Folklife Center News, Volume 11 Number 1 (Winter 1989). American Folklife Center, Library of Congress

Total Page:16

File Type:pdf, Size:1020Kb

Folklife Center News, Volume 11 Number 1 (Winter 1989). American Folklife Center, Library of Congress AMERICAN FOLKLIFE CENTER THE LIBRARY OF CONGRESS Winter 1989 Volume XI, Number 1 THE ORIGIN OF POLISH SATURDAY SCHOOLS IN CHICAGO By Margy McClain The following article is taken from " Eth­ nic Heritage and Language Schools in America, }} a new book from the American Folklife Center. " Information on how to order appears on pages 3 and 4. At the beginning of the twentieth century, when great waves of im­ migration brought thousands of Poles to the Chicago area, Poland did not exist as a nation. Poland had been par­ titioned in 1795, into areas controlled by Russia, Prussia, and Austria, and ethnic Poles referred to themselves as "Russian Poles" or "Austrian Poles." Language and the Roman Catholic religion, rather than nation­ ality, marked the Polish people. Early Polish immigrants to the United States defined themselves in much the same way, by language, eth­ nicity, regional origin, and religion. They were mostly peasants with little formal education. They came for eco- Continued on page 2 Jozef Zurczak, principal of the Pulaski School in Chicago, Illinois, at the time of the Folklife Center's 1982 Ethnic Heritage and Language Schools Project. Mr. Zurczak is shown here as a guest teacher for the combined first and second grade class. (ES82-AF88416-1-35A) Photo by Margy McClain POLISH SATURDAY dialects spoken by their parents and AMERICAN FOLKLIFE CENTER teachers. Immigrants arriving after THE LIBRARY OF CONGRESS SCHOOLS World War II were surprised to find Continued from page 1 Alan J abbour, Director many archaic words and grammatical Ray Dockstader, Deputy Director constructions preserved in the speech nomic reasons and worked hard so of the established Polish-American Carl Fleischhauer that their children might make it up community. Mary Hufford David A. Taylor the ladder of success in America. Edu­ After World War II, thousands of Folklife Specialists cation was an important rung on that new immigrants flooded the country ladder, and education for many of the from the refugee camps of Europe. Peter T. Bartis, Folklife Researcher children began in Roman Catholic The new arrivals were to have a pro­ parochial schools. Gerald E. Parsons, Reference Librarian found effect on the nature of Chicago's J ames Hardin, Editor Polish immigrants sought to estab­ Polish-American community. Coming lish Catholic parishes that were Pol­ from a Poland briefly reunited be­ Magdalena Gilinsky, ish in character. They built many tween the world wars, they had been Public Events Coordinator churches and established schools along raised with a strong sense of Polish na­ Li sa O shins, Program Specialist J ennifer A. C utting, Program Coordinator with them. Most of the students in the tional identity. Now they were refu­ parish schools came from Polish­ gees who could not return to Doris Craig, Administrative Secretary speaking homes, and the teaching Communist Poland. Their strong love nuns also spoke Polish. Since each of country, fueled by a sense of being Tel: 202 707-6590 school was free to determine its own disinherited, gave rise to a deep need use of the Polish language, the curric­ to keep alive things Polish and to pass Archive of Folk Culture ula varied greatly; depending on the on to their children raised in the school, or even the individual teacher, United States a pride and knowledge Joseph C. Hickerson, Head students might study either religious of what it means to be Polish. subjects or most of the curriculum in Marsha Maguire, Archivist Chicago's Polish schools have their Polish. The Polish instruction in the roots in the upheavals of World War Sebastian LoCurto, Program Specialist parish schools of Chicago, therefore, II. The founders of the Polish Aldona M. Kamantauskas Joseph, seems to have arisen more from the Teachers Association in America, Inc. StaJ! Assistant fact that teachers and students shared (PTAA) and a great many of the T el: 202 707-5510 a common language than from an ex­ teachers and parents currently active plicit desire to impart to students a in the Polish schools were adults or mastery of the Polish language or a young children in Poland during Federal Cylinder Project need to instill values related to the tra­ World War II. After the war, many Judith A. Gray ditions of Poland. Poles found themselves in either Dis­ Ethnomusicologist Language instruction in Chicago's placed Persons camps (also known as Polish parochial schools began to DP or refugee camps) in Germany or T el: 202 707-9022 decline in the 1930s, although some in­ in temporary camps in England for struction continued for another twenty those associated with the Polish Army. BOARD OF TRUSTEES years. During the Depression, pres­ Friendships made in the camps were sures from the Archdiocese (historical­ often long-lasting, carrying over to the Bruce J ackson, Chairman, New York ly dominated by Irish and German immigrants' new homes. Polish Barre Toelken , Vice Chairman, Utah clerics hostile to parishes that clung to teachers who set up schools in the Johnnetta Cole, Georgia camps later helped establish Polish William L. Kinney, Jr. , South Carolina an ethnic interpretation of Catholi­ Judith McCull oh, Illinois cism) to rid the parishes of" foreign" Saturday schools in the countries Marta Weigle, New Mexico associations, combined with a gener­ where they finally settled: the United al pressure on immigrants to assimi­ States, England, and Canada. And late, contributed to the decline in Polish teachers' organizations that Ex Officio Members language use. formed in the camps were models for J ames H. Bi llington, Librarian oj Congrm Polish immigratiull to the United later groups. Robert McCormick Adams, States came to a halt in the 1920s, due Thousands of Polish refugees came Secretary oj the Smithsonian Institution to restrictive immigration laws. Thirty to the United States in the late 1940s Francis S. M. H odsoll , Jr. , Chairman, years passed before another significant and 1950s under the Displaced Per­ National Endowment jar the Arts Lynne V. Cheney, Chairman, wave of immigration occurred. Isolat­ sons Act. Existing Polish-American in­ National Endowment Jar the Humanities ed from Poland, the Polish communi­ stitutions met many needs of the new Alan Jabbour, Director, ty evolved distinctive Polish-American arrivals, but the parochial schools, American Folklife Center traditions. A unique "Chicago Pol­ where the heritage of Poland's turn­ ish" dialect arose as American-born of-the-century rural traditions children learned to speak the Polish predominated, could not. For Poles language based on the various regional educated in a united Poland between 2 FOLKLIFE CENTER NEWS ETHNIC HERITAGE AND LANGUAGE SCHOOLS PROJECT REPORT PUBLISHED The eighth grade Sunday school class at the Hellenic Orthodox Church in Buffalo, New York, with teacher, Betty Pavlakis. The Greek School at the church is described in a new collection of reports from the Center's ethnic schools project. (ES82-197823-5-36) Photo by Lydia Fish the two world wars, knowledge of the The Library of Congress has just pub­ munities as a supplement to the stan­ contemporary, standard Polish lan­ lished Ethnic Heritage and Language dard educational requirements met by guage was an important attribute of Schools in America, the report of a public and private schools, and espe­ being Polish. They wanted their chil­ project conducted by the American cially to preserve and perpetuate eth­ dren to speak the language well and Folklife Center in 1982. The collection nic culture and traditions. There are to learn Polish history and national of articles on thirteen different schools probably more than five thousand eth­ traditions in a more structured way from around the country, illustrated nic schools around the country, but than the home could provide. The with photographs, was developed by virtually no awareness of them as a na­ parochial schools could neither teach project director Elena Bradunas and tional phenomenon. modern Polish nor instill a contem­ edited by Brett Topping. Such topics Over the past two decades, as porary sense of Polish national as history, school administration, par­ educationists and the public were identity. ents, teachers, classes and curriculum, drawn into a long, fractious , and still So, while many new immigrants and the purposes of the school are dis­ unresolved debate about bilingual sent their children to parochial schools cussed in each article. education, no one referred to the for their regular education, they also "Ethnic schools " may be a mystify­ widespread and longstanding use of began to create special Polish schools . ing classification for most Americans. ethnic schools by hundreds of Ameri­ In the 1950s, as Polish cultural Yet nearly everyone knows of after­ can ethnic communities, and there has education in parochial schools noon, weekend, or all-day programs been little scholarly investigation of the declined, the Polish Saturday schools called " Hebrew School," "Lithuani­ subject. In 1982, the American Folk­ emerged. 0 an School, " "Polish School," life Center launched the Ethnic "J apanese School," or the like. Such Heritage and Language Schools schools are organized by ethnic com­ Project to begin to remedy that inat­ WINTER 1989 3 tention. The project secured the ser­ vices of a number of researchers around the country to visit , document, and analyze an ethnic school in their vicinity. Twenty research locations were chosen to give a diverse sam­ pling: different ethnic groups, differ­ ent regions of the country, and different kinds of schools. The thirteen schools described in the published report are: The Cambo­ dian School, Houston, Texas; The Is­ lamic School of Seattle, Seattle, Washington; The Official Portuguese School of the T aunton Sports Club, Taunton, Massachusetts; The First Korean School, Silver Spring, Maryland; Ataturk School , New York, New York; Polish Saturday School, Chicago, Illinois; The Senshin Gakuin and the Dharma School of the Senshin Buddhist Church of Los An­ geles, Los Angeles, California; German-Russian Ethnic Studies at Emmons Central High School , Stras­ burg, North Dakota; Lebanese Arabic School at St.
Recommended publications
  • West Virginia Folklife Program Presents Concert with Ballad Singer Phyllis Marks, September 8 for Immediate Release Contact: Em
    West Virginia Folklife Program Presents Concert with Ballad Singer Phyllis Marks, September 8 For Immediate Release Contact: Emily Hilliard 304.346.8500 August 30, 2016 [email protected] Charleston— On the evening of Thursday, September 8, The West Virginia Folklife Program, a project of the West Virginia Humanities Council, will present a concert by West Virginia ballad singer Phyllis Marks. The concert will be held from 5:30-7:30pm at the historic MacFarland-Hubbard House, headquarters of the West Virginia Humanities Council (1310 Kanawha Blvd. E) in Charleston. The free event will include a performance, question-answer session, and reception, and will be recorded and archived at the Library of Congress. Phyllis Marks, age 89, is according to folklorist Gerry Milnes the last active ballad singer in the state who “learned by heart” via oral transmission. Marks was recorded for the Library of Congress in 1978 and has performed for 62 years at the West Virginia State Folk Festival in her hometown of Glenville. Phyllis Marks is among West Virginia’s finest traditional musicians and a master of unaccompanied Appalachian ballad singing. Following her performance, Marks will give a brief interview with West Virginia University musicology professor and West Virginia native Travis Stimeling. “West Virginia Folklife Presents Ballad Singer Phyllis Marks” is supported by ZMM Architects & Engineers in Charleston and The American Folklife Center at the Library of Congress’ 2016 Henry Reed Fund Award. Established in 2004 with an initial gift from founding AFC director Alan Jabbour, the fund provides small awards to support activities directly involving folk artists, especially when the activities reflect, draw upon, or strengthen the archival collections of the AFC.
    [Show full text]
  • Folklife Sourcebook: a Directory of Folklife Resources in the United States
    DOCUMENT RESUME ED 380 257 RC 019 998 AUTHOR Bartis, Peter T.; Glatt, Hillary TITLE Folklife Sourcebook: A Directory of Folklife Resources in the United States. Second Edition. Publications of the American Folklife Center, No. 14. INSTITUTION Library of Congress, Washington, D.C. American Folklife Center. REPORT NO ISBN-0-8444-0521-3 PUB DATE 94 NOTE 172p.; For the first edition, see ED 285 813. AVAILABLE FROMSuperintendent of Documents, P.O. Box 371954, Pittsburgh, PA 15250-7954 ($11, include stock no. S/N 030-001-00152-1 or U.S. Government Printing Office, Superintendent of Documents, Mail Stop: SSOP, Washington, DC 20402-93280. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MFOI/PC07 Plus Postage. DESCRIPTORS *Archives; *College Programs; Cultural Education; Cultural Maintenance; Elementary Secondary Education; *Folk Culture; Foreign Countries; Higher Education; Library Collections; *Organizations (Groups); *Primary Sources; Private Agencies; Public Agencies; *Publications; Rural Education IDENTIFIERS Ethnomusicology; *Folklorists; Folk Music ABSTRACT This directory lists professional folklore networks and other resources involved in folklife programming in the arts and social sciences, public programs, and educational institutions. The directory covers:(1) federal agencies; (2) folklife programming in public agencies and organizations, by state; (3)a listing by state of archives and special collections of folklore, folklife, and ethnomusicology, including date of establishment, access, research facilities, services,
    [Show full text]
  • Wayfaring Strangers: the Musical Voyage from Scotland and Ulster to Appalachia. Fiona Ritchie and Doug Orr. Chapel Hill: University of North Carolina Press, 2014
    e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 9 Book Reviews Article 13 6-10-2015 Wayfaring Strangers: The uM sical Voyage from Scotland and Ulster to Appalachia. Fiona Ritchie and Doug Orr. Chapel Hill: University of North Carolina Press, 2014. 361 pages. ISBN:978-1-4696-1822-7. Michael Newton University of North Carolina – Chapel Hill Follow this and additional works at: https://dc.uwm.edu/ekeltoi Recommended Citation Newton, Michael (2015) "Wayfaring Strangers: The usicalM Voyage from Scotland and Ulster to Appalachia. Fiona Ritchie and Doug Orr. Chapel Hill: University of North Carolina Press, 2014. 361 pages. ISBN:978-1-4696-1822-7.," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 9 , Article 13. Available at: https://dc.uwm.edu/ekeltoi/vol9/iss1/13 This Book Review is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. Wayfaring Strangers: The Musical Voyage from Scotland and Ulster to Appalachia. Fiona Ritchie and Doug Orr. Chapel Hill: University of North Carolina Press, 2014. 361 pages. ISBN: 978-1-4696-1822-7. $39.95. Michael Newton, University of North Carolina, Chapel Hill It has become an article of faith for many North Americans (especially white anglophones) that the pedigree of modern country-western music is “Celtic.” The logic seems run like this: country-western music emerged among people with a predominance of Scottish, Irish, and “Scotch-Irish” ancestry; Scotland and Ireland are presumably Celtic countries; ballads and the fiddle seem to be the threads of connectivity between these musical worlds; therefore, country-western music carries forth the “musical DNA” of Celtic heritage.
    [Show full text]
  • Folklife Center News, Volume XVI, Number 3 (Summer 1994)
    CENTER NEWS SUMMER 1994 • VOLUME XVI, NUMBER 3 American Folklife Center • The Library of Congress EDITOR'S NOTES Federal Cylinder Project Legacies Tel: 202 707-1740 Folklore is resilient; itworks in many Board of Trustees ways to keep tradition going. Occa­ sionally a little institutional help is Juris Ubans, Chair, Maine useful, however, as in the several Robert Malir, Jr., Vice-chair , Kansas cases described in this issue of Folklife Nina Archabal, Minnesota Center News. Lindy Boggs, Louisiana; Norvus Miller died on May 1, Washington, D.C. 1994. But the sixteen musicians in Carolyn Hecker, Maine the Kings of Harmony band he di­ Judith McCulloh, Illinois rected for seventeen years include The American Folklife Center Ex Officio Members two of his sons, who carry on the was created in 1976 by the U.S. Con­ James H. Billington, family musical tradition. Children gress to "preserve and present Librarian of Congress growing up in the House of Prayer, American folklife" through pro­ Robert McCormick Adams, Susan Levitas reports, "were encour­ grams of research, documentation, Secretan1 of the Smithsonian Institution aged to pick up instruments and sit archival preservation, reference ser­ Jane Alexander, Chairman, in with older bands." Many learn to vice, live performance, exhibition, play by "observation, imitation, and publication, and training. The Cen­ National Endowment for the Arts ter incorporates the Archive of Folk Sheldon Hackney, Chairman, inundation," elements in the pro­ Culture, which was established in National Endowment for the Humanities cess of traditional learning. the Music Division of the Library of Alan Jabbour, Director, RalphRinzlerdiedonJuly2, 1994. Congress in 1928, and is now one of American Folklife Center But the Festival of AmericanFolklife the largest collections of ethno­ on the National Mall he helped to establish in 1967 continues to attract graphic material from the United FOLKLIFE CENTER NEWS States and around the world.
    [Show full text]
  • Interview with Alan Jabbour Regarding Sarah Gertrude Knott (FA 459)
    Western Kentucky University TopSCHOLAR® FA Oral Histories Folklife Archives 1995 Interview with Alan Jabbour Regarding Sarah Gertrude Knott (FA 459) Manuscripts & Folklife Archives Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/dlsc_fa_oral_hist Part of the Ethnomusicology Commons, Folklore Commons, and the Women's History Commons Recommended Citation Folklife Archives, Manuscripts &, "Interview with Alan Jabbour Regarding Sarah Gertrude Knott (FA 459)" (1995). FA Oral Histories. Paper 669. https://digitalcommons.wku.edu/dlsc_fa_oral_hist/669 This Transcription is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in FA Oral Histories by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Tape 1 of 1 Informant: Alan Jabbour Interviewer: Hillary Glatt Date: February 28, 1995 Location: Washington, D.C. Transcriber: Andrew Lee Sanyo Memo Scriber OOIAJ: And now I'm talking. Can you pick me up? HG: Yes. O.k. Here we are. It's Tuesday, February 28th and we're in Alan Jabbour's office at the American Folklife Center in Washington, D.C.. And we're here to talk about Sarah Gertrude Knott and the National Folk Festival. This is a joint project of the Kentucky Oral History Commission and Western Kentucky University. So, Dr. Jabbour, instead of delving right into Sarah, why don't we start with how you came to be involved in this whole thing, presentation of folk culture. AJ: The whole—how did I ever get to Washington? I was in graduate school at Duke University and thought I was going to be a medievalist but took a course in the ballad, a graduate seminar with Holger Nygard.
    [Show full text]
  • Alan Lomax Collection
    I. Aims and scope of the American Folklife Center at the Library of Congress a. Ongoing programs and projects b. Overview of collectors and collections in the Archive of Folk Culture 1 II. Scope of collections a. Pete and Toshi Seeger collection b. Alan Lomax collection I. Aims and scope of the American Folklife Center at the Library of Congress a. Ongoing programs and projects b. Overview of collectors and collections in the Archive of Folk Culture III. Multimedia/multiformat collections and care and management a. September 11 collection – materials and methods b. Cataloging and describing collections II. Scope of collections a. Pete Seeger collection b. Alan Lomax collection c. September 11 collection I. Aims and scope of the American Folklife Center at the Library of Congress a. Ongoing programs and projects b. Overview of collectors and collections in the Archive of Folk Culture 2 IV. Field work - Issues and Concerns “The Fieldworker Is/As the First Archivist” III. Multimedia/multiformat collections and care and management a. September 11 collection – materials and methods b. Cataloging and describing collections II. Scope of collections a. Pete Seeger collection b. Alan Lomax collection c. September 11 collection I. Aims and scope of the American Folklife Center at the Library of Congress a. Ongoing programs and projects b. Overview of collectors and collections in the Archive of Folk Culture Jefferson Building 3 4 5 Ann Hoog, Curator, September 11 project 6 An Act of Congress: “It is therefore the purpose of this act to establish The American Folklife Center…” 7 I Leadbelly, Dir: Gordon Parks, 1984 starring Roger Moseley Bound For Glory, Dir: Hal Ashby, 1976 starring David Carradine 8 9 10 11 • World Intellectual Property Organization 12 13 Blue Ridge Parkway Folklife Project 14 15 Part II Archive of Folk Song, 1928 16 John Lomax 17 Alan Lomax John Lomax in the South 18 19 20 • The Pete & Toshi Seeger Film Collection 21 22 Alan Lomax Maria Ribas w/drum Ibiza, Balearic Islands, July 1952 23 Castilla La Mancha, Dec.
    [Show full text]
  • Folklife Center News, Volume 7 Number 4
    October-December 1984 The American Folklije Center at the Library oj Congress, Washington, D . C. Volume VII, Number 4 Square Dance To Be National Folk Dance? The Kalevala: 150th Anniversary Publications novels ofpioneer and ethnic romance, and that moral commitment. Further, my FOLKLIFE CENTER NEWS with fi'nding quaint people. I havefound correspondent is certainly right that that people who romance about the past the wider public cultivation of nostal­ a quarterly publication of tbe and about "old times" often do not really gia is sometimes attended by exploita­ American Folklife Center care about the people they are romanticiz­ tion of old-fashioned traditions in a ing about. They have no desire to help condescending or self-centered way. at tbe these people but are more interested in ad­ But the letter also hints at a difference Library of Congress vancing a personal ideal-a patronizing between folklorists and much of our ideal. Simply, tradition-bearers are used society in their fundamental view of Alan Jabbour, Director to fuel a personal fantasy. The truth of what is past, what is present, and how the tradition is lost in the shuffle and the they are related. Ray Dockstader, Deputy Director tradition-bearer eventually realizes he is Discussion of how folklorists deal Elena Bradunas being used by someone he thought was with past and present is complicated, Carl Fleischhauer a friend. curiously, by consensus within our Mary Hufford I'm a romantic at heart - I spentyears field. I am reminded, in a season of Folklife Specialists working in western North Carolina and political campaigns, of the commen­ Peter T.
    [Show full text]
  • Legislating (For) the Folk: the American Folklife Center in the US
    Legislating (for) the Folk: The American Folklife Center in the U.S. National Imaginary Guha Shankar and Margaret Kruesi, American Folklife Center Paper prepared for the conference “Culture Archives and the State: Between Nationalism, Socialism, and the Global Market,” May 3-5, 2007, Mershon Center, Ohio State University, USA. Abstract: A legislative act of the U.S. Congress established the American Folklife Center in the National Library in 1976. In addition to its extensive collections from the U.S., the Archive of the American Folklife Center holds ethnographic archival materials from cultures around the world, dating from the late nineteenth century to the present. Through discussion of case studies of Center activities, this presentation will examine some of the challenges confronting the Center in its mission to advocate for traditional cultural expressions and folklore in national and international arenas. Examples range from the Center’s ethnographic documentary surveys of cultural communities to preservation of archival materials and their dissemination to participation in policy-making fora such as the World Intellectual Property Organization. From Legislation to Ethics One of the broad aims of this joint presentation is to juxtapose national or parliamentary policies and acts, on the one hand, against the local concerns and community infra-politics that inform the conduct of daily social life in those specific places, on the other. Such interactions are fraught with tension, to state the obvious. The case studies we present with regard to the topic of managing archival collections of cultural knowledge and intangible cultural heritage highlight profound, perhaps fundamentally irreconcilable, contradictions between these two realms.
    [Show full text]
  • The Ohio State University Emeritus Academy Newsletter: December, 2020
    1 The Ohio State University Emeritus Academy Newsletter: December, 2020 Editor, Joseph F. Donnermeyer (Past Chair, EA Steering Committee) Here we are – already near the end of the semester. A trying time for faculty and students alike, given all of the restrictions associated with COVID-19. Yet, members of the OSU Emeritus Academy have sustained their scholarship, and throughout it all, continue to publish articles and books, present at conferences (most online), teach from a distance, and engage in a variety of other activities that bring recognition to the university. It really does prove the most famous line from the university’s oldest school song, Carmen Ohio – “how firm thy friendship.” In this December issue of the EA newsletter, we begin by featuring the work of each chair of the Academy’s Steering Committee since its establishment in 2014 under the leadership of Terry Miller (Emeritus Professor of Chemistry and Biochemistry), and up through the chair for next academic year, William Ausich (Professor Emeritus of Earth Sciences). Two editions of the EA newsletter will be issued during the Spring Semester. KEEP IN MIND THAT THE DEADLINE FOR SUBMISSIONS ABOUT YOUR SCHOLARLY ACTIVITIES WILL BE JANUARY 31. As a reminder, be sure to write your narrative in a style so that EA members from all of the disciplines can appreciate your work. Even though our lecture series is now via zoom until such time as restrictions on access to the campus associated with COVID-19 are lifted, the zoom version of the lectures remain well attended. In fact, on a couple of occasions, the number of participants was higher than usual.
    [Show full text]
  • Folklore Joumal
    Folklore Joumal .s, I 8 ucrj � z0 North Carolina Folklore Journal Philip E. (Ted) Coyle, Editor Dawn Kurry, Assistant Editor Thomas McGowan, Production Editor The North Carolina Folklore Journal is published twice a year by the North Carolina Folklore Society with assistance from Western Carolina University, Appalachian State University, and a grant from the North Carolina Arts Coun­ cil, an agency funded by the State of North Carolina and the National Endow­ ment for the Arts. Editorial Advisory Board (2006-2009) Barbara Duncan, Museum of the Cherokee Indian Alan Jabbour, American Folklife Center (retired) Erica Abrams Locklear, University of North Carolina at Asheville Thomas McGowan, Appalachian State University Carmine Prioli, North Carolina State University Kim Turnage, Lenoir Community College The North Carolina Folklore Journalpublishes studies of North Carolina folk­ lore and folklife, analyses of folklore in Southern literature, and articles whose rigorous or innovative approach pertains to local folklife study. Manuscripts should conformto The MLA StyleManual. Quotations from oral narrativesshould be transcriptions of spoken texts and should be identified by informant, place, and date. For information regarding submissions, view our website (http:/ paws.wcu.edu/ncfj), or contact: Dr. Philip E. Coyle Department of Anthropology and Sociology Western Carolina University Cullowhee, NC 28723 North Carolina Folklore Society 2010 Offlcers Barbara Lau, Durham, President Lora Smith, Pittsboro, 1st Vice President Shelia Wilson, Burlington, 2nd Vice President Steve Kruger, Hillsborough, 3rd Vice President Joy M. Salyers, Hillsborough, Secretary Janet Hoshour, Hillsborough, Treasurer North Carolina Folklore Society memberships are $20 per year for individuals; student memberships are $15. Annual institutional and overseas memberships are $25.
    [Show full text]
  • News from the Library of Congress
    NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2012 The News from the Library of Congress this year includes reports from the major Library units concerned with music and sound recording materials: Music Division, National Audio-Visual Conservation Center/Packard Campus, the American Folklife Center, and the Policy and Standards Division. Reports from other Library units which may contain concerns of importance to the music library community (e.g., Copyright Office, Preservation Directorate, Technology Policy Directorate) may be found in the ALA Midwinter report on the Library’s website: http://www.loc.gov/ala/mw-2012-update.html MUSIC DIVISION………………………………………P. 1 PACKARD CAMPUS FOR AUDIO-VISUAL CONSERVATION, RECORDED SOUND SECTION…………………………………….P. 11 AMERICAN FOLKLIFE CENTER………………….P. 15 POLICY AND STANDARDS DIVISION, ACQUISITIONS & BIBLIOGRAPHIC ACCESS DIRECTORATE…….P. 27 MUSIC DIVISION --Reported by Sue Vita, Joe Bartl, Dan Boomhower, Denise Gallo, Mark Horowitz, Karen Lund, Anne McLean, and Steve Yusko This fiscal year, the Music Division’s first priority was to improve access to its vast collection of more than 20 million items, including scores, libretti, manuscripts, photographs, personal papers, instruments, and memorabilia. This was accomplished on a number of fronts: by processing and creating online finding aids for special collections; by creating new and improved existing bibliographic records; by digitizing items from collections and putting them online; and by publicizing the collections through the Performing Arts Encyclopedia, public programs, orientations, professional meetings, and social media. We 1 made significant progress on the Collections Analysis Project, which will result in improved physical and intellectual control over all of Music’s holdings.
    [Show full text]
  • Chorus Responding Unit, Advanced Level
    Chorus Responding Unit, Advanced Level A Curriculum Project of the National Association for Music Education (NAfME) and the Library of Congress of the United States (LOC) Teaching with Primary Sources ACKNOWLEDGMENTS PERSONNEL, LIBRARY OF CONGRESS GRANT – WRITING RESPONDING UNITS 2016–2017 PROJECT DIRECTOR • Johanna J. Siebert CHORUS WRITING TEAM • Tom Dean, Team Chair • Terry Eberhardt • Joe Farrell • Briana Nannen • Kim Yannon GENERAL MUSIC WRITING TEAM • Robyn Swanson, Team Chair • Karen Benson • Ellie Jacovino • Craig Knapp • Aimee Swanson Special thanks to the Library of Congress for the generous grant on Teaching with Primary Sources (TPS), which made this resource possible. CHORUS RESPONDING UNIT | ADVANCED LEVEL | NATIONAL ASSOCIATION for MUSIC EDUCATION 2 TABLE OF CONTENTS Overview of NAfME/LOC Responding Units .............................................................4 Overview of Chorus Responding Unit, Advanced Level ......................................4 Materials Needed for this Unit .......................................................................................5 Using the Inquiry Model in the Lessons .....................................................................5 Prerequisite Skills for Students for the Unit ..............................................................5 Lesson Goals Lesson 1............................................................................................................................6 Lesson 2 ...........................................................................................................................6
    [Show full text]