Golden Lane Listed Building Management Guidelines Will Be a Material Consideration in Determining Listed Building Consent Applications
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From Manufacturing Industries to a Services Economy: the Emergence of a 'New Manchester' in the Nineteen Sixties
Introductory essay, Making Post-war Manchester: Visions of an Unmade City, May 2016 From Manufacturing Industries to a Services Economy: The Emergence of a ‘New Manchester’ in the Nineteen Sixties Martin Dodge, Department of Geography, University of Manchester Richard Brook, Manchester School of Architecture ‘Manchester is primarily an industrial city; it relies for its prosperity - more perhaps than any other town in the country - on full employment in local industries manufacturing for national and international markets.’ (Rowland Nicholas, 1945, City of Manchester Plan, p.97) ‘Between 1966 and 1972, one in three manual jobs in manufacturing were lost and one quarter of all factories and workshops closed. … Losses in manufacturing employment, however, were accompanied (although not replaced in the same numbers) by a growth in service occupations.’ (Alan Kidd, 2006, Manchester: A History, p.192) Economic Decline, Social Change, Demographic Shifts During the post-war decades Manchester went through the socially painful process of economic restructuring, switching from a labour market based primarily on manufacturing and engineering to one in which services sector employment dominated. While parts of Manchester’s economy were thriving from the late 1950s, having recovered from the deep austerity period after the War, with shipping trade into the docks at Salford buoyant and Trafford Park still a hive of activity, the ineluctable contraction of the cotton industry was a serious threat to the Manchester and regional textile economy. Despite efforts to stem the tide, the textile mills in 1 Manchester and especially in the surrounding satellite towns were closing with knock on effects on associated warehousing and distribution functions. -
“How Do We Live?” Housing Workshop / London 2019 11Th April — 18Th April 2019 Jocelyn Froimovich, Johanna Muszbek University of Liverpool in London
“How Do We Live?” Housing Workshop / London 2019 11th April — 18th April 2019 Jocelyn Froimovich, Johanna Muszbek University of Liverpool in London Housing design never starts afresh; housing design operates through variation, iteration, and/or mutation of prior examples. The series of workshops “How do we live?” venture into a typological investigation, with the expectation that types can provide a framework to deal with complex urban variables. By understanding the particulars in the production of a housing type, the architect can manipulate and reorganise—invent. This workshop will discuss housing types, exemplary of a particular city in its making. By looking at past exemplary projects ant today’s market offer, the goal is to observe, analyse, participate and hopefully interfere in the production system of the urban. Rather than dismissing examples of the current housing offer as “bastard” architecture, it is assumed that these housing types portray specific subjects, their living and urban conditions; the politics, policies, and socio economic factors that lead into developing a particular urban setting. Thus, the goal of the studio is to design new housing types that expand the existing housing repertoire. These new types will respond to current and future lifestyles and contribute to resolve specific urban demands. The question for this workshop is: what defines the housing crisis of London today? By forcing the notion of crisis as a methodology, each student will question a specific London housing type and propose alternative designs for each of them. For this workshop, the notion of “crisis” will be used as an operative term. “Crisis” is understood as a turning point, a time when a difficult or important decision must be made. -
Beauty and the Brutalists: Why the Most Maligned Style in History Should Be Preserved | Financial Times
19-3-2021 Beauty and the Brutalists: why the most maligned style in history should be preserved | Financial Times Architecture Beauty and the Brutalists: why the most maligned style in history should be preserved Brutalist buildings around the world are endangered or lie derelict — even Donald Trump dislikes them Edwin Heathcote JANUARY 15 2021 Donald Trump might now forever be associated with classical architecture, just not necessarily in the way he would have wanted. The image of rioters storming the Capitol building in Washington, DC, this month, snapping selfies and stealing souvenirs, will be the indelible final memory of his tempestuous presidency. But one of his last acts in office was to issue an executive order that new federal buildings must be built in a classical style. What they should not be, it specified, is Brutalist. This is how it was defined: “Brutalist means the style of architecture that grew out of the early 20th-century Modernist movement that is characterised by a massive and block-like appearance with a rigid geometric style and large-scale use of exposed poured concrete.” For a big builder, Trump seems to have misunderstood the moment. Brutalism has been over as a way of building for about 40 years. No new US government buildings are in danger of being Brutalist. Perhaps he was thinking of the J Edgar Hoover Building, the FBI HQ a block away from the Trump International Hotel. The chunky concrete building has always been unpopular. https://www.ft.com/content/56088f69-cb96-4344-86c2-23d383274013 1/13 19-3-2021 Beauty and the Brutalists: why the most maligned style in history should be preserved | Financial Times The Brutalist FBI headquarters in Washington, DC, has always been unpopular © Alamy Stock Photo Not only is Brutalism no longer an applicable style, but hundreds of its best buildings are in danger of being lost forever through neglect, ignorance and laziness. -
Design and Access Statement
City of London Primary Academy Islington Design and Access Statement July 2017 Hawkins\Brown © | July 2017 | HB1677 | Design and Access Statement 2 City of London Corporation Islington Town Hall North Wing 222 Upper Street Guildhall London EC2P 2EJ N1 1XR [email protected] +44 (0) 20 7606 3030 +44 (0 20 7527 2000 Architect MEP/Structural Consultants Project Manager Planning Consultant Cost Consultant 159 St John Street 33 Bowling Green Lane Arcadis House 5 Bolton Street One New Change London London 34 York Way London London EC1V 4QJ EC1R 0BJ London W1J 8BA EC4M 9AF [email protected] [email protected] N1 9AB +44 (0) 20 7336 8030 +44 (0) 20 3824 6600 [email protected] +44 (0) 20 7493 4002 +44 (0) 20 7544 4000 +44 (0) 7812 2000 Hawkins\Brown © | July 2017 | HB1677 | Design and Access Statement 3 Design and Access Statement Document control and issue sheet Authorisation Reviewed by Name Project role Signature Date Hawkins\Brown © | July 2017 | HB1677 | Design and Access Statement 4 Contents Executive Summary Incorporating Comments 5.5 Development of residential 7.0 Landscape Proposals (B|D Landscape) 1.0 Introduction 5.6 Residential massing development: DRP03 5.7 Residential typology 7.1 Landscape Report 1.1 Project Background 5.8 Urban realm design development 1.2 The Applicant 5.9 Model development 8.0 Inclusive Design and Access 2.0 Brief 6.0 Design Proposals 8.1 Pedestrian access and movement 8.2 Vehicular access, movement and deliveries 2.1 Project Objectives 6.0 8.3 Vehicle parking/Bicycle Storage 2.2 Residential Brief 8.4 -
Robin Hood Yard Kindle
ROBIN HOOD YARD PDF, EPUB, EBOOK Mark Sanderson | 288 pages | 23 Mar 2015 | HarperCollins Publishers | 9780007296842 | English | London, United Kingdom Robin Hood Yard PDF Book A ginger-haired man was being dragged to his feet by two policemen. They were on parade, not on duty. Greater London Barking and Dagenham Becontree. The maisonettes were designed with the bedrooms facing inwards shielding the residents from the traffic noise. Seller Inventory B Community Reviews. A well near the road between Threshfield and Kilnsey in Wharfedale. I don't have much more to say. The northern angle tower of the city wall, recorded in and A fishing village on the north side of the bay of the same name. Watling Estate. A tumulus in Talbot Woods to the north of Meyrick Park. The Liberty of the Rolls comprised the precincts of this house and chapel, and the privileges claimed may have originated in the privileges accorded to the House of Converts by charter of Henry III. The "streets in the sky" concept often did not work in practice. Throsby, , II, About the Author : Mark Sanderson is a journalist. Cover design by Mavrodesign. A hamlet at a crossroads one mile S. There is a Loxley in W. Occurs, within Helsington chapelry, on the Ordnance Survey Map. Seller Inventory AWC The absence from Lockie is especially suggestive due to its coverage and the fact that John Lockie had long and detailed first-hand experience of his chosen topic: he was a building inspector for a fire insurance company who meticulously noted down the number of "doors" one must pass before arriving at a given side street this was before proper numbering was introduced. -
C20 CA Project Short Reports on Potential Conservation Areas
Conservation Areas Project Potential Conservation Areas Short Reports December 2017 CONTENTS 1.0 Introduction Section 10.3.2 of the Brief for the Twentieth Century Society Conservation Areas Project requires the research consultants ‘to prepare summaries of around 50 areas that have potential for future conservation area status, providing information on their location, the architect, date of construction, borough, one or two images and a short paragraph about the site’. These short reports are listed in Section 2.0 below, and the full reports follow, in numerical order. All the short reports follow a standard format which was agreed by the Steering Group for the Project (see appendix 3 of the Scoping Report). The reports are intended principally as identifiers not as full descriptions. In line with the research strategy, they are the result of a desk-based assessment. The historic information is derived mainly from secondary sources and the pictures are taken largely from the Web (and no copyright clearance for future publication has been obtained). No specific boundaries are suggested for the potential conservation areas because any more formal proposals clearly need to be based on thorough research and site inspection. 2.0 List of Potential Conservation Areas Historic County Area Name Local Planning Record Authority Number Berkshire Blossom Avenue, Theale West Berkshire 01 Buckinghamshire Energy World Milton Keynes 02 Buckinghamshire Woolstone Milton Keynes 03 Cheshire The Brow, Runcorn Halton 04 Devon Sladnor Park Torquay 05 Dorset -
Golden Lane Estate
)XWXUH&LWLHV Schiano-Phan, R, et al. 2018. Spatial Delight and Environmental Performance of Modernist Architecture in London – Golden Lane Estate. Future Cities and DQG(QYLURQPHQW Environment, 4(1): 16, 1–24. DOI: https://doi.org/10.5334/fce.47 TECHNICAL ARTICLE Spatial Delight and Environmental Performance of Modernist Architecture in London – Golden Lane Estate Rosa Schiano-Phan*, Benson Lau*, Deependra Pourel† and Sharmeen Khan-Phatan* This paper investigated the spatial delight and environmental performance of the open spaces and two selected apartments in the modernist buildings at Golden Lane Estate built after the 2nd World War, between 1952 and 1961. This estate is a Grade II listed, high density, low cost housing complex designed by three young architects: Peter Chamberlin, Geoffrey Powell and Christof Bon. It was built over a bombed site and well embraced the post-war modern architecture ethos, environmental considerations and inclusion of social facilities and landscaped communal spaces. Selected communal open spaces and two apartments in different building blocks with similar attributes were chosen for this study. However, one apartment has been refurbished with internal insulation and secondary glazing for improving the comfort conditions. Through fieldwork, which included subjective observation of the spatial quality of both out- door and indoor spaces, on-site monitoring and interview of the building occupants, first-hand information on the environmental and comfort conditions inside the apartments were obtained. Through performance based theoretical analysis, archival research and observations, the spatial quality and comfort conditions in the apartments and their energy demand were critically assessed. The research findings indicate that the design of the communal outdoor spaces in the Golden Lane Estate were well thought through and the spacing between the building blocks responded well to the requirements of spatial delight, solar and daylight access and outdoor environmental comfort. -
South Bank Arts Centre
PUBLIC SPACE AND THE ROLE OF THE ARCHITECT London Modernist Case Study Briefing (c. 2016 FABE Research Team, University of Westminster) SOUTH BANK ARTS CENTRE CONTENTS 1. CHRONOLOGY 3 2. POLICY AND IDEOLOGY 4 3. AGENTS 6 4. BRIEF 8 5. DESIGN 10 6. MATERIALS/ CONSTRUCTION 14 7. RECEPTION 16 BIBLIOGRAPHY 19 PROJECT INFORMATION Case Study: The South Bank Arts Centre (Hayward Gallery, Queen Elizabeth Hall, and the Purcell Room), Belvedere Road, London SE1 8XX Dates: 1960 - 1968 (Queen Elizabeth Hall and Purcell Room opened March 1967; Hayward Gallery opened October 1968) Architects: Norman Engleback (lead architect), E.J. Blyth, J.A. Roberts, W.J. Sutherland, Ron Herron, Warren Chalk, Dennis Crompton, John Attenborough, Bryn Jones (Hubert Bennett was the Architect to the GLC at the time.) Client: The London County Council and the Arts Council Contractors: Higgs and Hill Ltd., with Ove Arup & Partners as structural engineers and over 100 sub-contractors. Financing: London County Council (public funding) Site area: 21 acre site (Hayward Gallery ~ 20,000 sq ft. QEH ~ 13,000 sq ft) Tender price: Quoted £3.7 million (including the refurbishment of the Royal Festival Hall), actual approximately £7 million, of which £800,000 for the Hayward Gallery. 2 1. CHRONOLOGY 1943 Patrick Abercrombie and J.H. Forshaw identified the South Bank as a comprehensive development area in the County of London Plan (1943). 1948 Labour Government’s Clement Attlee announced Festival of Britain as ‘tonic to the nation’. 1949 Construction began on the Royal Festival Hall and the Queen’s Walk, a public boulevard and embankment extending from the County Hall to Waterloo Bridge. -
Making Post-War Manchester: Visions of an Unmade City
Making post-war Manchester: visions of an unmade city Making post-war Manchester: visions of an unmade city 03 June - 24 June 2016 Manchester Technology Centre, Oxford Road, Manchester Exhibition Catalogue Acknowledgements The workshop and exhibition could not have been achieved without Finally, I should thank Martin Dodge for his dedication to this subject area the help and generosity of a number of individuals. First, we should and the rigour he has brought to my academic practice as well as the thank Dr. Kevin Tan of Manchester Metropolitan University, who gave fun we have had along the way uncovering some of these architectural up considerable amounts of his own time to both teach and tutor the gems. Of course, none of this could have been achieved without the students through the game environments. He went above and beyond intelligent, articulate and talented students of our School: anything expected of him when I asked him to act as consultant and gained the status of ‘legend’ amongst the students! Eddy Rhead and Shahrukh Ahmed Jack Hale of the Modernist Society were project partners and came Adam Brennan in to provide feedback to the students during the development of their Polys Christofi designs. They have also organised and marketed the exhibition. Scott Polly Clements Miller and Jim Backhouse have ably directed the production of the Florence Cooke-Steed ‘mega-plinth’ for the computers and its funding was kindly signed off by Bruna Da Silva Dr. Ray Lucas of the Manchester School of Architecture. Paul Aldcroft, Chris Doherty Technical Team Leader in the Faculty of Science and Engineering at Richard Durber MMU has been vital in the provision of advice and support for the digital Arron El-Ammar components of the exhibition. -
Stories in the Sky VR: Immersive Storytelling, Heritage-Led Stakeholder Engagement, and Community Fatigue
Stories in the Sky VR: Immersive storytelling, heritage-led stakeholder engagement, and community fatigue Joseph Thomas Empsall Masters by Research University of York Archaeology September 2020 Abstract Stories in the Sky VR was a prototype immersive storytelling experience focusing on Park Hill, Sheffield. The project explored the way that immersive technologies can be used as part of heritage-led community engagement, as a means to articulate intangible heritage. Park Hill represents one of the most divisive buildings in the country; it was regarded as a success in the 1960s, saw a period of dramatic decline in the 1980s and 1990s, and is currently being regenerated by Urban Splash, following the estate’s Grade II* listing in 1998. Through its redevelopment, Park Hill has not only seen an overhaul in its design, but also in the community that now calls the estate home, having transitioned from council estate to gentrified flats. Park Hill represented an ideal testing ground to investigate the potential of immersive technologies, with storytelling embedded in these “flats of the future” since their inception. While the listing details the estate’s value derives from its innovative design, Park Hill also has strong roots in the intangible, through its sense of enduring community, identities, and experiences. Stories in the Sky VR attempted to implement a “bottom-up” approach, giving the stakeholders more control over the narrative and nature of the immersive experience. Ultimately, this proved difficult to achieve, with the fatigue of interviews and tourism having soured large-scale interest in these types of projects. In place of new interviews, previously recorded oral testimonies were utilised to shape the focus of the immersive experience. -
Imaginative Place in Literary Research and Teaching Jason Finch
Deep Locational Criticism: Imaginative Place in Literary Research and Teaching Jason Finch 1 Table of Contents Series Editor’s Preface Acknowledgements List of Images and Maps Chapter 1. Introduction A Distinctive Activity Organization of the Work Preliminaries Place versus Space? Casey and Certeau Contextualism and Meta-Contextualism Fascism and the Problem of Place Working Principles Inside and Outside Texts Interactivity, Interdependence and the Lived Body Scale, Limits, Technologies Topographic not Synoptic Place First Not Two but Three Terminology The Landscape Alternative 2 The Case for Location Imaginative Place Experience Methodology A Triad Zooming Scholarly, Creative and Cartographic Resources Summing Up Chapter 2. Applications in Research and Pedagogy Locating Two Poets Gwendolyn Brooks in “Bronzeville” and Chicago Christina Rossetti in London (95) The Intratextual Landscape of a Single Work of Literature: Bleak House Hillis Miller and Dickens: A Study in Topographic Criticism Mapping Novels in the Head A Line Running Down through England Interim Conclusion Two Pedagogic Forays into the Decayed Inner City A Fulham Novel: Photographs and Cultural Difference 39.289372°N, 76.646848°W: The Imaginative Place Project 3 Conclusion: Better Mental Mapping Chapter 3. The Heideggerian Fourfold and a Shakespeare Play Reclaiming Heidegger for Literary Studies Mysticism, Fascism and Deconstruction Literature, Art and Interaction The Fourfold of Henry IV, Part Two Conclusion: Multiple Temporalities, Multiple Fourfolds Chapter 4. The Precise Spot Occupied by a Renaissance Playhouse Theatre and Thing Afterlives and Repeated Returns The Roaring Girl on London’s Peripheries A Guide for the Provincial Gallant Liberties, Fields, Suburbs and Beyond The Intermediate Fortune Time Travel Conclusion: Context and Space Revisited Chapter 5. -
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Manuscript version: Author’s Accepted Manuscript The version presented in WRAP is the author’s accepted manuscript and may differ from the published version or Version of Record. Persistent WRAP URL: http://wrap.warwick.ac.uk/129413 How to cite: Please refer to published version for the most recent bibliographic citation information. If a published version is known of, the repository item page linked to above, will contain details on accessing it. Copyright and reuse: The Warwick Research Archive Portal (WRAP) makes this work by researchers of the University of Warwick available open access under the following conditions. Copyright © and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable the material made available in WRAP has been checked for eligibility before being made available. Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. Publisher’s statement: Please refer to the repository item page, publisher’s statement section, for further information. For more information, please contact the WRAP Team at: [email protected]. warwick.ac.uk/lib-publications Paper title: «Planning the New Model Society: London's post-War urban and architectural evolution 1945-1980» Event: “Transferts, espaces et rayonnement culturels dans les capitales européennes depuis 1945: Berlin, Londres, Madrid, Paris” (2017-2019), Ministère de la Culture et des Communications, Paris, France, 9th June 2017.