Educational Experience As Lived: Knowledge, History, Alterity the Selected Works of William F

Total Page:16

File Type:pdf, Size:1020Kb

Educational Experience As Lived: Knowledge, History, Alterity the Selected Works of William F Educational Experience as Lived “Not only is this an important book, it is also a necessary book. William Pinar is one of the major curriculum theorists of the past forty years. While he launched the reconceptualization of curriculum studies, subsequent events have shown that he has set the scholarly direction for the fi eld in the 21st Century.” Terrance R. Carson, University of Alberta, Canada In this volume William F. Pinar enacts his theory of curriculum, detailing the relations among knowledge, history, and alterity. The introduction is his intel- lectual life history, naming the contributions he has made to understanding educational experience. Through his portraits of educational experience as lived— encompassing study as the center of educational experience, his con- ceptions of disciplinarity and internationalization, reactivating the past to fi nd the future, the gendering and racialization of U.S. school reform, the technol- ogization of education, and the educational project of subjective and social reconstruction—Pinar threads the relations among knowledge, history, and alterity. William F. Pinar is Professor and Canada Research Chair at the University of British Columbia. He has also served as the St. Bernard Parish Alumni Endowed Professor at Louisiana State University, the Frank Talbott Professor at the University of Virginia, and the A. Lindsay O’Connor Professor of American Institutions at Colgate University. The former President of the International Association for the Advancement of Curriculum Studies and the founder of its U.S. affi liate, the American Association for the Advancement of Curricu- lum Studies, Pinar received, in 2000, the LSU Distinguished Faculty Award and a Lifetime Achievement Award from the American Educational Research Association. World Library of Educationalists Series Thinking and Rethinking the University The selected works of Ronald Barnett Ronald Barnett The Politics of Race, Class and Special Education The selected works of Sally Tomlinson Sally Tomlinson Lessons from History of Education The selected works of Richard Aldrich Richard Aldrich Knowledge, Power, and Education The selected works of Michael W. Apple Michael W. Apple Education Policy and Social Class The selected works of Stephen J. Ball Stephen J. Ball Race, Culture, and Education The selected works of James A. Banks James A. Banks In Search of Pedagogy Volume I The selected works of Jerome Bruner, 1957–1978 Jerome S. Bruner In Search of Pedagogy Volume II The selected works of Jerome Bruner, 1979–2006 Jerome S. Bruner Reimagining Schools The selected works of Elliot W. Eisner Elliot W. Eisner Refl ecting Where the Action Is The selected works of John Elliot John Elliot The Development and Education of the Mind The Selected Works of Howard Gardner Howard Gardner Constructing Worlds through Science Education The selected works of John K. Gilbert John K. Gilbert Making Sense of Learners Making Sense of Written Language The Selected Words of Kenneth S. Goodman and Yetta M. Goodman Kenneth S. Goodman and Yetta M. Goodman Learning, Curriculum and Life Politics The selected works of Ivor F. Goodson Ivor F. Goodson Education and the Nation State The selected works of S. Gopinathan S. Gopinathan Educational Assessment, Evaluation, and Research The selected works of Mary E. James Mary E. James Teaching, Learning and Education in Late Modernity The selected works of Peter Jarvis Peter Jarvis Education, Markets, and the Public Good The selected works of David F. Labaree David F. Labaree Politics, Policies and Pedagogies in Education The selected works of Bob Lingard Bob Lingard A Life in Education The selected works of John Macbeath John Macbeath Overcoming Exclusion Social Justice through Education Peter Mittler Learner-Centered English Language Education The selected works of David Nunan David Nunan Educational Philosophy and Politics The selected works of Michael A. Peters Michael A. Peters Encountering Education in the Global The selected works of Fazal Rizvi Fazal Rizvi Landmarks in Literacy The Selected Works of Frank Smith Frank Smith Corporatism, Social Control, and Cultural Domination in Education: From the Radical Right to Globalization The selected works of Joel Spring Joel Spring The Curriculum and the Child The selected works of John White John White The Art and Science of Teaching and Learning The selected works of Ted Wragg E. C. Wragg China through the Lens of Comparative Education The Selected Works of Ruth Hayhoe Ruth Hayhoe Multiculturalism in Education and Teaching The selected works of Carl A. Grant Carl A. Grant Educational Experience as Lived: Knowledge, History, Alterity The Selected Works of William F. Pinar William F. Pinar Educational Experience as Lived: Knowledge, History, Alterity The Selected Works of William F. Pinar William F. Pinar First published 2015 by Routledge 711 Third Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2015 Taylor & Francis The right of William F. Pinar to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data Pinar, William F. [Works. Selections] Educational experience as lived : knowledge, history, alterity : the selected writings of William F. Pinar / William F. Pinar. pages cm. — (World library of educationalists) Includes bibliographical references and index. 1. Education—Curricula—Philosophy. 2. Education—Philosophy. 3. Pinar, William F.—Infl uence. I. Title. LB1570.P5523 2015 375′.001—dc23 2014028778 ISBN: 978-1-138-80499-9 (hbk) ISBN: 978-1-315-75259-4 (ebk) Typeset in Sabon by Apex CoVantage, LLC CONTENTS Acknowledgments ix Preface xi Introduction 1 1 Study 11 2 Allegory 25 3 Internationalization 36 4 Nationalism 47 5 Technology 64 6 Reform 86 7 Misrepresentation 99 8 Conversation 109 9 Place 126 10 Emergence 137 11 Alterity 152 12 Discipline 164 13 Identity 174 14 Resolve 180 15 Decolonization 188 16 Inwardness 201 viii Contents 17 Individuality 214 18 Cosmopolitanism 229 Epilogue 244 Sources and Permissions 247 Index 249 ACKNOWLEDGMENTS First and foremost I express my gratitude to my exceptional editor at Routledge— Naomi Silverman—without whose editorial encouragement and acumen this volume would not exist. My thanks to Peter Taubman for introducing me to the work of Robert Musil ( chapter 16 ), to Petra Munro Hendry for encouraging my study of Jane Addams ( chapter 17 ) and Ida B. Wells ( chapter 10 ), to Terry Carson, Nicholas Ng-A- Fook, and Teresa Strong-Wilson for their comments on chapter 4 , to José María García Garduño for his critique of chapter 7 , and to Nicholas Ng-A-Fook for alerting me to the work of Ben Williamson ( chapter 6 ). My thanks to those who have taught me and studied with me. It has been my privilege to participate in the conversation you have stimulated. This page intentionally left blank PREFACE What is so important about the relation between power and knowledge for our historical present? Colin Koopman 1 I came of intellectual age in the era of New Criticism, the close reading of liter- ary texts, attentive to their internal structures, meanings, dynamics. I kept the training in close reading but not that tradition’s disinterest in reader response, authorial intention, politics, and history. These I threaded into a theory of curriculum as complicated conversation with those present and absent, con- temporaries of course but also with the dead and those not yet born. Like a compelling conversation, curriculum can have a life of its own. In my concep- tion, the teacher becomes even more indispensable when freed from objectives and outcomes. The key interlocutor, the educator is engaged in ongoing study, in solitude, with others. My B.S. in Ed. degree was in English, but I studied history, philosophy, and music as well. In graduate school I supplemented studies in education with coursework in the English Department. My doctoral dissertation recorded those early efforts to associate ideas from these disciplines to the academic study of education. The year after graduating with the Ph.D., I linked these with studies in consciousness, informed by my Zen practice, too severed (my practice, not Zen) from everyday life I decided. Finding my way each day, amidst knowledge, history, and alterity, was the needle I knew I had to thread, and by the mid- 1970s autobiography had become my stitch. Those early autobiographical experiments remained focused on “texts,” espe- cially those of Virginia Woolf, as I attempted to portray what “study” could be, namely ongoing ethical engagement with alterity. The chapters in this volume are a series of studies in which I labor to understand what is at stake in the his- torical and biographical present—themselves intersecting categories as History is also often personal—through understanding the “text,” after poststructur- alism expansively depicted as persons, events,
Recommended publications
  • Twenty-Four Conservative-Liberal Thinkers Part I Hannes H
    Hannes H. Gissurarson Twenty-Four Conservative-Liberal Thinkers Part I Hannes H. Gissurarson Twenty-Four Conservative-Liberal Thinkers Part I New Direction MMXX CONTENTS Hannes H. Gissurarson is Professor of Politics at the University of Iceland and Director of Research at RNH, the Icelandic Research Centre for Innovation and Economic Growth. The author of several books in Icelandic, English and Swedish, he has been on the governing boards of the Central Bank of Iceland and the Mont Pelerin Society and a Visiting Scholar at Stanford, UCLA, LUISS, George Mason and other universities. He holds a D.Phil. in Politics from Oxford University and a B.A. and an M.A. in History and Philosophy from the University of Iceland. Introduction 7 Snorri Sturluson (1179–1241) 13 St. Thomas Aquinas (1225–1274) 35 John Locke (1632–1704) 57 David Hume (1711–1776) 83 Adam Smith (1723–1790) 103 Edmund Burke (1729–1797) 129 Founded by Margaret Thatcher in 2009 as the intellectual Anders Chydenius (1729–1803) 163 hub of European Conservatism, New Direction has established academic networks across Europe and research Benjamin Constant (1767–1830) 185 partnerships throughout the world. Frédéric Bastiat (1801–1850) 215 Alexis de Tocqueville (1805–1859) 243 Herbert Spencer (1820–1903) 281 New Direction is registered in Belgium as a not-for-profit organisation and is partly funded by the European Parliament. Registered Office: Rue du Trône, 4, 1000 Brussels, Belgium President: Tomasz Poręba MEP Executive Director: Witold de Chevilly Lord Acton (1834–1902) 313 The European Parliament and New Direction assume no responsibility for the opinions expressed in this publication.
    [Show full text]
  • Henryk Siemiradzki and the International Artistic Milieu
    ACCADEMIA POL ACCA DELLE SCIENZE DELLE SCIENZE POL ACCA ACCADEMIA BIBLIOTECA E CENTRO DI STUDI A ROMA E CENTRO BIBLIOTECA ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU FRANCESCO TOMMASINI, L’ITALIA E LA RINASCITA E LA RINASCITA L’ITALIA TOMMASINI, FRANCESCO IN ROME DELLA INDIPENDENTE POLONIA A CURA DI MARIA NITKA AGNIESZKA KLUCZEWSKA-WÓJCIK CONFERENZE 145 ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA ISSN 0239-8605 ROMA 2020 ISBN 978-83-956575-5-9 CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU IN ROME ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU IN ROME A CURA DI MARIA NITKA AGNIESZKA KLUCZEWSKA-WÓJCIK. ROMA 2020 Pubblicato da AccademiaPolacca delle Scienze Bibliotecae Centro di Studi aRoma vicolo Doria, 2 (Palazzo Doria) 00187 Roma tel. +39 066792170 e-mail: [email protected] www.rzym.pan.pl Il convegno ideato dal Polish Institute of World Art Studies (Polski Instytut Studiów nad Sztuką Świata) nell’ambito del programma del Ministero della Scienza e dell’Istruzione Superiore della Repubblica di Polonia (Polish Ministry of Science and Higher Education) “Narodowy Program Rozwoju Humanistyki” (National Programme for the Develop- ment of Humanities) - “Henryk Siemiradzki: Catalogue Raisonné of the Paintings” (“Tradition 1 a”, no. 0504/ nprh4/h1a/83/2015). Il convegno è stato organizzato con il supporto ed il contributo del National Institute of Polish Cultural Heritage POLONIKA (Narodowy Instytut Polskiego Dziedzictwa Kul- turowego za Granicą POLONIKA). Redazione: Maria Nitka, Agnieszka Kluczewska-Wójcik Recensione: Prof.
    [Show full text]
  • 23 League in New York Before They Were Purchased by Granville
    is identical to a photograph taken in 1866 (fig. 12), which includes sev- eral men and a rowboat in the fore- ground. From this we might assume that Eastman, and perhaps Chapman, may have consulted a wartime pho- tograph. His antebellum Sumter is highly idealized, drawn perhaps from an as-yet unidentified print, or extrapolated from maps and plans of the fort—child’s play for a master topographer like Eastman. Coastal Defenses The forts painted by Eastman had once been the state of the art, before rifled artillery rendered masonry Fig. 11. Seth Eastman, Fort Sumter, South Carolina, After the War, 1870–1875. obsolete, as in the bombardment of Fort Sumter in 1861 and the capture of Fort Pulaski one year later. By 1867, when the construction of new Third System fortifications ceased, more than 40 citadels defended Amer- ican coastal waters.12 Most of East- man’s forts were constructed under the Third System, but few of them saw action during the Civil War. A number served as military prisons. As commandant of Fort Mifflin on the Delaware River from November 1864 to August 1865, Col. Eastman would have visited Fort Delaware on Pea Patch Island, located in the river channel between Wilmington and New Castle, Delaware. Channel-dredging had dumped tons of spoil at the northern end of the island, land upon which a miserable prison-pen housed enlisted Confederate pris- oners of war. Their officers were Fig. 12. It appears that Eastman used this George N. Barnard photograph, Fort quartered within the fort in relative Sumter in April, 1865, as the source for his painting.
    [Show full text]
  • The Invention of Cultural Memory
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/216723904 The Invention of Cultural Memory Chapter · January 2008 DOI: 10.13140/2.1.1296.4807 CITATIONS READS 4 10,020 Some of the authors of this publication are also working on these related projects: José Rizals fin de siècle View project Wissenschaftstheorie View project All content following this page was uploaded by Dietrich Harth on 20 May 2014. The user has requested enhancement of the downloaded file. Cultural Memory Studies ≥ Media and Cultural Memory/ Medien und kulturelle Erinnerung Edited by/ Herausgegeben von Astrid Erll · Ansgar Nünning Editorial Board / Wissenschaftlicher Beirat Aleida Assmann · Mieke Bal · Marshall Brown · Vita Fortunati Udo Hebel · Claus Leggewie · Gunilla Lindberg-Wada Jürgen Reulecke · Jean Marie Schaeffer · Jürgen Schlaeger Siegfried J. Schmidt · Werner Sollors · Frederic Tygstrup Harald Welzer 8 Walter de Gruyter · Berlin · New York Cultural Memory Studies An International and Interdisciplinary Handbook Edited by Astrid Erll · Ansgar Nünning in collaboration with Sara B. Young Walter de Gruyter · Berlin · New York Țȍ Printed on acid-free paper which falls within the guidelines of the ANSI to ensure permanence and durability. Library of Congress Cataloging-in-Publication Data Cultural memory studies : an international and interdisciplinary hand- book / edited by Astrid Erll, Ansgar Nünning. p. cm. Ϫ (Media and cultural memory ; 8 ϭ Medien und kultu- relle Erinnerung ; 8) Includes bibliographical references and index. ISBN 978-3-11-018860-8 (alk. paper) 1. Culture Ϫ Handbooks, manuals, etc. 2. Memory Ϫ Cross-cul- tural studies Ϫ Handbooks, manuals, etc. I. Erll, Astrid. II.
    [Show full text]
  • Survey the Library Resources in the Eight Mid-Hudson Counties of Columbia
    DOCIMENT RESLME ED 032 889 LI 001 311 By -Reichmann, Felix; And Others Library Resources in the Mid-Hudson Valley: Columbia, Dutchess, Greene, Orange, Putnam. Rockland. Sullivan, Ulster. Spons Agency-Mid-Hudson Libraries. Poughkeepsie. N.Y.; Ramapo Catskill Library System. Middletown. N.Y. Pub Date 65 Note -519p. EDRS Price MF -$2.00 HC -$26.05 Descriptors -Centralization. College Libraries. *Library Cooperation. sr-ibrary Networks. *Library Planning. Library Services, *Library Surveys, Public Libraries. School Libraries. Special Libraries Identifiers-New York The purpose of this study was to "survey the library resources in the eight Mid-Hudson Counties of Columbia. Dutchess. Greene. Orange, Putnam. Rockland. Sullivan. and Ulster in order to develop a plan of service in which assets would be shared. resources developed, and services extended." Survey data were collected by six questionnaires; visits and evaluations of college, public and special libraries; and a review of the literature of the field. Study findings are presented in sections on the history of the region, the present situation. and libraries of all types. A summary and projections are also included. Thirty-five specific recommendations are made which cover overall planning. public libraries. college libraries. school libraries. central services, and future development. The basic recommendation of the study is that the eight counties of the Hudson Valley be considered as a unified library area, with the Southeastern New York Library Resources Council designated as theagency to work toward integration of alllibraries at alllevels in the eight counties. Appendixes include tables of survey data. the survey questionnaires. and checklists used in the library evaluations.
    [Show full text]
  • Estudio Pragmático Multimodal De Un Corpus Icónico-Verbal
    TITULO: Ecoicidad y paratraducción: estudio pragmático multimodal de un corpus icónico-verbal. AUTOR: Manuel Balsera Fernández © Edita: Servicio de Publicaciones de la Universidad de Córdoba. 2016 Campus de Rabanales Ctra. Nacional IV, Km. 396 A 14071 Córdoba www.uco.es/publicaciones [email protected] UNIVERSIDAD DE CÓRDOBA FACULTAD DE FILOSOFÍA Y LETRAS Departamento de Traducción e Interpretación Programa de doctorado : Lenguas y Culturas. ECOICIDAD Y PARATRADUCCIÓN: ESTUDIO PRAGMÁTICO MULTIMODAL DE UN CORPUS ICÓNICO-VERBAL TESIS DOCTORAL POR COMPENDIO DE PUBLICACIONES Autor: Manuel Balsera Fernández Dirigida por: María del Mar Rivas Carmona Córdoba, 2015 ECOICIDAD Y PARATRADUCCIÓN: ESTUDIO PRAGMÁTICO MULTIMODAL DE UN CORPUS ICÓNICO-VERBAL Tesis por compendio de publicaciones presentada por el Licenciado Manuel Balsera Fernández para la obtención del grado de Doctor Vº Bº, La Directora María del Mar Rivas Carmona Profesora Titular de la Universidad de Córdoba Córdoba, 2015 © Edita: Servicio de Publicaciones de la Universidad de Córdoba. Campus de Rabanales Ctra. Nacional IV, Km. 396 A 14071 Córdoba www.uco.es/publicaciones [email protected] A mi hija Marta 005 Agradecimientos Son muchas las personas que han contribuido a la realización y satisfactoria culminación de la presente tesis. A todas ellas les presento mi más sincera gratitud. Permítanme, en primer lugar, que agradezca la inestimable ayuda prestada por uno de mis mejores profesores. Me estoy refiriendo al Prof. Dr. Vicente López Folgado, antiguo director del presente trabajo, que hubo de abandonar por razones administrativas, debido a su jubilación, y que, no obstante, sigue granjeándome su generosa colaboración y amistad. Al tiempo, agradezco la cálida acogida que me ha dispensado mi actual directora la Profesora Dra.
    [Show full text]
  • Curriculum Map – Ware Public Schools – English Language Arts: Grade 8
    Preliminary Edition – August 2013 Curriculum Map – Ware Public Schools – English Language Arts: Grade 8 Urban Settings in America: “It Happened in the City” Unit 1 - Number of Weeks: 6 – Sept.-mid Oct. Essential Question: What does the urban setting contribute to these stories? Terminology: connotation, explicit textual evidence, implicit textual, evidence, literal versus figurative language, setting, and theme Focus Suggested Sample Activities and Assessment Standards Works/Resources Lexile Framework for (E) indicates a CCSS exemplar text (AD) Adult Directed Reading (EA) indicates a text from a writer with (IG) Illustrated Guide http://lexile.com/fab/ other works identified as exemplar (NC) Non-Conforming (NP) Non-prose (no code) RI.8.1: Cite the ANCHOR TEXTS MCAS textual evidence that The Great Fire (Jim District GRADE testing most strongly Murphy) (E) (1130L) DRA supports an analysis Kiki Strike: Inside the Dibels of what the text says Shadow City (Kirsten Miller) Open Response writing with Mass. rubric explicitly as well as Group and class discussion inferences drawn Participation from the text. LITERARY TEXTS Journal responses to literature, art, media, non-fiction Stories Dramatization of poems RI.8.6: Determine an The Catcher in the Rye (J. Writing poems author’s point of D. Salinger) (790L) view or purpose in a All of the Above (Shelley INTRODUCTORY ACTIVITY (FOR THE YEAR) text and analyze Pearsall) how the author You will be reading a variety of literature and informational texts this A Long way from Chicago: year, including some genres that you may not have read before. On a acknowledges and A Novel in Stories (Richard responds to shared spreadsheet, your teacher will give you a list of twenty genres Peck) (such as adventure, historical fiction, comedy, ancient history, science conflicting evidence The King of Dragons (Carol or viewpoints.
    [Show full text]
  • JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION
    JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms.
    [Show full text]
  • Forum Vormärz Forschung, Jahrbuch 2017, 23. Jahrgang
    Thomas Giese (Düsseldorf ) Die Amerikabilder Emanuel Leutzes im Kontext von Bildern, Versen und Texten der Zeit Für Liz 1. Einleitung „People here are all in a state of delirium about the Mexican War. A mili- tary ardor pervades all ranks – […] Nothing is talked of but the ‚Halls of the Montezumas‘“1, notiert Herman Melville am 29. Mai 1846 in Lansing- burgh, New York. Der US-Senat und -Kongress hatten zwei Wochen zuvor die von Präsident James K. Polk (1795-1849) eingebrachte Kriegserklärung gegen Mexiko angenommen. Mit „Halls of the Montezumas“ spielt Melville auf die Eroberung Mexikos durch die Spanier unter Führung von Hernán Cortés an. Im Januar 1848 stehen nach zweijährigem blutigem Krieg US- Truppen in der mexikanischen Hauptstadt. Im gleichen Jahr malt Emanuel Leutze in Düsseldorf The Storming of the Great Mexican Teocalli, by Cortez (im Folgenden: The Storming of the Teocalli), das im März 1849 im Galerie- saal der Düsseldorfer Akademie ausgestellt wird und „in den nächsten Tagen gleich den übrigen Bildern des jungen Meisters nach seiner amerikanischen Heimath gesandt“ werden soll, wie dem Düsseldorfer Journal und Kreisblatt in seiner Ausgabe vom 2. März 1849 zu entnehmen ist.2 Ab Juli war das Werk dann in der Galerie der American Art Union am Broadway zu sehen.3 Als es 1991 in der Ausstellung The West as America: Reinterpreting Images of the Frontier, 1820-1920 im Washingtoner National Museum of American Art 1 Brief vom 29. Mai 1846. Zit. nach Robert Walter Johannsen: To the Halls of the Montezumas: The Mexican War in the American Imagination, Oxford: Oxford University Press 1985, S.
    [Show full text]
  • L-G-0000372747-0038968825.Pdf
    Göttinger Beiträge zur Kunstgeschichte Band 2 Sabine Morgen Die Ausstrahlung der Düsseldorfer Schule nach Amerika im 19. Jahrhundert Düsseldorfer Bilder in Amerika und amerikanische Maler in Düsseldorf mit Künstlerlexikon auf CD-ROM Inh. Dr. Reinhilde Ruprecht e.K. Der Umschlag zeigt Washington Crossing the Delaware, 1851, von Emanuel Leutze (1816–1868). Original im Metropolitan Museum of Art, New York. Foto: Wikimedia Commons. Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte Daten sind im Internet über http://dnb.ddb.de abrufbar. © Edition Ruprecht Inh. Dr. R. Ruprecht e.K. Postfach 17 16, 37007 Göttingen – 2008 www.edition-ruprecht.de Alle Rechte vorbehalten. Das Werk einschließlich seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urhebergesetzes bedarf der vorherigen schriftlichen Zustimmung des Verlags. Diese ist auch erforderlich bei einer Nutzung für Lehr- und Unterrichtszwecke nach § 52a UrhG. Dissertation: Freiburg 2001 Satz: Sabine Morgen Layout: mm interaktiv, Dortmund Umschlag: klartext GmbH, Göttingen CD: Dataspect, Heidelberg Druck: Hubert & Co GmbH & Co KG, Göttingen ISBN: 978-3-7675-3059-1 Inhalt Einleitung ...............................................................................................17 I 1839–1849: Die amerikanischen Kunstschüler in Düsseldorf ............. 36 1. Wege nach Düsseldorf, Impulse, Ziele und Kontakte .................................. 36 2. Formen der Institutionalisierung von Kunsterziehung
    [Show full text]
  • Washington Rallying the Troops at Monmouth
    Author(s): Mary Manfredi Published by: The Coalition of Master’s Scholars on Material Culture URL: https://cmsmc.org/publications/washington-rallying-the-troops Date Published: June 11, 2021 Citation: Manfredi, Mary. “Washington Rallying the Troops at Monmouth (1857) : A Window into Nineteenth Century Domestic Domains.” The Coalition of Master’s Scholars on Material Culture, June 11, 2021. CMSMC is run by fellow master’s scholars as a platform for colleagues to disseminate their work. We are an independently run organization and are not affiliated with any university or institution. This work is licensed under CC BY-NC-ND 4.0 For more information about The Coalition of Master’s Scholars on Material Culture, please email us at [email protected] 1 Washington Rallying the Troops at Monmouth (1857): A Window into Nineteenth-Century Domestic Domains By: Mary Manfredi Abstract: Since the late-eighteenth century, artists have replicated and disseminated George Washington's image and likeness to preserve his memory and legacy. The popularization of history painting compelled artists to decorate a canvas with decisive moments in the country's founding years. Emanuel Leutze (1816-1868) is one such artist who won praise for his monumental Washington Crossing the Delaware in 1851. Two years later, Leutze created a companion piece, Washington Rallying the Troops at Monmouth (1853). This work shows an unfavorable side of Washington, a commander scrambling to catch his retreating troops. While the public and scholars often focus on Leutze’s more famous image of Washington, the companion piece offers a deviation from sacrosanct portrayals of the first president.
    [Show full text]
  • Nineteenth-Century Western Skies Revisited: Albert Bierstadt's Toward
    Concentric: Literary and Cultural Studies 39.2 September 2013: 139-161 DOI: 10.6240/concentric.lit.2013.39.2.09 Complicating the Reading of Nineteenth-Century American Landscape Painting: Albert Bierstadt’s Western Visions, Aesthetics, and Sociology Michaela Keck Institute for English/American Studies Carl von Ossietzky University, Germany Abstract Albert Bierstadt’s panoramic landscapes have always polarized the general public, critics, and scholars. For some, they represent the wonders of an exceptional natural world and society; for others they express the disturbing, megalomaniac history of nineteenth-century American conquest. While such binary opposites are overly simplistic, they have continued to shape the public and scholarly debate regarding representations of American nature. Based on the notion of an aesthetic perception of nature as landscape, and on sociologist Norbert Elias’s figurational conception of the “involvement and detachment” between human spectators and nature, this article will explore the multilayered, heterogeneous cultural forces at work in Toward the Setting Sun (1862) and The Oregon Trail (1869). The contesting forces inherent in Toward the Setting Sun will be examined in the light of Bierstadt’s transcultural walking figure, while the different situational negotiations of American and European readings will help to shed light on The Oregon Trail. I will argue that Bierstadt’s Indian walking figure in Toward the Setting Sun represents the aesthetic experience of nature as landscape, as well as the protest against growing social pressures within a wider social context, and Bierstadt’s desire to market his art on the level of the individual. To Americans, The Oregon Trail likewise expresses social anxieties insofar as it reveals the aggressive capitalism of the Gilded Age and the dictates of the international marketplace.
    [Show full text]