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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
The Adventures of Mr. Verdant Green [Electronic Resource]: an Oxford
. SjHasajj;--: (&1&MF 1 THE VENTURES tw MM **> 'SkSSi *"3 riLLlAM PATEiiSGN, EDINBURGH Um LOKLOj , . fJ tl^OTWltiBttt y :! THE ADVENTURES OF MR. VERDANT GREEN. : ic&m MMwmmili¥SlW-ia^©IMS OF yVLiMR. Verbint ^Tf BY CUTHBERT BEDE, B.A., WITH HalaUSTHANIONS 38 Y THE AUTHOR, LONDON JAMES BLACKWOOD & CO., LOVELL'S COURT, PATERNOSTER ROW. : — THE ADVENTURES MR. VERDANT GREEN, %n (f^forb Jfwsjimatr. BY CUTHBERT BEDE, B.A. ttlj ^ximcrouS iFIludtrattond DESIGNED AND DRAWN ON THE WOOD BY THE AUTHOR. —XX— ' A COLLEGE JOKE TO CURE THE DUMPS.' SlUlft. ONE HUNDRED AND TWENTY-SIXTH THOUSAND. LONDON JAMES BLACKWOOD & CO., LOVELL'S COURT, PATERNOSTER ROW. CONTENTS. CHAPTER I. PACE Mr. Verdant Green's Relatives and Antecedents .... I CHAPTER II. Mr. Verdant Green is to be an Oxford-man y CHAPTER III. Mr. Verdant Green leaves the Home of his Ancestors ... 13 CHAPTER IV. Mr. Verdant Green becomes an Oxford Undergraduate . .24. CHAPTER V. Mr. Verdant Green matriculates, and makes a sensation . .31 CHAPTER VI. Mr. Verdant Green dines, breakfasts, and goes to Chapel . .40 CHAPTER VII. " Mr. Verdant Green calls on a Gentleman who is licensed to sell " . 49 CHAPTER VIII. Mr. Verdant Green's Morning Reflections are not so pleasant as his Evening Diversions 58 vi Contents. CHAPTER IX. ,AGE Mr. Verdant Green attends Lectures, and, in despite of Sermons, has dealings with Filthy Lucre 67 CHAPTER X. Mr. Verdant Green reforms his Tailors' Bills and runs v^ "'h°rs. He also appears in a rapid act of Horsemanship, and i.-Js Isis cool in Summer 73 CHAPTER XI. -
Fabric”? Find 20 Synonyms and 30 Related Words for “Fabric” in This Overview
Need another word that means the same as “fabric”? Find 20 synonyms and 30 related words for “fabric” in this overview. Table Of Contents: Fabric as a Noun Definitions of "Fabric" as a noun Synonyms of "Fabric" as a noun (20 Words) Usage Examples of "Fabric" as a noun Associations of "Fabric" (30 Words) The synonyms of “Fabric” are: cloth, material, textile, framework, stuff, tissue, web, structure, frame, form, make-up, constitution, composition, construction, organization, infrastructure, foundations, mechanisms, anatomy, essence Fabric as a Noun Definitions of "Fabric" as a noun According to the Oxford Dictionary of English, “fabric” as a noun can have the following definitions: The underlying structure. The body of a car or aircraft. The basic structure of a society, culture, activity, etc. Cloth or other material produced by weaving or knitting fibres. Artifact made by weaving or felting or knitting or crocheting natural or synthetic fibers. The walls, floor, and roof of a building. GrammarTOP.com Synonyms of "Fabric" as a noun (20 Words) The branch of science concerned with the bodily structure of humans, animals, and other living organisms, especially as revealed by dissection anatomy and the separation of parts. Human anatomy. A piece of cloth for cleaning or covering something e g a dishcloth or a cloth tablecloth. A cloth bag. A musical work that has been created. composition The social composition of villages. The constitution written at the Constitutional Convention in Philadelphia constitution in 1787 and subsequently ratified by the original thirteen states. The constitution of a police authority. GrammarTOP.com The action of building something, typically a large structure. -
Congressional Record-Sen Ate
8718 CONGRESSIONAL RECORD-SENATE. SEPTEJ\IBER 19, from the files of the House1 without leaving copies, papers in the case We, therefore, think there is no merit in the proposition, and that of J. W. Chickering. it ought to be inde1initely postponed. LEA-VE OF ABSENCE. The renort was agreed to, and the joint resolution indefinitely post poned. 1\Ir. Fmm,. by unanimous consent, obtained indefinite leave of ab Mr. P ALUER, from the Committee on Commerce, reported an sence, on account of important business. amendment intended to be proposed to the ~eneral deficiency appro 'Ihe hour of 5 o'clock having arrived, the House, in accordance with priation bill; whi<'h was referred to the Committee on Appropriations. its standing order, adjourned. Mr. WILSON, of Maryland, from the Committee on Claims,. to whom were referred the following bills, reported them severally without PRIVATE BILLS INTRODUCED AND REFERRED. amendment, and submitted renorts thereon: · UndEJr the rnle private bills of the following titles were introduced A bill (H. R. 341) for the relief of John Farley; and and referred· as indicated below: A bill (S. 729) for the relief of J. A. Henry and others. By Mr. BLAND (by request): A bill (H. R. 11456) to pay Philip Mr. CHANDLER, fn>m the Select Committee on fud~an Traders, to Henke.Lfor property unlawfully confucateci and destroyed-to the Com whom was referred the bill (S. 3522) regulating th~ purchase of timber mittee on War Claims. from. Indians, reported it with an amendment.. l:y Air. BUTLEH.: A bill (H. R. -
Textiles for Dress 1800-1920
Draft version only: not the publisher’s typeset P.A. Sykas: Textiles for dress 1800-1920 Textile fabrics are conceived by the manufacturer in terms of their material composition and processes of production, but perceived by the consumer firstly in terms of appearance and handle. Both are deeply involved in the economic and cultural issues behind the wearing of cloth: cost, quality, meaning. We must look from these several perspectives in order to understand the drivers behind the introduction of fabrics to the market, and the collective response to them in the form of fashion. A major preoccupation during our time frame was novelty. On the supply side, novelty gave a competitive edge, stimulated fashion change and accelerated the cycle of consumption. On the demand side, novelty provided pleasure, a way to get noticed, and new social signifiers. But novelty can act in contradictory ways: as an instrument for sustaining a fashion elite by facilitating costly style changes, and as an agent for breaking down fashion barriers by making elite modes more affordable. It can drive fashion both by promoting new looks, and later by acting to make those looks outmoded. During the long nineteenth century, the desire for novelty was supported by the widely accepted philosophical view of progress: that new also implied improved or more advanced, hence that novelty was a reflection of modernity. This chapter examines textiles for dress from 1800 to 1920, a period that completed the changeover from hand-craft to machine production, and through Europe’s imperial ambitions, saw the reversal of East/West trading patterns. -
Fine Golf Books & Memorabilia
Sale 486 Thursday, August 16, 2012 11:00 AM Fine Golf Books & Memorabilia Auction Preview Tuesday, August 14, 9:00 am to 5:00 pm Wednesday, August 15, 9:00 am to 5:00 pm Thursday, August 16, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
Runaway Slaves in Eighteenth-Century Britain Glossary
Runaway Slaves in eighteenth-century Britain Glossary The advertisements contain many words peculiar to the eighteenth-century, here is a list of the trickiest words, as well as some general definitions. • A seeton (health) A seton is a thread, piece of tape or similar in a small wound to prevent it healing and allow for drainage. • A three years protection in his pocket (item) Most likely some kind of document given to the enslaved man by his master authorising him to hire himself out for wages, negotiating salary and then paying an agreed amount to his master. • Apprentice (occupation) A boy or man being trained in a skilled trade (for example shoe-making, carpentry, etc.). • Baker Kneed (health) See "In-kneed". • Banyon [banyan] (clothing item) A banyan was a loose, informal robe to be worn instead of a coat. • Bavarian coat (clothing item) A coat based on the Bavarian style. • Bays (clothing material) Coarse English worsted and woolen fabric. • Black (racial descriptor) British-used designation for a person from any dark-skinned group of peoples, especially sub-Saharan African. • Blackamore/Blackmore/Blackamoor (racial descriptor) British-used designation for a person from any dark-skinned group of peoples, especially sub-Saharan African. • Bonnet (clothing item) A hat, usually tied under the chin and often framing the face • Breeches (clothing item) Precursor to trousers, stopped just below the knee. • Burdet (clothing material) Cotton fabric. • Camblet (clothing material) Plain woven or twilled fabric. • Cast (referring to eyes) (health) A squint. • Chymist (occupation) A chemist. Runaway Slaves in eighteenth-century Britain Glossary • Cloaths (clothing item) A variant spelling of clothes. -
The Life and Works of Charles Lamb
DATE DUE Cornell University Library yysj The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924064980240 Edition de Luxe The Life and Works of Charles Lamb IN TWELVE VOLUMES VOLUME X The Letters OF Charles Lamb Newly Arranged, with Additions EDITED, WITH INTRODUCTION AND NOTES BY ALFRED AINGER VOLUME II LONDON MACMILLAN AND CO., Limited 1900 All rights reserved This Edition consists of Six Hundred and Seventy-five Copies s 1 CONTENTS CHAPTER II—(Continued) 1800—1809 LETTERS TO COLERIDGE, MANNING, AND OTHERS PAGE LXXX. To Thomas Manning Dec. 13, 1800 i LXXXI. To William Godwin Dec. 14, 1800 4 LXXXII. To Thomas Manning Dec. 16, 1800 6 LXXXIII. „ „ Dec. 27, 1800 9 LXXXIV. To Samuel Taylor Coleridge [No date—end of 1800] 12 LXXXV. To William Words- worth . Jan. 30, 1801 17 LXXXVI. „ „ Jan. 1801 19 LXXXVII. To Robert Lloyd . Feb. 7, 1801 22 LXXXVIII. To Thomas Manning Feb. 15, 180 25 LXXXIX. „ „ [Feb. or Mar. J 1801 30 L. X V b 1 LETTERS OF CHARLES LAMB LETTIR DATE PAGE XC. To Robert Lloyd . April 6, i8or 34 XCI. To Thomas Manning April 1801 38 XCII. To Robert Lloyd , April 1801 40 XCin. To William Godwin June 29, 1801 42 XCIV. To Robert Lloyd . July 26, 1801 43 XCV. To Mr. Walter Wilson Aug. 14, 1801 46 XCVL To Thomas Manning [Aug.] 1801 47 XCVIL „ „ Aug. 31, 1 80 49 XCVin. To William Godwin Sept. -
Sherwin Williams Prism Paints
Item Number Color Name Color Code SW0001 Mulberry Silk PASTEL SW0002 Chelsea Mauve PASTEL SW0003 Cabbage Rose PASTEL SW0004 Rose Brocade DEEPTONE SW0005 Deepest Mauve DEEPTONE SW0006 Toile Red DEEPTONE SW0007 Decorous Amber DEEPTONE SW0008 Cajun Red DEEPTONE SW0009 Eastlake Gold DEEPTONE SW0010 Wickerwork PASTEL SW0011 Crewel Tan PASTEL SW0012 Empire Gold PASTEL SW0013 Majolica Green PASTEL SW0014 Sheraton Sage PASTEL SW0015 Gallery Green DEEPTONE SW0016 Billiard Green DEEPTONE SW0017 Calico DEEPTONE SW0018 Teal Stencil DEEPTONE SW0019 Festoon Aqua PASTEL SW0020 Peacock Plume PASTEL SW0021 Queen Ann Lilac PASTEL SW0022 Patchwork Plum PASTEL SW0023 Pewter Tankard PASTEL SW0024 Curio Gray PASTEL SW0025 Rosedust PASTEL SW0026 Rachel Pink PASTEL SW0027 Aristocrat Peach PASTEL SW0028 Caen Stone PASTEL SW0029 Acanthus PASTEL SW0030 Colonial Yellow DEEPTONE SW0031 Dutch Tile Blue DEEPTONE SW0032 Needlepoint Navy DEEPTONE SW0033 Rembrandt Ruby DEEPTONE SW0034 Roycroft Rose DEEPTONE SW0035 Indian White PASTEL SW0036 Buckram Binding DEEPTONE SW0037 Morris Room Grey DEEPTONE SW0038 Library Pewter DEEPTONE SW0039 Portrait Tone DEEPTONE SW0040 Roycroft Adobe DEEPTONE SW0041 Dard Hunter Green DEEPTONE SW0042 Ruskin Room Green DEEPTONE SW0043 Peristyle Brass DEEPTONE SW0044 Hubbard Squash PASTEL Item Number Color Name Color Code SW0045 Antiquarian Brown DEEPTONE SW0046 White Hyacinth PASTEL SW0047 Studio Blue Green DEEPTONE SW0048 Bunglehouse Blue DEEPTONE SW0049 Silver Gray PASTEL SW0050 Classic Light Buff PASTEL SW0051 Classic Ivory PASTEL SW0052 Pearl -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
In the Pennsylvania Gazette, 1795-1796
NOTES AND DOCUMENTS Richard Wojtowicz MONTANA STATE UNIVERSITY and Billy G. Smith MONTANA STATE UNIVERSITY ADVERTISEMENTS FOR RUNAWAY SLAVES, INDENTURED SERVANTS, AND APPRENTICES IN THE PENNSYLVANIA GAZETTE, 1795-1796 Fugitives filled eighteenth-century America. Indians retreated west- ward to evade white invasion, European immigrants fled the Old World to begin their lives again, and impoverished Americans roamed from place to place in search of a livelihood.' At the same time, people with various skin colors tried desperately to escape their bondage in the New World. When these slaves, indentured servants, and apprentices made a break for freedom, they often encountered citizens willing to apprehend them for the rewards their masters offered. Benjamin Franklin recounted how he was questioned while eloping from his apprenticeship, and that he "was suspected to be some runaway servant, and in danger of being taken up on that suspicion." 2 Blacks, mulattoes, Indians, and young whites could be challenged by any citizen, and if they were unable to produce papers certifying their freedom, then they were liable to incarceration until the authorities were satisfied about their status.3 If the threat of crime and physical violence contributes to the tensions and alienation in modern American cities, the level of suspicion and scrutiny among strangers in early America must have created similar problems for that society. Newspaper advertisements offering rewards for the capture and 34 RUNAWAY SLAVES 35 return of runaways provide a cache of information about their physical and personal characteristics and their probable means of escape. Natu- rally these records must be interpreted judiciously since the descriptions were reported by masters, some of whom may have been deceived by their workers or imagined their bound laborers as they wished them to be.