Getting Changed MENOPAUSE USED to BE THAT SCARY, WEIRD, HOT-FLASH TIME of LIFE THAT HAPPENED to OUR AUNTS and THAT GRUMPY WOMAN NEXT DOOR

Total Page:16

File Type:pdf, Size:1020Kb

Getting Changed MENOPAUSE USED to BE THAT SCARY, WEIRD, HOT-FLASH TIME of LIFE THAT HAPPENED to OUR AUNTS and THAT GRUMPY WOMAN NEXT DOOR 82 83 geTtiNg ChAngEd MENOPAUSE USED TO BE THAT SCARY, WEIRD, HOT-FLASH TIME OF LIFE THAT HAPPENED TO OUR AUNTS AND THAT GRUMPY WOMAN NEXT DOOR. BUT THANKS TO NEW TREATMENTS, NEW PRODUCTS, AND A NEW ATTITUDE, THE TIME OF LIFE KNOWN AS “THE CHANGE” IS GETTING A MUCH-NEEDED REBRANDING. BY MEIRAV DEVASH 82 84 85 certain age that has made talking When freshly single about this stuff uncomfortable, to say the least. “We live in a patriar- chy. Women are mostly valued for Candace their sexuality, their fertility, and their 50-something mothering skills, so once your fertil- ity wanes, you seem less valuable, and that can make you really fearful,” Bushnell signed up for says Steinke, whose own experience with “the change” was so confound- ing that she was driven to write a Tinder book about it. To her and many of (and wrote about it us, it comes down to self-worth. Says Bushnell, “When society tells in her new book, Is There you that you’re no longer valuable, you have to find your own sense of value.” And that’s easier to do once Still Sex in the City?), you start framing menopause as an opportunity, not only a loss. Women are freed from the constraints of her own age contraception and the menstrual men didn’t cycle’s hormonal roller coaster, which is why many find a new kind of clarity. “Ultimately it’s a change really swipe right. in your brain,” says Bushnell. “It’s a time when many women feel like Firmly in midlife, even the real- they can say ‘fuck you’ [to society]... GALLERY. HJELLEGJERDE KRISTIN OF COURTESY BOTH 2019. , life Carrie Bradshaw—patron saint and learn to be your own person.” of cosmos, new boyfriends, and This can transform menopause Manolo Blahniks—had tumble- two years running, proof that the into a period of radical self- and sex- weeds rolling through her inbox. sexiest fantasies, the ones driven by ual discovery, where procreation is It’s hardly an unfamiliar narrative for all those hormones, hardly require off the table and everything that hap- SEE THROUGH YOU THROUGH SEE women in our culture: With your first perky, youthful bodies. pens under the sheets is entirely for period, you become a sexual being, Menopause is getting its pleasure. Sure, the drop in estrogen then maybe kids, maybe a messy glow-up—and it’s about damn will sap vaginal moisture, but that’s divorce, until, inevitably, hot flashes, time. First, the technicalities: To be nothing a little lube can’t fix. (After an dry vagina, and...nothing. At this menopausal, you need to miss your NPR interview about midlife sexuality, point—the menopause point—you period for a full year in the absence a social media commenter nailed it, become invisible. If you’re lucky, of other causes. The average age is Steinke says, joking that postmeno- you reemerge as an old lady living 51, but the years before menopause pausal sex sounds a lot like gay sex: in Miami with three roommates who are where the action begins. Hot lots of lube and conversation.) love cheesecake and everyone’s flashes, night sweats, and irregular Loss of desire can happen too, wearing a caftan. periods are signs that your ovaries though it’s hardly inevitable. There’s Or so the horror story goes. are sputtering out less estrogen. no female equivalent of Viagra yet, Bushnell doesn’t buy into this Called perimenopause, this transi- but there are now two FDA-approved outdated narrative. When she recal- tion can begin as early as your 30s. drugs designed to boost libido: Addyi ibrated her Tinder settings to 22- to This stage of life is so much more (flibanserin), a once-a-day pill, and PRAGER, VANESSA © PAGE: THIS PAINTING, 2019. , 38-year-olds instead of the baby than vaginal dryness and a dying Vyleesi (bremelanotide), an injection boomers that automatically popped libido, but we’ve avoided the conver- you self-administer 45 minutes before up, she was deluged with potential sation because if we don’t talk about sex. Neither one really performs well matches. Men her own age might it, it won’t happen, right? Obviously when compared to a placebo, plus not be interested, but millennials— not. Now women like Bushnell and the potential side effects are the ROAD THE OF END who grew up with the sexual trope Darcey Steinke, the author of Flash opposite of arousing. When Addyi of seductive older women—are Count Diary: Menopause and the interacts with the most common definitely DTF. Hot moms are such Vindication of Natural Life, are tap- aphrodisiac, alcohol, it can lead to a popular fantasy that “MILF” and ping into what was once unthink- decreased blood pressure, dizziness, “stepmom” have been the #3 and able: the idea that there is another and fainting. Vyleesi’s most common #4 searches on pornhub.com for version of midlife—and you access side effects are nausea and vomiting. it with real talk, honest reflection, a But the fact that time and research sense of adventure, and maybe the are being devoted to the study of hottest sex of your life. Until now, there’s been a particu- lar mélange of disinterest (old ladies, zzz), distrust (she’s going to do some- thing crazy!), and disgust (expired vaginas) reserved for women of a PRAGER, VANESSA © PAGE: PREVIOUS PAINTING, 84 86 87 female arousal and pleasure is reason riage ended, she found herself in One of the many myths of meno- enough to stand up and applaud. the arms of a colleague from work pause is that it renders women irrele- Nonetheless, even when inter- named Damian*—a trans man. “If vant, undesirable. The reality is there No matter how amazing your attitude about menopause is, the symptoms est in penetrative sex may dip, the I was younger, I might be thinking are plenty of smoking hot, wholly Help are real. And real annoying. Doctors like Alyssa Dweck, an assistant clinical menu of sensual options can actually about family planning, but I’m past engaged women in their 50s and professor of obstetrics and gynecology at Mount Sinai School of Medicine expand. “It’s not what you do; it’s how that point in my life,” says Juris, who beyond. Salma Hayek is 53. Sharon and coauthor of The Complete A to Z for Your V (Fair Winds Press), often you do it that’s important,” Bushnell is raising her daughter with her new Stone is 61. Susan Sarandon is 73. consider prescribing antidepressants Paxil (paroxetine) and Effexor (venla- says. “When people are having good partner. “I never enjoyed sex with cis- When Steinke searched the cultural Is on faxine) to some patients to curb anxiety and hot flashes. “Gabapentin, a sex, they’re having good sex.” That gender men the same way my friends vacuum for menopausal role mod- medication commonly used for neurologic conditions, can also improve doesn’t always mean the penis goes seemed to, so I very much welcome els, she had to look in unexpected sleep by relieving anxiety and night sweats,” she says. There are plenty of in the vagina. Sometimes penises are the concept that there are many dif- places, like The Testosterone Files by the nonprescription ways to assuage the symptoms as well. nowhere to be found. ferent ways to have sex.” Max Wolf Valerio, in which he writes Consider ostensibly straight Upon turning 40, Annette about his move from female to male women who spend decades married Benedetti, now 45, expanded her as an adventure. “He was going into Way to a man, raise a family, and then marriage into an open relationship. this new hormonal world. How would find themselves unexpectedly fall- “The old expectations were sud- he feel? How would his body feel? ing in love with another woman later denly stripped away, and that’s when There was struggle, and it was weird, in life. It’s not as rare as you’d think, I started exploring dating women,” but it was also exciting,” Steinke and they’re not necessarily closet she says. “Some people say women says. “That’s the way I felt about my cases. Sexual proclivities may actu- become invisible after 40, and maybe own menopause!” (She also found a PAUSE ally switch back and forth multiple that’s true, but I felt liberated.” She postmenopausal leader called J2, aka EMEPELLE WELL-AGING times during different life stages, started a meetup group for bisexual Granny, a matriarchal orca who lived SKINCARE. COLLECTION. says Lisa Diamond, a professor of women in her city and attracted over to be over 100 years old and used her The serum is for A spray of Hot psychology and gender studies at 100 members in less than a week. Now wisdom to guide her pod and nurture morning; the rich Flash Cooling Mist the University of Utah, who has stud- the group has almost 400 members, their calves.) JOYLUX VFIT cream is for night. to the face and INTIMATE Together they treat chest is like a peck ied sexual fluidity in women for over and Benedetti has a fulfilling marriage And consider this: Most mammals SEEME BEAUTY BONAFIDE WELLNESS estrogen-deficient on the cheek from two decades. “It seems that the life and a supportive tribe of open-minded don’t have postreproductive lives. SMOOTH OUT RELIZEN. DEVICE. skin by tightening, Elsa, relieving the Menopause is a once-in-a-lifetime gift RECOVERY SERUM. This Swedish experiences, confidence, and self- friends (and occasional lovers).
Recommended publications
  • Invasive Weeds of the Appalachian Region
    $10 $10 PB1785 PB1785 Invasive Weeds Invasive Weeds of the of the Appalachian Appalachian Region Region i TABLE OF CONTENTS Acknowledgments……………………………………...i How to use this guide…………………………………ii IPM decision aid………………………………………..1 Invasive weeds Grasses …………………………………………..5 Broadleaves…………………………………….18 Vines………………………………………………35 Shrubs/trees……………………………………48 Parasitic plants………………………………..70 Herbicide chart………………………………………….72 Bibliography……………………………………………..73 Index………………………………………………………..76 AUTHORS Rebecca M. Koepke-Hill, Extension Assistant, The University of Tennessee Gregory R. Armel, Assistant Professor, Extension Specialist for Invasive Weeds, The University of Tennessee Robert J. Richardson, Assistant Professor and Extension Weed Specialist, North Caro- lina State University G. Neil Rhodes, Jr., Professor and Extension Weed Specialist, The University of Ten- nessee ACKNOWLEDGEMENTS The authors would like to thank all the individuals and organizations who have contributed their time, advice, financial support, and photos to the crea- tion of this guide. We would like to specifically thank the USDA, CSREES, and The Southern Region IPM Center for their extensive support of this pro- ject. COVER PHOTO CREDITS ii 1. Wavyleaf basketgrass - Geoffery Mason 2. Bamboo - Shawn Askew 3. Giant hogweed - Antonio DiTommaso 4. Japanese barberry - Leslie Merhoff 5. Mimosa - Becky Koepke-Hill 6. Periwinkle - Dan Tenaglia 7. Porcelainberry - Randy Prostak 8. Cogongrass - James Miller 9. Kudzu - Shawn Askew Photo credit note: Numbers in parenthesis following photo captions refer to the num- bered photographer list on the back cover. HOW TO USE THIS GUIDE Tabs: Blank tabs can be found at the top of each page. These can be custom- ized with pen or marker to best suit your method of organization. Examples: Infestation present On bordering land No concern Uncontrolled Treatment initiated Controlled Large infestation Medium infestation Small infestation Control Methods: Each mechanical control method is represented by an icon.
    [Show full text]
  • VIRUSES in WEEDS in Dioscorea YAM FIELDS in NIGERIA
    African Crop Science Journal, Vol. 22, No. 2, pp. 109 - 115 ISSN 1021-9730/2014 $4.00 Printed in Uganda. All rights reserved © 2014, African Crop Science Society VIRUSES IN WEEDS IN Dioscorea YAM FIELDS IN NIGERIA S. ASALA1,2,4, M.D. ALEGBEJO1, B.D. KASHINA1, O.O. BANWO1 and C.P. SHINGGU3 1Department of Crop Protection, Ahmadu Bello University, Zaria, Nigeria 2International Institute of Tropical Agriculture, PMB 5320, Ibadan, Nigeria 3Department of Agronomy, Ahmadu Bello University, Zaria, Nigeria 4Department of Crop Science, Faculty of Agriculture, University of Abuja, Abuja, Nigeria Corresponding author: [email protected] (Received 13 March, 2014; accepted 13 April, 2014) ABSTRACT The presence of viruses in yam leaves and the presence of weeds in close proximity to yam fields have been shown to be associated with diminished tuber yield. But the precise role of weeds as alternative hosts of viruses infecting yam has not been systematically studied. Therefore, leaf samples of weeds were collected from Dioscorea yam fields in FCT-Abuja, and five States of the Guinea Savanna agro-ecological zone of Nigeria in 2009 and 2010, and analysed by Enzyme-Linked Immuno-absorbance Assay (ELISA) and Polymerase Chain Reaction for viruses. Fifty-four and 70% of samples collected during the two years, respectively, were infected with Yam mosaic virus, Cucumber mosaic virus, Cowpea mild mottle virus, Pepper venial mosaic virus, Telfeiria mosaic virus, Cowpea yellow mosaic virus and Badnavirus (DaBV). The weeds and viruses were Hibiscus esculentus Moench (YMV, CMV and CPMMV), Amaranthus spinosus Linn (CMV, YMV), Physalis angulata L (YMV, CMV), Procumbane Linn (CMV), Phyllanthus amarus Shum (YMV, CMV, CPMMV), Ludwigia abyssinica A.
    [Show full text]
  • Texto Completo (Pdf)
    ISSN 2173-5123 Enfoques morales vs. enfoques estéticos en la narración audiovisual. El caso de Weeds Moral vs. Aesthetic Approaches to Audiovisual Narration. The Case Of Weeds Recibido: 31 de octubre de 2012 Aceptado: 29 de diciembre de 2012 Gemma Argüello Manresa 1 Universidad Nacional Autónoma de México [email protected] Resumen Este trabajo tiene como objetivo encontrar las consecuencias que tiene el análisis narrativo de un corpus de material audiovisual televisivo en la discusión filosófica entre autonomismo y moralismo en estética. El debate entre estas dos posturas implica el cuestionamiento de si el defecto moral de una obra se convierte en un defecto estético. Se analizará la serie televisiva Weeds (Kohan, cr., 2005-2012), en la cual la protagonista desafía los valores morales convencionales por medio de la comedia. A través del exploración del contenido narrativo de la serie se mostrará si es posible establecer un juicio y goce estético independiente de las cuestiones morales presentes en su contenido. Palabras clave Estética, moralidad, goce estético, juicio, drogas. Abstract This work aims to find the implications narrative analysis of a corpus of audiovisual television series have in the philosophical discussion between autonomism and moralism in aesthetics. The debate between the two positions involves the question of whether the moral fault of a work becomes an aesthetic defect. It will analyze the TV series Weeds (Kohan, cr. 2005-2012), in which the protagonist defies conventional moral values through comedy. Through the exploration of the narrative content of the series it will be shown if it is possible to establish an independent aesthetic judgment and joy from the moral issues in their content.
    [Show full text]
  • Weed Management in Texas Cotton
    Dept. of Soil & Weed Crop Sciences Management in Texas Cotton 1 Weed Management in Texas Cotton Joshua McGinty, Ph.D ‐ Assistant Professor and Extension Agronomist, Corpus Christi, TX Emi Kimura, Ph.D. ‐ Assistant Professor and Extension Agronomist, Vernon, TX Pete Dotray, Ph.D. ‐ Professor and Extension Weed Control Specialist, Lubbock, TX Gaylon Morgan, Ph.D. ‐ Professor and State Extension Cotton Specialist, College Station, TX Seth Byrd, Ph.D. – Assistant Professor and Extension Cotton Specialist, Lubbock, TX Contents GENERAL PRACTICES ..................................................................................................................................... 3 HERBICIDE RESISTANCE ................................................................................................................................. 3 Table 1. Mechanism of action of herbicides labelled for use in cotton ........................................................ 5 CULTURAL CONTROL ..................................................................................................................................... 6 PREPLANT BURNDOWN ................................................................................................................................ 8 WEED MANAGEMENT AT PLANTING ............................................................................................................ 8 POSTEMERGENCE WEED CONTROL .............................................................................................................. 8 POST‐HARVEST WEED
    [Show full text]
  • Shameless Television: Gendering Transnational Narratives
    This is a repository copy of Shameless television: gendering transnational narratives. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/129509/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X and Minor, L (2019) Shameless television: gendering transnational narratives. Feminist Media Studies, 19 (3). pp. 364-379. ISSN 1468-0777 https://doi.org/10.1080/14680777.2018.1468795 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Shameless Television: Gendering Transnational Narratives Beth Johnson ([email protected]) and Laura Minor ([email protected]) School of Media and Communication, University of Leeds, Leeds, UK Abstract The UK television drama Shameless (Channel 4, 2004-2011) ran for eleven series, ending with its 138th episode in 2011. The closing episode did not only mark an end, however, but also a beginning - of a US remake on Showtime (2011-). Eight series down the line and carrying the weight of critical acclaim, this article works to consider the textual representations and formal constructions of gender through the process of adaptation.
    [Show full text]
  • The Revenge of Jenji Kohan
    ThThe Reveevengnge of Jenjnji KoKohanan Smart. Funny. Obsessive. Subversive. How the creator of the hit TV shows Weeds and Orange Is the New Black smoked the doubters and got the last laugh By Paul Hond enji Kohan ’91CC is a rare bird among With the latest season of Orange in the can, the television showrunners: blue-haired and building is quiet today, and Kohan is relaxed. Her female, a punkish Jewish earth mother with private offi ce exudes warmth and comfort, as does a darkly comic vision so basic to her nature Kohan herself. Her hair is the vivid indigo of blue that the goblin of political correctness velvet. Her cat-eye glasses could have been teleported Jshrinks in her presence. As a writer, she is fearless. from a 1962 mahjong game. Objects on her desk She will go there, and keep going. attest to a fondness for thrift-shop fl otsam and novelty “I fi nd the funny in everything, especially the inap- doodads: two Magic 8 Balls, a Weeds condom, and a propriate,” she says. “Maybe it’s my survival technique.” beanbag emblazoned with an unprintable four-letter Kohan’s company, Tilted Productions, is based in word starting with the letter C. central Los Angeles, in a Spanish Colonial–style build- Life wasn’t always this good. “I spent the fi rst part of ing of pink stucco, arched windows, and iron grillwork. my life very frustrated, feeling patronized, and fi ghting Built in 1926 as the Masque Playhouse, it was later injustice, and it doesn’t work when you’re young,” renamed the Hayworth Theatre (legend has it that Kohan says, seated in an armchair with her feet tucked Rita Hayworth’s father once ran a dance studio there).
    [Show full text]
  • PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer)
    PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer) Courtney Kemp Agboh started her career in the magazine world, publishing articles in GQ, Vibe, and Marie Claire. She then left New York to pursue television writing, starting out in comedy on “The Bernie Mac Show” (Fox), and transitioning into one-hour drama, with stints on “Eli Stone” (ABC) and “The Good Wife” (CBS), among others. She is the creator and show runner of “Power,” which in its first season doubled viewership from its premiere episode to its finale and generated the largest concentration of African American viewership of any scripted premium series since 2006. Kemp Agboh holds a B.A. from Brown University in English Literature and received her M.A. in English literature from Columbia University. She lives in Los Angeles. DAVID KNOLLER (Executive Producer, Director Episodes 203, 205) Working first as an actor in theater, television and film, David Knoller segued into live television producing, while still directing theater and teaching acting in the Los Angeles area. He produced Specials for CBS and HBO, and was soon asked to join Home Box Office as an executive. While at HBO, David produced the concert feature film Martin Lawrence: You So Crazy and the award winning mini-series “America’s Dream” with Danny Glover and Wesley Snipes. David also oversaw the productions of HBO’s “Comic Relief,” “One Night Stand,” “Women of the Night,” “Dream On” and “Larry Sanders,” along with pilots and series for its upstart HBO Independent Productions, which included FOX’s “Roc,” “Down The Shore” and “Martin”.
    [Show full text]
  • Ironic (In)Authenticity
    Emmanuel College Ironic (In)authenticity A Class Based Theoretical Account of Contemporary Indie Culture Brian W. Westerlind Research Submission for Distinction in the Field of Communication, Media, and Cultural Studies Facuity Advisor: Dr. Christopher Craig 25 April 2013 © Brian W. Westerlind Abstract In this study I explore indie culture specifically as a manifestation of Zizek's cultural capitalism in which we are encouraged to consume in order to do culture and capitalism "better." In this sense, indie positions itself as a means to do authentic culture independently of the "mainstream," which it subsequently positions as an impure and inauthentic cultural space contaminated by corporate interests, conformity, and mindlessness. However, the dialectic relationship between indie and the mainstream reveals that indie instead functions as a culturally superior position of consumption of and within mass culture. Through analysis of both the dominant narrative of indie culture as well as the ironic indie subject, I demonstrate how indie functions as a position of (upper) middle class consumption that upholds class distinction while repressing antagonistic voices that challenge the very exploitive social structure upon which indie finds its articulation and with which it is aligned. Introduction I was recently working on this project at a chain coffee house when a single line from an exchange between the barista and another customer cut through my own thought. The customer, a 20-something female who wore a frayed leather jacket (perhaps frayed at home) and loud- patterned leggings (definitely factory made) said in a light ironic tone: "everyone's so alternative, and we're all the same, and it's great." This sentiment epitomizes indie culture today.
    [Show full text]
  • “Good Shit Lollipop”
    “GOOD SHIT LOLLIPOP” Episode # 1003 Written By Roberto Benabib Directed By Craig Zisk GREEN – 4 th REVISED 3/29/05 (pp. 8, 8A) YELLOW – 3 RD REVISED 3/24/05 PINK – 2 ND REVISED 3/23/05 BLUE – 1 ST REVISED 03/21/05 WHITE Production Draft 3/17/05 Copyright © 2005 Lions Gate Television Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, sold or distributed by any means, or quoted or published in any medium, including any website, without prior written consent. Disposal of this script copy does not alter any of the restrictions set forth above. WEEDS Episode #1003 – GOOD SHIT LOLLIPOP CAST LIST Nancy Botwin ..........................................................................Mary-Louise Parker Celia Hodes .............................................................................Elizabeth Perkins Doug Wilson ............................................................................Kevin Nealon Heylia James ...........................................................................Tonye Patano Conrad Conrad Shepard ...........................................................Romany Malco Silas Botwin.............................................................................Hunter Parrish Shane Botwin ..........................................................................Alex Gould Dean Hodes.............................................................................Andy Milder Isabel Hodes ...........................................................................Allie Grant Vaneeta...................................................................................Indigo
    [Show full text]
  • Immuno-Oncology in Blood Cancers
    A caregiver’s guide to Immuno-Oncology in Blood Cancers This guide will help you understand immunotherapy in blood cancers, and what you can do for the patient and yourself to improve the treatment experience. Your logo immunooncology.com 3 Introduction 4 How does immunotherapy work with the immune system to fight cancer? 6 How is immunotherapy different from other types of cancer treatment? 8 What side effects can be expected from immunotherapy? 10 What can I do as a caregiver? 12 What can I do to cope? 14 Is it normal to feel this way? 16 Where can I find more information? 18 Notes 2 Introduction You may already know about some of the treatment options available for blood cancers, such as chemotherapy, radiation, targeted therapy or stem cell transplant. With advances in science, there’s now another way to treat certain cancers: immuno-oncology. Immuno-oncology uses drugs known as immunotherapies to help the body’s immune system fight cancer. ‘Immuno’ in immuno-oncology refers to the immune system. The immune system is the body’s natural defense against illness and disease such as cancer. This guide will help you understand immunotherapy. Keep this for your reference. We’ve provided blank space for you to take notes and write down any questions you may have as you read through the guide. immunooncology.com 3 How does immunotherapy work with the immune system to fight cancer? Immunotherapy uses the body’s own immune system to help fight cancer. Here’s an analogy to explain the concept: Imagine the body as a lawn, where the soil is the immune system.
    [Show full text]
  • Drugs, Racial Stereotypes, and Suburban Dystopia in Showtime's Weeds
    The Asian Conference on Cultural Studies 2013 Official Conference Proceedings Osaka, Japan Drugs, Racial Stereotypes, and Suburban Dystopia in Showtime's Weeds Douglas Forster Japan Women's University, Japan 0075 The Asian Conference on Cultural Studies 2013 Official Conference Proceedings 2013 Abstract An analysis of how Showtime’s hit show Weeds attempts to subvert suburban modernity by inviting the audience to situate their opinions about marijuana use amid bourgeois soccer moms, class politics, turf wars, raw economics, violent milieu, and multicultural heterogeneity. The show reflects how the modern American suburb is constantly being reconstructed and reexamined. In addition, rather than shying away from racial issues, Weeds embraces them in what can be viewed in a reflexive, postmodern way. This paper examines how Weeds manages to reveal, parody, critique, and poke holes in American suburban dystopia, racism, and drug use. iafor The International Academic Forum www.iafor.org 59 The Asian Conference on Cultural Studies 2013 Official Conference Proceedings Osaka, Japan Introduction Cable television network Showtime’s Weeds (Kohan, 2005-2012) debuted on August 7, 2005 and became an instant hit, generating the network’s highest ratings with the premier of the fourth season attracting 1.3 million viewers. The show is a dark American comedy that centers around Nancy Botwin (Mary-Louise Parker), a stay-at- home mother whose husband suddenly died of a heart attack, forcing her to find a way to support her family and maintain their middle-class lifestyle in the fictional suburban town of Agrestic, California, which was filmed in the Southern California suburban community of Stevenson Ranch.
    [Show full text]
  • “ 'Lude Awakening”
    “ ‘LUDE AWAKENING” (F.K.A DARK SIDE OF THE MOON) Episode # 1005 Written By Devon K. Shepard Directed By Lee Rose SALMON – 6 th Revised – 8pm 04/13/05 (p.38) GOLDENROD – 5 th Revised – 04/13/05 GREEN – 4 th Revised 04/12/05 YELLOW – 3 rd Revised – 4pm 04/08/05 PINK – 2 nd Revised 04/08/05 BLUE - 1 st Revised 04/07/05 WHITE - Production Draft 04/05/05 Copyright © 2005 Lions Gate Television Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, sold or distributed by any means, or quoted or published in any medium, including any website, without prior written consent. Disposal of this script copy does not alter any of the restrictions set forth above. WEEDS Episode #1005 – ‘LUDE AWAKENING CAST LIST Nancy Botwin ..........................................................................Mary-Louise Parker Celia Hodes .............................................................................Elizabeth Perkins Doug Wilson ............................................................................Kevin Nealon Heylia James ...........................................................................Tonye Patano Conrad Conrad Shepard ...........................................................Romany Malco Silas Botwin.............................................................................Hunter Parrish Shane Botwin ..........................................................................Alex Gould Andy Botwin ............................................................................Justin Kirk Dean Hodes.............................................................................Andy
    [Show full text]