of the Japanese music market, as well as its most recent transformations.

Speakers: Jack Notman (Ran Touring), KOM_I (Wednesday Campanella) ​ Moderator: Andy Votel (Finders Keepers Records) ​

Primavera Award 2019: Neneh Cherry

From Raw Like Sushi to Broken Politics, passing through the explosion of free jazz of The ​ ​ ​ ​ Cherry Thing, Neneh Cherry’s career has been unpredictable and impressive, combining commercial success with experimentation, and taking the right decisions to avoid being bled dry by the demands of the industry. It was a great honour to present the Primavera Award 2019 to her iconic and influential figure, and to have the chance to hear her speak about the hits that have marked her artistic life, during a conversation conducted by the journalist from

18 gal-dem Natty Kasambala.

Speaker: Neneh Cherry (Artist) ​ Interviewer: Natty Kasambala (gal-dem) ​ Meet the Catalan artists playing at Primavera Sound

In this session organized by Catalan Arts and addressed to international press and media professionals, Huw Stephens from BBC Radio 1 and Marta Salicrú, director of Radio Primavera Sound, offered an introduction to the Catalan music scene, focused on the local artists playing at Primavera Sound 2019: from the Rosalía phenomenon to Cupido’s millennial romanticism.

Speakers: Huw Stephens (BBC Radio 1), Marta Salicrú (Radio Primavera Sound) ​

The curation of the future: a discussion on how to stay unique as a festival

What is the real authenticity behind today’s programming for festivals? Do we mainly act on commercial behalf or do we favor our musical crushes? In our world flooded by mass informations and propositions, what we all want now is curated and tailored suggestions. This concern of curation is the main idea behind a new emerging bands festival called Fifty Fifty Lab taking place in Brussels on 7 and 8 November and that was presented in the second part of the panel.

Speakers: Birgitte Mandelid (Oya Festival), Stefan Lehmkuhl (Melt Festival), Alexandre Stevens ​ (Dour Festival/FiftyFifty Lab) Moderator: Mathieu Fonsny (Dour Festival) ​

How to create engaging experiences in retail by combining creativity and AI

Delivering customer experiences that are unique, engaging, personalized and repeatable is the key to reinventing retail and brands. The latest technologies are here to sense, learn from customers and actively deliver the most amazing customer experiences. Retailers are opening their eyes to the power of human creativity when combined with artificial intelligence to create the store of the future.

Speaker: Jaume Portell (Beabloo) ​

DEMODAY: showcasing music entrepreneurship

The Fundación Paideia Galiza and the Escuela de Organización Industrial – EOI organise in collaboration with Primavera Sound and Primavera Pro, the DEMODAY de Emprendimiento Musical (musical entrepreneurship day). Following the Lean Start Up methodology, 22 musical projects that have elaborated their business plans were presented. The best professionals from the music sector had advised all of the projects.

Projects: Oscillator, Jolly Damper, Weia, Sonic Anaconda, Jordi Porcel, Supermeganada, ​ Zulabard, Acrono, Mr. Show, Rastros de Carmín, La Calor, Karamba, Minor Moves, Edu

19 Martinez, Voodoo Mixer, Lala Hirsch, Marco Boi, Mimik, Person Person, Aloha Bennets, Los Coming Soon, Kuunde, Stylz ​

Presentor: Ángel Carmona (Radio 3) ​

ON-SCREEN

10 Favs: Stephen Malkmus

With Pavement during the Nineties and now alongside The Jicks, Stephen Malkmus has composed the life soundtrack of an entire generation. His voice can also be heard in movies by Todd Haynes, Hal Hartley and Julian Schnabel, among others. But, which are this indie rock hero’s favorite film musical moments? We found out through the mind-blowing selection he prepared exclusively for this session.

Speaker: Stephen Malkmus (artist) ​ Interviewer: Violeta Kovaksics (film critic) ​

Arde Madrid: the story of a soundtrack

Arde Madrid is a highly successful recent series on Spanish TV. A daring undertaking, filmed in ​ black and white that recreates the days in which Ava Gardner soaked up all aspects of life in Spain, in an oasis of individual freedom during the Franco era. Music plays a prominent role in the series, as demonstrated by the cover of Manolo Caracols Zambra del campamento ​ recorded by Rosalía specifically for this production. We talked about the process of musical selection and production for this fictional work with Ale Acosta, the composer of the soundtrack, and Anna R. Costa, the co-creator, co-scriptwriter and co-producer of the series.

Speakers: Anna R. Costa (scriptwriter), Ale Acosta (composer) ​ Moderator: Luis Troquel (journalist) ​

New voices for the screen: synchronization as a platform for emerging voices

There are times when an audiovisual piece benefits enormously from having an iconic and instantly recognizable tune in its soundtrack. On other occasions, the opposite is true: a new song from an unknown band gives the images a meaning and allows the audience to get to know artists that were not on their radar. During this roundtable, experts in the area of synchronization for big companies presented cases such as that of Delaporte, authors of the successful soundtrack of Fama A Bailar, and that of Cecilia Krull, who lends her voice to the ​ ​ credits of the series Money Heist. Through these examples, the speakers explained why it is ​ ​ fundamental to pay attention to emerging talents and how synchronization can contribute to launch the career of a musician

Speakers: Lucía Pérez (Atresmedia), Omar Tenani (Movistar+) ​

20 Scoring the Spider-Verse

Spider-Man: Into the Spider-Verse is a feast for the eyes and for the ears: one of the keys to ​ the success of this Academy Award®-winning movie is the score by Daniel Pemberton, which turns beats, scratches and urban textures into an incredible narrative soundtrack. It marks a highlight in the career of the British composer, setting him amongst the hottest names in film ​ music today. In this conversation, Pemberton - who, previously has worked with acclaimed ​ directors such as Danny Boyle, Ridley Scott, Aaron Sorkin and Guy Ritchie and on series such ​ as Black Mirror and the upcoming Dark Crystal - talked about the creative process of the ​ ​ ​ ​ ​ Spider-Verse score. ​

Speaker: Daniel Pemberton (Composer) ​ Interviewer: Manuel Garin (Universitat Pompeu Fabra) ​

INSUMISAS

Feminism, politics and culture: separate battles?

If we agree that capitalism is still very much a patriarchal structure, then class differences and cultural segregation are the sisters of gender inequality. This roundtable aims to analyse the intervention of women in the different social conflicts, and also to launch a series of questions: Can feminism survive without dealing with these questions beforehand? How do geographical and economical origins condition women’s access to culture? To what extent can feminism be inclusive within the capitalist system? How is it possible to be involved in these struggles, not only as females, but also as female artists?

Speakers: Cristina Morales (writer), Rebeca Lane (activist artist), Remedios Zafra (essayist) ​ Moderadorator: Brigitte Vasallo (activist) ​

All-female showcases: a necessity or a double-edged sword?

Feminism is plural and does not follow one exclusive path. Generating safe spaces “of women, by women and for women” does not have to be incompatible with demanding female presence in cultural initiatives of general interest. But when is an initiative for women only a real space? And when does it become an excuse to exclude women from the main programme? How are these safe spaces really generated? Nowadays feminism sells. Should we see this as a benefit for the movement or as a hindrance? By highlighting female presence in the cultural sector, is real visibility being generated or is it purely marketing?

Speakers: Clara! (artist), Maritxu Alonso (Uterzine), Violeta Hernández (Nocturama) ​ Moderadorator: Lucía Lijtmaer (journalist) ​

21 IDEAS SHOWROOM

Tiketblok: Power to the fan

Tiketblok is the ticketing app that listens to the opinion of the audience that maximises incomes and increase security at events. The fans decide how much they want to pay according to the number of people interested, the average price proposed and length of the sales window. The price reflects the real market value and the members of the public can only access the site with their mobile phone: resale is impossible. Venues are filled, takings increase, there is no ticket touting and all members of the public are identified.

Speakers: Javier de Esteban (manager), Marc Molas (founder), Xavi Manresa (founder) ​ ​

Les Secretes Sessions: free music

Les Secretes Sessions is a simple idea: put about fifteen musicians that do not know each other in a venue for three days. Every two hours, they have to create and record a song with the backline already installed. Three days later, you have an album. Day four: the album is played live once, and that's it. In this presentation, the team behind this YouTube channel explained how it evolved during its first ten years of existence, in which it has allowed for the creation of hundreds of songs and many new bands.

Speakers: Marcus Carbon (president), Nicolas Djavanshir (photographer), Mathieu Deprez ​ (shooting director)

The impact of data-driven innovation in the music industry

The session presented findings and next steps of a year-long collaboration with the aim of accelerating data-driven innovation in music. This industry needs more experimentation with data sharing and music should be seen as a beacon of innovation. If other sectors with fierce competition and high R&D expenditure are sharing data in precompetitive platforms, shouldn’t it be possible in the music domain as well?

Speakers: David Osimo (The Lisbon Council), Laia Pujol (ESADE), Turo Pekari (Teosto) ​

MID discussions: making the music industry more transparent

Through informative, motivational and above all instructive discussions, the project MID wants to open the doors of the music industry and give access to information to all those interested in knowing more about the functioning of this sector. This presentation looked back over all the conferences held to date, demonstrating that musical exposure has a future that goes beyond the purely pedagogical.

Speakers: Toni Romero, María González (co-founders) ​

22 Challenges for the industry in formal and informal education

This presentation looked at some of the strategies of Infinito por Descubrir, a state programme by the Ministry of Education of Argentina, designed to develop audiences in primary and secondary schools, through activities and workshops that work soft skills, art, technology and project-based learning.

Speakers: Sebastián Aldea (Sound Laboratory coordinator) ​

Hidden Track Records, the union of small labels

Hidden Track Records bring together part of the Catalan underground scene, making it a platform of professionalization for emerging bands. This presentation explained the record label model that the project represents, and gave an overview of the artists and labels that make up the Hidden Track family.

Speakers: Louise Samson (founder), Ana López (communication and press), Sandra Tello ​ ​ (booking)

F5: from drums to computer

Besides their showcase at Primavera Pro, F5, the band formed by the comparsa C1080 and the producer Lechuga Zafiro, offered the attendees of the music meeting a playful workshop on candombe, a musical genre with a great following in Uruguay that they have updated with electronic sounds.

Speakers: Comparsa C1080, Lechuga Zafiro (F5) ​

From the artist to the audience

The music industry needs specialised professionals who are evolving at the same pace as the sector. The Postgraduate programme in Professional Management of the Music Industry: from the artist to the audience created by IL3–Universitat de Barcelona and ARC, presented itself as providing a global and integrated vision of the different elements that intervene in the music business, be it through an artist’s development strategy, a detailed working knowledge of networks and digital business, the production of a musical event, hiring and legal aspects and record label production.

Speakers: Francisco Pérez (academic director IL3-UB), Jordi Gratacòs (postgraduate director), ​ Judit Llimós (manager)

OurSong: sharing music ownership

The global physical records industry has declined twenty billion in revenue within twenty years, its comeback is long overdue. To turn the tide, OurSong introduces a new kind of music community marketplace where music fans can browse and purchase “Song Shares” of their favorite tunes. This presentation presented OurSong for the first time in Europe, focusing on

23 how artists could leverage that to engage with their hardcore fans and develop new revenue streams

Speaker: Pochang Wu (co-founder) ​ ​ ​

Women in electronic music in India

Sarah and Munbir Chawla have been working in the music industry in India for over eight years. The last two years special focus has been given on understanding the way women in India interact with the nightlife industry both as patrons and music professionals. In this talk they mapped out the main obstacles and barriers that women face, and highlight the changes that have subsequently happened through global collaboration, local partnerships and changing peer perspectives.

Speakers: Sarah Chawla, Munbir Chawla (co-founders) ​

I Am Pop: the future of sharing - from social news feeds to direct messaging

Experts believe the age of the social media news feed is coming to an end. The future of fan communication is via direct messaging apps. This presentation explored how I Am Pop helps to leverage these apps to reach your desired audience. This is the next big frontier in digital marketing.

Speakers: Harry Willis (head of Partnerships) ​

Music and Artificial Intelligence for health and well-being

Music is known to have the power to induce strong emotions and physiological changes. Musical activities have a positive impact in the perception of quality of life and may even improve cognitive, social and emotional abilities. This talk described the work of UPF - Music Technology Group on applying music and artificial intelligence to treat conditions such as cerebral palsy, autism, stroke, traumatic brain injury, and emotional disorders, among others.

Speaker: Rafael Ramírez (director of the Music and Machine Learning Lab) ​ FlipperMusic: the first Italian independent music publisher

For fifty years now, FlipperMusic has supplied the soundtrack for Italy’s most important audiovisual productions. This presentation offered a view of the production and publishing of music on the Italian market, and on how an independent company such as FlipperMusic has made a name for itself together with the major record labels.

Speakers: Doriana Lucarini (Copyright & Royalties / Label Operations), Lorena Anastasio ​ (Music Content producer)

Marketing of non-Latin-American artists in Latin America

The Latin American market is thriving and it still hasn’t reached its full potential. Many things are yet to be explored, and the world should be keeping an eye on how LATAM is shaping culture

24 on a global scale. In this presentation, examples where shared about what makes the region unique and full of opportunities, and how fans and audiences behave and interact with their favorite artists.

Speakers: Roberto G. Clapés (creative marketing executive) ​

Take A Stand: charging Europe with positive energy

It‘s time to take a stand for Europe, and indeed for the whole world. To create a movement encouraging social cohesion in our society, promoting awareness and tolerance for all cultures, genders, races, religions, sexual orientations, colours and origins. To motivate people to participate in politics and social activities, speaking up for peaceful dialogue, humanism, tolerance and mutual understanding, to make the world a better place for every single individual and for all of us. We talked about what music industry stands for and how it can contribute to the positive development of society.

Speaker: Holger Jan Schmidt (project manager) ​

Craneomedia: from DIY to business management

CraneoMedia started as a YouTube channel on which the rapper Cráneo to upload his songs and skateboard videos. Today it is one of the main audiovisual production companies in Spain. The collaboration with the record label Guayaba Records has firmly established them on the international panorama of the lo-fi genre, having done two tours of Latin America with many dates sold out. What made possible an evolution of such magnitude in just four years?

Speakers: Sergio Jiménez (Founder, director and artist), Ricardo Candal (Founder, producer ​ and music producer), Beatriz Langreo (Communication) ​ Perreo Millennial: reggaeton in Mexico

Perreo Millennial was conceived as a party and with the passing of time it became a promotion ​ company for reggaeton and related genres in Mexico. This presentation explained how a reggaeton party managed to position itself in the country, and also looked at production and currency exchange in bookings.

Speakers: Ana Patricia Castellanos (CEO, producer), Jesús Daniel Hernández (CEO, booker, ​ producer)

Yoga4Music: how to manage stage fright

Yoga4Music is a workshop exclusively for musicians focused on how to manage stage fright and performance anxiety and on realigning the body compensating the unbalance due to the postural habits of each artist. Through techniques of yoga and mindfulness, Yoga4Music optimises body awareness and boosts a more organic performance by focussing on breathing, concentration and movement.

Speakers: Lara Crepaldi (founder), Pablo Volt (musician) ​

25 Aigg: the awesome intersection of musicians and artificial intelligence

What does it mean to be a musician in a world where algorithms and machines can make music that is as good or better than humans? This presentation explored this dilemma through the eyes of the first ever human/machine DJ combo, currently being developed by Aigg, the first record label for robots. In this project, the DJ’s equipment and software are not just tools but active, intelligent collaborators with personality that work in concert and conflict with their human partners.

Speakers: Alejandro Sabillon (founder), Molly Fuller (creative director), Randle Thompson ​ (executive producer)

INDEPENDENT LABELS INTERNATIONAL CONGRESS

The music industry as a generator of audiences. Do labels know their prescriptive value?

Marketing and technology have provided us with multiple instruments and methodologies that we must take advantage of to have a more personalized relationship with our fans, know their tastes and make proposals according to their interests and expectations. But what defines the identity of a label and what does it imply in the management of audiences? This panel discussed the role of record companies as generators of audiences and the elements that define the priorities and basic strategies of their management.

Speakers: Carles Gilibets (Jet Events), Jude McArdle (AIM), Alex Keague-Davies (Matador ​ ​ ​ ​ Records), Nacho Ruiz (Mont Ventoux) ​ ​ Moderator: Pita Sopena (El Corte Inglés) ​

Brands as a means of growth and expansion of the music business

This presentation that is open to debate tried to answer to the following questions. What can record labels and artists get from sponsorship by brands? Is a reciprocal benefit for labels, artist and brands possible through sponsorship relationships? How important are brand sponsors in the organisation of concerts and festivals, for artists’ tours and for the music business? Can the image of a brand boost an artist’s sales? Does sponsorship by brands condition the line up of a festival? Does it make sense for a record label, as a brand, to sponsor a festival?

Speaker: Gerard De Lucas (lawyer) ​

The relationship with the fans and how we can know our audience

Although we have more tools than ever at our disposal, we do not know enough about our audiences. Many artists and labels still think of access in terms of mass broadcasting trying to connect with each person through a single message, without taking into account that in these times is an expensive and inefficient way to reach potential fans. Direct and segmented

26 communication can bring many benefits, but we are not yet taking advantage of all the opportunities it offers us. What are the existing tools and how can we get the most out of them?

Speakers: Carla Varona (Sin Anestesia - RLM), Ferran López (TekneCultura), Miguel Martorell ​ (Altafonte), Raúl Ramos (Asimétrica) Moderator: Maria Sagrera (Cooncert.com) ​

IMPALA presents: a conversation with Alondra Bentley

2018 was the year of Alondra Bentley. The Spanish Lancaster-born singer released her critically acclaimed fifth album Solar System, nominated for the IMPALA European Album of the Year ​ ​ award. After an extensive year of touring, Alondra stopped at Primavera Pro for an artist talk on her ten-year journey into the indie musical world.

Speaker: Alondra Bentley (artist) ​ Interviewer: Helen Smith (IMPALA) ​ ​

CONCERT VENUES INTERNATIONAL CONGRESS

Live music venues as hubs for new European talent

Liveurope was born out of a challenge: boosting the international careers of emerging European artists, by facilitating their touring opportunities in iconic venues all over the continent. Four years later, the results speak for themselves: there are now four times more new European artists playing shows in the Liveurope venues thanks to the support provided by the EU. What if we can reproduce and extend the “Liveurope” success story in hundreds of venues in Europe, and ultimately showcase dozens of thousands of emerging artists in all corners of Europe? At a time when the discussions on a dedicated European policy for music are moving forward, could such a scheme be strengthened and structured?

Speakers: Maria Lladó (Institut Ramon Llull), Ferran Tarradellas (European Commission), ​ Naiara Lasa (Sala Apolo), Núria Graham (artist) Moderator: Elise Phamgia (Liveurope) ​

Presentation of the Plataforma Estatal por la Música – PLAM (State Platform for music)

Around 10.000 professionals from the music sector got together last September and created the Plataforma Estatal por la Música – PLAM (State Platform for music), to demand the modification, extension and improvement of the current legislative framework, making it comparable to other countries in the European Union and in keeping with the necessities of the sector. The fact that the different agents of the sector from the creators to the companies joined together to work against job insecurity and the absence of legal rights was a landmark event without precedents.

27 Speakers: Carmen Zapata (ASACC), Guillem Arnedo (musician), Patricia Gabeiras (Gabeiras & ​ ​ ​ ​ ​ Asociados) Moderator: Consol Sàenz (journalist) ​

Music is not noise

This roundtable was dedicated to the inclusion of live music venues in cities, and to how interests are resolved and reconciled in different countries of Europe. Some representatives from associations and administrations told us about the different models and projects they work on, to give music venues the protection and cultural exception that they need.

Speakers: Beverley Whitrick (Music Venue Trust), Dani Granados (ICUB), Ken Veerman (Trix), ​ Lluís Torrents (Razzmatazz) Moderator: Fátima Mellado (Sidecar) ​

NETWORKING ACTIVITIES

MENTORING SESSIONS

Program designed to directly connect Primavera Pro attendees with some of the most outstanding professionals in the music business. Experts in various fields of the music industry were available to advise or solve doubts.

Mentoring Session 1 With: Alba Blasi (Canada Editorial), Tabeah Berler (Pon’t Danic Music), Fernando Delgado (PIAS Iberia & Latin America)

Mentoring Session 2 With: Glòria Sallent (Dadadada), Jordi Soto (Dadadada), Christian Wright (Abbey Road)

Mentoring Session 3 - Conoce a la Delegación de Uruguay With: Kristel Latecki (PiiiLA), Mariana Ripoll (Ministerio de Educación y Cultura de Uruguay), ​ ​ Mayra Jaimes (SENDEROS), Saza Rob (Pure Class Music)

Mentoring Session 4 With: Angela Dorgan (Music from Ireland), Rosana Corbacho (M.I. Therapy) Munbir Chawla (Wild City), Sarah Elizabeth Chawla (Wild City)

Mentoring Session 5 With: Lucía Pérez (Atresmedia), Omar Tenani (Movistar+), Sergio Castrodeza (Ticketmaster)

Mentoring Session 6 With: Ariane Paras (Radio Olympia), Pochang Wu (OurSong), Zaiba Jabbar (Hervisions)

28 Mentoring Session 7 With: Chiara Gallerani (Italia Music Export-SIAE), Dávid Bali (HOTS), Mathieu Fonsny (Dour Festival)

Mentoring Session 8 With: Fernando Prados (AIE), Franz Hergovich (Austrian Music Export), Gerard de Lucas (lawyer)

Mentoring Session 9 With: Cecilia Soojeong Yi (Zandari Festa), Eva Faustino (APECAT) Lalo Rojas (Caballeros.tv), Philippe Siegenthaler (Páramo Presenta)

Mentoring Session 10 With: Holger Schmid (Take a Stand), Noemí Planas (UFI), Roberto Parra (Fauna Prod.)

COCKTAIL PARTIES

Primavera Labels Cocktail Party Asociación de Promotores Musicales (APM) Cocktail Party IMB School Cocktail Party Welcome Party by Catalan Arts Austrian Heartbeats Cocktail Party Independent Labels International Congress Cocktail Party Insumisas Cocktail Party IMICHILE Cocktail Party Sounds from Valencia Cocktail Party Fundación Paideia Galiza - Demoday Cocktail Party Concert Venues International Congress Cocktail Party Ibermúsicas Uruguay Cocktail Party

29 SHOWCASES

Tuesday 28th May Wednesday 29th May Thursday 30th May

PRIMAVERA ALS CLUBS PRIMAVERA AL RAVAL PRIMAVERA AL RAVAL

LA [2] DE APOLO DAY PRO STAGE DAY PRO STAGE 19:30 TESKNO 13:30 LORENA ÁLVAREZ 11:50 MAYBERIAN SANSKÜLOTTS 20:30 LONKER SEE 14:30 CONTTRA 12:40 5K HD 21:30 WE WILL FAIL 15:30 OMINIRA 13:30 BIRTHH 23:00 L8CHING 16:30 MALIHINI 14:20 LAOISE 00:00 MEUKO! MEUKO! 18:30 AGOST 15:10 A. SMYTH 19:30 RETIRADA! 16:00 WYVERN LINGO 20:30 MUSELESS 16:50 KOJAQUE 17:40 THUMPER

PARC DEL FÒRUM PARC DEL FÒRUM

NIGHT PRO STAGE NIGHT PRO STAGE 18:00 EGOSEX 18:20 TESKNO 19:10 L8CHING 19:20 BELAU 20:10 MEUKO! MEUKO! (Live) 20:20 MALIHINI 21:20 LONKER SEE 22:20 WE WILL FAIL

Friday 31st May Saturday 1st June Sunday 2nd June

PRIMAVERA AL RAVAL PRIMAVERA AL RAVAL PRIMAVERA AL RAVAL

DAY PRO STAGE DAY PRO STAGE DAY PRO STAGE 11:00 BRONKO YOTTE 14:00 P POSTMAN FT EMERGENCY 14:00 DTSQ 11:50 NFX TIARA, DANKO & MAHKENNA, DJ 15:00 KIRARA 12:40 SISTEMAS UNKNOWN 16:00 TIN ROBOTS INESTABLES 15:00 MR. PERFUMME 13:30 BELAU 16:00 HAN 14:20 PHORO 17:00 L8CHING 15:10 ELI ALMIC & DJ RC 16:00 BONISH 16:50 F5 17:40 EDSUN

PARC DEL FÒRUM PARC DEL FÒRUM

NIGHT PRO STAGE NIGHT PRO STAGE 16:55 HAN 16:30 P POSTMAN FT EMERGENCY 17:55 MAYBERIAN TIARA, DANKO & MAHKENNA, DJ SANSKÜLOTTS UNKNOWN 18:50 BIRTHH 17:30 BONISH 20:00 NFX 18:30 KIRARA 21:00 EDSUN 19:30 DTSQ 22:00 BRONKO YOTTE 20:30 PHORO 23:00 5K HD 22:00 ELI ALMIC & DJ RC 23:00 SISTEMAS INESTABLES 00:00 F5

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COLLABORATORS

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