Making Multiples (Young Art 2011)
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Planning Curriculum in Art and Design
Planning Curriculum in Art and Design Wisconsin Department of Public Instruction Planning Curriculum in Art and Design Melvin F. Pontious (retired) Fine Arts Consultant Wisconsin Department of Public Instruction Tony Evers, PhD, State Superintendent Madison, Wisconsin This publication is available from: Content and Learning Team Wisconsin Department of Public Instruction 125 South Webster Street Madison, WI 53703 608/261-7494 cal.dpi.wi.gov/files/cal/pdf/art.design.guide.pdf © December 2013 Wisconsin Department of Public Instruction The Wisconsin Department of Public Instruction does not discriminate on the basis of sex, race, color, religion, creed, age, national origin, ancestry, pregnancy, marital status or parental status, sexual orientation, or disability. Foreword Art and design education are part of a comprehensive Pre-K-12 education for all students. The Wisconsin Department of Public Instruction continues its efforts to support the skill and knowledge development for our students across the state in all content areas. This guide is meant to support this work as well as foster additional reflection on the instructional framework that will most effectively support students’ learning in art and design through creative practices. This document represents a new direction for art education, identifying a more in-depth review of art and design education. The most substantial change involves the definition of art and design education as the study of visual thinking – including design, visual communications, visual culture, and fine/studio art. The guide provides local, statewide, and national examples in each of these areas to the reader. The overall framework offered suggests practice beyond traditional modes and instead promotes a more constructivist approach to learning. -
LATEX for Beginners
LATEX for Beginners Workbook Edition 5, March 2014 Document Reference: 3722-2014 Preface This is an absolute beginners guide to writing documents in LATEX using TeXworks. It assumes no prior knowledge of LATEX, or any other computing language. This workbook is designed to be used at the `LATEX for Beginners' student iSkills seminar, and also for self-paced study. Its aim is to introduce an absolute beginner to LATEX and teach the basic commands, so that they can create a simple document and find out whether LATEX will be useful to them. If you require this document in an alternative format, such as large print, please email [email protected]. Copyright c IS 2014 Permission is granted to any individual or institution to use, copy or redis- tribute this document whole or in part, so long as it is not sold for profit and provided that the above copyright notice and this permission notice appear in all copies. Where any part of this document is included in another document, due ac- knowledgement is required. i ii Contents 1 Introduction 1 1.1 What is LATEX?..........................1 1.2 Before You Start . .2 2 Document Structure 3 2.1 Essentials . .3 2.2 Troubleshooting . .5 2.3 Creating a Title . .5 2.4 Sections . .6 2.5 Labelling . .7 2.6 Table of Contents . .8 3 Typesetting Text 11 3.1 Font Effects . 11 3.2 Coloured Text . 11 3.3 Font Sizes . 12 3.4 Lists . 13 3.5 Comments & Spacing . 14 3.6 Special Characters . 15 4 Tables 17 4.1 Practical . -
2020-2021 Catalog Year Pathways Coming Soon
Art History for Transfer (AA-T) CAREER PATHS: Art, Drama, History and/or Music Teacher Art Therapist Art Director Museum Curator, Technician, or Conservator Fine Artist rt History Additional Career Paths and related data, including state-by-state wage info and growth in the A field, can be found at www.onetonline.org. Associate in Arts for Transfer This program map represents one possible pathway. See a counselor to create a GE Pattern: IGETC Program customized education plan. Map is for the 2019-2020 catalog year. Total Units: 60-65 For more information please contact: FIRST SECOND (707) 864-7114 1 SEMESTER 2 SEMESTER Total Recommended Units: 15 Total Recommended Units: 16-17 GET STARTED NOW! ART 001 3 units ART 002 3 units Art History Art History Get started on your Pathway now LIST B of the ADT 4 units with these recommended courses! ART 014 3 units Suggested: ART 006, 007, or 008 Then –See a counselor to create a CUSTOMIZED education plan ENGL 001 4 units IGETC 1B 4 units personalized to your career and College Composition (IGETC 1A) Suggested: ENGL 002 or 004 transfer goals! Required courses may change IGETC 1C 3 units LR 010 1 unit depending on a student's career and Introduction to Library Research and Suggested: COMM 001 or 002 or 006 Information Competency transfer goals, including requirements for cross-cultural and foreign language IGETC 2 3-4 units IGETC 4 3 units Suggested: MATH 011 or 012 courses, and/or specific requirements 2020-2021Suggested: PSYCH 001 catalogfor an individual CSU or UC. -
The Development of Art Education in America 1900-1918
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 7-30-1964 The Development of Art Education in America 1900-1918 Jerry Josserand Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Josserand, Jerry, "The Development of Art Education in America 1900-1918" (1964). Plan B Papers. 398. https://thekeep.eiu.edu/plan_b/398 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. THE DEVELOPMENT OF ART EDUCATION IN AMERICA 1900-1918 (TITLE) BY Jerry Josserand PLAN B PAPER SUBMITIED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE Art 591 IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1964 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED. This paper was written for Art 591 the summer of 1961. It is the result of historical research in the field of art education. Each student in the class covered an assigned number of years in the development of art education in America. The paper was a section of a booklet composed by the class to cover this field from 1750 up to 1961. The outline form followed in the paper was develpped and required in its writing by the instructor. THE DEVELOPMENT OF ART EDUCATION IN AMERICA 1900-1918 Jerry Josserand I. -
Defining and Understanding Street Art As It Relates to Racial Justice In
Décor-racial: Defining and Understanding Street Art as it Relates to Racial Justice in Baltimore, Maryland A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfilment of the requirements for the degree Master of Arts Meredith K. Stone August 2017 © 2017 Meredith K. Stone All Rights Reserved 2 This thesis titled Décor-racial: Defining and Understanding Street Art as it Relates to Racial Justice in Baltimore, Maryland by MEREDITH K. STONE has been approved for the Department of Geography and the College of Arts and Sciences by Geoffrey L. Buckley Professor of Geography Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT STONE, MEREDITH K., M.A., August 2017, Geography Décor-racial: Defining and Understanding Street Art as it Relates to Racial Justice in Baltimore, Maryland Director of Thesis: Geoffrey L. Buckley Baltimore gained national attention in the spring of 2015 after Freddie Gray, a young black man, died while in police custody. This event sparked protests in Baltimore and other cities in the U.S. and soon became associated with the Black Lives Matter movement. One way to bring communities together, give voice to disenfranchised residents, and broadcast political and social justice messages is through street art. While it is difficult to define street art, let alone assess its impact, it is clear that many of the messages it communicates resonate with host communities. This paper investigates how street art is defined and promoted in Baltimore, how street art is used in Baltimore neighborhoods to resist oppression, and how Black Lives Matter is influencing street art in Baltimore. -
A Beginner's Guide to Acrylics & the WILL KEMP ART SCHOOL
SIMPLE STEPS TO GET PAINTING • A N I N T R O D U C T I O N T O A C R Y L I C S & T H E W I L L K E M P A R T S C H O O L A Beginner's Guide to Acrylics & THE WILL KEMP ART SCHOOL WILL KEMP WILL KEMP ART SCHOOL CONTENTS contents 1 WELCOME - An introduction to 19 COLOUR PALETTE - My suggested Will Kemp & The Online Art School basic acrylic colour palette to get you 8 WORKING WITH ACRYLICS - The started importance of flow 25 FREE TUTORIALS - Free step-by- 10 PAINT COVERAGE - Opacity vs step video and written lessons transparency 28 THE TEACHING METHOD - Where 12 PALETTES - Tear off & stay-wet to start on the website? 13 SUPPORTS - Canvas, paper 33 7 PAINTING PRINCIPLES - or board? Principles that will give you a solid 15 BRUSHES - The difference foundation for any subject between a flat and a filbert 38 PAID COURSES - Which 17 ADDITIONAL MATERIALS - Jam paid course is right for you. Drawing, jars, paper towel & easels Painting, Still Life or Portraits? PAGE 1 WILL KEMP ART SCHOOL WELCOME hello A N I N T R O D U C T O R Y G U I D E T O A C R Y L I C S & T H E W I L L K E M P A R T S C H O O L Morning class! I’m Will Kemp, founder of Will Kemp Art School & I’d like to welcome you to my website! If this is the first time you’re visiting, you may be wondering where to start, so I've put together this beginners guide to show you how the different areas of the Will Kemp Art School fit together and answer some of the most frequently asked questions. -
The Native American Fine Art Movement: a Resource Guide by Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba
2301 North Central Avenue, Phoenix, Arizona 85004-1323 www.heard.org The Native American Fine Art Movement: A Resource Guide By Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba HEARD MUSEUM PHOENIX, ARIZONA ©1994 Development of this resource guide was funded by the Nathan Cummings Foundation. This resource guide focuses on painting and sculpture produced by Native Americans in the continental United States since 1900. The emphasis on artists from the Southwest and Oklahoma is an indication of the importance of those regions to the on-going development of Native American art in this century and the reality of academic study. TABLE OF CONTENTS ● Acknowledgements and Credits ● A Note to Educators ● Introduction ● Chapter One: Early Narrative Genre Painting ● Chapter Two: San Ildefonso Watercolor Movement ● Chapter Three: Painting in the Southwest: "The Studio" ● Chapter Four: Native American Art in Oklahoma: The Kiowa and Bacone Artists ● Chapter Five: Five Civilized Tribes ● Chapter Six: Recent Narrative Genre Painting ● Chapter Seven: New Indian Painting ● Chapter Eight: Recent Native American Art ● Conclusion ● Native American History Timeline ● Key Points ● Review and Study Questions ● Discussion Questions and Activities ● Glossary of Art History Terms ● Annotated Suggested Reading ● Illustrations ● Looking at the Artworks: Points to Highlight or Recall Acknowledgements and Credits Authors: Margaret Archuleta Michelle Meyers Susan Shaffer Nahmias Jo Ann Woodsum Jonathan Yorba Special thanks to: Ann Marshall, Director of Research Lisa MacCollum, Exhibits and Graphics Coordinator Angelina Holmes, Curatorial Administrative Assistant Tatiana Slock, Intern Carrie Heinonen, Research Associate Funding for development provided by the Nathan Cummings Foundation. Copyright Notice All artworks reproduced with permission. -
Software Engineering Book
Developing Data-Intensive Cloud Applications with Iterative Quality Enhancements Software Engineering Book Deliverable 7.4 Deliverable 7.4. Software Engineering Book. Deliverable: D7.4 Title: Software Engineering Book Editor(s): Youssef RIDENE (NETF) Contributor(s): Giuliano Casale (IMP), Youssef RIDENE (NETF), Joas Yannick Kinouani(NETF), Laurie-Anne Parant (NETF), Chen Li (IMP), Lulai Zhu (IMP), Tatiana Ustinova (IMP), Pooyan Jamshidi (IMP), Danilo Ardagna (PMI), Marcello Bersani (PMI), Elisabetta Di Nitto (PMI), Eugenio Gianniti (PMI), Michele Guerriero (PMI), Matteo Rossi (PMI), Damian Andrew Tamburri (PMI), Safia Kalwar (PMI), Francesco Marconi (PMI), Gabriel Iuhasz (IEAT), Dana Petcu (IEAT), Ioan Dragan (IEAT), Matej Artač, (XLAB), Tadej Borovšak (XLAB), Craig Sheridan (FLEXI), David McGowran, Grant Olsson (FLEXI), Vasilis Papanikolaou (ATC), George Giotis (ATC), Christophe Joubert (PRO), Ismael Torres (PRO), Marc Gil (PRO), Simona Bernardi (ZAR), Abel Gómez (ZAR), José Merseguer (ZAR), Diego Pérez (ZAR), José-Ignacio Requeno (ZAR) Reviewers: Chen Li (IMP), Dana Petcu (IEAT) Type (R/P/DEC): DEC Version: 1.0 Date: 31-January-2018 Status: Final version Dissemination level: Public Download page: http://www.dice-h2020.eu/resources/ Copyright: Copyright © 2018, DICE consortium – All rights reserved DICE partners ATC: Athens Technology Centre FLEXI: Flexiant Limited IEAT: Institutul E Austria Timisoara IMP: Imperial College of Science, Technology & Medicine NETF: Netfective Technology SA PMI: Politecnico di Milano PRO: Prodevelop SL XLAB: XLAB razvoj programske opreme in svetovanje d.o.o. ZAR: Unversidad De Zaragoza The DICE project (February 2015-January 2018) has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No. 644869 Copyright © 2018, DICE consortium – All rights reserved 2 Deliverable 7.4. -
The Wiki Family of Web Sites
The Federal Lawyer In Cyberia MICHAEL J. TONSING The Wiki Family of Web Sites he growth in the number of informative Web set of resources. Much of what follows is drawn from the sites seems exponential. It is increasingly hard self-descriptions on the Wiki Web sites themselves. Tto keep up with them. If you’re not using the “Wiki” family of sites, you’re missing some sources that Wiktionary are almost stupefying in their scope. A “wiki” is essen- Wiktionary (en.wikipedia.org/wiki/Wiktionary) is tially a Web site in which contributors can add their a sister site to Wikipedia. Wiktionary is not an online own copy. (I capitalize the word in most instances in encyclopedia but an online dictionary, and its entries this column to make it clear that I am referring to a par- are about words. A Wiktionary entry focuses on mat- ticular family of wikis. There are many other wikis out ters of language and wordsmithery, spelling, pronun- there. You may decide to start your own someday.) ciation, etymology, translation, usage, quotations, and links to related words and concepts. Because Wiktion- Wikipedia ary is not written on paper, it has no size limits, it can Wikipedia (www.wikipedia.org), then, is an online include links, and its information can be more timely encyclopedia in which visitors can read infor- than that found in a written dictionary. mation on the topics they visit, then edit the information on the site itself if they choose Wikisource to do so. (The name “Wikipedia” is a meld- Wikisource (en.wikipedia.org/wiki/Wikisource), which ing of the works “wiki” and “encyclopedia.”) dubs itself “the free library,” collects and stores previ- Out of what might at first have seemed like ously published texts in digital format; contents include online chaos has come semirespectability and novels, nonfiction works, letters, speeches, constitutional order. -
Nameless Art in the Mao Era
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2017 Nameless Art in the Mao Era Tianchu Gao College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Asian Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Gao, Tianchu, "Nameless Art in the Mao Era" (2017). Undergraduate Honors Theses. Paper 1091. https://scholarworks.wm.edu/honorstheses/1091 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Nameless Art in the Mao Era A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Department of Art and Art History from The College of William and Mary by Tianchu (Jane) Gao 高天楚 Accepted for ___________________________________ (Honors, Non-Honors) ________________________________________ Xin Wu, Director ________________________________________ Sibel Zandi-Sayek ________________________________________ Charles Palermo ________________________________________ Michael Gibbs Hill Williamsburg, VA May 2, 2017 ABSTRACT This research project focuses on the first generation of No Name (wuming 無名), an underground art group in the Cultural Revolution which secretly practiced art countering the official Socialist Realism because of its non-realist visual language and art-for-art’s-sake philosophy. These artists took advantage of their worker status to learn and practice art legitimately in the Mass Art System of the time. They developed their particular style and vision of art from their amateur art training, forbidden visual and textual sources in the underground cultural sphere, and official theoretical debates on art. -
Alternative Art Schools
! Research paper Alternative art schools A consideration of the background to alternative arts schools and their current relevance, citing historical ideology and using eight case studies. a-n The Artists Information Company 1! www.a-n.co.uk ! In December 2010 student occupations mushroomed across the UK. On the arts front Arts Against Cuts hosted an action-planning Long Weekend at Goldsmiths Student Union and occupied Tate Britain during the Turner Prize award ceremony. Art students from the Slade School of Fine Art were served a legal injunction and taken to court by their university, following their sit-ins. The student uprising comes at a time when the art world is embracing the value of historical alternative art schools and their ideological successors. The Long Weekend, as a collaborative non-hierarchical educational experience, opens up scrutiny of the prevalent inequalities that permeate the arts and offers alternative ways of working with and around the establishment. The Alternative Art School model – epitomised by the progressive and experimental learning model of Black Mountain College in the 1930s and Joseph Beuys’ democratisation of the art school in the sixties – has in the last decade taken the shape a-n The Artists Information Company 2! www.a-n.co.uk ! of both the self-organised groupings of the anti-capitalist movement and the convivial spaces of Relational Aesthetics. Increasingly, leading art world institutions are positioning themselves as alternative educational spaces and drawing on what Liam Gillick refers to as the increasing demand for “post post graduate working situations”1. This is in addition to the explosion of life from artist or student collectives and tutor-led extra-institutional endeavours. -
Virtual Dust on a Bookshelf: Abandoned Wikibooks by and for Writing Students
Virtual Dust on a Bookshelf: Abandoned Wikibooks by and for Writing Students Christopher Scott Wyatt, Slippery Rock University of Pennsylvania Within composition and rhetoric, scholars embraced wikis and their pre- decessors. We included students in the creation and maintenance of collab- orative open source writing projects, hoping these projects would become exemplars of sustainable living texts. Sadly, the Wikibooks texts Rhetoric and Composition and Professional and Technical Writing offer examples of student-led writing projects that now collect virtual dust on the Wikibooks library shelves. Both projects were last revised significantly in 2010, with only minor edits in the eight years since. Similar neglect affects other open source publishing efforts. What contributed to Wikibooks failing to attract new and ongoing collaboration? Why did readers not embrace the texts? Can the projects be revived—and should they be? Identifying why the projects did not achieve sustainability might help us avoid embracing digital writing technol- ogies that fade as quickly as these Wikibooks did. Wikibooks and Unrealized Potential This paper explores the current state of the Wikibooks library, presents data on Wikibook collaboration trends, examines potential explanations for these trends, and concludes by asking if our disciplines can, and should, actively attempt to revive neglected crowdsourced, open source texts. When Matt Barton (2008) guided his students at St. Cloud State Universi- ty of Minnesota through the creation of the Wikibook Rhetoric and Compo- sition, some of us anticipated a wave of similar efforts. I encouraged students at the University of Minnesota, Twin Cities, to create the Professional and Technical Writing text in 2008, as one of several project choices for collab- orative groups.