DOCSLIB.ORG

Richard Lester Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Richard Lester Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ Richard Lester Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ How I Won the War https://bg.listvote.com/lists/film/movies/how-i-won-the-war-117090/actors Superman II: The https://bg.listvote.com/lists/film/movies/superman-ii%3A-the-richard-donner-cut-1292541/actors Richard Donner Cut Cuba https://bg.listvote.com/lists/film/movies/cuba-1384594/actors Get Back https://bg.listvote.com/lists/film/movies/get-back-1586901/actors A Funny Thing Happened on the Way to https://bg.listvote.com/lists/film/movies/a-funny-thing-happened-on-the-way-to-the-forum-1971276/actors the Forum Juggernaut https://bg.listvote.com/lists/film/movies/juggernaut-204514/actors The Musketeers film https://bg.listvote.com/lists/film/movies/the-musketeers-film-trilogy-21206730/actors trilogy Finders Keepers https://bg.listvote.com/lists/film/movies/finders-keepers-2539202/actors The Three Musketeers https://bg.listvote.com/lists/film/movies/the-three-musketeers-303235/actors The Bed Sitting Room https://bg.listvote.com/lists/film/movies/the-bed-sitting-room-3204792/actors The Ritz https://bg.listvote.com/lists/film/movies/the-ritz-3421602/actors Butch and Sundance: https://bg.listvote.com/lists/film/movies/butch-and-sundance%3A-the-early-days-3795597/actors The Early Days The Mouse on the Moon https://bg.listvote.com/lists/film/movies/the-mouse-on-the-moon-383814/actors The Four Musketeers https://bg.listvote.com/lists/film/movies/the-four-musketeers-470584/actors The Return of the https://bg.listvote.com/lists/film/movies/the-return-of-the-musketeers-472105/actors Musketeers It's Trad, Dad! https://bg.listvote.com/lists/film/movies/it%27s-trad%2C-dad%21-6090880/actors Royal Flash https://bg.listvote.com/lists/film/movies/royal-flash-821815/actors Robin and Marian https://bg.listvote.com/lists/film/movies/robin-and-marian-930071/actors Помощ! https://bg.listvote.com/lists/film/movies/%D0%BF%D0%BE%D0%BC%D0%BE%D1%89%21-1131815/actors The Knack ...and How to https://bg.listvote.com/lists/film/movies/the-knack-...and-how-to-get-it-1198726/actors Get It БÑÐ​ ³Ð°Ñ‰Ð¸ÑÑ​ ‚ https://bg.listvote.com/lists/film/movies/%D0%B1%D1%8F%D0%B3%D0%B0%D1%89%D0%B8%D1%8F%D1%82- ÑÐ​ ºÐ°Ñ‡Ð°Ð¹ÐºÐ¸ и %D1%81%D0%BA%D0%B0%D1%87%D0%B0%D0%B9%D0%BA%D0%B8-%D0%B8- замръзващ %D0%B7%D0%B0%D0%BC%D1%80%D1%8A%D0%B7%D0%B2%D0%B0%D1%89-%D0%BD%D0%B0- на мÑÑ​ Ñ​ ‚о %D0%BC%D1%8F%D1%81%D1%82%D0%BE-%D1%84%D0%B8%D0%BB%D0%BC-12127260/actors филм https://bg.listvote.com/lists/film/movies/%D0%BF%D0%B5%D1%82%D1%83%D0%BB%D0%B8%D1%8F- ПетулиÑ​ 2276242/actors Супермен https://bg.listvote.com/lists/film/movies/%D1%81%D1%83%D0%BF%D0%B5%D1%80%D0%BC%D0%B5%D0%BD- II ii-267672/actors Супермен https://bg.listvote.com/lists/film/movies/%D1%81%D1%83%D0%BF%D0%B5%D1%80%D0%BC%D0%B5%D0%BD- 3 3-528095/actors ÐÐ​ ¾Ñ‰ ÑÐ​ »ÐµÐ´ https://bg.listvote.com/lists/film/movies/%D0%BD%D0%BE%D1%89-%D1%81%D0%BB%D0%B5%D0%B4- тежък ден %D1%82%D0%B5%D0%B6%D1%8A%D0%BA-%D0%B4%D0%B5%D0%BD-913311/actors.
Load more

Recommended publications
  • From Real Time to Reel Time: the Films of John Schlesinger
    From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative.
    [Show full text]
  • THE UNIVERSITY of HULL “Typical Really” an Examination of the Emergence of a British Art-Cinema During the 1960S Being A
    THE UNIVERSITY OF HULL \Typical Really" An Examination of the Emergence of a British Art-Cinema during the 1960s being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Martin R. Hall, BA (Hons) March, 2013 Acknowledgements I want to give thanks first and foremost to my Dad, without whom so much more than just this thesis would not have been possible. Thank you for everything. More thanks go to my wife, an immeasurable wellspring of support. You helped me through, from proof reading to just about everything else. If you could have done the work for me I know you would have, however reluctantly! You have done so much to help and support me in every way thinkable that I am astounded as I now think about your part in all of this. I thank you and, of course, I love you. Thanks must be given to Dr. Bruce Woodcock, whose guidance and encouragement started me on this self-destructive path into academia. Thank you also to Dr. John Hoyles and the Hull Film Society minions for my education and amusement, merci beaucoup. I thank Dr. Alan Burton, one of my many supervisors, for your direction and support in the early stages of my research, and Professor Neil Sinyard for sharing his wealth of experience in aid of my work and in introducing me to information and to people. Finally, thank you Dr. James Aston for your assistance and counsel during my final stretch. Whilst my guidance was thrust unexpectedly upon you, you were a resounding source of help and advice, and for that I am extremely grateful.
    [Show full text]
  • Adéla Jonášová
    Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud
    [Show full text]
  • Richard Lester – 1986
    RICHARD LESTER Biografia Nasce negli Stati Uniti nel 1932 da una famiglia di origine irlandese. A metà degli anni cinquanta viene in Europa e dopo aver girato un po’ si ferma in Inghilterra. Nel 1955 porta in televisione il Richard Lester Show. Nel 1956 dirige il primo spettacolo TV jazz, Downbeat. Contemporaneamente, sponsorizzato da Peter Sellers, conduce uno show comico dai vari titoli, Fred, Son of Fred ed Idiots Weekly. Nel 1959 realizza il suo primo cortometraggio (muto) che viene premiato ad Edimburgo, a San Francisco ed ottiene una nomination all’Oscar. Si mette così in moto la sua carriera che lo porta ad essere uno dei promotori della Swinging London con i film dei Beatles. Negli anni Settanta dirige una decina di film affrontando i generi più diversi fino ad arrivare ad un nuovo successo commerciale con il secondo e terzo Superman. Intervista a Richard Lester, condotta da Marco Zatterin negli Studi di Twinkenham il 17 tebbraio 1986. La maggior parte dei tuoi film è caratterizzata da un ritmo incessante. E una questione solo di montaggio? Molti critici hanno scritto che io sono ossessionato dai movimenti di camera e dal “fast-editing” e nel dire questo si rifanno ad A Hard Day’s Night. E falso. Ricordo che una volta un gruppo di studenti ha preso quel film e lo ha messo in moviola, lo ha analizzato ed ha scoperto che aveva un numero di riprese e di movimenti di gran lunga inferiore a quello di tutti i film importanti dello stesso anno. Certo, molte parti di quel lavoro sono rapide ma questo è dovuto esclusivamente al fatto che, in ogni singola inquadratura, succedono tantissime cose, C’è un grande movimento degli attori e non dei tecnici.
    [Show full text]
  • File Stardom in the Following Decade
    Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole.
    [Show full text]
  • Licencia Educativa MPLC
    TITULO TITULO ORIGINAL (Ingles) AÑO 54 54 1998 300 300 2007 1941 1941 1979 1944 1944 2015 1984 1984 1984 10.000 10.000 B.C. 2007 !... Y EN RANA TE CONVERTIRAS AWAY WE GO 1992 !QUE ME IMPORTA EL DINERO! IT'S ONLY MONEY 1962 ¡MADEROS 091! (RENO 911!: MIAMI) RENO 911!: MIAMI 2007 ¿TENÍA QUE SER ÉL? WHY HIM? 2016 007 ALTA TENSION THE LIVING DAYLIGHTS 1987 007 LICENCIA PARA MATAR 007: LICENSE TO KILL 1988 007,AL SERVICIO SECRETO DE SU MAJESTAD ON HER MAJESTY'S SECRET SERVICE 1969 12 TRAMPAS 12 ROUNDS 2009 127 HORAS 127 HOURS 2010 13 HORAS: LOS SOLDADOS SECRETOS DE BANGASI 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI 2015 13 MINUTOS PARA MATAR A HITLER ELSER 2015 15 AÑOS Y UN DIA 15 AÑOS Y UN DIA 2013 2 FAST 2 FURIOUS (A TODO GAS 2) 2 FAST 2 FURIOUS 2003 2001 UNA ODISEA DEL ESPACIO 2001 A SPACE ODYSSEY 1968 2010 ODISEA DOS 2010 1984 2013: RESCATE EN L.A. JOHN CARPENTER'S ESCAPE FROM L.A. 1996 21 GRAMOS 21 GRAMS 2003 23-F 23-F 2011 27 VESTIDOS 27 DRESSES 2008 28 DIAS DESPUES 28 DAYS LATER 2002 28 SEMANAS DESPUES 28 WEEKS LATER 2007 3 DIAS 3 DIAS 2008 3 METROS SOBRE EL CIELO 3 METROS SOBRE EL CIELO 2010 30 SEGUNDOS SOBRE TOKIO THIRTY SECONDS OVER TOKYO 1944 300:EL ORIGEN DE UN IMPERIO 300:RISE OF AN EMPIRE 2013 37 HORAS DESESPERADAS DESPERATE HOURS 1990 4 FANTASTICOS FANTASTIC FOUR 2005 4 FANTASTICOS Y SILVER SURFER FANTASTIC FOUR:RISE OF THE SILVER SURFER 2007 4.3.2.1 4.3.2.1 2010 40 DIAS Y 40 NOCHES 40 DAYS AND 40 NIGHTS 2001 47 RONIN-LA LEYENDA DEL SAMURAI 47 RONIN 2013 48 HORAS MAS ANOTHER 48 HOURS 1990 5 METROS CUADRADOS 5 METROS CUADRADOS 2011
    [Show full text]
  • Zvláštne Vydanie
    FK v Múzeu SNP BANSKÁ BYSTRICA k 18. 9. – 1. 12. 2014 FK Oko BANSKÁ ŠTIAVNICA k 23. 9. – 2. 12. 2014 Artkino za zrkadlom BRATISLAVA k 14. 9. – 15. 10. 2014 Kino Inak BRATISLAVA k 20. 9. – 10. 10. 2014 Kino Lumière BRATISLAVA k 11. 9. – 31. 12. 2014 Kino Mladosť BRATISLAVA k 11. 9. – 15. 10. 2014 FK Obývačka BREZNO k 23. 9. – 21. 10. 2014 FK BYTČA k 3. 10. – 19. 12. 2014 FK Rebel HANDLOVÁ k 2. 10. – 30. 10. 2014 FK Uránia HLOHOVEC k 25. 9. – 4. 12. 2014 program filmových klubov Kinoklub Fajn HUMENNÉ k 11. 9. – 17. 12. 2014 FK Iskra KEŽMAROK k 21. 9. – 17. 11. 2014 FK Vasmacska KOMÁRNO k www.asfk.sk FK Cinefil KOŠICE k 21. 9. – 14. 12. 2014 FK 1115, kino Akropola KREMNICA k 16. 9. – 25. 11. 2014 FK Otáznik LEVICE k 17. 9. – 19. 11. 2014 FK kino Úsmev LEVOČA k 17. 9. – 15. 10. 2014 FK Európa LUČENEC k 22. 9. – 1. 12. 2014 FK MCK MALACKY k 17. 9. – 26. 11. 2014 FK Alternatíva MARTIN k 16. 9. – 19. 11. 2014 FK „K4“ MODRA k 11. 9. – 17. 12. 2014 FK Dom kultúry NÁMESTOVO k 17. 9. – 5. 11. 2014 Kinoklub Tatra NITRA k 22. 9. – 11. 11. 2014 ZVLÁŠTNE VYDANIE FK kino Považan NOVÉ MESTO NAD VÁHOM k 17. 9. – 19. 11. 2014 FK kino Mier NOVÉ ZÁMKY k www.asfk.sk FK Kultúrne centrum PEZINOK k 16. 9. – 16. 12. 2014 FK Fontána PIEŠŤANY k 29. 9. – 15. 12. 2014 FK Pocity PREŠOV k 18.
    [Show full text]
  • A Hard Day's Night a FILM by RICHARD LESTER 50TH ANNIVERSARY RELEASE
    THE BEATLES A harD Day'S NIGHT A FILM BY RICHARD LESTER 50TH ANNIVERSARY RELEASE NEW 4K RESTORATION FROM THE ORIGINAL CAMERA NEGATIVE NEW 5.1 SURROUND MIX PRODUCED BY GILES MARTIN UK – 1964 • RUnning time: 87 minUtes EXHIBITOR RelatiONS: PRESS CONtact: Janus Films Ryan Werner e: [email protected] e: [email protected] p: 212-756-8456 m: 917.254.7653 SYNOPSIS Meet the Beatles! Just one month after they exploded onto the U.S. scene with their Ed Sullivan Show appearance, John, Paul, George, and Ringo began working on a project that would bring their revolutionary talent to the big screen. A Hard Day’s Night, in which the bandmates play wily, exuberant versions of themselves, captured the astonishing moment when they officially became the singular, irreverent idols of their generation and changed music forever. Directed with raucous, anything-goes verve by Richard Lester and featuring a slew of iconic pop anthems, including the title track, “Can’t Buy Me Love,” “I Should Have Known Better,” and “If I Fell,” A Hard Day’s Night, which reconceived the movie musical and exerted an incalculable influence on the music video, is one of the most deliriously entertaining movies of all time. CAST John John Lennon Paul Paul McCartney George George Harrison Ringo Ringo Starr Grandfather Wilfrid Brambell Norm Norman Rossington Shake John Junkin TV director Victor Spinetti Man on train Richard Vernon Millie Anna Quayle Secretary Alison Seebohm Simon Marshall Kenneth Haigh Adrian Julian Holloway TV floor manager Robin Ray Choreographer Lionel Blair Charley David Janson Bearded man in pub Bob Godfrey Car thief John Bluthal Hotel waiter Eddie Malin Police sergeant Deryck Guyler Club manager Michael Trubshawe Blonde schoolgirl on train Pattie Boyd Brunette schoolgirl on train Prudence Bury CREW Director Richard Lester Producer Walter Shenson Writer Alun Owen Director Of Photography Gilbert Taylor, BSC Camera Operator Derek V.
    [Show full text]
  • Four Star Films, Box Office Hits, Indies and Imports, Movies A
    Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of March 21 - 27, 2021 The Bridge on the River Kwai (1957) TCM Sat. 2 p.m. Brief Encounter (1945) TCM Thur. 7:30 a.m. Casablanca (1942) TCM Thur. 5:30 a.m. Forrest Gump (1994) AMC Fri. 7 p.m. AMC Sat. 3 p.m. Great Expectations (1946) TCM Thur. 11 a.m. Halloween (1978) Sundance Sun. 8 p.m. Sundance Mon. 2 a.m. The Heiress (1949) TCM Mon. 5:30 a.m. King Kong (1933) TCM Fri. 3:15 p.m. Kramer vs. Kramer (1979) TCM Sat. 11 p.m. Lawrence of Arabia: Director's Cut (1962) TCM Thur. 1 p.m. The Maltese Falcon (1941) TCM Thur. 3:30 a.m. A Man for All Seasons (1966) TCM Sat. 5 p.m. Mary Poppins (1964) Freeform Sat. 1 p.m. My Fair Lady (1964) TCM Thur. 5 p.m. Oliver! (1968) TCM Sun. 5 p.m. Psycho (1960) TCM Thur. 10:15 p.m. Raiders of the Lost Ark (1981) Paramount Mon. 1:30 a.m. Paramount Thur. 7 p.m. Paramount Fri. 1:50 a.m. Rocky (1976) HBO Tues. 8 p.m. HBO Fri. 3:20 p.m. Shadow of a Doubt (1943) TCM Mon. 3:30 a.m. The Shawshank Redemption (1994) Bravo Sat. 7:37 p.m. Bravo Sat. 10:49 p.m. Show Boat (1936) TCM Sun. 3 a.m. The Silence of the Lambs (1991) TMC Mon.
    [Show full text]
  • ADULT FICTIONAL FILMS on DVD | UPDATED APRIL 2015 TITLE YEAR (500) Days of Summer (Motion Picture)
    CASE MEMORIAL LIBRARY | ADULT FICTIONAL FILMS ON DVD | UPDATED APRIL 2015 TITLE YEAR (500) days of summer (Motion picture);"(500) days of Summer [videorecording] / Fox Searchlight Pictures presents a Watermark production2009 produced by Jessica Tuchinsky 10,000 BC [videorecording] / produced by Michael Wimer, Roland Emmerich, Mark Gordon written by Roland Emmerich, Harold Kloser directed2008 by Roland Emmerich. 100 years of the New York Yankees [videorecording]. 2003 12 angry men [videorecording] / MGM/UA Orion-Nova production produced by Henry Fonda and Reginald Rose directed by Sidney Lumet2001 story and screenplay, Reginald Rose. 12 rounds (Motion picture : 2009);"12 rounds [videorecording] / produced by Mark Gordon ... [et al.] written by Daniel Kunka directed by2009 Renny Harlin." 12 years a slave [videorecording] / Regency Enterprises and River Road Entertainment present a River Road, Plan B and New Regency production2013 in association with Film4, a film by Steve McQueen. 127 hours [videorecording] / produced by Danny Boyle, Christian Colson, John Smithson screenplay by Danny Boyle, Simon Beaufoy directed2011 by Danny Boyle. 13 conversations about one thing [videorecording] / directed by Jill Sprecher. 2001 13 going on 30 [videorecording] / Revolution Studios presents a Roth/Arnold production a Gina Matthews production. 2004 16 blocks [videorecording] / Warner Bros. in association with Alcon Entertainment and Millennium Films presents an Emmett/Furla Films and2006 Cheyenne Enterprises production for Equity Pictures Medienfonds GmbH & Co. KG III & Nu Image Entertainment GmbH produced by Randall Emmett, Avi Lerner, Arnold Rifkin, John Thompson, Jim Van Wyck, Bruce Willis written by Richard Wenk directed by Richard Donner. 17 again [videorecording] / New Line Cinema presents an Offspring Entertainment production produced by Adam Shankman, Jennifer Gibgot2009 written by Jason Filardi directed by Burr Steers.
    [Show full text]
  • PRINCESS THEATER Herald-Citizen, Cookeville, TN the Princess Theatre Was a Favorite Cookeville Attracti
    PRINCESS THEATER Herald-Citizen, Cookeville, TN http://www.ajlambert.com The Princess Theatre was a favorite Cookeville attraction to meet friends and watch a movie. It was in operation from 1935 to the late 1970's and was located at the corner of West Broad and Church where Regions Bank stands today. Source: Putnam County, Tennessee, 1850-1970 by Mary Jean DeLozier, pp. 216, The movie industry began releasing “talkies” in 1927, and owner Edwin C. Reeves installed sound equipment in the Strand in 1930. The first machines were defective, dialogue was often garbled, and sound projectors constantly broke down. Most customers did not complain, however. They were pleased if they could understand only a few words. In 1934 Mid-State Theatre Company, Stacey D. Wilhite, president; Hugh S. Hargis, vice-president; and Edwin C. Reeves, secretary, began construction of the Princess Theatre on the site of a former hotel in West Side. The new cinema opened 1 October 1935 with the move “ginger,” starring Ginger Rogers. Admission was twenty-five and ten cents, and there were four features weekly: a Monday-Tuesday film, a Wednesday show, and a Thursday-Friday movie (when the “big” pictures came to Cookeville). A double- feature of westerns usually played on Saturdays, when the theater opened at eleven and movies ran continuously until nearly midnight. A popper stood outside the cinema, and boys sold five and ten cent bags of corn to patrons and passersby. Leisure Time Activities: While much social life in Putnam County continued to revolve around churches, residents of the county, with their new cars and more leisure time, found it possible to “get out and go” as never before.
    [Show full text]
  • 1 Subversive Sovereignty: Parodic Representations of Micropatrias
    Subversive Sovereignty: Parodic Representations of Micropatrias Enclaved by the United Kingdom Submitted by terri ann moreau Department of Geography College of Science Royal Holloway, University of London In fulfilment of the requirements for the degree of DPhil., Royal Holloway, University of London, 2014 1 Dedication Page There are three dedications that must take place. First, to my family, friends, and husband who were always there to help me in any and every way possible; especially to my muse and playmate, Princessa Madelin (aka Bodhi Anjali Moreau). Second, to S. Garrett Nelson who opened my eyes to the wonderful world I never knew existed, that of micropatrias. Third, to the micropatrial practitioners, I dedicate this work based on their realities. 2 Acknowledgements Page I would like to acknowledge some persons, institutions, and practitioners which made the thesis possible. I must thank the two beacons of knowledge and encouragement that guided me through the thesis, namely Dr. Tim Cresswell (my supervisor) and Dr. Klaus Dodds (my advisor). Both have challenged me to be a better academic, a better writer, and a better and more critical geographer. In addition, I cannot continue without thanking mentors and peers who were a rock from which I could always lean on, particularly but in no way limited to, Dr. Derek Alderman, E. Arnold Modlin, Jr., Dr. Kim Peters, Bradley L. Garrett, Michael Anton, Alison Hess, and Ellie Miles. I would also like to thank various academics with whom I have crossed paths with during my doctoral journey both students and professors alike, but especially Dr. Tim Edensor for always encouraging me, Dr.
    [Show full text]