Educational Experience As Lived: Knowledge, History, Alterity the Selected Works of William F
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Twenty-Four Conservative-Liberal Thinkers Part I Hannes H
Hannes H. Gissurarson Twenty-Four Conservative-Liberal Thinkers Part I Hannes H. Gissurarson Twenty-Four Conservative-Liberal Thinkers Part I New Direction MMXX CONTENTS Hannes H. Gissurarson is Professor of Politics at the University of Iceland and Director of Research at RNH, the Icelandic Research Centre for Innovation and Economic Growth. The author of several books in Icelandic, English and Swedish, he has been on the governing boards of the Central Bank of Iceland and the Mont Pelerin Society and a Visiting Scholar at Stanford, UCLA, LUISS, George Mason and other universities. He holds a D.Phil. in Politics from Oxford University and a B.A. and an M.A. in History and Philosophy from the University of Iceland. Introduction 7 Snorri Sturluson (1179–1241) 13 St. Thomas Aquinas (1225–1274) 35 John Locke (1632–1704) 57 David Hume (1711–1776) 83 Adam Smith (1723–1790) 103 Edmund Burke (1729–1797) 129 Founded by Margaret Thatcher in 2009 as the intellectual Anders Chydenius (1729–1803) 163 hub of European Conservatism, New Direction has established academic networks across Europe and research Benjamin Constant (1767–1830) 185 partnerships throughout the world. Frédéric Bastiat (1801–1850) 215 Alexis de Tocqueville (1805–1859) 243 Herbert Spencer (1820–1903) 281 New Direction is registered in Belgium as a not-for-profit organisation and is partly funded by the European Parliament. Registered Office: Rue du Trône, 4, 1000 Brussels, Belgium President: Tomasz Poręba MEP Executive Director: Witold de Chevilly Lord Acton (1834–1902) 313 The European Parliament and New Direction assume no responsibility for the opinions expressed in this publication. -
Henryk Siemiradzki and the International Artistic Milieu
ACCADEMIA POL ACCA DELLE SCIENZE DELLE SCIENZE POL ACCA ACCADEMIA BIBLIOTECA E CENTRO DI STUDI A ROMA E CENTRO BIBLIOTECA ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU FRANCESCO TOMMASINI, L’ITALIA E LA RINASCITA E LA RINASCITA L’ITALIA TOMMASINI, FRANCESCO IN ROME DELLA INDIPENDENTE POLONIA A CURA DI MARIA NITKA AGNIESZKA KLUCZEWSKA-WÓJCIK CONFERENZE 145 ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA ISSN 0239-8605 ROMA 2020 ISBN 978-83-956575-5-9 CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU IN ROME ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU IN ROME A CURA DI MARIA NITKA AGNIESZKA KLUCZEWSKA-WÓJCIK. ROMA 2020 Pubblicato da AccademiaPolacca delle Scienze Bibliotecae Centro di Studi aRoma vicolo Doria, 2 (Palazzo Doria) 00187 Roma tel. +39 066792170 e-mail: [email protected] www.rzym.pan.pl Il convegno ideato dal Polish Institute of World Art Studies (Polski Instytut Studiów nad Sztuką Świata) nell’ambito del programma del Ministero della Scienza e dell’Istruzione Superiore della Repubblica di Polonia (Polish Ministry of Science and Higher Education) “Narodowy Program Rozwoju Humanistyki” (National Programme for the Develop- ment of Humanities) - “Henryk Siemiradzki: Catalogue Raisonné of the Paintings” (“Tradition 1 a”, no. 0504/ nprh4/h1a/83/2015). Il convegno è stato organizzato con il supporto ed il contributo del National Institute of Polish Cultural Heritage POLONIKA (Narodowy Instytut Polskiego Dziedzictwa Kul- turowego za Granicą POLONIKA). Redazione: Maria Nitka, Agnieszka Kluczewska-Wójcik Recensione: Prof. -
23 League in New York Before They Were Purchased by Granville
is identical to a photograph taken in 1866 (fig. 12), which includes sev- eral men and a rowboat in the fore- ground. From this we might assume that Eastman, and perhaps Chapman, may have consulted a wartime pho- tograph. His antebellum Sumter is highly idealized, drawn perhaps from an as-yet unidentified print, or extrapolated from maps and plans of the fort—child’s play for a master topographer like Eastman. Coastal Defenses The forts painted by Eastman had once been the state of the art, before rifled artillery rendered masonry Fig. 11. Seth Eastman, Fort Sumter, South Carolina, After the War, 1870–1875. obsolete, as in the bombardment of Fort Sumter in 1861 and the capture of Fort Pulaski one year later. By 1867, when the construction of new Third System fortifications ceased, more than 40 citadels defended Amer- ican coastal waters.12 Most of East- man’s forts were constructed under the Third System, but few of them saw action during the Civil War. A number served as military prisons. As commandant of Fort Mifflin on the Delaware River from November 1864 to August 1865, Col. Eastman would have visited Fort Delaware on Pea Patch Island, located in the river channel between Wilmington and New Castle, Delaware. Channel-dredging had dumped tons of spoil at the northern end of the island, land upon which a miserable prison-pen housed enlisted Confederate pris- oners of war. Their officers were Fig. 12. It appears that Eastman used this George N. Barnard photograph, Fort quartered within the fort in relative Sumter in April, 1865, as the source for his painting. -
The Invention of Cultural Memory
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/216723904 The Invention of Cultural Memory Chapter · January 2008 DOI: 10.13140/2.1.1296.4807 CITATIONS READS 4 10,020 Some of the authors of this publication are also working on these related projects: José Rizals fin de siècle View project Wissenschaftstheorie View project All content following this page was uploaded by Dietrich Harth on 20 May 2014. The user has requested enhancement of the downloaded file. Cultural Memory Studies ≥ Media and Cultural Memory/ Medien und kulturelle Erinnerung Edited by/ Herausgegeben von Astrid Erll · Ansgar Nünning Editorial Board / Wissenschaftlicher Beirat Aleida Assmann · Mieke Bal · Marshall Brown · Vita Fortunati Udo Hebel · Claus Leggewie · Gunilla Lindberg-Wada Jürgen Reulecke · Jean Marie Schaeffer · Jürgen Schlaeger Siegfried J. Schmidt · Werner Sollors · Frederic Tygstrup Harald Welzer 8 Walter de Gruyter · Berlin · New York Cultural Memory Studies An International and Interdisciplinary Handbook Edited by Astrid Erll · Ansgar Nünning in collaboration with Sara B. Young Walter de Gruyter · Berlin · New York Țȍ Printed on acid-free paper which falls within the guidelines of the ANSI to ensure permanence and durability. Library of Congress Cataloging-in-Publication Data Cultural memory studies : an international and interdisciplinary hand- book / edited by Astrid Erll, Ansgar Nünning. p. cm. Ϫ (Media and cultural memory ; 8 ϭ Medien und kultu- relle Erinnerung ; 8) Includes bibliographical references and index. ISBN 978-3-11-018860-8 (alk. paper) 1. Culture Ϫ Handbooks, manuals, etc. 2. Memory Ϫ Cross-cul- tural studies Ϫ Handbooks, manuals, etc. I. Erll, Astrid. II. -
Survey the Library Resources in the Eight Mid-Hudson Counties of Columbia
DOCIMENT RESLME ED 032 889 LI 001 311 By -Reichmann, Felix; And Others Library Resources in the Mid-Hudson Valley: Columbia, Dutchess, Greene, Orange, Putnam. Rockland. Sullivan, Ulster. Spons Agency-Mid-Hudson Libraries. Poughkeepsie. N.Y.; Ramapo Catskill Library System. Middletown. N.Y. Pub Date 65 Note -519p. EDRS Price MF -$2.00 HC -$26.05 Descriptors -Centralization. College Libraries. *Library Cooperation. sr-ibrary Networks. *Library Planning. Library Services, *Library Surveys, Public Libraries. School Libraries. Special Libraries Identifiers-New York The purpose of this study was to "survey the library resources in the eight Mid-Hudson Counties of Columbia. Dutchess. Greene. Orange, Putnam. Rockland. Sullivan. and Ulster in order to develop a plan of service in which assets would be shared. resources developed, and services extended." Survey data were collected by six questionnaires; visits and evaluations of college, public and special libraries; and a review of the literature of the field. Study findings are presented in sections on the history of the region, the present situation. and libraries of all types. A summary and projections are also included. Thirty-five specific recommendations are made which cover overall planning. public libraries. college libraries. school libraries. central services, and future development. The basic recommendation of the study is that the eight counties of the Hudson Valley be considered as a unified library area, with the Southeastern New York Library Resources Council designated as theagency to work toward integration of alllibraries at alllevels in the eight counties. Appendixes include tables of survey data. the survey questionnaires. and checklists used in the library evaluations. -
Estudio Pragmático Multimodal De Un Corpus Icónico-Verbal
TITULO: Ecoicidad y paratraducción: estudio pragmático multimodal de un corpus icónico-verbal. AUTOR: Manuel Balsera Fernández © Edita: Servicio de Publicaciones de la Universidad de Córdoba. 2016 Campus de Rabanales Ctra. Nacional IV, Km. 396 A 14071 Córdoba www.uco.es/publicaciones [email protected] UNIVERSIDAD DE CÓRDOBA FACULTAD DE FILOSOFÍA Y LETRAS Departamento de Traducción e Interpretación Programa de doctorado : Lenguas y Culturas. ECOICIDAD Y PARATRADUCCIÓN: ESTUDIO PRAGMÁTICO MULTIMODAL DE UN CORPUS ICÓNICO-VERBAL TESIS DOCTORAL POR COMPENDIO DE PUBLICACIONES Autor: Manuel Balsera Fernández Dirigida por: María del Mar Rivas Carmona Córdoba, 2015 ECOICIDAD Y PARATRADUCCIÓN: ESTUDIO PRAGMÁTICO MULTIMODAL DE UN CORPUS ICÓNICO-VERBAL Tesis por compendio de publicaciones presentada por el Licenciado Manuel Balsera Fernández para la obtención del grado de Doctor Vº Bº, La Directora María del Mar Rivas Carmona Profesora Titular de la Universidad de Córdoba Córdoba, 2015 © Edita: Servicio de Publicaciones de la Universidad de Córdoba. Campus de Rabanales Ctra. Nacional IV, Km. 396 A 14071 Córdoba www.uco.es/publicaciones [email protected] A mi hija Marta 005 Agradecimientos Son muchas las personas que han contribuido a la realización y satisfactoria culminación de la presente tesis. A todas ellas les presento mi más sincera gratitud. Permítanme, en primer lugar, que agradezca la inestimable ayuda prestada por uno de mis mejores profesores. Me estoy refiriendo al Prof. Dr. Vicente López Folgado, antiguo director del presente trabajo, que hubo de abandonar por razones administrativas, debido a su jubilación, y que, no obstante, sigue granjeándome su generosa colaboración y amistad. Al tiempo, agradezco la cálida acogida que me ha dispensado mi actual directora la Profesora Dra. -
Curriculum Map – Ware Public Schools – English Language Arts: Grade 8
Preliminary Edition – August 2013 Curriculum Map – Ware Public Schools – English Language Arts: Grade 8 Urban Settings in America: “It Happened in the City” Unit 1 - Number of Weeks: 6 – Sept.-mid Oct. Essential Question: What does the urban setting contribute to these stories? Terminology: connotation, explicit textual evidence, implicit textual, evidence, literal versus figurative language, setting, and theme Focus Suggested Sample Activities and Assessment Standards Works/Resources Lexile Framework for (E) indicates a CCSS exemplar text (AD) Adult Directed Reading (EA) indicates a text from a writer with (IG) Illustrated Guide http://lexile.com/fab/ other works identified as exemplar (NC) Non-Conforming (NP) Non-prose (no code) RI.8.1: Cite the ANCHOR TEXTS MCAS textual evidence that The Great Fire (Jim District GRADE testing most strongly Murphy) (E) (1130L) DRA supports an analysis Kiki Strike: Inside the Dibels of what the text says Shadow City (Kirsten Miller) Open Response writing with Mass. rubric explicitly as well as Group and class discussion inferences drawn Participation from the text. LITERARY TEXTS Journal responses to literature, art, media, non-fiction Stories Dramatization of poems RI.8.6: Determine an The Catcher in the Rye (J. Writing poems author’s point of D. Salinger) (790L) view or purpose in a All of the Above (Shelley INTRODUCTORY ACTIVITY (FOR THE YEAR) text and analyze Pearsall) how the author You will be reading a variety of literature and informational texts this A Long way from Chicago: year, including some genres that you may not have read before. On a acknowledges and A Novel in Stories (Richard responds to shared spreadsheet, your teacher will give you a list of twenty genres Peck) (such as adventure, historical fiction, comedy, ancient history, science conflicting evidence The King of Dragons (Carol or viewpoints. -
JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION
JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms. -
Forum Vormärz Forschung, Jahrbuch 2017, 23. Jahrgang
Thomas Giese (Düsseldorf ) Die Amerikabilder Emanuel Leutzes im Kontext von Bildern, Versen und Texten der Zeit Für Liz 1. Einleitung „People here are all in a state of delirium about the Mexican War. A mili- tary ardor pervades all ranks – […] Nothing is talked of but the ‚Halls of the Montezumas‘“1, notiert Herman Melville am 29. Mai 1846 in Lansing- burgh, New York. Der US-Senat und -Kongress hatten zwei Wochen zuvor die von Präsident James K. Polk (1795-1849) eingebrachte Kriegserklärung gegen Mexiko angenommen. Mit „Halls of the Montezumas“ spielt Melville auf die Eroberung Mexikos durch die Spanier unter Führung von Hernán Cortés an. Im Januar 1848 stehen nach zweijährigem blutigem Krieg US- Truppen in der mexikanischen Hauptstadt. Im gleichen Jahr malt Emanuel Leutze in Düsseldorf The Storming of the Great Mexican Teocalli, by Cortez (im Folgenden: The Storming of the Teocalli), das im März 1849 im Galerie- saal der Düsseldorfer Akademie ausgestellt wird und „in den nächsten Tagen gleich den übrigen Bildern des jungen Meisters nach seiner amerikanischen Heimath gesandt“ werden soll, wie dem Düsseldorfer Journal und Kreisblatt in seiner Ausgabe vom 2. März 1849 zu entnehmen ist.2 Ab Juli war das Werk dann in der Galerie der American Art Union am Broadway zu sehen.3 Als es 1991 in der Ausstellung The West as America: Reinterpreting Images of the Frontier, 1820-1920 im Washingtoner National Museum of American Art 1 Brief vom 29. Mai 1846. Zit. nach Robert Walter Johannsen: To the Halls of the Montezumas: The Mexican War in the American Imagination, Oxford: Oxford University Press 1985, S. -
L-G-0000372747-0038968825.Pdf
Göttinger Beiträge zur Kunstgeschichte Band 2 Sabine Morgen Die Ausstrahlung der Düsseldorfer Schule nach Amerika im 19. Jahrhundert Düsseldorfer Bilder in Amerika und amerikanische Maler in Düsseldorf mit Künstlerlexikon auf CD-ROM Inh. Dr. Reinhilde Ruprecht e.K. Der Umschlag zeigt Washington Crossing the Delaware, 1851, von Emanuel Leutze (1816–1868). Original im Metropolitan Museum of Art, New York. Foto: Wikimedia Commons. Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte Daten sind im Internet über http://dnb.ddb.de abrufbar. © Edition Ruprecht Inh. Dr. R. Ruprecht e.K. Postfach 17 16, 37007 Göttingen – 2008 www.edition-ruprecht.de Alle Rechte vorbehalten. Das Werk einschließlich seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urhebergesetzes bedarf der vorherigen schriftlichen Zustimmung des Verlags. Diese ist auch erforderlich bei einer Nutzung für Lehr- und Unterrichtszwecke nach § 52a UrhG. Dissertation: Freiburg 2001 Satz: Sabine Morgen Layout: mm interaktiv, Dortmund Umschlag: klartext GmbH, Göttingen CD: Dataspect, Heidelberg Druck: Hubert & Co GmbH & Co KG, Göttingen ISBN: 978-3-7675-3059-1 Inhalt Einleitung ...............................................................................................17 I 1839–1849: Die amerikanischen Kunstschüler in Düsseldorf ............. 36 1. Wege nach Düsseldorf, Impulse, Ziele und Kontakte .................................. 36 2. Formen der Institutionalisierung von Kunsterziehung -
Washington Rallying the Troops at Monmouth
Author(s): Mary Manfredi Published by: The Coalition of Master’s Scholars on Material Culture URL: https://cmsmc.org/publications/washington-rallying-the-troops Date Published: June 11, 2021 Citation: Manfredi, Mary. “Washington Rallying the Troops at Monmouth (1857) : A Window into Nineteenth Century Domestic Domains.” The Coalition of Master’s Scholars on Material Culture, June 11, 2021. CMSMC is run by fellow master’s scholars as a platform for colleagues to disseminate their work. We are an independently run organization and are not affiliated with any university or institution. This work is licensed under CC BY-NC-ND 4.0 For more information about The Coalition of Master’s Scholars on Material Culture, please email us at [email protected] 1 Washington Rallying the Troops at Monmouth (1857): A Window into Nineteenth-Century Domestic Domains By: Mary Manfredi Abstract: Since the late-eighteenth century, artists have replicated and disseminated George Washington's image and likeness to preserve his memory and legacy. The popularization of history painting compelled artists to decorate a canvas with decisive moments in the country's founding years. Emanuel Leutze (1816-1868) is one such artist who won praise for his monumental Washington Crossing the Delaware in 1851. Two years later, Leutze created a companion piece, Washington Rallying the Troops at Monmouth (1853). This work shows an unfavorable side of Washington, a commander scrambling to catch his retreating troops. While the public and scholars often focus on Leutze’s more famous image of Washington, the companion piece offers a deviation from sacrosanct portrayals of the first president. -
Nineteenth-Century Western Skies Revisited: Albert Bierstadt's Toward
Concentric: Literary and Cultural Studies 39.2 September 2013: 139-161 DOI: 10.6240/concentric.lit.2013.39.2.09 Complicating the Reading of Nineteenth-Century American Landscape Painting: Albert Bierstadt’s Western Visions, Aesthetics, and Sociology Michaela Keck Institute for English/American Studies Carl von Ossietzky University, Germany Abstract Albert Bierstadt’s panoramic landscapes have always polarized the general public, critics, and scholars. For some, they represent the wonders of an exceptional natural world and society; for others they express the disturbing, megalomaniac history of nineteenth-century American conquest. While such binary opposites are overly simplistic, they have continued to shape the public and scholarly debate regarding representations of American nature. Based on the notion of an aesthetic perception of nature as landscape, and on sociologist Norbert Elias’s figurational conception of the “involvement and detachment” between human spectators and nature, this article will explore the multilayered, heterogeneous cultural forces at work in Toward the Setting Sun (1862) and The Oregon Trail (1869). The contesting forces inherent in Toward the Setting Sun will be examined in the light of Bierstadt’s transcultural walking figure, while the different situational negotiations of American and European readings will help to shed light on The Oregon Trail. I will argue that Bierstadt’s Indian walking figure in Toward the Setting Sun represents the aesthetic experience of nature as landscape, as well as the protest against growing social pressures within a wider social context, and Bierstadt’s desire to market his art on the level of the individual. To Americans, The Oregon Trail likewise expresses social anxieties insofar as it reveals the aggressive capitalism of the Gilded Age and the dictates of the international marketplace.