Congé Paternité: Misogynie À L'udc
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Research Master Thesis
Plus ça change, plus c’est la même chose? Understanding how and why new ICTs played a role in Burkina Faso’s recent journey to socio-political change Fiona Dragstra, M.Sc. Research Master Thesis Plus ça change, plus c’est la même chose? Understanding how and why new ICTs played a role in Burkina Faso’s recent journey to socio-political change Research Master Thesis By: Fiona Dragstra Research Master African Studies s1454862 African Studies Centre, Leiden Supervisors: Prof. dr. Mirjam de Bruijn, Leiden University, Faculty of History dr. Meike de Goede, Leiden University, Faculty of History Third reader: dr. Sabine Luning, Leiden University, Faculty of Social Sciences Date: 14 December 2016 Word count (including footnotes): 38.339 Cover photo: Young woman protests against the coup d’état in Bobo-Dioulasso, September 2015. Photo credit: Lefaso.net and @ful226, Twitter, 20 September 2015 All pictures and quotes in this thesis are taken with and used with consent of authors and/or people on pictures 1 A dedication to activists – the Burkinabè in particular every protest. every voice. every sound. we have made. in the protection of our existence. has shaken the entire universe. it is trembling. Nayyirah Waheed – a poem from her debut Salt Acknowledgements Together we accomplish more than we could ever do alone. My fieldwork and time of writing would have never been as successful, fruitful and wonderful without the help of many. First and foremost I would like to thank everyone in Burkina Faso who discussed with me, put up with me and helped me navigate through a complex political period in which I demanded attention and precious time, which many people gave without wanting anything in return. -
Nationalism in Marginalized African Societies∗
NATION-STATE OR NATION-FAMILY?NATIONALISM IN MARGINALIZED AFRICAN SOCIETIES∗ Forthcoming in the Journal of Modern African Studies Abhit Bhandariy Lisa Muellerz December 26, 2018 Scholars have long puzzled over strong nationalism in weak African states. Existing theories suggest that a) incumbent leaders use nationalistic appeals to distract people from state weak- ness; or b) citizens use nationalistic claims to exclude rival groups from accessing patronage and public goods. But what explains robust nationalism in places where politicians seldom visit and where the state under-provides resources, as is true across much of Africa? We pro- pose a theory of familial nationalism, arguing that people profess attachment to a nation-family instead of to a nation-state under conditions where the family, and not the state, is the main lifeline. We substantiate it using surveys from the border between Niger and Burkina Faso, where an international court ruling allowed people to choose their citizenship, thus providing a test for nationalism in marginalized communities. We supplement the border data with surveys and focus groups from the capitals of both countries. ∗For invaluable research assistance and data collection we thank Thierno Mamadou Sow, Bachirou Ayouba Tinni, and Adam Malah. We thank Amadou Tankoana for insight on his role in the ICJ border dispute case and Issa Abdou Yonlihinza for his input on mining in western Niger. For helpful comments we thank seminar participants at ASA, APSA, Northwestern, and WGAPE. The DeWitt Wallace Fund provided generous fieldwork funding. This project was approved by the Institutional Review Boards of Macalester College and Columbia University (IRB-AAAQ5013). -
African Studies Quarterly
African Studies Quarterly Volume 18, Issue 1 September 2018 Published by the Center for African Studies, University of Florida ISSN: 2152-2448 African Studies Quarterly | Volume 18, Issue 1| Septemmber 2018 http://www.africa.ufl.edu/asq African Studies Quarterly Executive Staff Editor-in-Chief Todd H. Leedy Associate Editors Mussa Idris Elon University Rahmane Idrissa University of Niamey Simon Lewis College of Charleston Richard Marcus CSU Long Beach Jan Shetler Goshen College Managing Editor Fezile Mtsetfwa Book Review Editor Nyokabi Maingi Editorial Committee Ben Burgen Ciara McLaren Elizabeth A. Carey Chesney McOmber Jessica Casimir Leandra Merz Megan Cogburn Anne Mook Amanda Edgell Collins Nunyonameh Dan Eizenga Martin Nwodo Jamie Fuller Haley Rademacher Max Gelber Riley Ravary Cady Gonzalez Audrey Smith Ryan Good Benjamin Smith Victoria Gorham Sarah Staub Ibrahim Yahaya Ibrahim Felicity Tackey-Otoo Eric Lake Joel Wao Jordan Mackenzie African Studies Quarterly | Volume 18, Issue 1| September 2018 http://www.africa.ufl.edu/asq Advisory Board Adélékè Adéèko Ohio State University Timothy Ajani Fayetteville State University Abubakar Alhassan Bayero University John W. Arthur University of South Florida, St. Petersburg Nanette Barkey Pact International Susan Cooksey University of Florida Hunt Davis University of Florida Kristin Davis International Food Policy Research Institute Parakh Hoon South Puget Sound CC Andrew Lepp Kent State University Mantoa Rose Motinyane University of Cape Town James T. Murphy Clark University Lilian Temu Osaki University of Dar es Salaam Alex Rödlach Creighton University Roos Willems Belgian Ministry of Foreign Affairs Peter VonDoepp University of Vermont African Studies Quarterly | Volume 18, Issue 1| September 2018 http://www.africa.ufl.edu/asq © University of Florida Board of Trustees, a public corporation of the State of Florida; permission is hereby granted for individuals to download articles for their own personal use. -
Thomas Sankara and the National Council of the Revolution 21 De-Valera N
A Certain Amount of Madness Black Critique Series editor: Anthony Bogues We live in a troubled world. The rise of authoritarianism marks the dominant current political order. The end of colonial empires did not inaugurate a more humane world; rather, the old order reasserted itself. In opposition, throughout the twentieth century and until today, anti-racist, radical decolonization struggles attempted to create new forms of thought. Figures from Ida B. Wells to W.E.B. Du Bois and Steve Biko, from Claudia Jones to Walter Rodney and Amílcar Cabral produced work which drew from the historical experiences of Africa and the African diaspora. They drew inspiration from the Haitian revolution, radical black abolitionist thought and practice, and other currents that marked the contours of a black radical intellectual and political tradition. The Black Critique series operates squarely within this tradition of ideas and political struggles. It includes books which foreground this rich and complex history. At a time when there is a deep desire for change, black radicalism is one of the most underexplored traditions that can drive emancipatory change today. This series highlights these critical ideas from anywhere in the black world, creating a new history of radical thought for our times. Also available: Red International and Black Caribbean: Communists in New York City, Mexico and the West Indies, 1919–1939 Margaret Stevens A Certain Amount of Madness The Life, Politics and Legacies of Thomas Sankara Edited by Amber Murrey Foreword by Horace Campbell Afterword by Aziz Salmone Fall First published 2018 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Copyright © Amber Murrey 2018 The right of the individual contributors to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. -
L'écho Du Son Mai 2016
L’écho du Son Mai 2016 Chanson, rap et rock français -Voyageur/Gryf Après 3 albums sous son nom, François Gaillard nous invite à découvrir son nouveau projet : Gryf’’’. « Voyageur », titre de ce premier album flirte allègrement avec la bonne humeur, la tendresse, l’ironie ou l’indignation. Soutenues par une belle instrumentation (clarinette, accordéon, guitare, batterie et percussions), même les chansons les plus graves procurent une sensation de fraîcheur. C’est un ensemble fort bien équilibré et réussi. ♪ Titre 3 « Les grandes séparations » Entretien à écouter ici : https://www.youtube.com/watch?v=Nad6xgSPRqE#action=share - Heureux comme les Cerfs-volants / Tom Poisson C’est une histoire d’amour racontée sous forme d’une nouvelle de 35 pages et mise en musique en 12 morceaux. L’histoire, plutôt banale, trouve plus de profondeur sur scène car le spectacle est à 3 voix et appuyé par la vidéo. Manifestement Tom Poisson s’amuse pour son neuvième album à expérimenter différentes formes avec une grande habileté. ♪ Titre 2 « Les cerfs-volants » 1 - Pre’volution / Smockey Serge Bambara, plus connu sous son nom de scène Smockey (= "S'moquer"), est un musicien de hip- hop, rappeur, acteur et militant politique basé à Ouagadougou, capitale du Burkina Faso. Il y est né le 24 octobre 1971 d'un père Bisa et d'une mère française. Après avoir déménagé en 1991 en France pour effectuer ses études, il signe en 1999 un contrat avec EMI et sort un premier single, en featuring avec la chanteuse Lââm. En 2001, il revient au Burkina Faso et créé le studio Abazon. -
Mediated Sankarism: Reinventing a Historical Figure to Reimagine the Future
African Studies Quarterly | Volume 18, Issue 1| September 2018 Mediated Sankarism: Reinventing a Historical Figure to Reimagine the Future LASSANE OUEDRAOGO Abstract: Thomas Sankara contributed significantly to the formation of the modern national identity of post-independent Burkina Faso before his assassination in 1987. This essay uses discourse analysis to examine the emergence of Sankara’s ideology also known as Sankarism and his praxis in the Burkinabe public discourse. It discussed different creative ways that Burkinabe media users are employing to reinvent Thomas Sankara and Sankarism in attempt to reimagine their future. In the current Burkinabe socio-political context of a nascent democracy characterized by the emergence of active civil society movements and multiple political factions contesting the right to govern and claiming the capacity to provide a new direction to a country caught up amid local and global issues, the reinvention and re-appropriation of Sankarism call for an appropriate close examination. This paper is not so much about who Sankara was or did, but how he is now referenced and remembered. The author contends that in Burkina Faso, new media provide multiple trajectories through which Sankarism is creatively re-invented to construct a national ethos and participate in the contested exercise of state-making. Introduction Thomas Sankara (1949-1987) is one of the most famous political figures in contemporary African history.1 He served as President of Burkina Faso (formerly known as Upper Volta) from 1983 to 1987 when he was assassinated in a military coup led by Blaise Compaoré who became his successor. Sankara’s pragmatic and ambitious agenda for his country and Africa, together with his eloquent speeches at international forums propelled him into the spotlights of the Cold War international politics and discourses. -
How Free Is FREE? Reflections on Freedom of Creative Expression in Africa
1 How Free is FREE? Reflections on Freedom of Creative Expression in Africa IN THIS COMPILATION Albie Sachs, Boris Boubacar Diop, Chenjerai Hove, Lauren Beukes, Michelle Rakotoson, Saad Elkersh, NOT Sami Tchak, Yewande Omotoso FOR and more. SALE How Free Is FREE? Reflections on Freedom of Creative Expression in Africa All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system, without prior permission in writing from the author. © Arterial Network, 2016 ISBN: 978-0-9922252-1-6 Published by Arterial Network 4th Floor, Harrington House 37 Barrack Street Cape Town 8001 www.arterialnetwork.org Cover designer: Wim Rheeder Cover Image: Mohamed Abusabib Typesetting & eBook Design: Book Lingo Set in 11 point on 14 point Minion Pro Contents Freedom of Expression - How Hip Hop changed the Course of history in my Country By Aisha Dème Free Spirits and Ravaged Souls By Albie Sachs Is Art a Weapon of War? By Ayoko Mensah Art, Freedom of Expression and then the Power Goes Off By Azad Essa A Day in Paris By Boubacar Boris Diop Beautiful Words are Subversive By Chenjerai Hove Go and See, Go and Listen By Edgar Sekloka An Inconvenient Cow By Elana Bregin “If You Pay It Will Show” – The Role and Relevance of the Arts in Zambia By Ellen Banda-Aaku Don’t blame it on Voltaire! By Gael Faye Artistic freedom and Cultural Creation in Burkina Faso By Hamadou Mande A Sense of History: Media, Academic and Artistic freedom two Decades into Democracy By Jane Duncan Freedom of Artistic and Creative Expression in Zimbabwe: A Survey of the Legal and Policy Frameworks By Jesmael Mataga Mountain By Koleka Putuma Riding with the Dream Patrol By Lauren Beukes Culture or Identity, the Fundamentals of the Question By Michèle Rakotoson Art and Artists in Sudan: A History of Harassment By Dr. -
Pressemappe 2021
SCHIRMHERRSCHAFT Henriette Reker (Oberbürgermeisterin Köln) 1 INHALTSVERZEICHNIS Einleitende Gedanken 3 africologneKOPRODUKTIONEN FILM COLTAN-FIEBER: CONNECTING PEOPLE 4-5 THEATER TRAQUE -TREIBJAGD 6-7 MUSIK-THEATER SYNDROME DE LA PINTADE – DAS PERLHUHN-SYNDROM 8-9 africologneGASTPRODUKTION TANZPERFORMANCE DREAM IS THE DREAMER 10 THEMENSCHWERPUNKT: MACHT.BEWEGUNG.DEMOKRATIE • KONFERENZ africologneDIALOGFORUM 11-13 • SZENISCHE LESUNG DASS UNSERE KINDER RIESEN SIND 14 • SZENISCHE LESUNG DIE NATUR DES GESETZES 15 ÜberSetzung – EINE VERANSTALTUNGSREIHE RUND UM DAS ÜBERSETZEN FÜRS THEATER 16 LESUNG PISTES - PISTEN 17 LESUNG AFROPÄERINNEN 17 africologne & stimmen afrikas LESUNG GUESS WHAT 18 LESUNG SIT DOWN 18 AUSSTELLUNG STIMMEN AFRIKAS IN BILD UND TEXT 19 MEDIENKUNST & FILM MEDIENKUNST/INSTALLATION 8. MAI 1945. UNSERE GESCHICHTE ZÄHLT 20 FILM-DOKU ON A LE TEMPS POUR NOUS 21 AUSBLICK AUSSTELLUNG BEYOND III – [POST]KOLONIALE GEGENWART 22 FEST DER KULTURELLEN VIELFALT DIVERSCITY 23 THEATER CONGO JAZZ BAND 24-25 THEATER ROMEO AND JULIET IN KAMPALA 26 africologneFESTIVALZENTRUM Alte Feuerwache 27 Künstler*innen 27-30 Fotocredits 31 Tickets 31 Spielorte 31 Förderer | Kooperationspartner 31-32 afroTopia e.V. 32 Leitungsteam 32-33 Programmkalendar 33-34 Kontakt 35 2 EINLEITENDE GEDANKEN Trotz alledem africologne arbeitet seit Beginn vor genau 10 Jahren im internationalen Austausch und sieht sein Ziel und seine Aufgabe im transnationalen Zusammenspiel mit Künstler*innen und Expert*innen vom afrikanischen Kontinent. In dieser Zeit sind so produktive Arbeitsbeziehungen mit Künstler*innen wie Serge Aimé Coulibaly, Etienne Minoungou, Panaibra Gabriel Canda, Aristide Tarnagda, Odile Sankara, Salia Sanou, Dani Kouyaté, Yves Ndagano, Dieudonné Niangouna, Qudus Onikeku, Serge Bambara aka Smockey, Felwine Sarr, Achille Mbembe oder Ndongo Samba Sylla entstanden. Künstler*innen aus Deutschland partizipierten, wie z.B.