Miracles in Greco-Roman Antiquity: a Sourcebook/Wendy Cotter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander
Blocking Fathers, Illicit Marriages: Continuity and Change from Sophocles to Menander It is a truth universally acknowledged that the plays of Menander owe a great debt to Classical Athenian drama: connections between plays such as Aristophanes’ Cocalus and Menander were noted in didascalia, and similarly the thematic and structural similarities between New Comedy and the works of Euripides were already recognized in Hellenistic scholarship (Arnott 1972; Csapo 2000; Hunter 2011). Sophocles, on the other hand, is rarely included in this discussion of dramatic influence, more often regarded solely for his role as the pinnacle of tragic poets. It is the purpose of this paper to reanalyze possible connections between the corpus of Sophocles and that of Menander by examining both the Antigone and the Dyscolus as plays employing one of the most familiar stock characters of ancient comedy: the “blocking” father figure. This father figure—whose earliest incarnation arguably belongs to Old Comedy, such as Strepsiades from Clouds—is perhaps best known for his characterization in the plays of Greek New Comedy and their later, Latin iterations. Generally an old and intransigent father, the “blocking” figure is generically defined by his interference in the life of his young offspring; in New Comedy, this interference takes the form of intervention in the budding romance of two young lovers, whose inconvenient marriage will inevitably bring about the typical finale. This character, at first glance, may appear to be a creature created solely for light-hearted drama. Creon of the Antigone, however, whose stubborn and belligerent character has been carefully surveyed for his role within the tragedy itself (see Roisman 1996), additionally shares many features with the father of Menander’s only intact play, Knemon of the Dyscolus. -
Dionysus, Wine, and Tragic Poetry: a Metatheatrical Reading of P.Koln VI 242A=Trgf II F646a Anton Bierl
BIERL, ANTON, Dionysus, Wine, and Tragic Poetry: A Metatheatrical Reading of a New Dramatic Papyrus , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.353 Dionysus, Wine, and Tragic Poetry: A Metatheatrical Reading of P.Koln VI 242A=TrGF II F646a Anton Bierl EW DRAMATIC PAPYRUS1 confronts interpreters with many ~puzzling questions. In this paper I shall try to solve some of these by applying a new perspective to the text. I believe that this fragment is connected with a specific literary feature of drama especially prominent in the bnal decades of the bfth century B.C., viz. theatrical self-consciousness and the use of Dionysus, the god of Athenian drama, as a basic symbol for this tendency. 2 The History of the Papyrus Among the most important papyri brought to light by Anton Fackelmann is an anthology of Greek prose and poetry, which includes 19 verses of a dramatic text in catalectic anapestic tetrameters. Dr Fackelmann entrusted the publication of this papyrus to Barbel Kramer of the University of Cologne. Her editio princeps appeared in 1979 as P. Fackelmann 5. 3 Two years later the verses were edited a second time by Richard Kannicht and Bruno Snell and integrated into the Fragmenta Adespota in 1 This papyrus has already been treated by the author in Dionysos und die griechische Trag odie. Politische und 'metatheatralische' Aspekte im Text (Tiibingen 1991: hereafter 'Bieri') 248-53. The interpretation offered here is an expansion of my earlier provisional comments in the Appendix, presenting fragments of tragedy dealing with Dionysus. 2 See C. -
Basic Outlines of the Four Gospels
Basic Outlines of the Four Gospels Mark Introduction: John the Baptist & Jesus (1:1-15, incl. the theme of Jesus’ preaching 1:14-15) Early Ministry: healing & preaching to Jews in Galilee (1:16 – 6:52) Expanded Ministry: mostly outside of Galilee to non-Jews (6:53 – 8:21) Central Section: Jesus and his disciples “On the Way” to Jerusalem (8:22 – 10:52) (incl. three passion predictions [8:31; 9:31; 10:32-34] framed by two healings of blind men) Final Ministry: in Jerusalem, incl. Apocalyptic Discourse (11:1 – 13:37) Passion Narrative: Last Supper, Trials, Crucifixion (14:1 – 15:47) Conclusion: Report about the Empty Tomb (16:1-8) [Later endings added to Mark’s Gospel: 16:9-20] Material found only in Mark: 1:1 (Introductory Verse); 3:19b-21 (Jesus' Family Comes for Him); 4:26-29 (Parable of Seed Growing of Itself); 7:31-37 (Deaf Man in Decapolis); 8:22-26 (Blind Man of Bethsaida); 14:51-52 (Young Man Runs Away after Jesus' Arrest); [16:14-18 - Commissioning of the Eleven] Matthew Genealogy & Infancy Narrative: 1–2 Narrative: 3–4 First Discourse: “Sermon on the Mount”: 5–7 Narrative: 8–9 Second Discourse: “Missionary Instructions”: 10 Narrative: 11–12 Third Discourse: “Parables Collection”: 13 Narrative: 14–17 Fourth Discourse: “Community Instructions”: 18 Narrative: 19–22 Fifth Discourse: “Sermon on Eschatology”: 23–25 Passion & Resurrection Narrative: 26–28 Material found only in Matthew: 1:1; 1:18–2:23; 5:17-20, 21-24, 27-29, 31, 33-38, 43; 6:1-8, 16-19; 7:6, 15-17, 28-29; 9:27-31, 35-38; 10:22-23; 11:1, 28-30; 13:24-30, 36-43, 44-52; 14:28-31; 16:17-19; 17:24-27; 18:15-21, 21-35; 19:10-12; 20:1-16; 21:28-32; nearly all of ch. -
Alexander's Seventh Phalanx Battalion Milns, R D Greek, Roman and Byzantine Studies; Summer 1966; 7, 2; Proquest Pg
Alexander's Seventh Phalanx Battalion Milns, R D Greek, Roman and Byzantine Studies; Summer 1966; 7, 2; ProQuest pg. 159 Alexander's Seventh Phalanx Battalion R. D. Milns SOME TIME between the battle of Gaugamela and the battle of A the Hydaspes the number of battalions in the Macedonian phalanx was raised from six to seven.1 This much is clear; what is not certain is when the new formation came into being. Berve2 believes that the introduction took place at Susa in 331 B.C. He bases his belief on two facts: (a) the arrival of 6,000 Macedonian infantry and 500 Macedonian cavalry under Amyntas, son of Andromenes, when the King was either near or at Susa;3 (b) the appearance of Philotas (not the son of Parmenion) as a battalion leader shortly afterwards at the Persian Gates.4 Tarn, in his discussion of the phalanx,5 believes that the seventh battalion was not created until 328/7, when Alexander was at Bactra, the new battalion being that of Cleitus "the White".6 Berve is re jected on the grounds: (a) that Arrian (3.16.11) says that Amyntas' reinforcements were "inserted into the existing (six) battalions KC1:TCt. e8vr(; (b) that Philotas has in fact taken over the command of Perdiccas' battalion, Perdiccas having been "promoted to the Staff ... doubtless after the battle" (i.e. Gaugamela).7 The seventh battalion was formed, he believes, from reinforcements from Macedonia who reached Alexander at Nautaca.8 Now all of Tarn's arguments are open to objection; and I shall treat them in the order they are presented above. -
Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
The Influence of Achaemenid Persia on Fourth-Century and Early Hellenistic Greek Tyranny
THE INFLUENCE OF ACHAEMENID PERSIA ON FOURTH-CENTURY AND EARLY HELLENISTIC GREEK TYRANNY Miles Lester-Pearson A Thesis Submitted for the Degree of PhD at the University of St Andrews 2015 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/11826 This item is protected by original copyright The influence of Achaemenid Persia on fourth-century and early Hellenistic Greek tyranny Miles Lester-Pearson This thesis is submitted in partial fulfilment for the degree of Doctor of Philosophy at the University of St Andrews Submitted February 2015 1. Candidate’s declarations: I, Miles Lester-Pearson, hereby certify that this thesis, which is approximately 88,000 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2010 and as a candidate for the degree of PhD in September 2011; the higher study for which this is a record was carried out in the University of St Andrews between 2010 and 2015. Date: Signature of Candidate: 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Citations in Classics and Ancient History
Citations in Classics and Ancient History The most common style in use in the field of Classical Studies is the author-date style, also known as Chicago 2, but MLA is also quite common and perfectly acceptable. Quick guides for each of MLA and Chicago 2 are readily available as PDF downloads. The Chicago Manual of Style Online offers a guide on their web-page: http://www.chicagomanualofstyle.org/tools_citationguide.html The Modern Language Association (MLA) does not, but many educational institutions post an MLA guide for free access. While a specific citation style should be followed carefully, none take into account the specific practices of Classical Studies. They are all (Chicago, MLA and others) perfectly suitable for citing most resources, but should not be followed for citing ancient Greek and Latin primary source material, including primary sources in translation. Citing Primary Sources: Every ancient text has its own unique system for locating content by numbers. For example, Homer's Iliad is divided into 24 Books (what we might now call chapters) and the lines of each Book are numbered from line 1. Herodotus' Histories is divided into nine Books and each of these Books is divided into Chapters and each chapter into line numbers. The purpose of such a system is that the Iliad, or any primary source, can be cited in any language and from any publication and always refer to the same passage. That is why we do not cite Herodotus page 66. Page 66 in what publication, in what edition? Very early in your textbook, Apodexis Historia, a passage from Herodotus is reproduced. -
Nabis and Flamininus on the Argive Revolutions of 198 and 197 B.C. , Greek, Roman and Byzantine Studies, 28:2 (1987:Summer) P.213
ECKSTEIN, A. M., Nabis and Flamininus on the Argive Revolutions of 198 and 197 B.C. , Greek, Roman and Byzantine Studies, 28:2 (1987:Summer) p.213 Nabis and Flamininus on the Argive Revolutions of 198 and 197 B.C. A. M. Eckstein N THE SUMMER of 19 5 a. c. T. Quinctius Flamininus and the Greek I allies of Rome went to war against N abis of Sparta. The official cause of the war was Nabis' continued occupation of Argos, the great city of the northeastern Peloponnese. 1 A strong case can be made that the liberation of Argos was indeed the crucial and sincere goal of the war,2 although the reasons for demanding Nabis' with drawal from Argos may have been somewhat more complex.3 Nabis was soon blockaded in Sparta itself and decided to open negotiations for peace. Livy 34.3lfprovides us with a detailed account of the sub sequent encounter between N abis and Flamininus in the form of a debate over the justice of the war, characterized by contradictory assertions about the history of Sparta's relations with Rome and the recent history of Argos. Despite the acrimony, a preliminary peace agreement was reached but was soon overturned by popular resis tance to it in Sparta. So the war continued, with an eventual Roman 1 Cf. esp. Liv. 34.22.10-12, 24.4, 32.4f. 2 See now E. S. GRUEN, The Hellenistic World and the Coming of Rome II (Berkeley/Los Angeles [hereafter 'Gruen']) 450-55, who finds the propaganda of this war, with its consistent emphasis on the liberation of Argos as a matter of honor both for Rome and for Flamininus, likely to have some basis in fact. -
Middle Comedy: Not Only Mythology and Food
Acta Ant. Hung. 56, 2016, 421–433 DOI: 10.1556/068.2016.56.4.2 VIRGINIA MASTELLARI MIDDLE COMEDY: NOT ONLY MYTHOLOGY AND FOOD View metadata, citation and similar papersTHE at core.ac.ukPOLITICAL AND CONTEMPORARY DIMENSION brought to you by CORE provided by Repository of the Academy's Library Summary: The disappearance of the political and contemporary dimension in the production after Aris- tophanes is a false belief that has been shared for a long time, together with the assumption that Middle Comedy – the transitional period between archaia and nea – was only about mythological burlesque and food. The misleading idea has surely risen because of the main source of the comic fragments: Athenaeus, The Learned Banqueters. However, the contemporary and political aspect emerges again in the 4th c. BC in the creations of a small group of dramatists, among whom Timocles, Mnesimachus and Heniochus stand out (significantly, most of them are concentrated in the time of the Macedonian expansion). Firstly Timocles, in whose fragments the personal mockery, the onomasti komodein, is still present and sharp, often against contemporary political leaders (cf. frr. 17, 19, 27 K.–A.). Then, Mnesimachus (Φίλιππος, frr. 7–10 K.–A.) and Heniochus (fr. 5 K.–A.), who show an anti- and a pro-Macedonian attitude, respec- tively. The present paper analyses the use of the political and contemporary element in Middle Comedy and the main differences between the poets named and Aristophanes, trying to sketch the evolution of the genre, the points of contact and the new tendencies. Key words: Middle Comedy, Politics, Onomasti komodein For many years, what is known as the “food fallacy”1 has been widespread among scholars of Comedy. -
1 Introduction and the Kidnapping of Women
Cambridge University Press 978-0-521-68943-4 - Herodotus and the Persian Wars John Claughton Excerpt More information Introduction and the 1 kidnapping of women IA H T Y C Aral S Sea COLCHIS Black Sea Caspian SOGDIA Sea THRACE IA RYG ARMENIA R PH LESSE CAPPADOCIA MARGIANA GREATER LYDIA PHRYGIA Athens Argos Sardis I O P AMP LIA N CARIA LYCIA HY Sparta IA CILICIA ASSYRIA HYRCANIA BACTRIA Cyprus MEDIA Ecbatana PARTHIA PHOENICIA Sidon BABYLONIA DRANGIANA Mediterranean Sea Tyre ABARNAHARA Susa ELAM Babylon ARIA Pasargadae Memphis Persepolis N PERSIA ARACHOSIA P e r CARMANIA EGYPT si an Gu GEDROSIA Red Sea lf 0 400 km 0 400 miles The Persian empire and neighbouring territories in the fi fth century BC. Although Herodotus’ work culminates in the great battles of 490 BC and 480–479 BC, his work is remarkable in its range. He begins with the world of myth and travels through many places and over generations in time to explore the relations between the Greeks and the Persians. Introduction and the kidnapping of women 1 © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-68943-4 - Herodotus and the Persian Wars John Claughton Excerpt More information Introduction This is the presentation of the enquiry of Herodotus of Halicarnassus. The purpose of this work is to ensure that the actions of mankind are not rubbed out by time, and that great and wondrous deeds, some performed by the Greeks, some by non-Greeks, are not without due glory. In particular, the purpose is to explain why they waged war against each other.