Spring 2020 “Virtual” Literary Tea April 30, 2020
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NATIONALITY. Saturday, September 8Th, 1917
EDITED BY ARTHUR GRIFFITH. Vol. 1. No. 30. (New 8eries) SATURDAY, SEPTEMBER 8th, 1917. PRICE ONE PENNY. WBBK BY WBBK. thing the people of England, who want to Germany. Cargoes of Irish live cattle could “ democratise ” Germany, never had and do reach the port of Hamburg twice weekly, and not now possess. And this being the fact, the the port of Genoa in half the time that the On Sunday Sinn Fein opened a big campaign United- States will have the “ word of the pre Argentine live cattle, which Genoa largely in Ulster. Messrs. Eoin McNeill and Laurence sent masters Of Germany ” . “ explicitly sup buys, can reach that port from Buenos Aires. Ginnell addressed a great meeting in St. ported” by “ conclusive evidence of the will The opening of a live Irish cattle trade with Golumb’s Hall, Derry, at which Mr. Seosamh and purpose of the German people.” tii© Continent would have the effect of forcing 0 ’Doherty presided. At Loughinisland (Co. the. English to pay a competitive price for our Down) the 'greatest meeting known there in The “ Irish Times,’*- which now patronises cattle. At present by keeping us,restricted,to living memory was addressed by Mr. Herbert America, and speaks in its name, assures the her market she fixes the price she pays us. Pim, Mr. John Halpin presiding, dootehill, Insh that after the war .when they resume <> «*>■ in Cavan, was the centre of an extraordinary emigration they will not’ be warmly received. To de?elop such a trade Ireland needs in the demonstration. Between. 16,000 and "20,000 After the‘war, be it known to the “ Irish first instance to charter, but eventually to assembled from all parts of East Cavan,'and Times,” the Irish do not intend to resume emi build her own marine. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Reciu'rernents F°R ZMIU) Th ' D^ “ JWVV
THE VIOLENCE ALMANAC A written work submitted to the faculty of ^ ^ San Francisco State University - 7 ' In partial fulfillment of 7o l£ RecIu'rernents f°r ZMIU) Th ' D^ “ JWVV Master of Arts In English: Creative Writing By Miah Joseph Jeffra San Francisco, California May 2018 Copyright by Miah Joseph Jeffra 2018 CERTIFICATION OF APPROVAL I certify that I have read The Violence Almanac by Miah Joseph Jeffra, and that in my opinion this work meets the criteria for approving a written creative work submitted in partial fulfillment of the requirements for the degree: Master of Arts in English: Creative Writing at San Francisco State University. Professor of Creative Writing THE VIOLENCE ALMANAC Miah Joseph Jeffra San Francisco, California 2018 The Violence Almanac addresses the relationships between natural phenomena, particularly in geology and biology, and the varied types of violence experienced in American society. Violence is at the core of the collection—how it is caused, how it effects the body and the body politic, and how it might be mitigated. Violence is also defined in myriad ways, from assault to insult to disease to oppression. Many issues of social justice are explored through this lens of violence, and ultimately the book suggests that all oppressive forces function similarly, and that to understand our nature is to understand our culture, and its predilection for oppression. I certify that the Annotation is a correct representation of the content of this written creative work. ' Chair, Written Creative Work Committee Date ACKNO WLEDG EMENT Thank you to Lambda Literary, Ragdale and the Hub City Writers Project, for allowing me the space to write these stories. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Always Talk to Strangers
AN ABSTRACT OF THE THESIS OF C. Nathan Buck for the degree of Master of Fine Arts in Creative Writing presented on April 20, 2005. Title: Always Talk to Strangers Abstract approved: Redacted for Privacy Marjorie Sandor Always Talk to Strangers contains the first seven chapters to a novel. The novel focuses on the friendship between Amanda and Maria, two fourteen-year-old girls who are experiencing their last summer before high school in Madison, Wisconsin. Their friendship is a complicated one: Maria was kidnapped four years ago, the same sunmier that Amanda's father abandoned Amanda and her mother. These best friends must deal with various forms of loss: the loss of sexual innocence, the loss or "reinterpretation" of traditional father figures, the loss of believing in that ever elusive "happily ever after." The relationships in Always Talk to Strangers often grow and transform through subtle psychic undercurrents. Many thoughts and feelings of sadness, hope, and betrayal travel between the characters not through words but through body language and the innate understanding that we all carry our pasts with us. Our pasts, indeed, haunt us like ghosts: Amanda and Maria don't often verbally discuss the kidnapping or Amanda's father; Amanda and her mother don't discuss theman they've both lost, or their respective problems with marijuana and alcohol abuse; Amanda's mother and grandmother don't discuss their different religious and spiritual belief systems. Always Talk to Strangers is, in the end, a coming-of-age novel that shows us we are all composed of contradicting emotions and desires. -
The Famous Flames 2012.Pdf
roll abandon in the minds o f awkward teens everywhere. Guitarist Sonny Curtis had recorded with Holly and Allison on the unsuccessful Decca sessions, and after Holly’s death in 1959, Curtis returned to the group as lead singer- guitarist for a time. The ensuing decades would see him become a hugely successful songwriter, penning greats from “I Fought the Taw” (covered by the Bobby Fuller Four and the Clash, among others) to Keith Whitleys smash T m No Stranger to the Rain” (1987’s CM A Single of the Tear) to the theme from The Mary Tyler Moore Show. He still gigs on occasion with Mauldin and Allison, as a Cricket. THE FAMOUS FLAMES FROM TOpi||lSly Be$pett, Lloydliisylfewarth, Bp|i§>y Byrd, apd Ja m ^ Brown (from left), on The TA.M.I. 4^ihnny Terry, BennettTfyfiff, and Brown fwomleft), the Ap®fp® James Brown is forever linked with the sound and image Theatre, 1963. -4- of the Famous Flames vocal/dancing group. They backed him on record from 1956 through 1964» and supported him as sanctified during the week as they were on Sundays. Apart onstage and on the King Records label credits (whether they from a sideline venture running bootleg liquor from the sang on the recording or not) through 1968. He worked with a Carolinas into Georgia, they began playing secular gigs under rotating cast of Flames in the 1950s until settling on the most various aliases. famous trio in 1959, as the group became his security blanket, By 1955, the group was calling itself the Flames and sounding board, and launching pad. -
Mother Azania
m C m C 'MotherAzania'l M inam Mak Introducing the STAFFRIDER POSTER SERIES Staffrider introduces a powerful new series of posters of peoples' heroes - leading figures in black cultural and political life drawn by Nkoana Moyaga and representing through these portraits key elements of our history, our present, and our future. The posters are 50 cm x 70 cm wide and printed in the sepia of the origionals. ON SALE NOW ARE Staffrider Poster Series No 1 (Bantu Steve Biko) and No 2 (Miriam 'Mother Africa' Makeba, reproduced on the cover of this issue) at R2,00 each. New Titles in the Staffrider Series MZALA, Mbulelo Mzamane, Staffrider Series No 5 - R3,50 AMANDLA, Miriam Tlali, Staffrider Poster Series 'o I. Staffrider Series No 6 - R3,95 ,- ; - A NovelbyMiriam Tiali The Stories of MBULELO MZAMANE The Cane is Singing by Narain Aiyer ............... 5 A Normal Day by Kenny T. Hurtz ............... 8 My Dear Madam by Nokugcina Sigwili ........... 11 Poor Business for the Artist by Nangirayi Majo ...... 13 In the Sun by Mongane W. Serote ............... 31 East/West by Ahmed Essop ................... 35 Mhalamhala 1981 by Mothobi Mutloatse .......... 39 Gamakhulu Diniso ........................... 5 Goodman Mabote, Shadrack Hlalele .............. 15 Radinyeka Mosaka, Mphathi Gocini .............. 16 Paul M . Sibisi ............................ 17 Mogorosi Motshumi ...................... 20, 39 Mpikayipheli Figlan ...................... 31, 33 Madi Phala ........................... 46, 47 N.D. Mazin ............................. 35, 37 Njabulo Ndebele, Amelia House, nkathazo kaMnyayiza ......................... 2 Senzo Malinga, Nkos'omzi Ngcukana ............. 4 Thabo Mooke, Kedisaletse Mashishi, Bika, Leonard Koza .......................... 7 Shari Robinson, Steve Jacobs, D. John Simon ...... 17 786/Monnapule Lebakeng, Senzo Malinga, James Matthews .......................... 20 Paul Vilakazi, Farouk Stemmet, Kriben Pillay, Acbmed Dangor, Nakedi Phosa ................. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399
RCA Discography Part 10 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399 LPM/LSP 2800 – Country Piano-City Strings – Floyd Cramer [1964] Heartless Heart/Bonaparte's Retreat/Streets Of Laredo/It Makes No Difference Now/Chattanoogie Shoe Shine Boy/You Don't Know Me/Making Believe/I Love You Because/Night Train To Memphis/I Can't Stop Loving You/Cotton Fields/Lonesome Whistle LPM/LSP 2801 – Irish Songs Country Style – Hank Locklin [1964] The Old Bog Road/Too-Ra-Loo-Ra- Loo-Ral (That's An Irish Lullaby)/Danny Dear/If We Only Had Ireland Over Here/I'll Take You Home Again Kathleen/My Wild Irish Rose/Danny Boy/When Irish Eyes Are Smiling/A Little Bit Of Heaven/Galway Bay/Kevin Barry/Forty Shades Of Green LPM 2802 LPM 2803 LPM/LSP 2804 - Encore – John Gary [1964] Tender Is The Night/Anywhere I Wander/Melodie D'amour (Melody Of Love)/And This Is My Beloved/Ol' Man River/Stella By Starlight/Take Me In Your Arms/Far Away Places/A Beautiful Thing/If/(It's Been) Grand Knowing You/Stranger In Paradise LPM/LSP 2805 – On the Country-Side – Norman Luboff Choir [1964] Detroit City/Jambalaya (On The Bayou)/I’m So Lonesome I Could Cry/Your Cheatin’ Heart/You’re The Only Star (In My Blue Heaven)/Tennessee Waltz/I Can’t Stop Loving You/It Makes No Difference Now/Words/Four Walls/Anytime/You Are My Sunshine LPM/LSP 2806 – Dick Schory on Tour – Dick Schory [1964] Baby Elephant Walk/William Told/The Wanderin’ Fifer/Charade/Sing, Sing, Sing/St. -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation..................................................................................... -
5 Years Time (Sun Sun Sun)
5 Years Time (Sun Sun Sun) Noah and the Whale Intro: [C] [F] [G] [F] x4 Oh well in [C] five years [F] time we could be walking round a [F] zoo With the [C] sun shining [F] down over [G] me and [F] you And there’ll be [C] love in the [F] bodies of the [G] elephants [F] too And I’ll put my [C] hands over [F] your eyes, Soprano but you’ll [G] peep through C And there’ll be [C] sun sun [F] sun [G] all over our [F] bodies And [C] sun sun [F] sun [G] all down our [F] necks And [C] sun sun [F] sun [G] all over our [F] faces And [C] sun sun [F] sun [G] so what the [F] heck F Cos I’ll be [C]laughing at [F] all your [G] silly little [F] jokes And we’ll be [C] laughing [F] about how we [G] used to [F] smoke All those [C] stupid little [F] cigarettes G and [G] drink stupid [F] wine Cos it’s [C] what we [F] needed to [G] have a good [F] time And it was [C] fun fun [F] fun [G] when we were [F] drinking It w as [C] fun fun [F] fun [G] when we were [F] drunk And it was [C] fun fun [F] fun [G] when we were [F] laughing It w as [C] fun fun [F] fun [G] oh it w as [F] fun [C] [F] [G] [F]x2 Baritone Oh well I [C] look at you and [F] say Chords it’s the happiest that [G] I’ve ever [F] been And I’ll say [C] I no longer [F] feel C I have to [G] be James [F] Dean And s he’ll say [C] "Yeah well I [F] feel all [G] pretty happy [F] too And I’m [C] always pretty [F] happy when I’m just [G] kick ing back with [F] you" F And it’ll be [C] love love [F] love [G] all through our [F]bodies And [C] love love [F] love [G] all through our [F] minds And it be [C] love love