Scientific Evaluation of Charles Dickens
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OF BULWER-LYTTON by Shankar Basu a Thesis Presented to the University of London for the Degree of Master of Philosophy Royal
THE m m A S OF BULWER-LYTTON by Shankar Basu A thesis presented to the University of London for the degree of Master of Philosophy Royal Holloway College University of London 1974 % ProQuest Number: 10097587 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10097587 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT This thesis is an evaluation of the plays of Bulwer-Lytton. The Introduction provides a general background of drama in the early nineteenth century and a brief estimate of Bulwer’s dramatic career. It also attempts to place Bulwer’s plays in the context of his time. Chapter one examines the nature of Bulwer’s first play, The Duchess de la Valliere. Chapter two evaluates the dramatic qualities of his second play, The Lady of Lyons; or, Love and pride. Chapter three assesses the merits of the third play, Richelieu; or. The Conspiracy, and provides a general discussion of Bulwer’s political ideas. It also establishes the connection between Bulwer’s first three plays depicting three periods in French history, and draws our attention to the author’s approach to history, Chapter four discusses the fourth play. -
Edward George Earle Bulwer
EDWARD GEORGE EARLE “IT WAS A DARK AND STORMY NIGHT” BULWER-LYTTON, 1ST BARON LYTTON EDWARD BULWER-LYTTON “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project Edward Bulwer-Lytton HDT WHAT? INDEX EDWARD BULWER-LYTTON EDWARD BULWER-LYTTON 1803 May 25, Wednesday: Edward George Earle Bulwer-Lytton, 1st baron Lytton was born in London to General William Earle Bulwer of Heydon Hall and Wood Dalling, Norfolk and Elizabeth Barbara Lytton, daughter of Richard Warburton Lytton of Knebworth, Hertfordshire. (His name as assigned at birth was Edward George Earle Bulwer.) The Reverend William Emerson, pastor of the 1st Church of Boston, attended the Election Day sermon of another reverend and then dined with the governor of Massachusetts. When he returned to his parsonage he was informed of the women’s business of that day: his wife Ruth Haskins Emerson had been giving birth in Boston and the apparently healthy infant had been a manchild. The baby would be christened Ralph, after a remote uncle, and Waldo, after a family into which the Emerson family had married in the 17th century.1 (That family had been so named because it had originated with some Waldensians who had become London merchants — but in the current religious preoccupations of the Emerson family there was no trace remaining of the tradition of that Waldensianism.) WALDENSES WALDO EMERSON WALDO’S RELATIVES NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT 1. Great-Great-Grandmother Rebecca Waldo of Chelmsford (born in 1662, married Edward Emerson of Newbury, died 1752); Great-Great-Great Grandfather Deacon Cornelius Waldo (born circa 1624, died January 3?, 1700 in Chelmsford) HDT WHAT? INDEX EDWARD BULWER-LYTTON EDWARD BULWER-LYTTON 1807 Edward George Earle Bulwer’s father died while he was four years of age, and the family relocated to London. -
Chronological Biography of John Forster, 1812-1876
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1927 Chronological biography of John Forster, 1812-1876 Catherine Ritchey The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Ritchey, Catherine, "Chronological biography of John Forster, 1812-1876" (1927). Graduate Student Theses, Dissertations, & Professional Papers. 1800. https://scholarworks.umt.edu/etd/1800 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. 'CHROITOLOGICAL BIOGRAPHY OP JOHH P0RST5H 1812-1876 ty Catherine Ritchey Presented in partial fulfillment of the req^uirement for the degree of Master of Arts. State University of Montana 19E7 {Signed) Oliairman ^2xam. Oom UMI Number EP35865 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT yaMfiiBOfi riiDRwvng UMI EP35865 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest ProQuest LLC. -
Sensationalism of Bulwer Lytton
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1946 Sensationalism of Bulwer Lytton Mary Bernice McGrath Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation McGrath, Mary Bernice, "Sensationalism of Bulwer Lytton" (1946). Master's Theses. 279. https://ecommons.luc.edu/luc_theses/279 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1946 Mary Bernice McGrath THE SENSATIONALISM OF BULWER LYTTON by Sister Mary Bernice McGrath. S•. C.. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master or Arts in Loyola University J.une 1946 TABLE OF CONTENTS CHAPTER PAGE I. LITERARY TASTES OF THE AGE ••••.••••••••••••••••••••••••••••• 1 Eighteenth oentury romantioism, realism, and propagandism still prevalent--Effeot of demooraoy, soienoe, and imperialism on literature--Bulwer's oontemporaries- Literary trends of the time refleoted in Lytton's own works--The influenoe of Mrs. Radoliffe, Byron, Godwin, the oooult, Soott and the historioal romanoe, the .fashionable, domestio and realistio novel. II. DEVELOPMENT OF SENSATIONALISM ••••••••••••••••••••••••••••••• 27 Romantio Movement gave rise to imaginative produotions- The Gothio tradition through Mrs. Radoliffe and Byron to Bulwer Lytton--Fashionable baokground - a basis for sensation novel of later date--The appeal of the oooult, the mysterious, and the fantastio. -
Criminal Masculinities and the Newgate Novel
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 3-28-2019 11:00 AM Criminal Masculinities and the Newgate Novel Taylor R. Richardson The University of Western Ontario Supervisor Bruhm, Steven The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Taylor R. Richardson 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Richardson, Taylor R., "Criminal Masculinities and the Newgate Novel" (2019). Electronic Thesis and Dissertation Repository. 6076. https://ir.lib.uwo.ca/etd/6076 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation builds upon the seminal work of Keith Hollingsworth in his The Newgate Novel, 1830-1847 and expands analysis of the contentious Victorian subgenre into the realm of studies in masculinities. Outside of critical opinion that the novels were defined by the reactionary and conservative reception of Victorian reviewers who saw the novels as morally outrageous and socially dangerous, the genre, as this dissertation argues, was markedly concerned with specifically male readerships. Victorian critics were concerned about the effects reading criminal literature had on boys becoming men, and, accordingly, this dissertation argues that the reformative political and social climate of the 1830s and 40s was also a great period of examination and literary reflection upon the growth of the boy into the man. -
Influence of Bulwer-Lytton on Charles Dickins's Oliver Twist
THE INFLUENCE OF BULViER-LTTTON ON CHARLES DICKENS »S OLIVER TWIST by 1-iAXINE FISH HUFFMAN B. A., James Millikin University, 1950 M. S., Kansas State Teacher's College, Pittsburg, 1951 Ph.D. , Kansas State College of Agriculture and Applied Science, 1953 A THESIS submitted in partial fulfillment of the requirements for the degr«« MASTER OF SCIENCE Department of English KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1958 LP rx l-\2 6 TABLE OF CONTENTS INTRODUCTION 1 DICKENS'S BACKGROUND 2 OLIVER TWIST - k NOVEL WITH A PURPOSE 11 A COMPARISON OF DICKENS AND BUXWKR-LITTON 19 APPENDIX: CONCERNING JACK SHEPPARD 7k ACKNOWLEDGMENT 78 LITERATURE CITED 79 INTRODUCTION It is often difficult to demonstrate the influences of one author upon another. Any evidence that might exist may appear to be sketchy and exaggerated when viewed* Charles Dickens, however, seems to be a happy exception to this. Especially when a young author, he was quick to seize upon any idea that seemed in his opinion to be meritorious and would then absorb it as an integral part of his own work. Dickens was an avid reader and, particularly in his younger days, was impressed by both books and their authors. Therefore, it must have been a noteworthy thrill for this young author to become acquainted with Edward Bulwer-Lytton, author of the then popular criminal romances, Paul Clifford and Eugene Aram . Shortly after Dickens became acquainted with Mr. Lytton, the younger author began writing his first novel with a long sustained plot, Oliver Twist . It is the purpose of this study to demon- strate that Dickens, being impressed by Lytton and his works, particu- larly Paul Clifford, was influenced by them in his writing of Oliver Twist . -
Sensationalism of Bulwer Lytton Mary Bernice Mcgrath Loyola University Chicago
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1946 Sensationalism of Bulwer Lytton Mary Bernice McGrath Loyola University Chicago Recommended Citation McGrath, Mary Bernice, "Sensationalism of Bulwer Lytton" (1946). Master's Theses. Paper 279. http://ecommons.luc.edu/luc_theses/279 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1946 Mary Bernice McGrath THE SENSATIONALISM OF BULWER LYTTON by Sister Mary Bernice McGrath. S•. C.. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master or Arts in Loyola University J.une 1946 TABLE OF CONTENTS CHAPTER PAGE I. LITERARY TASTES OF THE AGE ••••.••••••••••••••••••••••••••••• 1 Eighteenth oentury romantioism, realism, and propagandism still prevalent--Effeot of demooraoy, soienoe, and imperialism on literature--Bulwer's oontemporaries- Literary trends of the time refleoted in Lytton's own works--The influenoe of Mrs. Radoliffe, Byron, Godwin, the oooult, Soott and the historioal romanoe, the .fashionable, domestio and realistio novel. II. DEVELOPMENT OF SENSATIONALISM ••••••••••••••••••••••••••••••• 27 Romantio Movement gave rise to imaginative produotions- The Gothio tradition through Mrs. Radoliffe -
Texts, Contexts and Intertextuality
Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2014, V&R unipress GmbH, Göttingen ISBN Print: 9783847102861 – ISBN E-Lib: 9783737002868 1 Close Reading 2 Schriften zur britischen Literatur- und 3 4 Kulturwissenschaft 5 6 7 8 9 Band 1 10 11 12 13 14 Herausgegeben von Norbert Lennartz 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 Editorial Board: Sabine Coelsch-Foisner (Salzburg), 40 Barbara Schaff (Göttingen), Gerold Sedlmayr (Dortmund) 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2014, V&R unipress GmbH, Göttingen ISBN Print: 9783847102861 – ISBN E-Lib: 9783737002868 1 Norbert Lennartz / Dieter Koch (eds.) 2 3 4 5 6 7 Texts, Contexts and Intertextuality 8 9 10 11 Dickens as a Reader 12 13 14 15 With 9 illustrations 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 & 40 V R unipress 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 © 2014, V&R unipress GmbH, Göttingen ISBN Print: 9783847102861 – ISBN E-Lib: 9783737002868 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 Bibliografische Information der Deutschen Nationalbibliothek 22 Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über 23 http://dnb.d-nb.de abrufbar. 24 25 Gedruckt mit freundlicher Unterstützung der Fritz Thyssen-Stiftung. -
The Forces of Commerce and Capital in a Revival of Edward Bulwer-Lytton's Money
Spring 2001 115 "The Arithmetic and Logic of Life": The Forces of Commerce and Capital in a Revival of Edward Bulwer-Lytton's Money James Fisher Though our brother is on the rack, as long as we ourselves are at our ease, our senses will never inform us of what he suffers... It is by imagination that we can form any conception of what are his sensations.1 —Adam Smith, Theory of Moral Sentiments The Vices and Virtues are written in a language the World cannot construe; it reads them in a vile translation, and the translators are FAILURE and SUCCESSl2 —Alfred Evelyn, Money, (V, III) Theatre students are frequently instructed that the vigorous and energetic theatrical world of the nineteenth century produced little drama of lasting significance prior to Henrik Ibsen's social problem plays. Most Victorian theatre was overly sentimental and melodramatic, as the cliche goes; quaint and colorful perhaps, but finally too simplistic and flatly-dimensioned for sophisticated audiences at the dawn of the twenty-first century. The era, it seems, applied its repressions too fiercely for dramatists to delve below the surface of human experience, hindering serious questioning of prevailing values. The naive moralizing and stereotypical characters of this period made for a barren dramatic age. The condescension directed at nineteenth century drama also results from another presumed hindrance. These supposedly unwatchable plays are often multi- scene works requiring large casts and are, as such, too daunting in scope for even the most adventurous of directors and producing organizations. Published scripts of many nineteenth century plays can be difficult (if not impossible) to locate; James Fisher, Professor of Theater at Wabash College, has authored five books, including The Theater of Tony Kushner: Living Past Hope (NY: Routledge, 2001), and has published articles and reviews in numerous periodicals. -
Bulwer-Lytton's Place in the English Drama of the Middle Nineteenth Century
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 1941 Bulwer-Lytton's place in the English drama of the middle Nineteenth Century. Martha Kennerly Gibson University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Literature in English, British Isles Commons Recommended Citation Gibson, Martha Kennerly, "Bulwer-Lytton's place in the English drama of the middle Nineteenth Century." (1941). Electronic Theses and Dissertations. Paper 1805. https://doi.org/10.18297/etd/1805 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. UlfIVERSITY O:F LOUISVILLE BULWER-LYTroN'S PLACE IN THE ENGLISH DR.UrA OF THE MIDDLE NINETDBTH CElfTURY A Dissertation Submi t ted to the Faculty- Of the Graduate achool of the university- of Louisville In Partial :Fulfillment of the Requirements for the Degree Of Master of Arts Department of English Martha Kennerly- Gibson Year 1941 ,i TABLE OF CONTENTS r f r , I !.'ABLE OJ' CONTENTS PA.GI IN!rRODUCTIOIl THE PROBLEM; BACKGROUND FOR. AND ANALYSIS OF, BULWER-LYTTON'S DRA.Ml • • • • • • • • • • • • -
1 a Blind Taste Test of Literary Genius Can You Tell the Difference
A Blind Taste Test of Literary Genius Can You Tell the Difference Between Great and Bad Literature? By Mikhail Simkin Abstract: A test was administered offering unlabeled prose quotes from Charles Dickens and Edward Bulwer-Lytton, considered by many to be the worst writer in history of letters. The average score for over 9,000 subjects was about 50%, or random guessing. This suggests that the quality of Dickens’s prose is indistinguishable from that of Bulwer-Lytton. F. Scott Fitzgerald wrote, “Let me tell you about the very rich. They are different from you and me.” On this Ernest Hemingway commented, “Yes, they have more money.” Are famous writers distinguishable in some measurable way from more obscure writers? Can you tell the difference between the prose of acknowledged great writers versus the prose of those who are considered bad writers? I started thinking about these questions after a study that I conducted on the misprints of scientific citations, revealing that about 80% of citations are copied from the lists of references used in other papers. 1 In a majority of cases a citation is not a result of an independent evaluation of the qualities of the cited paper but merely an imitation of another citer’s behavior. In this way a paper that was already cited is more likely to be cited again, and after it is cited again it is even more likely to be cited in the future. Thus some papers can become much more cited than others even when identical in merit. Mathematical modeling of the process of citation copying demonstrated that major features of the citation distribution could be explained even under assumption that all papers are created equal. -
AM Broadley's Annals of the Haymarket
Annals of the Haymarket Volume II – Selected Letters Selected Letters from A. M. Broadley’s Annals of the Haymarket A selection of letters from the Broadley albums at City of Westminster Archives Centre, with biographical notes Compiled by David Evans and Judith Bottomley, April 2012 i © Westminster City Archives, April 2012 ii Contents Introduction vii Letter from Henry James Byron to Lucy (13 December 1865) 1 Letter from John Braham to Henry Harrison (8 July 1827) 2 Letter from Alfred Guillaume Gabriel, Count of Orsay to Mr Cook (22 April 1843) 3 Letter from Antonio Tamburini to Pierre Francois Laporte (1840) 4 Letter from Jenny Lind-Goldschmidt to Mrs Brecy (13 January 1860) 5 Instruction from King Charles II to the Earl of Southampton (9 November 1660) 6 Letter from Gertrude Elisabeth Mara to Maria Cosway (10 January) 7 Letter from West Dudley Digges to Cunny 8 Letter from John, Second Duke of Montagu to Mr Cockram (5 January 1725) 9 Letter from Sir John Coventry (24 March 1681) 10 Letter from George Morland to John Graham (6 May 1801) 11 Letter from Anna Lodi (10 January 1708) 12 Letter from Nicolini to Vice-Chamberlain Coke (18 May 1710) 13 Agreement between Owen Swiny and Nicolini 14 Agreement between Catherine Tofts and John Vanbrugh (c1750) 15 Agreement between Owen Swiny, John Vanbrugh, William Collier etc. 16 Letter from Catherine Tofts to Vice-Chamberlain Coke (18 December c1707) 17 Agreement between John James Heidegger and Anastasia Robinson(1714) 18 Order for payment to John James Heidegger by Her Majesty’s Treasury (30 August 1731) 19 Letter from John Beard (4 January 1758) 20 Letter from John Beard to Mr Booth (14 October 1776) 22 Letter of complaint regarding Carlo Francesco Badini (c 1786) 23 Letter from Nancy Storace to Thomas John Dibdin (30 October 1816) 24 Letter from John Nash to the 2nd Earl of Caledon (30 November 1826) 26 Letter from Samuel Arnold to Pierre François Laporte (10 March 1828) 27 Letter from Charles Incledon to Robert Elliston 28 Letter from Albert to M.