Bear River Writers’ Conference Writers’ River Bear the of Support

Total Page:16

File Type:pdf, Size:1020Kb

Bear River Writers’ Conference Writers’ River Bear the of Support Find your place at Bear River Bear at place your Find www.lsa.umich.edu/bearriver HEMPEL Y AM For more information or to download a registration form, please visit our website. website. our visit please form, registration a download to or information more For uest G Special Special James Cyan photosby imagefrom Chen;Background photo:Kenneth Hempel Amy refunded upon request if you do not wish to enroll in an alternate workshop. alternate an in enroll to wish not do you if request upon refunded themselves and their words. words. their and themselves first serve basis. In the unlikely event of a workshop cancellation, your entire payment will be be will payment entire your cancellation, workshop a of event unlikely the In basis. serve first it offers community members a hiatus from daily routine and the chance to find a space for for space a find to chance the and routine daily from hiatus a members community offers it Workshops will be assigned on a first come come first a on assigned be will Workshops Register early to secure your workshop choice: workshop your secure to early Register participants and faculty. and participants natural and creative worlds. Populated by an eclectic collection of writers of all levels of experience, experience, of levels all of writers of collection eclectic an by Populated worlds. creative and natural northern Michigan is not simply backdrop for the session, but inspiration for the creative work of of work creative the for inspiration but session, the for backdrop simply not is Michigan northern Monday, is defined by its own particular geography, situated as it is at the intersection of the the of intersection the at is it as situated geography, particular own its by defined is Monday, conference for those who prefer greater privacy: $575 per person per $575 privacy: greater prefer who those for conference writing. The conference is deeply embedded in the natural world and the striking landscape of of landscape striking the and world natural the in embedded deeply is conference The writing. The Bear River Writers’ Conference, which runs from dinner on Thursday through breakfast on on breakfast through Thursday on dinner from runs which Conference, Writers’ River Bear The area. In addition, there are many hotels and motels available within twenty minutes of the the of minutes twenty within available motels and hotels many are there addition, In area. lunch, and more conversation, about the morning’s achievements and their various passions for for passions various their and achievements morning’s the about conversation, more and lunch, Includes tuition and all meals, but not lodging for those who live in the Petoskey Petoskey the in live who those for lodging not but meals, all and tuition Includes Plan B: Plan at Sarah Lawrence. Sarah at After an intense morning of creative dialogue, participants shuffle back to the dining halls for for halls dining the to back shuffle participants dialogue, creative of morning intense an After the first time. first the (Single bunk bed in a 4-bunk bedroom shared with 1-3 others/shared bath with 1-3 others) 1-3 with bath others/shared 1-3 with shared bedroom 4-bunk a in bed bunk (Single showcases the work of participants, with some students performing their work to music, often for for often music, to work their performing students some with participants, of work the showcases Bennington College and and College Bennington $650 per person per $650 Bunk room: Bunk to these hours. these to Center. The conference’s creative endeavors culminate on the final night in a special reading that that reading special a in night final the on culminate endeavors creative conference’s The Center. $725 per person per $725 Private room and shared bath: bath: shared and room Private from the group. The atmosphere is alternately relaxed and avid, laughter a familiar punctuation punctuation familiar a laughter avid, and relaxed alternately is atmosphere The group. the from venture away from the campgrounds to enjoy an evening of words and music at Crooked Tree Arts Arts Tree Crooked at music and words of evening an enjoy to campgrounds the from away venture $775 per person person per $775 Private room and private bath: private and room Private York City and teaches at at teaches and City York night’s inspiration. Fiction writers contemplate their newly minted pages and invite suggestions suggestions invite and pages minted newly their contemplate writers Fiction inspiration. night’s fireplaces and work filling the blank pages of their notebooks. On Saturday, many participants participants many Saturday, On notebooks. their of pages blank the filling work and fireplaces listed below. listed of writing, process and products. Poets squint at their journals, deciphering lines from the previous previous the from lines deciphering journals, their at squint Poets products. and process writing, of under the thrall of the day’s creative energy, find a quiet spot in front of one of the camp’s many many camp’s the of one of front in spot quiet a find energy, creative day’s the of thrall the under Includes tuition, lodging and all meals. Lodging options and pricing for Plan A are are A Plan for pricing and options Lodging meals. all and lodging tuition, Includes Plan A: Plan others. She lives in New New in lives She others. fireplaces and begin the work of the day. Conversation quickly condenses into an intent discussion discussion intent an into condenses quickly Conversation day. the of work the begin and fireplaces participants bring stories and instruments and gather around the campfire down by the lake. Some, Some, lake. the by down campfire the around gather and instruments and stories bring participants W E twelve. With their coffee cups and notebooks, writers gather around tables and in front of of front in and tables around gather writers notebooks, and cups coffee their With twelve. creative work of their teachers. Faculty readings carry the conference to twilight. Later, some some Later, twilight. to conference the carry readings Faculty teachers. their of work creative , and many many and , , The Norton Anthology of Short Fiction Short of Anthology Norton The Stories Short have questions, please email us at [email protected] or call (734) 764-4139. (734) call or [email protected] at us email please questions, have orkshop slips into motion around 9am, the breakfast crowd dispersed into small groups of of groups small into dispersed crowd breakfast the 9am, around motion into slips orkshop vening at Bear River and participants once again disperse, to read, to write, to listen to the the to listen to write, to read, to disperse, again once participants and River Bear at vening minus the $150 deposit is 50% refundable. After May 18, there will be no refunds. If you you If refunds. no be will there 18, May After refundable. 50% is deposit $150 the minus paid in full, the conference balance is due by May 18. Before May 18, the conference fee fee conference the 18, May Before 18. May by due is balance conference the full, in paid 2006. Her stories have been anthologized in the the in anthologized been have stories Her 2006. Best American American Best if credit card payment) with your deposit or full payment to the address on the form. If not not If form. the on address the to payment full or deposit your with payment) card credit if registration. Please fill out both pages of the registration form and mail them (or fax them them fax (or them mail and form registration the of pages both out fill Please registration. and the Ambassador Book Award for Best Book of Fiction of of Fiction of Book Best for Award Book Ambassador the and our website (see address below). A nonrefundable deposit of $150 is due at the time of of time the at due is $150 of deposit nonrefundable A below). address (see website our of the everyday the of … … outside … on available are form registration downloadable a and information pricing and Registration of a Guggenheim Fellowship, a USA Foundation Fellowship, Fellowship, Foundation USA a Fellowship, Guggenheim a of Conference Registration Information Registration Conference was a finalist for the PEN/Faulkner Award. She is the recipient recipient the is She Award. PEN/Faulkner the for finalist a was named one of the New York Times Ten Best Books of the Year and and Year the of Books Best Ten Times York New the of one named hall to relax with one another over a satisfying meal and relive the day’s highlights. day’s the relive and meal satisfying a over another one with relax to hall came out in 2006. It was was It 2006. in out came The Collected Stories Collected The S ’ empel H Y M A edges down toward the horizon, participants return again to the comfortable space of the dining dining the of space comfortable the to again return participants horizon, the toward down edges participants. many its of voices individual the of attractions in Petoskey, Boyne City, Harbor Springs, Bay Harbor and East Jordan. As the sun sun the As Jordan. East and Harbor Bay Springs, Harbor City, Boyne Petoskey, in attractions all welcomes that community diverse of place a is River Bear nature. and words of worlds the for Some participants elect to spend the afternoon reading or writing. Others investigate the nearby nearby the investigate Others writing. or reading afternoon the spend to elect participants Some loves, twin from woven conference the of fabric the — River Bear of experience singular the is This the camp, go flyfishing or take a canoe and explore the calm of Walloon Lake.
Recommended publications
  • B E N N I N G T O N W R I T I N G S E M I N A
    MFAW PUBLIC SCHEDULE June 15–24, 2017 NOTE: Schedule subject to change All faculty, guest, and graduate lectures and readings will be held in Tishman Lecture Hall, unless otherwise indicated. All evening Faculty and Guest Readings will be held in the Deane Carriage Barn. Thursday, June 15 7:00 Faculty & Guest Readings: Kaitlyn Greenidge and Amy Hempel Friday, June 16 Graduate Readings 4:00 Alexander Benaim 4:20 Andrea Caswell 4:40 Michael Connor 7:00 Faculty & Guest Readings: Benjamin Anastas and Mark Wunderlich 8:00 Historical Presentation: Lynne Sharon Schwartz: “Historic Recordings of Great 20th Century American Authors Reading their Work.” Deane Carriage Barn Saturday, June 17 Graduate Lectures 8:20 Ashley Olsen: “50 Shades of Consent: Sexual Desire and Sexual Violence in Contemporary Short Stories.” This lecture will examine tests from contemporary female authors including Mary Gaitskill, Margaret Atwood, and Roxane Gay. 9:00 Katie Pryor: “Persona & Violence in Ai’s Cruelty & Iliana Rocha’s Karankawa.” Both of these poets use persona poems to explore violence. What is powerful about this poetic device? How does the persona poem involve the reader and interrogate our notions of self? We’ll explore the connections and differences between these poets and their first books. 9:40 Karen Rile: “The Bad Writing Competition: Introducing Narrative Distance to Undergraduates.” A technique-centered workshop that offers coordinated readings and prompts can help beginning writers focus on discrete, achievable goals. But demonstrating smooth narrative distance shifts presents a practical challenge in an undergraduate workshop setting. The Bad Writing Competition, or mastery through parody, is a deft solution—with some unexpected ancillary benefits.
    [Show full text]
  • Description & Detail
    CLOSE-UP: DE SCRIPTION AND DETAIL Glimmer Train Close-ups are single-topic, e-doc publications specifically for writers, from the editors of Glimmer Train Stories and Writers Ask. MYLA GOLDBERG, interviewed by Sarah Anne Johnson: In each novel, there are many details that are fact, and others that are based on fact, and still others that are invented. When is it important to use actual details, and when does the imaginative work to better effect? There’s not one answer to that question. Every story, every novel will dic- tate its own answers to questions of research. When you’re writing fiction, you don’t ever have to use anything real if you don’t want to, but it’s a lot easier. If you’re trying to create a convincing setting, you want to start with reality. You can’t start from scratch because that’s impossible. Given that that’s the case, you use research to give yourself enough of the real-world fabric to get yourself in there. In the case of Wickett’s Remedy, I used research until I could look and see things without using research anymore. Research at first was a men- tal tool to help me inhabit that time period and those people. If there were details that stuck out or grabbed me and I realized that I couldn’t do any better than that, I used them. Often the world is going to supply you with better things than you’ll Submission Calendar CLOSE-UP: DESCRIPTION & DETAIL, 2nd ed. © Glimmer Train Press • glimmertrain.org 1 1 be able to come up with anyway.
    [Show full text]
  • Evalyn Lee Is a Former CBS News Producer Who Lives in London with Her Husband and Two Children
    Tyler Atwood comes from a long line of subsistence farmers but knows very little about the planting or harvesting of crops. He is the author of one collection of poetry, an electric sheep jumps to greener pasture (University of Hell Press, 2014). His poems appear in or are forthcoming from Gravel, mojo, Columbia Poetry Review, Hobart, The Offbeat, Profane Journal, Word Riot, and elsewhere. He lives and works in Denver, Colorado. Tim Barzditis is a poetry student of George Mason University’s Creative Writing MFA program. Prior to his time at GMU, Tim earned his BA and MA in English at Lynchburg College. He currently serves as the Comics Editor for Hellscape Press. He is also involved as a reader for So To Speak, Phoebe, as and Stillhouse Press. Tim’s work has been recently featured in Foothill: a journal of poetry, Whurk, Freezeray Poetry, Five:2:One Magazine, and elsewhere. Joe Baumann writes works of fiction and essays that appear in Zone 3, Hawai’i Review, Eleven Eleven, and elsewhere. He is the author of Ivory Children, published in 2013 by Red Bird Chapbooks. He possesses a PhD in English from the University of Louisiana-Lafayette and teaches composition, creative writing, and literature at St. Charles Community College in Cottleville, Missouri. He has been nominated for three Pushcart Prizes and was recently nominated for inclusion in Best American Short Stories 2016. Shanelle Galloway Calvert started writing down stories as soon as she knew how to hold a pencil, but before she even knew she wanted to be a writer.
    [Show full text]
  • Download for Personal Use Only
    Durham Research Online Deposited in DRO: 08 September 2017 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Botha, Marc (2016) 'Microction.', in The Cambridge companion to the English short story. Cambridge: Cambridge University Press, pp. 201-220. Cambridge companions to literature. Further information on publisher's website: https://doi.org/10.1017/CCO9781316018866.016 Publisher's copyright statement: This material has been published in The Cambridge Companion to the English Short Story edited by Ann-Marie Einhaus. This version is free to view and download for personal use only. Not for re-distribution, re-sale or use in derivative works. c Cambridge University Press. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk CAMBRIDGE COMPANION TO THE ENGLIGH SHORT STORY Ed. Ann-Marie Einhaus; forthcoming 2016 Chapter 14 Microfiction Marc Botha 1. A Brief History of Very Short Fiction 1.1 Now! “The short story form, in its brevity and condensation, fits our age”, writes Michèle Roberts in her aptly brief introduction to Deborah Levy’s collection Black Vodka (2013).
    [Show full text]
  • Gordon Lish and His Influence Gordon Lish Is Perhaps Best Known As The
    Gordon Lish and his Influence Gordon Lish is perhaps best known as the authoritative, and thus controversial, editor of Raymond Carver, among numerous other authors. This characterization however, does a grave injustice to the scope of Lish’s influence. Indeed, I would argue that no man has had a greater influence on the today’s literary landscape. A prolific author in his own right, Lish also served as editor, publisher, and teacher to some of the most significant voices of the latter‐half of the 20th century, as well as those of the 21st . With Lish, American publishing saw an unprecedented (and since unduplicated) output of challenging art by a major corporation, the occurrence of which came as direct result of one man’s artistic vision. It is these books, which Lish published, wrote, or otherwise influenced, which are the subject of my collection. In 1977, Gordon Lish left his position as Senior Editor of Esquire Magazine and accepted a job of the same title at Alfred A. Knopf. He worked at Knopf for eighteen years until parting ways in 1995, having assembled what is arguably one of the greatest editorial runs in the history of publishing. During these eighteen years Lish published many of the most memorable voices in contemporary fiction, many of whom he published for the first time. Among the authors who Lish brought into publication are: Raymond Carver, Don Delillo, Amy Hempel, Barry Hannah, Cynthia Ozick, Joy Williams, and Umass’s own, Noy Holland. What is perhaps most notable about Lish’s time at Knopf however, is the level of freedom he was given in determining what Knopf would publish.
    [Show full text]
  • Jasmin Darznik
    JASMIN DARZNIK Assistant Professor of English Washington and Lee University 111 Washington Hall, Lexington, VA 24450 Telephone: 415-272-0689 Email: [email protected] www.jasmindarznik.com EDUCATION PhD, MA, English Literature, Princeton University, 2008 Concentration: 20th/21st Century American Literature MFA, Fiction, Bennington College Writing Seminars (expected 2014) JD, University of California, Hastings College, 1997 BA, English and German, magna cum laude, University of California, Los Angeles, 1994 PROFESSIONAL EXPERIENCE Assistant Professor, Washington and Lee University, Department of English, 2009-present (on leave 2013-2014) Visiting Professor, California College of the Arts, Writing and Literature Program, August 2013-present Fellow, Virginia Foundation for the Humanities, 2011-2012 Visiting Professor, University of Virginia, Department of Middle Eastern Languages and Cultures, Fall 2009 Adjunct Professor, California College of the Arts, Writing & Literature Program, Spring 2008 Assistant Instructor, Princeton University, Department of English, 2003-2004 ACADEMIC HONORS AND AWARDS State Council of Higher Education for Virginia, Outstanding “Rising Star” Faculty Award, 2013 Virginia Foundation for the Humanities, Robert C. Vaughan Fellowship, 2011-2012 Virginia Foundation for Independent Colleges, Mednick Memorial Fellowship Grant, 2011 Washington and Lee University, Lenfest Grant, 2011 Washington and Lee University, Lenfest Grant, 2010 Middle Eastern Studies Association, Scholarly Travel Grant, 2007 Princeton University, Dean’s
    [Show full text]
  • CRW 1101: Fiction Writing: Section 1879, Fall 2017
    CRW 1101: Fiction Writing: Section 1879, Fall 2017 RNK 0215; Thursday, Periods 9-11 (4:05pm-7:05pm) Instructor: Evan Grillon Email: [email protected] Office: Turlington 4321 Office Hours: By appointment Required Texts: Textbooks: Jerome Stem, Making Shapely Fiction'. ISBN-13: 978-0393321241 Texts: Coursepack. Course Description and Objectives: To make better readers and writers. This course provides introductory instruction in fiction writing, and since careful and reflective reading is the best way to learn how to write, an introduction to the art of close reading. We will read, write about, and write the contemporary short story. We will devote the first half of the semester to the discussion of professional stories. The second half will be a traditional fiction workshop, the requirements of which will be discussed in detail later on, but which can be described in general as a format in which we apply the same critical skills to our own work that we've learned to apply to the assigned readings. General Education Objectives: • This course confers General Education credit for Composition (C). This course also fulfills 6,000 of the university’s 24,000-word writing requirement (WR). • Course content should include multiple forms of effective writing, different writing styles, approaches and formats, and methods to adapt writing to different audiences, purposes and contexts. Students should learn to organize complex arguments in writing using thesis statements, claims and evidence, and to analyze writing for errors in logic. • The UniversityWriting Requirement (WR) ensures students both maintain their fluency in writing and use writing as a tool to facilitate learning.
    [Show full text]
  • Lex Williford,” Te Next Best Book Club Blog, Lori Hettler, August 26, 2016
    Department of Creative Writing EX ILLIFORD 1613 Plaza Central Ln. University of Texas at El Paso L W El Paso, TX 79912 EDUC 901A 915-747-5721 (office) 500 West University Ave. 915-433-1931 (mobile) El Paso, TX 79968 [email protected] WEB PAGES ▪ http://www.lexwilliford.com ▪ https://www.youtube.com/user/lwillifo/featured SOCIAL MEDIA Facebook: lex.williford Twitter: @lexwilliford Google+: plus.google.com/+LexWilliford MFA: Fiction Writing, University of Arkansas, Fayetteville, AR, 1987. MA: English, Stephen F. Austin State University, Nacogdoches, TX, 1982. BA: English/Journalism, Stephen F. Austin State University, 1979. PUBLICATIONS novella Balsa and Tissue Paper, Ploughshares Solos, Ladette Randolph, Ed., an e-book and part of the long-form omnibus issue of Ploughshares, Fall 2019 (141): 187-240. [One of four novellas in Aggieland, my current hybrid novel in progress.] ▪ https://www.pshares.org/solos/balsa-and-tissue-paper novella in fash chapbook Superman on the Roof, Rose Metal Press, August 2016. Winner of the 10th Annual Rose Metal Press Flash Fiction Contest. With an Introduction by Judge Ira Sukrungruang. ISBN 978-1-941628-06-5. [One of four novellas in Aggieland.] ▪ http://www.rosemetalpress.com/Catalog/Williford.html book of stories Macauley’s Tumb (Iowa City, IA: University of Iowa Press, 1994). Co-winner of the 1993 Iowa Short Fiction Award. ISBN: 0877454434 anthology, co-editor 50th Anniversary of Virginia Center for Creative Arts, An Anthology of Fiction and Creative Nonfction, Senior Editor. In early planning stages, delayed by COVID-19. anthologies, co-editor, An untitled anthology of fash fction: A democratic selection compiled from the results of with Michael Martone an online survey (July, 2019) of teaching writers in writing workshops, writing program directors and freelance fash fction writers across the U.
    [Show full text]
  • CRW 2100: Fiction Writing
    CRW 2100 Syllabus & Schedule Section 0121 CRW 2100: Fiction Writing Instructor:James (Jim) Cooney Email: [email protected] Section 0121: Monday, periods 10-El (5:10 - 8:10 PM)* Location:Matherly Hall (MAT) Room 51 Office hours:Monday, 2:55 - 4:55 PM, at Library West (in the ground-floor lounge across from Starbucks); also by appointment (e-mail to schedule) technically class is scheduled for three hours, including two 15-minute breaks. If there are no objections (please contact the instructor otherwise] we will take one 15-minute break, so thatclass ends by 7:55 PM. "There may never be anything new to say, but there is always a new way to say it. " - Flannery O'Connor Required Texts • Writing Fiction,th 8Edition1 - Janet Burroway • Course Pack for CRW 21002 (Section 2333) - Compiled by instructor • Fight Club (a novel) - Chuck Palahniuk • Writing Tools3 - Roy Peter Clark 1 The Burroway book, though worth every penny, is expensive. I recommend a used copy, available on Amazon.com for ~50 dollars (free 2-day shipping for students], 2 The course packis available through Book It fwww.bookit.com.bz : (352] 371-9588]. Free shipping is available but it's faster to simply pick it up at the store, located at 1250 West University Ave, Unit 2 (the store actually faces 13th Street; there is a green awning around the entire hotel, and there is lettering above the store that simply says "Buy Back." 3 The Clark book is a style guide, useful to you in all kinds of writing, not just fiction.
    [Show full text]
  • Minimalism and the Aesthetic of Shame by Maxwell Radwin a Thesis
    Minimalism and the Aesthetic of Shame by Maxwell Radwin A thesis presented for the B. A. degree with Honors in The Department of English University of Michigan Winter 2015 © 2015 Maxwell Radwin For Dick Tobin, Kevin Brown and Kelly Williams Acknowledgments I would like to first thank my advisor, Professor Kerry Larson. At the start of this process, his incredible wealth of knowledge was able to hone my broad interests into a subject worth pursuing and arguing for. Throughout the year, the high standard he held me to, as well as his patience and insight, shaped that argument into something that made, I believe, a real contribution to our understanding of the literature. By the end of this process, however, I found myself most thankful to him for being a strong exemplar of the kind of thinker I hope to be one day. Thanks to Professor Gillian White for encouraging me to apply to honors, as well as for being the stern, urgent voice throughout the year when I needed it most. Thanks to Professor Sean Silver for reading countless drafts early on, spit-balling raw ideas and most importantly, for revealing to me the process of converting those raw ideas into higher academic thought. Thanks to the cohort for the edits and suggestions. I enjoyed struggling with you, growing with you and succeeding with you. Thanks to my parents for instilling in me the ambition to take on a project like this, and the intellectual curiosity to enjoy it. I must also thank them for taking an interest in my interests.
    [Show full text]
  • MINING for MEANING: a STUDY of MINIMALISM in AMERICAN LITERATURE by JEREMY ROBERT BAILEY, B.A., M.A. a DISSERTATION in ENGLISH
    MINING FOR MEANING: A STUDY OF MINIMALISM IN AMERICAN LITERATURE by JEREMY ROBERT BAILEY, B.A., M.A. A DISSERTATION IN ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Wendell Aycock Chair of the Committee Sara Spurgeon Scott Baugh Ralph Ferguson Dean of the Graduate School December 2010 Copyright 2010 Jeremy Robert Bailey Texas Tech University, Jeremy Robert Bailey, December 2010 ACKNOWLEDGEMENTS I would like to thank my dissertation director, Dr. Wendell Aycock, for the instruction he gave me while a student in his classes and agreeing to work with me on this project. I will forever be grateful for your advice, encouragement and patience. I would also like to thank Dr. Sara Spurgeon, Dr. Bryce Conrad, and Dr. Scott Baugh for their ideas and willingness to serve on my committee. I have appreciated the advice and kind words of many of classmates and friends who have been supportive and excited about this project. Thanks for listening to my ideas and allowing me to vent my frustrations. I would also like to thank Annie, my wonderful wife, for reading my work and putting up with me for the past few years. I look forward to future adventures with you. Finally, I dedicate this dissertation to my children--Taylor, Connor and Ashton. ii Texas Tech University, Jeremy Robert Bailey, December 2010 TABLE OF CONTENTS ACKNOWLEDGEMENTS ii ABSTRACT v LIST OF FIGURES vi CHAPTER I. INTRODUCTION 1 Minimalism in Visual Arts 3 Minimalism in Music 10 Minimalism in Literature 11 Rationale and Methodology 21 II.
    [Show full text]
  • “It's All About the Sentences. It's About the Way the Sentences
    NEWS | FALL 2018 “It’s all about the sentences. It’s about the way the sentences move in the paragraphs. It’s about rhythm. It’s about ambiguity. It’s about the way emotion, in difficult circumstances, gets captured in language. It’s about instances of consciousness. It’s about besieged consciousness. It’s about love trouble. It’s about death. It’s about suicide. It’s about the body. It’s about skepticism. It’s against sentimentality. It’s against cheap sentiment. It’s about regret. It’s about survival. It’s about the sentences used to enact and defend survival.” − Rick Moody VICKI TOPAZ VICKI INSIDE: The Year of Yaddo Firsts Connections: Artists on Artists Top 5 Yaddo Firsts Spotlight on Screen On Amy Hempel (above); Jonathan Lethem From expanding our community to Tamara Jenkins, Matthew Weiner, and Sylvia Plath, among others, in our special launching new initiatives, this has been an A’Lelia Bundles, Jason Reitman feature on admiration and influence extraordinary year and more THE YEAR OF YADDO FIRSTS From first-time guests to new initiatives and partnerships, we’re celebrating a banner year. resh off the Yaddo Artist Reunion, where we found old (and and continue the multimillion-dollar stabilization and restoration new!) friends, danced to the Dog House Band, and ignited of our historic Mansion. Bolstered by our community, we’re ready another Renaissance in Harlem, plus bestowed the 2018 to meet the challenges ahead. Our outstanding board leadership Yaddo Artist Medal upon the incomparable Amy Hempel, we has inspired us to make like the Trasks and tinker with all the Fare entering into the spirit of the season and reflecting on gratitude.
    [Show full text]