Collapsible Coliseum Cross of Gold

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Collapsible Coliseum Cross of Gold a'" ­ VOLUME 18 PUBUSHED BY THE HYDE PARK HISTORICAL SOCIETY AUTUMN 1996 BY JAMES STRONKS In the swnmer of 1895 "The Greatest Building on Earth" (so said the flag on its roof) was going up on 63d Street, a block west of Stony Island Avenue. Inland Architect said "The Coliseum" was ~ the biggest building erected in America \ since the Columbian Exposition, and its ):4> statistics were indeed awesome. Longer than two football fields, it covered 51/2 acres of floor space and would seat 20,000 easily. Eleven enormous cantilever trusses spanned 218 feet of airspace, enclosing nearly a city block. A tower twenty stories high would dominate the neighborhood, its elevators rising to an observatory/cafe, with a roof-garden music-hall atop that, and at the pinnacle a giant electric searchlight visible for miles. The Coliseum's mammoth steel skeleton was all but completed ...and then it happened. At 11:10 p.m. on August 21 the immense framework collapsed. The appalling roar scared people off a standing train as far away as 47th Street. At dawn the next morning engineers with long faces inspected the ruins to determine the cause. Newspaper reporters licked their pencil points, eager to pin blame and expose a scandal. But THE there really wasn't any. The collapse was evidently caused by some 75 tons of lumber having been stacked on the roof COLLAPSIBLE so as to bear too heavily upon the last truss put into place, one which was not yet completely bolted into the structure COLISEUM as a whole. There was no scandal in the AND THE design, declared American Architect and Building N ews (Boston): "Both architect and engineer bear names of the best CROSS OF GOLD repute in the country." Just the same, it did not name them. continued on page 2 2­ ~ But with 600 men working three shifts the Coliseum could be finished in 80 or 90 days, in time for a football game scheduled there for Thanksgiving Day. The Coliseum occupied the block just west of where Hyde Park High School stands today, between 62d and 63d Streets. Thus it stood exactly where Buffalo Bill's Wild West Show had ripped and roared during the world's fair in 1893. On the east and west it was bounded by Grace and Hope, interesting street names (they have been given confusing new ones lately), but the entrance to the Coliseum, as shown in our Harper 'S Weekly picture, was on 63d Street. N J W+E Steel Skeleton ..-:: continued from page I The engineer of the steelwork was in ~ls:: 0]h C1l fact Carl Binder and the architect was S.S. Beman. > p., « Solon S. Bemen, age 42, had designed the Pullman '0s:: s:: Building in his twenties, planned the whole village of 0] .-i 0 Ul Pullman, built the Studebaker-Fine Arts, the H Ul Washington Park Club at the racetrack, the Grand ..-:: Central Station on Harrison at Wells, and the Mines () 0] and Mining Building at the world's fair. In Hyde ..., Park/Kenwood, Beman designed Blackstone Library, the Bryson Apartments, Christ Scientist churches on Dorchester and Blackstone, eight or ten private homes, and [after Rand McNally, 1$93J supervised the Rosalie Villas project (Harper between 57th and The Coliseum's tower gives the historian a problem. 59th). He himself It has been so badly drawn in our Harper's picture as to lived on East 49th, be quite fals~.S. Beman could never have designed moving later to that thing. Was it added by a different hand when the 5502 Hyde Park sketch was mailed to the editors in New York? Boulevard. Conceivably the $75,000 loss on the collapsed steelwork Of the collapsed forced the Coliseum Company to curtail Beman's Coliseum Beman elaborate concept for the tower. But that there was spoke with finally a tower is suggested by the name given to the authority. There was Tower Theatre, built on the identical spot after the no doubt as to the death of the Coliseum. Old Hyde Parkers will correctness" of remember a small steel latticework "tower" playfully engineer Binder's capping the facade of the Tower Theatre as late as 1950. steelwork, and Curiously, "The Greatest Building on Earth" is construction would qu.ite unknown today, and has apparently never had its resume with no change in story told before. A recent fat scholarly history of design as soon as new steel 5.5. Beman Chicago architecture from 1872 to 1922 knows could be delivered. Barnum and nothing of it. Not even an authoritative 1985 study of Bailey's Circus, booked there for October, would have Beman's total work (which cites more than 100 of his to be cancelled, as would a fat stock and horse show. bu.ildings, including commercial projects) reveals any ~~ A u u m n I 9 9 6 3 ~ CHrCAGO HISTORICAL S· 'CrE1Y ntLD AT ~M li1r J)C ,"""',,, -JQLBUIlDlrt6 . \ \ 'i~", ~ ~ u o V'l 61 ~~"f. &, .fJltJlLr- AVLe s PRIGE. 25 GENTS. {JIICA(JO t o u 4\; ,: ~-~---~~~ liS Architect's Original Plan awareness of his mighty Coliseum. The reason must be cartoons of prominent Democrats. They ran reams of its brief life. It rose, it fell, it rose again, it burned interviews with the leading candidates. But none of down-all in little more than two years. Sic transit the portraits or cartoons or write-ups were about gloria mundi. But before it died in flames, The young William Jennings Bryan from Nebraska. That Coliseum enjoyed one splendid moment of national would change on the third day when the convention fame. bosses let him speak. That big moment came on July 7-11, 1896, when The Cross of Gold was not a keynote speech, nor The Coliseum staged the Democratic National nominating or acceptance speech. Its purpose was to Convention, where William Jennings Bryan, age 36, "conclude debate on the platform." It concluded it, all made his famous Cross of Gold speech and was right. Bryan actually spoke about only one plank in nominated for President of the United States. the platform, the silver plank, but with it he ran away The Chicago Tribune called the Coliseum with the convention. It was like a classic myth, the arrangements "a grand success." Harper's Weekly one where the handsome young idealist from the compared The Coliseum to Madison Square Garden in provinces wins out over the old professional courtiers New York, pronounced it typical of Chicago in its and is crowned prince. hugeness, and scoffed that no speaker could ever The Democrats in 1896, at least the dominant possibly be heard by all 20,000 sitting in that vast hall. faction who engineered a plurality at the convention, As for convention politicking, a headline declared it were calling for the free, unlimited coinage of silver by a horse race: the U.S. Mint at a ratio of 16 to 1 with gold. "We demand," said the platform "that the standard silver LEADERS ALL AT SEA. dollar be full legal tender, equally with gold, for all No Certainty As To Probable Nominee. debts, public and private." It does not sound radical to us today, but in 1896 it was to many good people a Chicago papers printed dozens of portraits and shocking inflationary proposal to continued on poge 4 ~ A U U III n r 9 9 6 ~ continued from page 3 subvert a sacred gold standard. Some clearly audible to all 20,000 in that enormous hall. pro-gold, "sound-money" Democrats walked out and (One marvels, since most Hyde Park ministers need a formed a splinter party. microphone to reach 50 listeners.) In the severe depression of 1893-1894 there was a That the Cross of Gold speech was not to be a shortage of money in circulation. Bryan and other technical discourse on monetary policy was evident at silverites in the agricultural West and South-for it once in Bryan's throbbing opener: was very much a sectional cause-believed that The humblest citizen in all the land, unlimited coining of silver would increase the money when clad in the armor of a righteous cause, supply and thus ease the suffering of farmers and is stronger than all the hosts of error. workingmen and small businessmen slipping toward One cannot imagine Mr. Clinton or Mr. Dole trying bankruptcy. to get away with that kind of language in 1996. But It was a simplistic argument, no doubt-that Free the transcript of the Cross of Gold speech which Silver could cure complex economic ills, and social appeared in newspapers allover America the next day ones rising out of them. But by the summer of 1896 tells us of constant interruptions by applause from a Free Silver had acquired a powerful appeal to the thrilled audience. Bryan's listeners were soon rising to debtor class, and in his speech Bryan milked it to the their feet to shout approval at nearly every other maximum. He himself was sincere in feeling it sentence of his attack on the bankers and gold­ nothing less than a holy cause. standard capitalist money-centers of the East. I have lately read the Cross of Gold speech-it But it was Bryan's pro-silver finale that really set off seemed the least I could do for this paper--expecting the fireworks. It has been a fixture in American to be bored. Instead I found it fascinating: ardent in folklore ever since: emotion, rich in striking metaphors, a masterpiece of old-fashioned populist oratory. No wonder its We have petitioned [said Bryan] dramatic rhythms raised pulses in the Coliseum on and our petitions have been scorned; July 9, 1896, when spoken out in Bryan's wonderful we have entreated, voice, with masterful timing and inflection, and and our entreaties have been disregarded; we have begged, ­ and they have mocked when our calamity came.
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