A Bibliography of Literary Theory, Criticism and Philology s59

from A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html by José Ángel GARCÍA LANDA (University of Zaragoza, Spain)

FILM: AREAS

British film

Cornut-Gentille D'Arcy, Chantal. "Letting a Man Open the Door for You and Slamming It in His Face: Changing Gender Relations in British Situation Comedies of the Eighties and Nineties." In Culture and Power: Music, Media and Visual Arts. Ed. Fernando Galván, Julio Cañero and José Santiago Fernández. Alcalá de Henares: Servicio de Publicaciones U de Alcalá, 2003. 59-73. _____. La era Thatcher en pantalla: ¿cine nacional o "nacionalista"? Zaragoza: Servicio de Publicaciones U de Zaragoza, forthcoming 2006. Fouz Hernández, Santiago. "Getting Real: A Brief History of the Representation of Homosexuality in British Cinema." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.* Hacker, Jonathan, and David Price. Take Ten: Contemporary British Film Directors. Oxford: Oxford UP, 1991. Huntley, John. British Film Music. 1948. New York, 1972. Powell, Danny. Studying British Cinema: The 1960s Ramos Gay, Ignacio. "'Hate the world, it's so romantic': The function of Song in Recent British Football Hooligan Film (1995-2009)." Atlantis 34.2 (Dec. 2012): 85-103.* Santaolalla, Isabel. "Some Like It Hot: Racial and Ethnic Discourse in Recent British Cinema." In. On Writing (and) Race in Contemporary Britain. Ed. Fernando Galván and Mercedes Bengoechea. Universidad de Alcalá, 1999. 33-44.* Stokes, Jane. On Screen Rivals: Cinema and Television in the United States and Britain. Houndmills: Macmillan, 1999. Williams, Patrick. "Imaged Communities: Black British Film in the Eighties and Nineties." Critical Survey 8.1 (1996): 3-13.*

Internet resources

British Pathé: 85,000 historical films https://www.youtube.com/user/britishpathe 2014

US film

Azcona Montoliu, María del Mar. "All Together Now: The Rise of U.S. Multi-protagonist Films in the 1990s." Ph.D. diss. U of Zaragoza, 2007. _____. The Multi-Protagonist Film. Malden and Oxford: Wiley- Blackwell, 2010.* Benet, Vicente J. "Narration in Progress: Narrativity and Its Reception in Early American Cinema." In Studies in American Literature: Essays in Honor of Enrique García Díez. Ed. Antonia Sánchez Macarro. Valencia: Universitat de València, Facultat de Filologia, 1991. 87-96. Bogle, Donald. Toms, Coons, Mulattoes, Mammies and Bucks: Interpretive History of Blacks in American Films. New York: Bloomsbury, 2001. Bordwell, David, Janet Staiger and Kristin Thompson. The Classical Hollywood Cinema. London: Routledge, 1985. Bordwell, David, and Janet Steiger. "Implicaciones históricas del cine clásico de Hollywood." In El cine clásico de Hollywood: Estilo cinematográfico y modo de producción hasta 1960. By David Bordwell, Janet Steiger and Kristin Thompson. Barcelona: Paidós, 1997. 411-32. Buckland, Warren, and Thomas Elsaesser. Studying Contemporary American Film. Carrasco Carrasco, Rocío. "Masculinity in US Science Fiction Films of the 1950s." In Proceedings of the 29th AEDEAN Conference: Universidad de Jaén 15 al 20 diciembre 2005. CD-ROM. Ed. Alejandro Alcaraz Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de Jaén, 2006. 258-61.* Corkin, Stanley. "Cowboys and Free Markets: Post-War II Westerns and the US Hegemony." Cinema Journal 39.3 (2000): 66-91. Cueto, Roberto, and Antonio Weinrichter, eds. Dentro y fuera de Hollywood: La tradición independiente en el cine americano.. Valencia: Festival de Cine de Gijón, 2004. De Cordova, Richard. "The Emergence of the Star System and the Bourgeoisification of the American Cinema." In Star Signs: Papers from a Weekend Workshop. London: BFI, 1982. 65-81. _____. Picture Personalities: The Emergence of the Star System in America. Urbana: U of Illinois P, 1990. Deleyto, Celestino. "The Classical Hollywood Cinema." In Deleyto, Flashbacks.1-18. _____, ed. Flashbacks: Re-Reading the Classical Hollywood Cinema. Zaragoza: Servicio de Publicaciones de la Universidad de Zaragoza, 1992.* Deleyto, Celestino, Chantal Cornut-Gentille D'Arcy, Luis Miguel García Mainar, Monica Stacconi, Juan A. Tarancón and María del Mar Azcona. "'Forget Your Troubles and Be Happy': Una aproximación etnográfica a la ideología del entretenimiento en el cine estadounidense contemporáneo." Atlantis 24.2 (December 2002): 59-72.* Dittmar, Linda, and Gene Michaud, eds. From Hanoi to Hollywood: The Vietnam War in American Film. New Brunswick (NJ): Rutgers UP, 1990.* Ewen, Stuart, and Elizabeth Ewen. Channels of Desire: Mass Images and the Shaping of American Consciousness. New York: McGraw-Hill, 1982. Fernández Morales, Marta, ed. La década del miedo: Dramaturgias audivisuales pos-11 de septiembre. Foreword by Margarita Ledo Andión. (Spanish Perspectives on English and American Literature, Communication and Culture, 10). Bern: Peter Lang, 2013.* Fuster Burguera, Xavier. "Animación y mainstream estadounidense tras el once de septiembre." In La década del miedo: Dramaturgias audivisuales pos-11 de septiembre. Ed. Marta Fernández Morales. Bern: Peter Lang, 2013. 295-328.* Gabriel Meléndez, A. Hidden Chicano Cinema: Film Dramas in the Borderlands. New Brunswick (NJ) and London: Rutgers UP, 2013. Gómez Fernández, Cristina. "Back to Hell: New Representations of Masculinity in Recent Vietnam War Films." 2003. In Actas del XXVII Congreso Internacional de AEDEAN / Proceedings of the 27th International AEDEAN Conference. Ed. Antonio R[odríguez] Celada, Daniel Pastor García, and Pedro Javier Pardo García. CD-ROM. Salamanca: Departamento de Filología Inglesa (Universidad de Salamanca) / Asociación Española de Estudios Anglo-Norteamericanos, 2004.* Herrera-Sobek, Maria. Chicana (W)rites: On Word and Film. Berkeley: Third Woman Press, 1998. Historia General del Cine. Vol 8: EEUU (1932-1939). Madrid: Cátedra, 1996. Jeffords, Susan. "Masculinity as Excess in Vietnam Films: The Father/Son Dynamic of American Culture." 1988. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 1046-67.* "La producción de la imagen de la mujer en el cine contemporáneo de Hollywood." XVI Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Valladolid: Secretariado de Publicaciones de la Universidad de Valladolid, 1994. Laass, E. Broken Taboos, Subjective Truths: Forms and Functions of Unreliable Narration in Contemporary American Cinema. A Contribution to Film Narratology. Trier: Wissenschaftlicher Verlag Trier, 2008. Lang, Robert. American Film Melodrama Princeton: Princeton UP, 1989. Manzanas Calvo, Ana María, and Jesús Benito Sánchez. Cities, Borders and Spaces in Intercultural American Literature and Film. New York: Routledge, 2011. Mask, Mia. Divas on Screen: Black Women in American Film. Urbana and Chicago: U of Illinois P, 2009. Mellen, Joan. Big Bad Wolves: Masculinity in the American Film. 1977. London: Elm Tree Book, 1978. Nadel, Alan. Flatlining on the Field of Dreams: Cultural Narratives in the Films of President Reagan's America. Polan, Dana. Power and Paranoia: History, Narrative, and the American Cinema 1940-1950. New York: Columbia UP, 1986. Rosen, Marjorie. Popcorn Venus: Women, Movies, and the American Dream. New York: Avon; London: Peter Owen, 1973. Ryan, Michael, and Douglas Kellner. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Sarris, Andrew. "You Ain't Heard Nothin' Yet': The American Talking Film, History and Memory, 1927-1949. Oxford: Oxford UP, 1998. Sklar, Robert. Movie Made America: A Social History of American Movies. New York: Random House, 1975. Staiger, Janet. Interpreting Films: Studies in the Historical Reception of American Cinema. Princeton: Princeton UP, 1992. Stokes, Jane.On Screen Rivals: Cinema and Television in the United States and Britain. Houndmills: Macmillan, 1999. Tavernier, Bertrand. 50 años de cine norteamericano. Thompson, Kristin. Exporting Entertainment: American in the World Film Market 1907-1934. London: BFI, 1985. Online PDF:

http://www.davidbordwell.net/books/exportingentertainment_tho mpson_bfi1985.pdf 2012 Torres, Augusto M. El cine norteamericano en 120 películas. Madrid: Alianza. _____. Nuevos directores norteamericanos. (Cuadernos Anagrama, 56). Barcelona: Anagrama. Trapero Llobera, A. Patricia. "La producción audiovisual tras el 11-S, un breve panorama." In La década del miedo: Dramaturgias audivisuales pos-11 de septiembre. Ed. Marta Fernández Morales. Bern: Peter Lang, 2013. 81-114.* Veillon, Olivier-René. Le Cinéma américain des années cinquante. (Point-virgule). Paris: Seuil. Waller, Gregory A., ed. American Horrors: Essays on the Modern American Horror Film. Urbana: U of Illinois P, 1987. Wood, Michael. America in the Movies. Wood, Robin, and Richard Lippe, eds. American Nightmare: Essays on the Horror Film. Toronto: Festival of Festivals, 1979.

Dictionaries

Coursodon, J. P., and B. Tavernier. Diccionario Akal de 50 años de cine norteamericano. Madrid: 2006.

Journals American Film 10 (Jan.-Feb. 1985).

The American Spectator 24 (March 1991).

Hollywood

"2015 Hollywood Diversity Report: Flipping the Script." Ralph J. Bunche Center for African American Studies at UCLA, Feb. 2015. http://www.bunchecenter.ucla.edu/wp- content/uploads/2015/02/2015-Hollywood-Diversity-Report-2- 25-15.pdf 2015 Anger, Kenneth. Hollywood Babilonia. Barcelona: Tusquets. _____. Hollywood Babilonia II. Barcelona: Tusquets. Babington, Bruce, and Peter William Evans. Blue Skies and Silver Linings: Aspects of the Hollywood Musical. Manchester: Manchester UP, 1985. _____. Affairs to Remember. The Hollywood Comedy of Sexes. Manchester: Manchester UP, 1989. _____. Biblical Epics: Sacred Narrative in the Hollywood Cinema. Manchester: Manchester UP, 1993. Barker, Anthony David. "Televisualising the 1950s: Appropriation and Anachronism in Recent Hollywood Comedy." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 175-85.* Bordwell, David. "Classical Hollywood Cinema: Narrational Principles and Procedures." In Narrative, Apparatus, Ideology. Ed. Rosen. New York: Columbia UP, 1986. _____. "El estilo clásico de Hollywood, 1917-1960." In El cine clásico de Hollywood: Estilo cinematográfico y modo de producción hasta 1960. By David Bordwell, Janet Steiger and Kristin Thompson. Barcelona: Paidós, 1997. 3-96. _____. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: U of California P, 2006. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia UP, 1985. Buckland, Warren. Hollywood Puzzle Films. New York: Routledge, 2014. Byars, Jackie. All that Hollywood Allows: Re-reading Gender in 1950s Melodrama. London: Routledge, 1991. Casper, Drew. Hollywood Film 1963-1976: Years of Revolution and Reaction. Chichester: Wiley-Blackwell, 2011. Cavell, Stanley. Pursuits of Happiness: The Hollywood Comedy of Remarriage. Cambridge (MA): Harvard UP, 1981. _____. Le cinéma, nous rend-il meilleurs? _____. El cine, ¿puede hacernos mejores? (Discusiones). Madrid: Katz, 2008. (Hollywood, Rohmer, Hitchcock, Godard, Buñuel, Bergman, Jarmusch). Cawelti, John. "Reflections on the Western since 1970." In Gender, Language, and Myth. Ed. Glenwood Irons. Toronto: U of Toronto P, 1992. 83-102.* Cohan, Steven, and Ina Rae Hark, eds. Screening the Male: Exploring Masculinities in Hollywood Cinema. New York: Routledge, 1993. Corliss, R. Talking Pictures: Screenwriters of Hollywood. London: David and Charles, 1975. Crofts, Stephen. "Authorship and Hollywood." Wide Angle5 (1983): 16-22. Deleyto, Celestino. "The Price of Petrol: The Ideology of the Contemporary Hollywood Blockbuster." In Actas del 25º Congreso AEDEAN, Granada 2001. CD-ROM. Granada: U de Granada: Departamento de Filología Inglesa, 2002.* _____. Ángeles y demonios: Representación e ideología en el cine contemporáneo de Hollywood. Barcelona: Paidós, 2003. (Co- winner of the Enrique García Díez AEDEAN research prize 2003). _____. "Between Friends: Love and Friendship in Contemporary Hollywood Romantic Comedy." Screen 44.2 (2003). Desai, Jigna. "Between Hollywood and Bollywood." In Desai, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York and London: Routledge, 2004. 35-70.* Evans, Peter William, and Celestino Deleyto, eds. Terms of Endearment: Hollywood Romantic Comedy of the 1980s and 1990s Edinburgh: Edinburgh UP, 1998. Gallager, Tag. "Directores de Hollywood." In Historia General del Cine. Vol 8: EEUU (1932-1939). Madrid: Cátedra, 1996. González, Rosa. "Hollywood Ireland: Business and Ideology." In Culture and Power: Business. Ed. Matilde Paredes et al. Zaragoza: Departamento de Filología Inglesa, 1999. 65-83.* Gubern, Román. McCarthy contra Hollywood: la caza de brujas. (Cuadernos Anagrama 12). Barcelona: Anagrama. Holden, Anthony. The Oscars. Huyssen, Andreas. "2. Adorno in Reverse: From Hollywood to Richard Wagner." In Huyssen, After the Great Divide: Modernism, Mass Culture, Postmodernism. London: Macmillan, 1986. 16-43.* Iglesias Simón, Pablo. De las tablas al celuloide: Trasvases discursivos del teatro al cine primitivo y al cine clásico de Hollywood. Barcelona: Fundamentos, 2007. (Based on his Ph.D. diss.). Karnick, Kristine Brunovska, and Henry Jenkins, eds. Classical Hollywood Comedy. New York: Routledge, 1995.* John Paul II (Pope). "Discurso del Papa Juan Pablo II a la gente de Hollywood." L'Osservatore Romano (Spanish ed.) 18 October 1987. In John Paul II, Espectáculos y comunicación. John Paul II and Cardinal Mahony. Espectáculos y comunicación. Madrid: Mundo Cristiano, 1993. Jurca, Catherine. "Hollywood, the Dream House Factory." Cinema Journal 37.4 (Summer 1998): 19-36 Kessel, Joseph. "Hollywood, ciudad de ilusiones." Trans. Cristina Adrada Rafael. Hermeneus 8 (2006): 221-29.* Lawrence, Arny. Echo and Narcissus: Women's Voices in Classical Hollywood Cinema. (Voice-over). Loyo, Hilaria. "Hollywood Glitter: The Capitalization on Screen Personality and Female Audiences." In Culture and Power: Business. Ed. Matilde Paredes et al. Zaragoza: Departamento de Filología Inglesa, 1999. 109-26.* Maltby, Richard. "'To Prevent the Prevalent Type of Book': Censorship and Adaptation in Hollywood, 1924-1934." In Film Adaptation. Ed. James Naremore. New Brunswick (NJ): Rutgers UP, 2000. 79-105.* Martín, Sara. "De padre a hijo: la transmisión del discurso patriarcal en el cine de Hollywood (1977-2007)." In Género y cultura popular. Ed Isabel Clúa. Bellaterra: Edicions UAB, 2008. Mayersberg. Hollywood, la casa encantada. Ediciones de Bolsillo. Pérez Pérez, Miguel Ángel. Hollywood Film Music: Cramping the Composer's Style. (Working Papers 9). Universidad de Alicante, 2004. Pickford, Mary. Sunshine and Shadow. Garden City (NY), 1955. Ray, Robert B. A Certain Tendency of the Hollywood Cinema, 1930- 1980. Princeton: Princeton UP, 1985. Rogin, Michael. Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. Berkeley: U of California P, 1996. Ruiz Pardos, Manuela. "Divorce in Contemporary Hollywood Romantic Comedy: Gender Issues Are Taken to Court." BELLS 9 (1998): 163-68. _____. "Home Dreadful Home: Uncanny Houses and Female Paranoia in the Contemporary Hollywood Thriller." In Proceedings of the 22nd International Conference of AEDEAN (Asociación Española de Estudios Anglonorteamericanos). Lleida, 17-19 December 1998. Ed. Pere Gallardo and Enric Llurda. Lleida: Edicions de la Universitat de Lleida, 2000. 389-93.* _____. "Trouble in Paradise: The Hollywood Romantic Comedy of the Fifties." Ph.D. diss. Zaragoza: Facultad de Filosofía y Letras, 2005. _____. Hollywood Romantic Comedy of the Fifties: A Critical Study of a Film Genre. Lewinston: Edwin Mellen, 2013. Rushdie, Salman. "Debrett goes to Hollywood." 1986. In Rushdie, Imaginary Homelands. 1991. Harmondsworth: Penguin, 1992. 326-29.* Schatz, Thomas. From Hollywood Genres ("Film Genre and the Genre Film"). 1991. In Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 642-53.* Scott-Douglass, Amy. "Dogme Shakespeare 95: European Cinema, anti-Hollywood Sentiment, and the Bard." In Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video, and DVD. Ed. Richard Burt and Lynda E. Boose. New York and London: Routledge, 2003. 252-64.* Skirov, Ed. Screwball: Hollywood's Madcap Romantic Comedies. New York, 1989. Stacey, Jackie. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge, 1994. Vidal, Gore. "¡Hollywood!" In Vidal, Ensayos 1982-1988. Barcelona: Edhasa, 1991.85-100. Walker, Alexander. Stardom: The Hollywood Phenomenon. London: Michael Joseph, 1974. _____. El estrellato: El fenómeno de Hollywood. Trans. Carlos Rodríguez Sanz and Esther Frost. Barcelona: Anagrama, 1974. Wexman, Virginia Wright. Creating the couple: Love, Marriage, and Hollywood Performance. Princeton (NJ): Princeton UP, 1993. Woll, Allen L. The Hollywood Musical Goes to War. Chicago: Nelson- Hall, 1983. Wyatt, Justin. High Concept: Motives and Marketing in Hollywood. Rev. by Tim Coleman in Criticism 37.4 (1995): 653.*

Full Frontal. Dir. Stephen Soderbergh. With Julia Roberts. DVD video. Spain: Laurenfilm, 2004. Hollywood Revue. Film. MGM, 1927. Sunset Boulevard. Dir. Billy Wilder. Written by Billy Wilder, Charles Brackett and D. M. Marshman, Jr. Cast: Gloria Swanson, William Holden, Erich von Stroheim, Fred Clark, Jack Webb, Hedda Hopper, Buster Keaton, Cecil B. De Mille, Anna Q. Nilsson. Music by Franz Waxman. USA, 1950. (3 Oscars). Who Framed Roger Rabbit? Mixed animation/acting feature. Dir. Robert Zemeckis. Written by Jeffrey Price and Peter Seaman, based on the book Who Framed Roger Rabbit? By Gary K. Wolf. Cast: Bob Hoskins, Christopher Lloyd, Charles Fleischer, Joanna Cassidy. Music by Alan Silvestri. Exec prod. Steven Spielberg and Kathleen Kennedy. Prod. Robert Watts and Frank Marshall. USA: Touchstone Pictures / Steven Spielberg, 1988. Spanish DVD: ¿Quién engaño a Roger Rabbit? Spain: Touchstone / Buenavista / Silver Screen Partners, 2003.* (Oscars for best adapted screenplay, sound effects, visual effects and honorific oscar for direction/animation).

Internet resources

Hollywoood.com http://www.hollywood.com/ 2006

Journals

Hollywood Quarterly 2 (1946).

Literature

McCoy, Horace. Luces de Hollywood. Novel. (Novela Negra). Barcelona: Bruguera, 1977. Stahl, Jerry. I, Fatty. New York: Bloomsbury, 2004. (Novel on Fatty Arbuckle). _____. Yo, Fatty. Trans. Jaime Zulaika. (Panorama de Narrativas). Barcelona: Anagrama, 2008.*

Garrett, Lesley. Soprano in Hollywood. The BBC Concert Orchestra / Paul Bateman. CD/MC. (Silva Classics). London: SilvaScreen Records, 1996.*

Australian film

Ballyn, Susan (coord.), Cornelis Martin Renes, Catalina Ribas Segura, Carles Serra. "How to 'shoot' the Aborigine: Reconciliation, Transculturality and Authenticity in Recent Independent Australian Cinema." In At a Time of Crisis: English and American Studies in Spain: Works from the 35th AEDEAN Conference, UAB/Barcelona 14-16 November 2011. Ed. Sara Martín et al. Barcelona: Departament de Filologia Anglesa i de Germanística, U Autònoma de Barcelona / AEDEAN, 2012. 202- 205.* http://www.aedean.org/pdf_atatimecrisis/AtaTimeofCrisis_AED EAN35_portada.pdf 2012 Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.* Callahan, David. "His Natural Whiteness: Modes of Ethnic Presence and Absence in Some Recent Australian Films." Australian Studies 14.1-2 (Summer Winter 1999). _____. "His Natural Whiteness: Modes of Ethnic Presence and Absence in Some Recent Australian Films." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005.* Collins, Felicity and Therese Davis. Australian Cinema after Mabo. Cambridge UP, 2004. Craven, Ian. "Australian Cinema Towards the Millennium." Australian Studies 14.1-2 (Summer/Winter 1999). _____. "Australian Cinema Towards the Millennium." In Craven, Australian Cinema in the 1990s. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 1-14.* _____, ed. Australian Cinema in the 1990s. London and Portland (OR): Frank Cass, 2001. Digital printing 2005.* Ferrier, Liz. "Vulnerable Bodies: Creative Disabilities in Contemporary Australian Film." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 57-78.* Goldsmith, Ben. "All Quiet on the Western Front? Suburban Reverberations in Recent Australian Cinema." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 115-32.* Kuna, Franz. "The 'Nationalism vs. Internationalism' Debate and Australian Film." In Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen: Stauffenburg Verlag, 1996. 527-38.* McFarlane, Brian, and Geoff Mayer. New Australian Cinema: Sources and Parallels in American and British Film. Cambridge UP, 1992. Rayner, Jonathan. Contemporary Australian Cinema: An Introduction. Manchester: Manchester UP, 2000. Rustin, Emily. "Romance and Sensation in the 'Glitter' Cycle." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 133-48.* Searle, Samantha. "Australian Cinema in the 1990s: Filmography." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 209-26.* _____. Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002.* _____. "Chapter 2: The Hero of Old." In Sheckels, Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002. 11-30.* _____. "Chapter 3: The Revised Hero." In Sheckels, Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002. 31-74.* _____. "Chapter 4: A Woman's Role." In Sheckels, Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002. 75-118.* _____. "Chapter 5: The Aborigines' Role." In Sheckels, Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002. 119-36.* _____. "Chapter 6: Youth: The Basis for Heroism to Come." In Sheckels, Celluloid Heroes Down Under: Australian film 1970- 2000. Westport (CT) and London: Praeger, 2002. 137-68.* _____. "Chapter 7: Playing with the Concept." In Sheckels, Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002. 169-88.* _____. "Chapter 8: Eccentrics. " In Sheckels, Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002. 189-220.* _____. "Chapter 9: Conclusion." In Sheckels, Celluloid Heroes Down Under: Australian film 1970-2000. Westport (CT) and London: Praeger, 2002. 221-224.* _____. "Appendix: The People behind Australian Film, 1970-2000." In Sheckels, Celluloid Heroes Down Under: Australian film 1970- 2000. Westport (CT) and London: Praeger, 2002. 225-34.*

Urban Cinefile: The World of Film in Australia—on the Internet. (Andrew L. Urban). http://www.urbancinefile.com.au/

Bibliographies

Smith, Linda. "Australian Cinema in the 1990s: A Select Bibliography." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 227-32.*

Internet resources "Cinema of Australia." Wikipedia: The Free Encyclopedia.* http://en.wikipedia.org/wiki/Cinema_of_Australia 2011

Canadian film

Walz, Gene. "Desire and Aging in Manitoba Movies." In Flaming Embers: Literary Testimonies on Ageing and Desire. Ed. Nela Bureu Ramos. Bern: Peter Lang, 2010. 113-36.*

Irish cinema

González Casademont, Rosa. "Ireland on Screen: A View from Spain." In Irish Studies Today. Ed. Keith Gregor. Monograph issue of IJES 2.2 (2002): 71-82.* González Casademont, Rosa. "Time Isn't Always Time Past in Northern Irish Films." In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film. Ed. Constanza del Río-Álvaro and Luis Miguel García-Mainar. Heidelberg: Winter, 2004. 97-104.*

French cinema Heredero, Carlos F., and José Enrique Monterde, ed. En torno a la nouvelle vague: Rupturas y horizontes de la modernidad. Gijón: Festival Internacional de Cine de Gijón / Ediciones de la Filmoteca, 2003.

Internet resources

UniFrance: Promover el cine francés en el mundo http://es.unifrance.org/ 2011

Journals

Ecran français 144 (30 March 1948).

German cinema

Corbacho Sánchez, Alfonso. "Introducción al cine alemán a través de la traducción al español de los títulos de películas." Hermeneus 6 (2004): 291-312.* Kaes, Anton. From Hitler to Heimat: The Return of History as Film. Cambridge (MA), 1989. Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. Princeton: Princeton UP, 1947. _____. De Caligari a Hitler: Una historia psicológica del cine alemán. Barcelona: Paidós, 1985. Rentschler, Eric. West German Filmmakers on Film: Visions and Voices. New York: Holmes, 1988. Rodríguez Serrano, Aarón. "La construcción cinematográfica del odio. Las películas antisemitas del régimen nazi." Revista de Occidente 373 (June 2012): 113-26.* Santner, Eric L. Stranded Objects: Mourning, Memory, and Film in Postwar Germany. Ithaca (NY), 1990. Italian cinema

Valente, José Ángel. "La Segunda Semana del Cine Italiano en Madrid." In Valente, Obras completas, II: Ensayos. Barcelona: Círculo de Lectores / Galaxia Gutenberg, cop. 2008. 844-51.*

Spanish cinema

Evans, Peter W. "Culture and Cinema, 1975-1996." In The Cambridge Companion to Modern Spanish Culture. Ed. David T. Gies. Cambridge: Cambridge UP, 1999. 267-77.* Espacios en espiral: Dossier: Cine, literatura y teatro de mujeres. Barcelona: Coordinadora Una Palabra Otra, 1994. Lara, Antonio. "El último cine español." Revista de Occidente 1 (1980): 193-95. Les Chemins du cinéma espagnol (1975-1989). Bruxelles, 1989. Martín Gaite, Carmen. "Reflexiones en blanco y negro." Academia: Revista del Cine Español 12 (Oct. 1995). Rpt. in Martín Gaite, Tirando del hilo (artículos 1949-2000). Ed. José Teruel. Madrid: Siruela, 2006. 500-03.* Miguel González, Marta de. "El doblaje de películas norteamericanas en la posguerra española: incidencia en la creación de una cinematografía nacional." In AEDEAN: Proceedings of the 23rd International Conference (León, 16-18 de diciembre, 1999). CD- ROM. León: AEDEAN, 2003.* Mínguez, Norberto. "Historia y memoria en el documental español contemporáneo." In Guerra Civil (1936-1939): El vaivén de la memoria. Revista de Occidente 302-303 (July-Aug. 2006). 80- 99.* Navajas, Gonzalo. Más allá de la postmodernidad: Estética de la nueva novela y cine españoles. Barcelona: EUB, 1996. Pérez Bowie, José Antonio. Materiales para un sueño. En torno a la recepción del cine en España (1896-1936). Salamanca: Librería Cervantes, 1996. Pérez Merinero, Carlos, and David Pérez Merinero. Cine español: Una reinterpretación. (Cuadernos Anagrama 122). Barcelona: Anagrama [1970s]. Pérez Perucha, Julio. Antología crítica del cine español. Madrid: Cátedra / Filmoteca Española, 1997. Smith, Paul Julian. Laws of Desire: Questions of Homosexuality in Spanish Writing and Film 1960-1990. Oxford: Clarendon Press, 1992. Torres, Augusto M. Cine español, años sesenta. (Cuadernos Anagrama, 51). Barcelona: Anagrama. Vernon, Kathleen M. "Culture and Cinema to 1975." In The Cambridge Companion to Modern Spanish Culture. Ed. David T. Gies. Cambridge: Cambridge UP, 1999. 248-66.*

Dictionaries

Borau, José Luis, ed. Diccionario del cine español. Madrid: Alianza Editorial, 1998.

Journals

Academia: Revista del Cine Español 12 (Oct. 1995).

Spanish film: Areas

La Rioja

Sánchez, Bernardo. Del cinematógrafo al cinemascope: Primera vuelta de manivela para una historia del cine en La Rioja. Logroño: Consejería de cultura del Gobierno de La Rioja, 1990.*

Latin American cinema

Miscellaneous Peña, Richard. "Borges and the New Latin American Cinema." In Borges and His Successors: The Borgesian Impact on Literature and the Arts. Ed. Edna Aizenberg. Columbia: U of Missouri P, 1990.

Mexican cinema

Bados-Ciria, Concepción. "The Mexican-US Border in Mexican Cinema: Globalization as Identity Crisis." In Culture and Power: Business. Ed. Matilde Paredes et al. Zaragoza: Departamento de Filología Inglesa, 1999. 5-17.* Noriega, Chon A., and Steven Ricci, eds. The Mexican Cinema Project. Los Angeles: UCLA Film and Television Archive, 1994. Rev. in REDEN 9 (1995).

Film: Other areas

Miscellaneous

Chaudhuri, Shohini. Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh: Edinburgh UP, 2005. Rpt. 2007 (3), 2008, 2009, 2010.* Torres, Augusto M. Cine mundial. Madrid: Espasa, 2006.

African film Diawara, Manthia. "Oral Literature and African Film: Narratology in Wend Kuuni." Présence Africaine 142 (1987): 36-49. Ebert, Roger. "A Continent Speaks for Itself." RogerEbert.com (South African film). http://rogerebert.suntimes.com/apps/pbcs.dll/article? AID=/20040916/FILMFESTIVALS03/40915002/1023 2011 Quevedo Revenga, Verónica de. "Big-Manism and Juju in the Urban Space of Nigerian Video Films." In AEDEAN XXX: Proceedings of the 30th International AEDEAN Conference. [Huelva, 2006]. Ed. María Losada Friend et al. Huelva: U de Huelva, 2007.*

European film

Adair, Gilbert. "Internationalities." (European Film). In Adair, The Postmodernist Always Rings Twice. London: Fourth Estate, 1992. 151-53. Everett, Wendy, ed. European Identity in Cinema. Exeter: Intellect, 1996. Forbes, Jill, and Sarah Street, eds. Introduction to European Cinema. Houndmills: Macmillan, 2000. (Jean Renoir, La Règle du jeu; Mathieu Kassovitz, La Haine, Hitchcock, The Lodger, Danny Boyle, Trainspotting, Buñuel, Viridiana, Saura, Blood Wedding, Visconti, Ossessione, Taviani bros., Good Morning Babylon, Eisenstein, Battleship Potemkin; The Barber of Siberia; Margarethe von Trotta, The Promise; Wim Wenders, Alice in the Cities). Petrie, Duncan, ed. Screening Europe: Image and Identity in Contemporary European Cinema. London, 1992.

Internet resources

European-films.net http://european-films.net/ 2007

Journals Studies in European Cinema 2.2 (2005).

Indian film

Chakravarty, Sumita S. "National Identity and the Realist Aesthetic: Indian Cinema of the Fifties." Quarterly Review of Film and Video 11.3 (1989). Chaudhuri, Shoshini. Contemporary World Cinema. Edinburgh: Edinburgh UP, 2005. 137-174. Desai, Jigna. "Preface: Brown Skins and Silver Screens." In Desai, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York and London: Routledge, 2004. vii-x.* _____. "Between Hollywood and Bollywood." In Desai, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York and London: Routledge, 2004. 35-70.* _____. Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film. New York and London: Routledge, 2004.* French, Lisa. "Patterns of Production and Policy: The Australian Film Industry in the 1990s." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 15-36.* Gokulsing, K. Moti, and Wimal Dissanayake. Indian Popular Cinema: A Narrative of Cultural Change. Hyderabad: Orient Longman, 1998.* "The Indian Film Industry." http://library.thinkquest.org/11372/data/film.htm 2010 Pendakur, Manjunath. Indian Popular Cinema: Industry, Ideology and Consciousness. New Jersey: Hampton Press, 2003. Spence, Nigel, and Leah McGirr. "Unhappy Endings: The Heterosexual Dynamic in Australian Film." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 37-56.*

Internet resources Bollywhat? http://www.bollywhat.com/ 2011

"Cinema of India." Wikipedia: The Free Encyclopedia. http://en.wikipedia.org/wiki/Cinema_of_India 2011

Portuguese film

Monteiro, George. "Shades and Intimations of the Prison-House: Observations on Some Portuguese Films of the 1940s." Luso- Brazilian Review 22 (Summer 1985).

Russian film

Avrutin, Lily. "The Soldier, the Girl and the Dragon: Battles of Meaning in Post-Sovietic Cinematic Space." Cinema Journal 38.2 (Winter 1999): Christine, Ian, and Richard Taylor, eds. Film Factory: Russian and Soviet Cinema in Documents. London and New York: Routledge, 1988. Pozo Fajarnés, José Luis. "El fiasco del socialismo soviético como fin de la Historia y su narración cinematográfica." Communication at the XVII Encuentros de Filosofía, Oviedo 30 March 2012. Video. YouTube (fgbuenotv) 2 April 2016.* https://youtu.be/NK0sNQFliX8 2016 Roberts, Graham. Forward Soviet: History and Non-Fiction Film in the USSR. Tauris, 1999.

South African cinema

Botha, Martin P. "110 Years of South African Cinema (Part 1)". Kinema ( Spring 2006): 1-14. http://www.kinema.uwaterloo.ca/botha061.htm, http://www.kinema.uwaterloo.ca/article.php?id=46&feature 2011 Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.* Martínez-Cabeza, Miguel A. "Adaptation in the Arena: South African Politics at the Movies." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 194-200.* Tomaselli, Keyan. The Cinema of Apartheid: Race and Class in South African Film. Smyrna Press, 1988. _____. The Cinema of Apartheid: Race and Class in South African Film. London: Routledge, 1989.*

Internet resources

"Cinema of South Africa." Wikipedia: The Free Encyclopedia.* http://en.wikipedia.org/wiki/Cinema_of_South_Africa 2013

"South African Films." Wikipedia: The Free Encyclopedia.* http://en.wikipedia.org/wiki/Category:South_African_films 2011

Journals

Kinema (Spring 2006).

Third World film Chaudhuri, Shoshini. Contemporary World Cinema. Edinburgh: Edinburgh UP, 2005. Solanas, Fernando, and Octavio Getino. "Toward a Third Cinema." Cinéaste 4.3 (Winter 1970-1): 1-11.