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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
Results for the Year Ended 31 March 2015 19 May 2015 Summary
RESULTS FOR THE YEAR ENDED 31 MARCH 2015 19 MAY 2015 SUMMARY Strong financial performance Strategy on track to double the size of the business Dividend declared, up 10% Positive outlook 2 3 BRINGING THE BEST CONTENT TO THE WORLD SOURCE: CONNECT WITH CREATIVE TALENT A TRUE PARTNER TO THE BEST CREATIVE TALENT SCALE SELECT: PRODUCE / ACQUIRE GLOBAL RIGHTS REACH THE WORLD’S LEADING INDEPENDENT DISTRIBUTOR Cinema Retailer Broadcaster Digital SELL: 4 INDUSTRY DYNAMIC CREATES OPPORTUNITIES Audiences demanding high quality content Global multi-platform rights distribution a competitive advantage 5 TARGET TO DOUBLE THE SIZE OF BUSINESS Goal by 2020 2015 6 FINANCIAL OVERVIEW 7 KEY FINANCIAL HIGHLIGHTS PRO FORMA EBITDA1,2 ADJUSTED DILUTED EPS3 £117.2m 23.5p Up 11% Up 12% ADJUSTED FREE CASH ADJUSTED NET DEBT5 FLOW4 £41.0m £224.9m Up £22.2m 1.9x EBITDA1,2 1 Pro forma financial results include the results of Phase 4 Films, Paperny Entertainment, Force Four Entertainment and The Mark Gordon Company (which were acquired on 3 June 2014, 31 July 2014, 28 August 2014 and 7 January 2015, respectively) as if those businesses had been acquired on the first day of the comparative year, with comparative figures translated at 2015 actual foreign exchange rates. 2 Underlying EBITDA is operating profit before one-off items, amortisation of acquired intangible assets, depreciation, amortisation of software, share-based payment charge, and ‘tax, finance costs and depreciation’ related to joint ventures. Underlying EBITDA is reconciled to operating profit in the ‘Other Financial Information’ section of the Results Announcement. 3 Adjusted profit before tax is profit before amortisation of acquired intangible assets, share-based payment charge, ‘tax, finance costs and depreciation’ related to joint ventures, operating one-off items and one-off items relating to the Group’s financing arrangements; adjusted diluted 8 earnings is adjusted for the tax effect of these items. -
2610 Canada Blvd
2610 Canada Blvd. Glendale, CA 91208 FOR SALE CAROLINE GIM Expert Real Estate & Investment 562 861 4311 Direct [email protected] STEVE GIM Vice President NAI Capital Commercial Inc. 949.468.2333 Direct 562.822.0420 Mobile [email protected] CA DRE #01400546 Opportunity Overview: DAVID KNOWLTON, SIOR, CCIM NAI Capital Commercial, Inc and Expert Real Estate are proud to present a rare opportunity to own a beautiful Executive Vice President 1940’s Residential Duplex in desirable Glendale, CA. On the market for the first time in over 40 years, this NAI Capital Commercial, Inc. charming property features two spacious ; 2+2 and 2+1 units on 0.29 acres. The asset features original 949.468.2307 Direct hardwood floors and two fireplaces in each unit. In addition, there is plenty of onsite parking with a four‐car 949.887.7872 Mobile detached garage. Possible ADU garage conversion or completely redevelop into 4 units with the current R‐3050 Land Zoning Classification. Buyer to verify all information as part of their Due Diligence. [email protected] CA DRE #00893394 No warranty, express or implied, is made as to the accuracy of the information contained herein. This information is submitted subject to errors, omissions, change of price, rental or other conditions, withdrawal without notice, and is subject to any special listing conditions imposed by our principals. Cooperating brokers, buyers, tenants and other parties who receive this document should not rely on it, but should use it as a starting point of analysis, and should independently confirm the accuracy of the information contained herein through a due diligence review of the books, records, files and documents that constitute reliable sources of the information described herein. -
Annas Birthday Surprise (Disney Frozen) PDF Book
FROZEN FEVER: ANNAS BIRTHDAY SURPRISE (DISNEY FROZEN) PDF, EPUB, EBOOK Random House Disney,Jessica Julius,Various | 24 pages | 10 Mar 2015 | Random House Disney | 9780736434393 | English | United States Frozen Fever: Annas Birthday Surprise (Disney Frozen) PDF Book Barbie in Disney Frozen Rock Band. Crazy Credits. Report If the game doesn't work, follow the next steps: 1. Also available from:. Official Sites. As Anna escorts her home , Elsa feels she ruined her perfect birthday but Anna tells her she hasn't. Heidi Kilgras and RH Disney. Read it Forward Read it first. User Ratings. English Choose a language for shopping. Kristoff voice Josh Gad Anna is having a wonderful time but is concerned for Elsa's health. Photo Gallery. She feels she should go home and rest but Elsa declines. Frozen Elsa Legs Spa. Frozen Fever Anna Birthday is tagged with: disney frozen job puzzle. It is a big hit, and at last Anna manages to convince Elsa into letting her to lead her to bed and take care of her. After 2 years of original movie ,Disney and the directors of Frozen make a short which i like to call it Movie episode special video to show as what happen after when Elsa learn to control her powers. Across the Sea Disney Frozen. It was first revealed by the directors during a March interview with BuzzFeed that Walt Disney Animation Studios came up with the possibility of a short in April , [13] but were reluctant due to wondering why Frozen became very successful. Quotes Olaf : [ Snowgies destroy the banner ] I can fix it! We are experiencing technical difficulties. -
PROGRAM NOTES Disney in Concert: Around the World Quincy Symphony Orchestra September 29, 2019 Quincy, IL Notes by Dr
PROGRAM NOTES Disney in Concert: Around the World Quincy Symphony Orchestra September 29, 2019 Quincy, IL Notes by Dr. Paul Borg We begin our season with a generous offering of music from the films of the Walt Disney Company [Walt Disney Productions until 1986]. When Walt Disney died in 1966, the corporation continued his inspired and successful animated-film output. Although not all of nearly 200 animations, live-action films, television series, documentaries, or videos are equally memorable, everyone today has heard many of the songs associated with the films, whether from viewing the films, listening to recordings, or in live concerts such as this one. In the late 1920s and 30s films had newly been furnished with recorded sound, giving motion pictures real-time spoken dialogue among the characters as well as music that could entertain with songs embedded in the storyline. Music could also be employed to enhance or evoke a particular emotion--think the spooky two-note shark approach in Jaws or the "screeching" of the knife in the shower scene of Psycho. Walt Disney and his brother Roy extended these sound element to animated cartoons, short at first (Steamboat Willie) and eventually feature length (Snow White and the Seven Dwarfs). Disney's intent to continue a series of fairy tale animations was interrupted by the Second World War, during which he and his collaborators produced a series of training and propaganda films, even using Donald Duck in some comical short sketches. After the war, Disney turned his vision to television and then his entertainment parks, starting with Disneyland in 1955. -
Redefining Gender in Disney Films from the 20Th to 21St Century Shrien Alshabasy SUNY New Paltz Honors Thesis 2018-2019
Alshabasy 1 "A Whole New World": Redefining Gender in Disney Films from the 20th to 21st Century Shrien Alshabasy SUNY New Paltz Honors Thesis 2018-2019 Alshabasy 2 The Disney Dynasty is as familiar to American culture as apple pie. Sitting on land that is twice the size of Manhattan, the Disney Kingdom has expanded over the years to create a whole new world; a world seriously considered by cultural theorists like Baudrillard, as a simulacrum, a symbol so close to reality that it becomes hyperreality. Before water parks and resort hotels, before Disney bought out the land of orange groves and walnut trees in Anaheim, California, the Magic Kingdom began its conquest on American ideology. The Walt Disney Company started in 1923 as “The Disney Brothers Cartoon Studio,” and churned out films that embodied American ideals. Oftentimes, these films were set in 19th century rural America and featured an American hero -- usually Mickey Mouse, who could outwork and challenge any enemy big or small with his bravery. An embodiment of American ideals, Disney films became loved and endeared by audiences during morally depleting times, like the Depression years (“How Disney Came to Define What Constitutes the American Experience”). Audiences latched onto these ideals, seemingly stable, even when external factors were not. In 1938, Disney shifted gears into feature films with his vision of Snow White and the Seven Dwarfs. Although many had their doubts, after three years of work Snow White was released and it quickly became the highest grossing film of all time. Feature films became the money makers for Disney and the start of consumer fascination with Disney culture (“Disney Animation Is Closing the Book on Fairy Tales”). -
Ausfilm Annual Report 2013-2014
CONNECTING FILMMAKERS WORLDWIDE TO AUSTRALIA AUSFILM – HEAD OFFICE sydney, australia T: + 61 2 9383 4192 E: [email protected] ausfilm annual report AUSFILM – LA OFFICE Los angeles, usa T: + 1 310 229 2362 E: [email protected] www.ausfilm.com 2013-2014 The Whitsundays, Queensland connecting FILMMAKERS worldwide to AUSTRALIA Cover Image: The Pinnacles, Western Australia The LEGO ® Movie © Warner Bros., all rights reserved 4 CONTENTS 1.0 AUSFILM OvERvIEW AND History 5.0 Production ActivITy AND Attraction 5.1 productions attracted 2.0 CHAIRMAN’S REPORT 5.2 new contacts and leads 3.0 CEO'S REPORT 5.3 familiarisation tours/inbounds 4.0 MARKETING & Promotion 5.4 la meetings 4.1 campaigns 6.0 INDUSTRy Collaboration & ADvocacy 4.1.1 ausfilm week, los angeles 6.1 industry collaboration 4.1.2 afm 6.2 ministerial and MFTA advice and information 4.1.3 ausfilm tV week, london 6.3 advocacy 4.1.4 australia china film industry forum 7.0 MEMBERSHIP 4.1.5 toronto international film festival 7.1 member Gains and losses 4.1.6 mipcom 7.2 client introductions and meetings scheduled 4.1.7 AFCI cineposium 7.3 member and client communication 4.1.8 strategic partners co-production market 7.4 outlook 4.1.9 sundance 4.1.10 south by southwest 8.0 GOvERNANCE 4.1.11 pm’s ceo Delegation to north america 8.1 funding agreement 4.1.12 AFCI locations expo 8.2 accounting 4.2 sponsorship south8.3 by sfouthwestinance, audit and risk committee 4.2.1 G’Day usa 8.4 Board meetings 4.2.2 australians in film 8.5 amendment to the constitution 4.2.3 AACTA international awards 9.0 -
Factualwritingfinal.Pdf
Introduction to Disney There is a long history behind Disney and many surprising facts that not many people know. Over the years Disney has evolved as a company and their films evolved with them, there are many reasons for this. So why and how has Disney changed? I have researched into Disney from the beginning to see how the company started and how they got their ideas. This all lead up to what happened in the company including the involvement of pixar, and how the Disney films changed in regards to the content and the reception. Now with the relevant facts you can make up your own mind about when Disney was at their best. Walt Disney Studios was founded in 1923 by brothers Walt Disney and Roy O. Disney. Originally Disney was called ‘Disney Brothers cartoon studio’ that produced a series of short animated films called the Alice Comedies. The first Alice Comedy was a ten minute reel called Alice’s Wonderland. In 1926 the company name was changed to the Walt Disney Studio. Disney then developed a cartoon series with the character Oswald the Lucky Rabbit this was distributed by Winkler Pictures, therefore Disney didn’t make a lot of money. Winkler’s Husband took over the company in 1928 and Disney ended up losing the contract of Oswald. He was unsuccessful in trying to take over Disney so instead started his own animation studio called Snappy Comedies, and hired away four of Disney’s primary animators to do this. Disney planned to get back on track by coming up with the idea of a mouse character which he originally named Mortimer but when Lillian (Disney’s wife) disliked the name, the mouse was renamed Mickey Mouse. -
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade. -
Neocolonialism in Disney's Renaissance
Neocolonialism in Disney’s Renaissance: Analyzing Portrayals of Race and Gender in Pocahontas, The Hunchback of Notre Dame, and Atlantis: The Lost Empire by Breanne Johnson A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Public Health: Health Promotion/Health Behavior (Honors Scholar) Honors Baccalaureate of Science in Sustainability (Honors Scholar) Presented June 7, 2019 Commencement June 2019 AN ABSTRACT OF THE THESIS OF Breanne Johnson for the degree of Honors Baccalaureate of Science in Public Health: Health Promotion/Health Behavior and Honors Baccalaureate of Science in Sustainability presented on June 7, 2019. Title: Neocolonialism in Disney’s Renaissance: Analyzing Portrayals of Race and Gender in Pocahontas, The Hunchback of Notre Dame, and Atlantis: The Lost Empire. Abstract approved:_____________________________________________________ Elizabeth Sheehan The Walt Disney Company is one of the most recognizable and pervasive sources of children’s entertainment worldwide and has carefully crafted an image of childhood innocence. This wholesome image is contradicted by Disney’s consistent use of racist and sexist tropes, as well as its record of covertly using political themes in its media. Disney has a history of using its animated films to further a neocolonial ideology – an ideology that describes how current global superpowers continue to control the natural and capital resources of underdeveloped countries and to profit off of the unequal trading of these resources. The period of Disney’s history known as its animated Renaissance marked a clear return to the brand’s championing of American interventionism abroad. -
Comes to America
US$7.95 in the U.S. CA$8.95 in Canada 2 US$9.95 outside of Canada & the U.S. January 2011 ® Watch it on Comes to in 2011 America 40050265 PRINTED40050265 IN USPS CANADA Approved Polywrap AFSM 100 NUMBER NUMBER CANADA POST AGREEMENT POST CANADA KS.18273.Saban.indd 2 15/12/10 4:34 PM KS.18273.Saban.indd 3 15/12/10 4:35 PM Unorthodox ideas. Assured returns kS.18576.KOCCA.indd 2 15/12/10 4:35 PM kS.18576.KOCCA.indd 3 15/12/10 4:36 PM 42 Choose your own 20 adventure—with stickers Technicolor sets sights on original productions 26 Panini US contracts a bit of Bieber fever 29 Fashion-savvy site lets girls january 2011 design real-world wear Special Report Highlights from this issue... 15 Up Front 27 Kid Insight 31 Self-starters.com Toys ‘R’ Us, Fox ramp Nick looks at how kids A look at the gatekeeper-free world of up for Rio retail exclusive choose video games webtoon creation—KidScreen’s exclusive excerpt from David B. Levy’s latest book, Directing Animation. 19 TV 28 Interactive Phase 4 fuels growth in BinWeevils brings DVD biz with kids content social networking to VOD 24 Consumer Products 42 iSpy Kung Zhu line lends It’s an iPhone, no it’s a boy cred to Zhu Zhu Pets plush! Nah, it’s a Woogie! back of the book 38 Industry Events 40 People on the Move Cover Our editorial cover features an image of Blu, Jewel and the gang from Fox’s upcoming animated 3-D film Rio, while international and event copies sport an ad for eOne Family’s Peppa Pig.