Fine Books, Atlases, Manuscripts And

AND PHOTOGRAPHS AND 2017 14 June Wednesday London Knightsbridge, FINE BOOKS, ATLASES, MANUSCRIPTS ATLASES, BOOKS, FINE

FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | Knightsbridge, London | Wednesday 14 June 2017 24115 FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS Wednesday 14th June 2017 at 1pm Knightsbridge, London

BONHAMS ENQUIRIES Please see page 2 for bidder Montpelier Street Matthew Haley information including after-sale Knightsbridge Simon Roberts collection and shipment. London SW7 1HH Luke Batterham www.bonhams.com Sarah Lindberg Please see back of catalogue Jennifer Ebrey for important notice to bidders VIEWING +44 (0) 20 7393 3828 Sunday 11 June +44 (0) 20 7393 3831 ILLUSTRATIONS 11am – 3pm Front cover: Lot 168 Monday 12 June Shipping and Collections Back cover: Lot 215 9am – 4.30pm Jennifer Ebrey Contents page: Lot 103 Tuesday 13 June +44 (0) 20 7393 3810 9am – 4.30pm +44 (0) 207393 3879 Fax Wednesday 14 June [email protected] 9am – 11am PRESS ENQUIRIES BIDS [email protected] +44 (0) 20 7447 7447 +44 (0) 20 7447 7401 fax CUSTOMER SERVICES To bid via the internet Monday to Friday please visit www.bonhams.com 8.30am – 6pm +44 (0) 20 7447 7447 New bidders must also provide proof of identity when submitting bids. Failure to do this may result LIVE ONLINE BIDDING IS in your bids not being processed. AVAILABLE FOR THIS SALE Please email [email protected] Please note that bids should be with “Live bidding” in the subject submitted no later than 4pm on line up to 48 hours before the the day prior to the auction. auction to register for this service.

Bidding by telephone will only be accepted on a lot with a lower estimate of or in excess of £500.

SALE NUMBER: 24115

CATALOGUE: £18

Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Paul Davidson, Jean Ghika, Veronique Scorer, James Stratton, Ralph Taylor, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Charles Graham-Campbell, Matthew Haley, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, Richard Harvey, Robin Hereford, David Johnson, Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Charles Lanning, Miranda Leslie, Edward Wilkinson, Leslie Wright. SALE INFORMATION

IMPORTANT NOTICES

For explanation of any asterisked symbols that may appear in catalogues, please see the notice entitled ‘VAT’ at the end of the catalogue. Lots comprising printed books, unframed maps and bound manuscripts are not liable to VAT on the Hammer Price or Buyer’s Premium.

Lots are sold with all faults, imperfections and errors of description, but if on collation any described printed book in this catalogue is found to lack text or illustrations, the same may be returned to Bonhams within 20 days of the sale; the unstated defect to be detailed in writing.

This shall not apply in the case of: defects stated in the catalogue or announced at the time of sale; un-named items, blanks, half-titles, or advertisements; damage to bindings, stains, tears, foxing or other cosmetic defects, unless resulting in loss to text or illustration; defects to atlases, manuscripts, music, periodicals, and items sold as collections, archives, association copies, extra-illustrated copies, or bindings.

Items indicated in the catalogue as “framed” have not been examined out-of-frame, unless specifically stated.

EXPORT LICENCES

Most manuscripts over fifty years old, and certain other lots, will require export licences in order to leave the UK or Europe. We can apply for these on your behalf. Please contact the department if you would like further guidance.

SHIPPING, COLLECTION AND STORAGE

Buyers’ accounts are due for settlement at the end of each sale and it is our hope that clients will collect at the same time or certainly within 48 hours of the sale finishing.

All sold lots will remain in Bonhams Knightsbridge Book Department without charge for a period of 21 days Any items not collected by then may incur storage charges.

Buyers are encouraged to make contact with Jennifer Ebrey to discuss any collection, storage or shipping concerns.

Jennifer Ebrey +44 (0) 20 7393 3810 +44 (0) 207393 3879 Fax [email protected] CONTENTS LOTS

General Printed Books 1-57

Angling 58-66 The Property of a Lady

Bindings, Illustrated and Miscellaneous Books 67-87 The Property of a Collector

Continental Books 88-110

Photographs and Photobooks 111-144 Including Property of a Deceased Estate

General Travel 145-162

General Atlases and Maps 163-172

British Maps and Topography 173-186

Original Illustrations 187-196

Modern Books and Manuscripts 197-237

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 3 2 For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS Wednesday 14th June 2017 at 1pm

1 • AESOP Fables with His Life: in English, French and Latin, engraved additional pictorial title, full-page engraved armorial coat-of-arms, 30 engraved plates (of 31, without “indecent” plate 17) by Thomas Dudley and Francis Barlow, one full-page engraved illustration (“See here how natures books...”), 110 half-page engraved illustrations, long tear to pp.73/74 repaired with 4 small old paper tabs, short tear to margin of 8 leaves, browning to a few gatherings, occasional spotting, contemporary calf, red gilt morocco spine label, joints refurbished at extremities [ESTC R22991], folio (304 x 184mm.), H. Hills Jun., for Francis Barlow, 1687

£600 - 800 €710 - 950

Handsomely illustrated edition of Aesop’s Fables, with Aphra Behn’s English verses replacing those of Thomas Philipott, which were used in the 1666 edition.

Provenance John Strange, ownership signature dated 1854.

2 • ALBIN (ELEAZAR) A Natural History of English Insects. Illustrated with a Hundred Copper Plates, Curiously Engraven from Life: And (for those who desire it) Exactly Coloured by the Author Eleazar Albin, Painter, FIRST EDITION, 100 hand- coloured engraved plates after drawings by the author, each with accompanying text leaf by W. Derham, list of subscribers, plates 51-100 numbered neatly in ink to the upper right corner of the plate, light soiling to a few plates, contemporary calf, rebacked in calf gilt with morocco lettering label [Nissen ZBI 58; Freeman 45; Lisney 119], 4to (288 x 228mm.), for the Author, 1720

£2,000 - 3,000 €2,400 - 3,600

“Each plate is dedicated to a subscriber or well-known personality, undoubtedly those who acted as patrons or took an interest in Albin’s drawings of insects” (Lisney). Albin was keen to stress that his work was accurate in its depictions as he “observed it as a great fault in those who have gone before... that they either did not look often enough at their Pattern, or affected to make the picture outdo Nature” (Preface).

3 • BACON (FRANCIS) The Elements of the Common Lawes of England, 2 parts in 1 vol., FIRST EDITION, with initial blank, some light browning, old calf, rebacked and recornered [ESTC S100348; Gibson 193], small 4to, Assignes of J. More, 1630

£500 - 700 €590 - 830

Provenance Purchased from Kelly Law Book Exchange, 24 January 1944, pencil note; institutional bookplate.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 5 4 • BIBLE, IN ENGLISH, GENEVA VERSION The Bible, That Is, The Holy Scriptures Conteined in the Old and New Testament, general and New Testament titles within wide border featuring 24 small compartments showing the Apostles and the tents of the twelve tribes, one part title with woodcut ornament, woodcut illustrations and maps [ESTC S101809; Herbert 2175], Christopher Barker, 1599 [but Amsterdam, after 1640]; The CL Psalmes of David in Meeter, According to the Church of Scotland, title within wide woodcut border [ESTC S90834], Edinburgh, James Bryson, 1640, 2 works in 1 vol., good margins throughout, the front and rear endpapers each with large off-centred letterpress signature “A”, a few gatherings sprung, contemporary ?Scottish morocco gilt, g.e., elaborately tooled, the sides with central panel enclosing initials “I.D.H.”, rubbed, without ties, small 4to (220 x 180mm.)

£600 - 800 €710 - 950

5 • BINDINGS - RACING CALENDAR Racing Calendar [-Racing to Come], 81 vol., incomplete run, uniform calf, red and black gilt morocco spine labels, 8vo, 1793[-1878]

£600 - 800 €710 - 950

6 • BINDINGS CAMPBELL (JOHN) The Lives of the Lord Chancellors and Keepers of the Great Seal of England, 8 vol., 1845--ABBOT (CHARLES) The Diary and Correspondence of Charles Abbot, Lord Colchester, 3 vol., engraved portrait, 1861--RANKE (LEOPOLD) The Popes of Rome, 2 vol., 1847, John Murray--SCOTT (WALTER) The Waverley Novels, 12 vol., Robert Cadell, 1842-1847, contemporary calf gilt, 8vo; and 5 others (30)

£700 - 900 €830 - 1,100

7 • BLACKSTONE (WILLIAM) A Discourse on the Study of the Law; Being an Introductory Lecture, Read in the Public Schools, October XXV, M.DCC.LVIII, FIRST EDITION, without final advertisement leaf, modern half morocco (with Wildy & sons ticket), 4to, Oxford, Clarendon Press, 1758

£500 - 800 €590 - 950

First edition of Blackstone’s inaugural lecture as Vinerian professor of the Laws of England in October 1758.

8 * BOOKPLATES Collection of approximately 2,500 bookplates collected by Mary Edith Nichols, mostly mounted with stamp hinges, some pencil captions, a few of the more modern plates signed and dated in pencil by the artists, some on variant papers, contained within 12 albums and 4 ring binders, a few letters from fellow collectors tipped in, eighteenth century to 1930s (16)

£1,500 - 2,500 €1,800 - 3,000

The collection of Miss Mary Edith Nichols of Cincinnati, Ohio, gathered through exchanges and purchases, and particularly wide-ranging in early twentieth century Continental artists. Around 400 plates are eighteenth- century to mid-nineteenth century - including some Jacobean and Chippendale plates - while the remainder generally date from the 1890s to 1930s.

For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 8 9

Artists include: C.W. Sherborn, Frederick Spenceley, J.W. Spenceley, Edwin Davis French, Rockwell Kent, Otto Barth, G. Meyer, Alex Cock, Robert Michiels, Bruno Seuser, Brosseck, Irma Nemes, E.L. Hoess, J.A. Marques, L. Forell, André Vlaanderen, Marianne Grimm, Mario Marenghi, I. Indagine, Harold Nelson, A. Herbinier, Paul Hermann, Pol Erec, Q. de Sampeyo, Rudolf Mekicke, Dwight Franklin, K. Ritter, A. Piedade, P. Moquette, Raymond Prévost, Ernest Huber, Rose Reinhard, Daniel Meyer, S. Kulhanek, E.G. Bird, I. Lhota, H. Nelson Poole, H. Reiffersheid, J. Melse, Hubert Dupond, Wolbrand, Ruth Saunders, J.W. Simpson, Ismael Smith, A.C. Tixier, T. Viero (dated 1771), U. Wernaers, George Wharton Edwards, Naston Nastoupil, E.A. Wright, Ainslie Hewett, W.F. Hopson of New Haven, F.J. Junod, H.W. Kearney, Lawrence Kennedy, F.C. Tilney, A.N. Macdonald, William Edgar Fisher, Will Foster, T.E. French, and Franz Geritz.

Owners include: Mary Edith Nichols herself (by H. Bridwell 1897), Jack London (annotated below “given to Mr Howells of San Francisco by widow of London”), Rudolph Valentino (by Menzies), James Cagney, Pierre Louys, Joshua Scrope of Cockerington (by C. & A. Paas), Earl of Aylesford, Samuel Putnam Avery (by C.W. Sherborn), H.W. Fincham, Thomas Bernard Cooke (by S. Watts, [1780]), Cicely Rose Gleeson White (by Gleeson White, 1891), George Loch, Edward Lewton Penny of Bermuda (by Phillimore 1885), F.E. Spurgeon, Dr W.A. Yingling, large ink and watercolour arms for Irvine quartering an unidentified family, N. Vansittart (spade shield), Mr Horatio Walpole, Joseph Whatley, Samuel Whitbread, Sherlock Willis 1756, anonymous transitional Jacobean/Chippendale with crossed bones, John Peerson of Halden (typographic label dated 1804 by Weston), John Pollen (by F. Gardner), William Rutter of Newcastle (by J. Jameson), Sir Robert Eden, Henry Fly of Brasenose College, Sir John Harpur, Edward Blount of Sodington, Thomas Bramston of Skreens, Viscount Bruce 1712, Deburgh (by Kibbart 1750), Thomas Coutts, Sorabjee Jamsetjee Jejeebhoy, Henry Duke of Kent 1733, and Nathaniel F. Moore (Columbia University president, by P. Maverick).

9 • BOYLE (ROBERT) The Aerial Noctiluca: or Some New Phoenomena, and a Process of a Facticious Self-Shining Substance, FIRST EDITION, errata leaf following title, without final blank, occasional soiling, nineteenth century calf gilt by Hering, rubbed, upper joint cracked [ESTC R22714; Fulton 138], 8vo, Printed by Thomas Snowden, and are to be sold by Nathaniel Ranew, 1680

£800 - 1,200 €950 - 1,400

First edition of Boyle’s important tract on spontaneous luminescence and phosphorence. Having witnessed the wandering showman, J.D. Krafft, demonstrate his kalte Feuer to Charles II, Boyle “was led to isolate phosphorus which had been independently isolated by the German chemist K. Brand (or Brandt) in 1667. Boyle then published his two celebrated tracts, the first on Aerial Noctiluca as he called it—the ‘stuff’ that gives fireflies their glow” (Fulton).

Provenance Thomas Bulkley, early ownership inscription on title-page; John Lumley-Savile, 8th Earl of Scarbrough (1788-1856), gilt arms on covers; Rufford Abbey, bookplate. See illustration on preceding page.

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 11

10 • [BRONTË (ANNE)] The Tenant of Wildfell Hall. By Acton Bell... Second Edition, 3 vol., second issue, advertisement leaf at end of volume 1, short tear in upper blank margin of pp.1/2 of volume 1, old adhesion marks in corners of front paste-downs, original dark greenish-blue diaper cloth-backed greenish-grey boards, with original printed spine labels (2 with small marginal losses not touching lettering), dust-soiled [Smith 4.2], 8vo, T.C. Newby, 1848

£2,000 - 4,000 €2,400 - 4,700

The second issue, in original binding, of Anne Brontë’s second novel and her only separately published work, considered an innovative and radical expression of feminist values, “challenging the then current ideal of woman as an ‘angel’ in the house, submissive to her lot as her husband’s chattel” (ODNB). The first issue was published at the end of June 1848. This second issue, published in early September, comprises the sheets of the first impression with altered title-pages (“Second edition”) and an added preface, but with all but three of the flaws (as noted by Smith) uncorrected.

11 • BURGESS (WALTER W.) Bits of Old Chelsea. A Series of Forty-one Etchings... Letterpress Description by Lionel Johnson and Richard Le Galliene, LIMITED TO 110 COPIES, half-title, additional etched title, and 41 etched plates, ALL SIGNED IN PENCIL BY THE ARTIST, each tipped-in with tissue guard, uncut in publisher’s cloth, slightly rubbed, folio (450 x 295mm.), Kegan Paul, 1894

£2,000 - 3,000 €2,400 - 3,600

A GOOD COPY, WITH THE PLATES IN UNUSUALLY CLEAN, FRESH CONDITION.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 9 14 16 12 • BURNS (ROBERT) Poems, Chiefly in the Scottish Dialect, second (first Edinburgh) edition, with 22 additional poems, misprint ‘Boxburgh’ for ‘Roxburgh’ on p. xxxvii in list of subscribers, corrected reading of ‘skinking’ (in “To a Haggis”) on p.263, engraved portrait bound before half-title, offsetting and browning at beginning and end, short tear with loss to upper margin of b1, occasional foxing, contemporary calf, red morocco spine label, joints repaired, preserved in cloth folder and matching blue quarter morocco slipcase with gilt panelled spine, 8vo, Edinburgh, for the author, and sold by William Creech

£600 - 800 €710 - 950

Provenance Richard Shawe, Casino House, Dulwich Hill, Surrey; Edward B. King, bookplates.

13 • [BURTON (ROBERT)] The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptomes, Prognostickes & Severall Cures of it... by Democritus Junior, fourth edition, engraved title within allegorical border, woodcut headpieces and ornaments, woodcut device on colophon, lacks one leaf (2C3), ‘Argument of the frontispiece’ leaf torn in margin, 4 leaves with small rust hole affecting some letters, very small dampstain in lower fore-corner of approximately 80 pages, contemporary calf, spine gilt with raised bands, repaired at head [ESTC S122249; Madan I, p.162; STC 4162], folio (280 x 180mm.), Oxford, [John Lichfield for] Henry Cripps, 1632

£400 - 600 €470 - 710

Provenance Lewis Anwyl, ownership signature on “To the Reader” leaf and “Annvill decimo” on rear paste-down (see also lots 275 and 354); the same leaf also with notes by an early reader, including “Amulet for ague 399” [a spider amulet], “philantia [or self-love] 120”, “Sex res non naturales... fol. 64” [on diet and meat], and “Ja: Boissard: de divinatione et magicis praesigiis... [?] a bry hist. America” (Jean-Jacques Boissard’s Tractatus posthumus... de divinatione... incisis per Joh. Theod. de Bry, discussing witchcraft in Europe and America, was first published in 1611); Porkington Library label; by descent to the present owner the 7th Lord Harlech.

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 14 • CERAMICS - STAFFORDSHIRE SHAPE BOOK ‘Machin & Potts, Waterloo China Works, Burslem’, shape book, comprising 52 designs for earthenwares and stonewares, mostly grey or light green ink and wash with some heightened in colours, the shapes including jelly molds, pots for honey and leeches, teapots, relief-moulded jugs, and platters, contemporary calf, upper cover gilt lettered, heavily rubbed, oblong 8vo (190 x 115mm.), [Burslem, Staffordshire, late 1830s]

£600 - 800 €710 - 950

This shape book may allow attribution of unmarked pieces to Machin & Potts, of whom Philip Miller wrote, “The Machin earthenwares are as yet unidentified although some marked stoneware jugs and jasper medallions are known” (‘The Machin porcelains, 1809-1840’, in Godden Staffordshire Porcelain, 1983, pp.201-208).

15 CHARLES II Warrant signed (“Charles R” at head), granting Peter Rycaut and William Lord Widdrington, in response to their respective petitions, a share of any debts discovered by them as owing to the Crown during the Interregnum : paying Rycaut in recognition of his services and sufferings of his family during “the late Unhappy Warrs” one full moiety [i.e. half] of all debts, in the hands of treasurers, commanders, receivers and other specified parties, owing to the Crown “as he should finde out or make appeare to be due to Us or the late Queene” from Michaelmas 1640 to Michaelmas 1659, with the two-thirds of the other moiety, not exceeding £10,000, of discovered debts owed to the Queen Mother, between Michaelmas 1640 and the Feast of the Assumption 1659, to be paid to William Lord Widdrington; counter-signed by Sir John Trevor, under Secretary of State, and re-addressed by him “To Our Trusty & Welbeloved Our Attorney or Sollicitor Generall”, the place of issue and date being left blank; remains of printed duty-stamp, contemporary docket “Lord Widdrington... Passed here 12 July (70)”, 3 pages, some wear and browning, especially at folds, traces of mounting overleaf, folio, docketed 12 July 1670

£600 - 800 €710 - 950

‘THE LATE UNHAPPY WARRS’ - two Royalists are rewarded for their loyalty by Charles II. Peter Rycaut was brother of the famous traveller Paul, author of The Present State of the Ottoman Empire. Their father Sir Peter Rycaut was an enormously rich merchant and financier, ruined by his loyalty to the Crown during the civil wars; his family petitioning at the Restoration that ‘Sir Peter for his Services and Loyaltie ... was sequestred his houses rifled plundred and his Family turned out of doores, soe that he suffred in his Estate to the value of One Hundred Thousand Pounds’ (ODNB). William, second Baron Widdrington (1631-1675), Colonel in the Foot Guards, served as Governor of Berwick from 1660 until his death. His father, the first Baron, had served the Royalist cause in both civil wars, dying in the Royalist rout at Wigan Lane in 1651. His extensive coalmines and mills were sequestered from 1646. Clarendon describes him as ‘a man of great courage and choler’ (ODNB).

16 • COLLINS (WILKIE) The Moonstone. A Romance, 3 vol., FIRST EDITION, half-titles and titles to volumes 1 & 3 only (replaced in good facsimile in volume 2), advertisement leaves at end of volumes 2 & 3, publisher’s maroon blindstamped cloth, spines gilt, worn, neatly rebacked and restored preserving most of original backstrips [Sadleir 598; Wolff 1368], 8vo, Tinsley Brothers, 1868

£3,000 - 4,000 €3,600 - 4,700

SCARCE IN PUBLISHER’S CLOTH. Inspired by the case of Constance Kent, who murdered her younger brother in 1860, The Moonstone is a pioneering classic of the detective fiction genre, “with many features repeatedly borrowed by later writers such as Arthur Conan Doyle, Agatha Christie, and Dorothy L. Sayers” (ODNB).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 11 17 • COOKERY AND GARDENING [SMITH (ELIZA)] The Compleat Housewife; or, Accomplished Gentlewoman’s Companion, 6 folding engraved plates of table settings, 16pp. advertisements at end, some dampstaining to preliminary leaves and plates, margin of leaf S3 strengthened, contemporary calf gilt, upper cover near detached [Cagle 996; Maclean, p.133; Oxford p.60], J. Pemberton, 1727--HAZLEMORE (MAXIMILIAN, Compiler) Domestic Economy; or, a Complete System of English Housekeeping... also the Complete Brewer, spotting, contemporary calf, red gilt morocco spine label, rubbed [Maclean, p.68; Oxford, p.122], J. Creswick, 1794--The Complete Family- Piece and Country Gentleman, and Farmer’s Best Guide, one leaf (pp.251/2) defective, calf, laminated [Oxford, pp.66-68], S. Birt, 1736, FIRST EDITIONS, 8vo--The Orchard, and the Garden: Containing Certaine Necessarie, Secret, and Ordinarie Knowledges in Grafting and Gardening, black letter, woodcut device on title, one full-page woodcut illustration, comprises title, pp.1-28 (A1-D3) and pp.55-61 (H1-4) only, modern quarter morocco [ESTC S94532, citing 2 copies and mentioning signatures “A-C⁴+”], small 4to, Adam Islip, 1597 (4)

£800 - 1,200 €950 - 1,400

Rare first edition of Eliza Smith’s enormously popular cookery book “running to more than a dozen editions, only passing out of favour towards the end of the century... [and in 1742] the first cookery book to be published in America, preceding the first book of specifically American cookery by over fifty years” (ODNB). ESTC lists only one copy (Chicago), and only one copy has been traced as selling at auction.

Provenance First work, “Jane Parminter 1739”, ownership inscription on front free endpaper; Third work, “ex dono C. Crosse 1736”, inscription on front free endpaper; Fourth work, William Swanston, bookplate.

18 DICKENS (CHARLES) Autograph letter signed (“Charles Dickens”), to Mrs [Georgiana] Morson, responding: “Yes, to both of your enquiries”, 1 page, very light dust-staining, 8vo, Tavistock House, 20 January 1853

£500 - 700 €590 - 830

DICKENS TO THE MATRON OF URANIA COTTAGE, the home for ‘fallen women’ that he had established with Angela Burdett-Coutts at Shepherd’s Bush, just outside London, and in which he took an active interest, often visiting several times a week.

19 DICKENS (CHARLES) Autograph letter signed (“Charles Dickens”), to Mr Couchman: “Please to ease the coach house doors, and to put up some pegs agreeably to George Belcher’s directions”; with address leaf (“Mr Couchman”), 1 page, written in turquoise ink, with several ink-smudges along right-hand edge (evidently made by Dickens himself), engraved heading, some foxing and light staining, 8vo, Gad’s Hill, 5 November 1868

£600 - 800 €710 - 950

The recipient, John Couchman, was a carpenter and undertaker hailing from 1 High Street, Strood. He was employed by Dickens in making extensions to Gad’s Hill. He himself recorded: ‘Mr Dickens was always very straightforward, honourable, and kind, and paid his bills most regularly. The first work I did for him was to build a dog-kennel; I also put up the châlet at Gad’s Hill’ – this being the famous summer-house, where Dickens was at work writing Edwin Drood the day he died (see W. Teignmouth Shore, Charles Dickens and His Friends, 1909). George Belcher was Dickens’s servant, who had been taken on that year. Published in the Pilgrim Edition of Dickens’s letters

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 17 19

20 • DICKENS (CHARLES) A Tale of Two Cities, FIRST ISSUE, with p.213 misnumbered 113, 16 engraved illustrations (including additional title and frontispiece), without publisher’s catalogue at end, short tear to 3 plates (one with small loss to one corner), front free endpaper near detached [Smith I.13], Chapman and Hall, 1859; The Life and Adventures of Martin Chuzzlewit, 40 engraved plates by Phiz, without half-title, 1844; The Personal History of David Copperfield, 40 engraved plates (including additional title and frontispiece), without half-title, list of plates loose [Smith I.9], Bradbury & Evans, 1850; Dombey and Son, half-title, 40 engraved plates (including additional title and frontispiece), spine label chipped [Smith I.8], Bradbury & Evans, 1848; Little Dorrit, 40 engraved plates (including additional title and frontispiece), bookplate of Lionel Ames [Smith I.12], Bradbury & Evans, 1857, FIRST EDITIONS IN BOOK FORM, unless otherwise stated the plates by Hablot K. Browne, some spotting, contemporary half calf, 8vo; and 5 others by Dickens (10)

£800 - 1,200 €950 - 1,400

21 • DICKENS (CHARLES) The Life and Adventures of Nicholas Nickleby, engraved portrait, 39 engraved plates by Phiz (short tear to 2), without half-title, Chapman and Hall, 1839; Dombey & Son, half-title, 40 engraved plates by H.K. Browne, upper cover detached, Bradbury & Evans, 1848; The Personal History of David Copperfield, 40 engraved plates by H.K. Browne, without half-title, Bradbury & Evans, 1850; Bleak House, 40 engraved plates by H.K. Browne, without half-title, upper hinge cracked, Bradbury & Evans, 1853; The Mystery of Edwin Drood, engraved portrait, 12 plates by S.L. Fildes, one leaf working loose, Chapman and Hall, 1870; [MORFORD (HENRY)] John Jasper’s Secret... Explaining “The Mystery of Edwin Drood”, 20 plates, Publishing Offices, 1872, 2 works in 1 vol., some spotting and browning, contemporary half calf, worn, 8vo; and 10 others by Dickens (15)

£600 - 800 €710 - 950

22 • DODOENS (REMBERT) A Nievve Herball, or Historie of Plantes, Wherein is Contayned the Whole Discourse and Perfect Description of All Sortes of Herbes and Plantes, first edition in English, translated by Henry Lyte, title within wide historiated woodcut border, arms on verso, woodcut portrait of the author, woodcut illustrations throughout, lacks final leaf of index, title soiled with small area of loss to upper fore-corner and fore-margin (and strengthened with old paper on margins of verso), T5 with repaired tear and a few small holes touching letters, tear to 3Y3, index soiled, a few small marks, contemporary calf, rebacked preserving most of the original gilt spine and ?eighteenth century red morocco spine label, worn with new corners [ESTC S107363; Henrey 110; Hunt 132; Nissen BBI 516], small folio (299 x 180mm.), London [but Antwerp], Gerard Dewes, 1578

£800 - 1,200 €950 - 1,400

Rembert Dodoens (1517-1585) contributed substantially to the advance of systematic botany by collecting and describing new species and by good illustration. The work was first published in Dutch at Antwerp in 1554. This translation by Henry Lyte is from the French version of Charles l’Ecluse. The illustrations are mostly those used for the Flemish and French editions, but a number are new, and most probably aftery Pieter van der Borcht, whose initials are seen at the foot of the title-page.

Provenance “Wm. Brown His Book, ex dono ?Dennis Westott”, near contemporary inscription on title; “Henry Sefton”, inscription below portrait.

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 23 • DUGDALE (WILLIAM) The Antiquities of Warwickshire Illustrated, FIRST EDITION, title printed in red and black, engraved portrait frontispiece of the author by Wenceslaus Hollar, 5 double-page engraved maps, 10 engraved plate sheets, nummerous engraved illustrations (many full-page), without final blank, neat tear repaired to one leaf, nineteenth century blue crushed morocco gilt, g.e., one small scuffmark on upper cover [ESTC R4379], Printed by Thomas Warren, 1656--MILLAR (JOHN) An Historical View of the English Government, FIRST EDITION, without half-title, contemporary calf, spine gilt within raised bands, head of spine frayed, A. Strahan, 1787--MEYRICK (SAMUEL RUSH) The History and Antiquities of the County of Cardigan, FIRST EDITION, 20 engraved plates, tissue guards, contemporary calf, g.e., rebacked preserving gilt-tooled spine, Longman, Hurst, 1808--[MANUSCRIPT] “Aide Memoire for the Study of the History of England, France, &c., ink on paper, including approximately 27 hand-coloured tables, contemporary half calf, small loss to head of spine, New Hall, 1832, 4to and small folio (4)

£800 - 1,200 €950 - 1,400

24 ELIZABETH I PRIVY COUNCIL Letter signed by Sir Robert Cecil (“Ro: Cecyll”) and other members of Elizabeth I’s Privy Council, to the poet Thomas Sackville, Baron Buckhurst, in his capacity as Lord Treasurer, being a warrant for the payment of “coat and conduct” money to James Eveleigh for men levied in Oxfordshire in May and June for service in Ireland: “Whereas in the moneth of June 1599 there were the nomber of 50 [altered from 60] souldyers leavyed in the countie of Oxon’ and sent to the Porte of Chester to embarque for the service of Ireland amongst the numbers there likewize leavyed in dyvers countyes of the Realme and the said nomber of 50 men being furnished at the countreys chardge wIth coates to the some of xli [i.e. £10] after the usuall rates, as also of conduct money being xli and 40s paid for the conductors wages, all which amounteth to the some of Twenty two poundes; yt is humbly prayed that repayment may be made hereof out of her Majestes Exchequer to the use of the countrey. And further also where there was the nomber of Twenty fyve men more leavied in that county of oxon in the moneth of May last past for her majestes like service in Ireland which were furnished in manner as the other with coates to the some of vli and of conduct money to the some of vli and the conducters wages vli being xiili in all, of the which like repayment is desyred for the countryes use. These are to pray and reqyre your Lordships by vertue of her Majestes privy seale bearing date the x&viith of January 1599” [contractions expanded]; integral address leaf, contemporary docket, trace of seal, 1 page, on paper with the little jug watermark, some light staining and wear, barely affecting legibility, overall in sound condition, folio, Whitehall, 20 January 1601[/02]

£1,500 - 2,000 €1,800 - 2,400

SUPPLYING COATS FOR ELIZABETHAN SOLDIERS FIGHTING IN IRELAND: after the Earl of Essex’s expedition against the Earl of Tyrone - which had raised such high hopes in the Chorus of Shakespeare’s Henry V - had met with ignominious failure three years earlier, command had devolved on Lord Mountjoy who succeeded where Essex had failed, and defeated the Earl on Christmas Eve 1601, with his unconditional submission following within a year.

The recipient of this letter, Thomas Sackville, Baron Buckhurst, had succeeded to the post of Lord High Treasurer in 1599, on the death of Lord Burghley. He is best known today as joint-author of the first English blank verse tragedy, Gorboduc, performed at the Inner Temple’s Christmas Revels of 1561-2 (a play later drawn on as a narrative and dramatic source by Shakespeare for King Lear and by Sidney for Arcadia). In a dedicatory sonnet in The Faerie Queene, Spenser praised him ‘Whose learned Muse hath writ her owne record, In golden verse, worthy immortal fame’. He is also among the signatories of this letter. Other Privy Councillors who have signed are: Robert Cecil, Secretary of State; Thomas Egerton, Lord Keeper; Gilbert Talbot, Earl of Shrewsbury, Lord High Steward of Ireland; Edward Somerset, Earl of Worcester, Master of the Horse; Sir William Knollys, Comptroller of the Household; Sir John Fortescue, Chancellor of the Exchequer; Sir John Stanhope, Master of the Posts; and Sir John Herbert, Second Secretary of State. At the foot of the warrant Buckhurst has written: “Mr Skinner make an order/ TB”; Vincent Skinner MP being Writer of Tallies and Auditor of the Receipt of the Exchequer.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 15 25 • [FALCONER (JOHN)] Cryptomenysis Patefacta: or the Art of Secret Information Disclosed without a Key. Containing plain and demonstrative rules for decyphering all manner of secret writing..., diagrams in the text, with blanks A1 and A8, titled in ink on fore-edges and on old tab tipped-in at foot of M7, contemporary sheep, worn, hinges split [ESTC R6319; Alston III (2), p.787], 8vo, Daniel Brown, 1685

£800 - 1,200 €950 - 1,400

First edition of this work on cryptography, which was greatly influenced by Schott and John Wilkins.

26 • FALE (THOMAS) Horologiographia. The Art of Dialling: teaching an easie and perfect way to make all kinds of Dials upon any plaine plate howsoever placed, woodcut diagram of a dial on the title-page, black letter, 53 woodcut diagrams (some full-page) by Jodocus Hondius, with the final 16 leaves comprising a table of sines, soiling to margins of title, fore-corners of opening leaves folded with small losses, some light dampstaining, ink numerals on diagrams on fol. 16/17 added in an early hand with diagram in ink in margin fol. 17, stitched in contemporary limp vellum, soiled [ESTC S101825], small 4to (189 x 144mm.), Printed by Thomas Orwin, 1593

£3,000 - 5,000 €3,600 - 5,900

Rare first edition of one of the earliest books written on the construction and use of the various dials to tell the time by day or night, intended for the use of students of mathematics, architects, surveyors, and sailors.

Provenance ”I Raphe Lyall Bought this Booke the 10 of Aprill 1602”, ownership inscription on front free endpaper, and repeated in similar wording on title; “Richd. Partridge 1749. Book”, “Richd Partridge, 30 Sept. 1802, Coleby, Lincolnshire”, inscriptions on blank recto of final leaf (the second repeated in similar wording on blank a1r).

27 • GRIMM BROTHERS German Popular Stories, translated from the Kinder und Hais Marchen, 2 vol., first edition in English, 2 engraved titles and 20 plates by George Cruikshank, without the advertisements, some offsetting and spotting, modern straight-grained morocco gilt, g.e. [Cohn 369], 12mo, James Robins, 1823-1826

£1,500 - 2,000 €1,800 - 2,400

28 • HOGARTH (WILLIAM) The Works... from the Original Plates Restored by James Heath... with the Addition of Many Subjects Not Before Collected, edited by John Nichols, 156 engraved plates on 116 sheets (including 2 portraits), title slightly creased and with light offsetting, following 2 text leaves with short tears at head, contemporary red half morocco gilt, g.e., corners bumped, rubbed, large folio (635 x 485mm.), Baldwin and Cradock, [c.1822]

£800 - 1,200 €950 - 1,400

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 26 27

28 29

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 17 29 ILLUMINATED ADDRESS - QUEEN VICTORIA Illuminated address headed “The Queen’s Most Excellent Majesty” and beginning “We, the Mayor, Aldermen & Burgesses of the Borough of Bolton in the County of Lancaster in Council Assembled, humbly crave permission to approach Your Majesty tendering the expression of our indignant abhorrence of the recent treasonable attack upon Your Majesty...”, signed by the Mayor, Thomas Glaister, and Town Clerk, illuminated in gold and colours by “G. Henderson, Bolton” (signed at foot), inlaid within green morocco folder, the covers with elaborate gilt outer roll-tool border and inner border of red and brown morocco onlays, morocco turn-ins, red velvet inside front cover embroidered with laurel wreath and crown, 4to (295 x 240mm.), “Given under our Common Seal this 15th Day of March 1882”

£600 - 800 €710 - 950

The assassination attempt, one of several suffered by Queen Victoria, had taken place 2 weeks earlier on 2 March, just as she was entering her carriage after leaving the train at Windsor Station. The man who fired at her, and missed, was one Roderick Maclean. He was immediately set upon by two pupils from Eton School, who hit him on the head with their umbrellas until he was arrested. He was tried for high treason but acquitted on the grounds of insanity, and confined to a lunatic asylum.

Provenance Gifted by the actor Wilfred Bramble to his theatrical agent (the present owner’s mother) in 1964. See illustration on preceding page.

30 • [LOCKE (JOHN)] Some Thoughts Concerning Education, FIRST EDITION, variant with “Patronage” spelling on leaf A3v, CUT SIGNATURE (“John Locke”) tipped onto front free endpaper above pencil note “From Edmund Gosse’s Collection of autographs”, light dampstain to upper third of text throughout, early twentieth century calf gilt, spine elaborately tooled with red morocco lettering labels, g.e., slight abrasions on upper cover [ESTC R213714; Pforzheimer 612; Wing L2762], 8vo, A. and J. Churchill, 1693

£1,000 - 1,500 €1,200 - 1,800

WITH A CUT SIGNATURE OF JOHN LOCKE. “Of all Locke’s works, Some Thoughts is perhaps the one that reveals most about its author” (ODNB), and in which he laid the “seeds of modern developmental psychology” (Norman). Enormously influential it was reprinted over fifty times in the eighteenth century.

31 • MAGNA CARTA By Permission of [...the named...] Trustees of the Cottonian Library. This Plate being a Correct Copy of King John’s Great Charter... Engraved Facsimile of the 1215 Magna Carta, ENGRAVED BY JOHN PINE AND PRINTED ON VELLUM, engraved central panel of text surrounded by a series of 25 hand-coloured coats- of-arms of the Barons, hand-coloured representation of the remains of King John’s Great Seal, all panels surrounded by hand-coloured oak leaf and acorn borders, FINE CLEAN CONDITION with good margins, platemark 695 x 480mm., overall sheet 775 x 545mm., Sold by J. Pine... and by the Booksellers of London and Westminster, [1733]

£10,000 - 15,000 €12,000 - 18,000

A FINE COPY OF THE FIRST PRINTING OF THE ORIGINAL TEXT OF MAGNA CARTA, the most celebrated legal document in the English-speaking world, “a sacred text, the nearest approach to an irrepealable “fundamental statute” that England has ever had” (Pollock and Maitland, History of English Law).

This attractive engraving was taken from one of the two original copies owned by Sir Robert Cotton, now in the British Museum. John Pine (1690-1756) was a publisher, print- and mapseller, as well as Bluemantle Pursuivant at the College of Arms, and Engraver to the King’s signet and Stamp Office. It is thought that one of the motivations for publishing this facsimile in the present form was the fire on 23 October 1731 in which one of the two Cottonian originals was damaged.

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 31

32 • MAGNA CARTA Magna Charta, cum statutis, mostly in Latin or Law French, then in English after p.119, black letter, without final blank, dampstaining to lower fore-corner throughout (touching text block on only a few leaves, and some marginalia), extensive manuscript marginalia in an early hand (with a few in a slightly later hand), modern half calf [ESTC S101094; Beale S18], 8vo, Richard Tottell, [the 8 day of Marche], 1576

£600 - 800 €710 - 950

A rearranged edition, with omissions and additions. The additions, selected through to the fourteenth year of Elizabeth’s reign, are mostly printed in English.

Provenance William Towsler (or Towler), ownership inscription dated 1 March 1578 on title; “J. Clift, Gray Inn”, inscription on title.

33 • MEDICINE - ANTIKAMNIA CALENDARS The Antikamnia Calendar, for 1897[-1901], 5 vol. [complete set], 30 chromolithographed sheets (1897-1900 containing 6 sheets of 2 months each, 1901 having 4 sheets of 3 months each), each with pair of punch holes and ties at upper margin (a few loose), 4to (255 x 175mm.), St. Louis, The Antikamnia Chemical Company, 1896-[1900]

£800 - 1,200 €950 - 1,400

Complete set of the celebrated ‘Antikamnia Calendars’, issued as publicity material for the St. Louis chemical and drugs company. Each chromolithographed caricature plate, executed by Dr. Louis Crusius, depicts a skeleton figure (or figures) in a variety of guises (lawyer, feeding baby, doting parents, numismatics collector, bedside doctor, female cyclist, dandy, vagabond, clown, cowboy, banjo minstrel, etc.).

Provenance Dr. W.B. Davies, Llandrindod Wells, Wales. Included in the lot are two envelopes addressed to Davies on Antikamnia Chemical Co. printed labels (with with additional label advertising their codeine tablets “for all nerve pain”), each with St. Louis postmark. Presumably this is William Bowen-Davies (1847-1908), founder of the Llandrindod Wells Hospital in 1880.

34 • MELVILLE (HERMAN) Redburn: His First Voyage. Being the Sailor-boy Confessions and Reminiscences of the Son-of-a- Gentleman, in the Merchant Service, 2 vol., FIRST EDITION, without half-titles (not called for in volume 2) and advertisements, a few gatherings slightly proud, light toning throughout, occasional light spotting, publisher’s blindstamped patterned dark blue cloth, gilt lettered on spine, plain yellow endpapers [BAL state “B”], spines and corners refurbished with minor losses, rubbed [BAL 13659], 8vo, Richard Bentley, 1849

£3,000 - 4,000 €3,600 - 4,700

FIRST EDITION, LIMITED TO 750 COPIES, this English edition preceding the first American by six weeks. Completed in less than ten weeks Redburn was a fictional narrative based on Melville’s own first voyage which he undertook to Liverpool in 1839.

Provenance “Tillie from Bessie Twycross”, pencil inscription on title to volume 1.

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 34 35

35 • MILLER (PHILIP) Figures of the Most Beautiful, Useful and Uncommon Plants Described in The Gardeners Dictionary, 2 vol., second edition, 300 hand-colored or hand-finished engraved plates (2 folding) after Georg Dionysius Ehret, Richard Lancake, John Miller, William Houstoun and John Bartram, junior, by Miller, J. Jefferys and J. Mynde, occasional toning, light ink stains to plate 151, 8 additional uncoloured botanical plates pasted onto endpapers, contemporary calf, rebacked in nineteenth century calf gilt, one joint weakened [Dunthorne 209; Great Flower Books, p.68; Henrey 1097; Hunt 566; Nissen BBI 1378; Stafleu & Cowan TL2 6059], folio (406 x 258mm.), for the Author, 1771

£2,500 - 3,500 €3,000 - 4,100

A very attractively illustrated botany, including 16 plates after Georg Dionysius Ehret, 155 after Richard Lancake, and 83 by or after John Miller. Others are unattributed plates but American plant hunters are credited with having provided three original drawings: 2 by William Houstoun (1695-1733), and one by John Bartram (1699-1777) of Philadelphia, the first American-born botanist. In the preface Miller explains that the expense of the production has caused him “to contract his Plan, and confine it to those Plants only, which are either curious in themselves, or may be useful in Trades, Medicine, &c, including the Figures of such new Plants as have not been noticed by any former Botanists”.

36 • MILTON (JOHN) Paradise Lost. A Poem in Twelve Books... third edition, revised and augmented by the same author, engraved frontispiece portrait after Dolle, approximatley 8 leaves shaved just touching headline [ESTC R19396; Pforzheimer 719], Printed by S. Simmons, 1678; Paradise Regain’d. A Poem in IV Books, “second edition”, license leaf before title, 2 final advertisement leaves [ESTC R300], John Starkey, 1780, 2 works in 1 vol., red crushed morocco gilt by Riviere, g.e., 8vo

£600 - 800 €710 - 950

37 • NAVAL CHARNOCK (JOHN) An History of Marine Architecture. Including an Enlarged and Progressive View of the Nautical Regulations and Naval History, Both Civil and Military, of All Nations, 3 vol., FIRST EDITION, additional engraved title and 99 engraved or aquatint plates after Van de Velde and others (some folding, 6 loose, one shaved just touching ), occasional light spotting or off-setting, old boards, rebacked in modern quarter blue morocco gilt, spines with repeated anchor tool within raised bands [Abbey Life 331], 4to, R. Faulder, 1800-1802

£600 - 800 €710 - 950

“The most authoritative book on eighteenth-century ship-building published in England” (Abbey). The striking aquatints and engravings include the folding plate of the Royal George, a Chinese junk, and the often missing view of the “Flying Proa of the Ladrone Islands”.

Provenance “John Hawkes to his brother Capt. Ed. Hawkes of His Maj. Ship Melampus, Dec. 1811”, inscription on front free endpaper of volume 1.

38 • NAVAL Establishment Book bearing the calligraphic title-page: “A List of his Majesty’s Royal Navy”, listing over 400 ships-of-the-line and frigates, according to rating, plus numerous sloops and other unrated vessels, starting with the first-raters Britannia, Queen Charlotte, Royal George, Royal Sovereign, Victory, Ville de Paris, Hibernia, Commerce de Marseilles, and Nelson; followed by tabulated statistics of sample ships starting with the Victory, then by the establishment of anchors, guns, etc., plus sundry later jottings and insertions, c.160 pages, plus extensive blanks at the end, contemporary red morocco, both covers inlaid with a fouled anchor medallion in black morocco gilt, lacking clasps, slightly rubbed, 8vo, [c.1810]

£600 - 800 €710 - 950

An attractive record of the Naval Establishment during the Nelson era - establishing a precise date for the volume is not easy, as on the first page are listed the 126-gun ship Nelson (marked as being of 110 guns -- it was launched in 1814 but immediately laid up), as well as the 120-gun Commerce de Marseilles (which had in fact been broken up in 1802).

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 39 • NEWTON (ISAAC) Opticks: or, a Treatise of the Reflections, Refractions, Inflections, and Colours of Light, second (first octavo) edition, second issue, 12 folding engraved plates (7 shaved at lower margin with loss to rule border, one touching image), advertisement leaf at end, note “distance” in an early hand in margin of p.366 (with word “height” underlined in text), spotting, contemporary calf-backed boards, worn, covers detached [Babson 134], 8vo, W. & J. Innys, 1718

£800 - 1,000 €950 - 1,200

The second issue of the second edition, with the plates newly engraved, “and the number of Queries at the end increased from 16 to 31, including the celebrated Query No. 28 on the nature of light” (Babson).

40 NEWTON AND WOOLSTHORPE MANOR Release from Robert Elston of Colsterworth, yeoman, and his wife to Thomas Hubbert of Colsterworth, baker, of lands in Colsterworth and its vicinity for £61, signed by Elston; with on a separate attached sheet of vellum “A Schedule or Terriar Indented of the lands intended to be conveyed by the Indenture” headed “In Twyford Feild”, citing abutting lands held by Isaac Newton and others of his family (“...One land lyeing in a place called the drafts goeing east and west containing one rood and a half Mr Isaac Newton north and Widow Rains South/ One land lyeing in the Hollow above Woolstropp goeing east and west Mr Isaac Newton north and John Greenham South/ One land lyeing between Woolstropp and Colsterworth goeing east and west containing one rood and a half William Hubbert North and Widow Newton South...”); witnessed on the verso by Jonathan Calcraft and others, and receipted by Elston; with duty stamps, indented head with flourished engraved heading, (?Calcraft’s) monogrammed seal in red wax on two vellum tags; contemporary and later dockets, on two attached sheets of vellum, one original fault in the vellum, minor dust-staining and usual signs of wear but overall in good fresh condition, overall 550 x 760mm., [?Grantham], 10 August 1705

£600 - 800 €710 - 950

‘IN THE HOLLOW ABOVE WOOLSTROPP GOEING EAST AND WEST MR ISAAC NEWTON NORTH’ – a terrier of lands at Twyford Field adjoining Newton’s family holdings at Woolsthorpe-by-Colsterworth, the major part of which had been acquired by his grandfather in 1623. Newton had been knighted on 16 April 1705, although the news clearly had not filtered through to Grantham by the time our deed was made four months later: the reference however to his holdings at or near “Woolstropp” [i.e. Woolsthorpe, the contraction analogous to that of Althorp] leaves his identity in no doubt.

Even long after the Anni mirabiles of 1665-6, part of which was spent at Woolsthorpe with its apple tree, and after his removal from Cambridge to London, Newton maintained his ties with the area (see Kenneth Baird, ‘Colsterworth & Twyford Village History’, parishes.lincolnshire.gov.uk): ‘Isaac was at his mother’s deathbed in 1679 and arranged for her body to be brought to be buried in Colsterworth. In the days of his greatness as Professor of Mathematics, then as Cambridge Member of Parliament, then for 23 years President of the Royal Society when he was the wealthy Master of the Mint, he still visited his birthplace and supervised the farms from a distance’.

41 ORNITHOLOGICAL WATERCOLOURS REICHENBACH (HEINRICH GOTTLEIB LUDWIG) Seven original ink and watercolour studies of birds, on paper, captioned in black ink, mounted, glazed and framed together in 2 frames, images between 170 x 115mm. and 110 x 80mm., [nineteenth century]

£600 - 800 €710 - 950

Subjects comprise: Black eared kite; Yellow headed caracara; Mountain caracara; Common black hawk; Egyptian vulture; Red-breasted coua; Centropus violaceus.

Provenance Folio Fine Art, exhibition labels on verso of frames.

42 • PAMPHLETS SUTTON (SAMUEL) An Historical Account of a New Method for Extracting the Foul Air Out of Ships... Third Edition, to which are annexed two relations given thereof to the Royal Society, by Dr. Mead and Dr. Watson, one folding engraved plate [ESTC T69542], J. Brindley, 1757; [ANON] Gephyralogia. An Historical Account of Bridges, Antient and Modern, lacks plate [ESTC T40799], C. Corbett, 1751; [PAGE (THOMAS)] The Art of Shooting, Flying... Containing Directions for the Choice of Guns for Various Occasions, FIRST EDITION, numerous ink marginalia (cropped) [ESTC T201535, 4 copies only], Norwich, J. Crouse, 1766; GLASS (SAMUEL) An Essay on Magnesia Alba, FIRST EDITION, [ESTC T10177] Oxford, R. Davis, 1764; [ANON] Homer’s Battle of the Frog and Mice, half-title, engraved vignette on p.1, one leaf shaved just touching letters [ESTC T70421], Bernard Lintot, 1717, 6 works bound in 1 vol., early manuscript list of contents on front free endpaper, contemporary half calf, rubbed, 8vo

£600 - 800 €710 - 950

43 • PARR (ELNATHAN) Abba Father: or Plaine and Short Directions Concerning the Framing of Private Prayer... The Second Edition Profitably Amplified, title within 2-line border, rule border throughout, approximately 10 leaves shaved at upper margin (touching some borders, 4 leaves with headline and numeral affected), occasional light dampstaining, contemporary limp vellum, ink lettered “Abba Father” on spine, and initials “W.C.F.” on upper cover, soiled [not in ESTC], 8vo, Imprinted by W.I. for Samuel Man, 1619

£800 - 1,200 €950 - 1,400

PREVIOUSLY UNRECORDED EDITION, NOT ON ESTC OR WORLDCAT, of Parr’s manual on prayer, and two commentaries on Paul’s letter to the Romans. First published in 1618 (for the same publisher but by a different printer), this second edition is described on the title as “profitably amplified”. The first edition collates [12], 132pp, this second [16, including blank A1], 186pp.

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 44

44 PENN (WILLIAM) Indenture signed (“Wm Penn”), granting to William Yardley, 500 acres in “that Tract or Part of Land in America with the Islands therein conteyned... erected... into a Province or Signory by the Name of Pensylvania”, in receipt of £10, signed by Penn on the lower fold-up and bearing his armorial seal in red wax on the attached tab; signed as witnesses on the reverse by Thomas Rudyard, Hugh Springett and Thomas Cox, with near- contemporary dockets, plus subsequent dockets by Algernon S. Cadwallader, 1882, and others, on one sheet of vellum, indented head, engraved with manuscript insertions, neat repairs where worn and folded, but overall in fresh and attractive condition, 510 x 660mm., 21 March 1681[/2]

£2,000 - 4,000 €2,400 - 4,700

‘A PROVINCE OR SIGNORY BY THE NAME OF PENSYLVANIA’ – A DEED OF SALE OF 500 ACRES TO A ‘FIRST PURCHASER’ IN THE FLEDGLING COLONY, made just seventeen days after Penn had been granted his charter by the King on 4 March 1682, as recited at the outset of our deed – “Whereas King Charles the Second by his Letters Patents under the greate seale of England bearing date the fourth day of March... hath given and granted unto the said William Penn his heirs and Assignes All that Tract or part of Land in America with the Islands therein conteyned and thereunto belonging as the same is bounded on the East by Delaware River... and hath erected the said Tract of Land into a Province or Signory by the Name of Pensylvania in order to the establishing of a Colony and Plantation in the same”.

The present grant predates the first of Penn’s prospectuses for his new colony, A Brief Account of the Province of Pennsylvania Lately Granted by the King, published that April. It is one of those to the so-called ‘First Purchasers’, made so that Penn could recoup his expenses and undertake his ‘Holy Experiment’ in establishing the new colony, principally as a refuge for fellow Quakers such as the recipient. William Yardley (1632-1693) of Rushton Spenser, Staffordshire, had like many Quakers suffered persecution, and was to emigrate with his family to the new colony soon afterwards, surveying his new property in Makefield Township that September and naming it Prospect Farm that December. He was to serve as a member of Falls Monthly Meeting, as a member of the Assembly and the Provincial Council, and as a Justice of the Peace and Sheriff of Bucks County, one of the colony’s original three counties (see The Papers of William Penn, Volume 2: 1680- 1684, p.531, March 1684). He was to die of smallpox in the winter of 1702-3, and the property passed to a nephew, who established the village that became Yardleyville, now known as Yardley.

The Yardleys had connection to Penn himself, William’s wife Jane being sister-in-law of James Harrison, Penn’s advisor. The other signatories witnessing the deed were also members of the circle: Thomas Rudyard served as Acting Governor of New Jersey on behalf of the Quakers, and came from the same part of the country as Yardley; Herbert Springett was a cousin of Penn’s wife; while Thomas Cox, a rich Quaker merchant, had lent money to Penn to enable him to secure the charter. Three more recent inhabitants of Yardley have docketed the deed as having been examined at Yardley, namely: Algernon S. Cadwallader, the first Burgess [Mayor] of Yardley Borough, in 1882, Augustus S. Cadwallader in 1933, and John [?] M. Yardley in 1944 (see Vince Profy, Yardley, 1999). The deed remains in the possession of the Yardley family.

45 PLAYING CARDS Karten Almanach [complete pack of 52 pictorial playing cards], stippled-engraved, court cards hand-coloured, red pips suits hand-coloured, 16pp. of text in original pink wrappers, together in original green card box case (rubbed but solid), 8vo (100 x 70mm.), Tübingen, J.G. Cotta, 1806

£1,500 - 2,500 €1,800 - 3,000

A fine complete pack, with the original accompanying text volume, of transformation cards in which the the suit-marks are incorporated into the design of the pip cards. The court cards are whole-length Greek, Persian or Biblical figures (for example Ulysses, Iphigenia, and Mordecai for hearts). The inventive picture cards include groups of children (playing cards, picking apples, sledging, in schoolroom, visiting a Christmas crib), fairies, apothecaries at work, a domestic tea party, music lesson, a huntsman and his dogs, a nightmare, a witch on a broomstick flying with geese, and travelling performers.

46 • QU’RAN SALE (GEORGE, translator) The Koran, Commonly Called the Alcoran of Mohammed, Translated into English Immediately from the Original Arabic... to Which is Prefixed a Preliminary Discourse, first edition of Sale’s translation, title printed in red and black, folding engraved map with inset view of Mecca, engraved folding plate with plan and view of Mecca, 3 engraved genealogical tables (2 folding), contemporary calf, rebacked preserving old gilt morocco spine label (“The Koran”), 4to, C. Ackers for J. Wilcox, 1734

£800 - 1,200 €950 - 1,400

First edition of George Sale’s translation into English (from the Arabic) of the Qu’ran, to which he added “a long ‘preliminary discourse’, a compendium of all that was known about the religion of Islam [at that time]” (ODNB). Includes a fine map of Arabia with inset view of Mecca, and a folding plate with a view of Mecca.

Provenance Wm. Woodforde, Galhampton House” (Somerset), eighteenth century inscription; “Jane Woodforde, Ansford House 1845”, both inscriptions on front pastedown.

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 46

47 • ROBINSON (WILLIAM) AND WILLIAM LEDDRA Several Epistles Given forth by Two of the Lords Faithful Servants, whom He Sent to New-England, to Bear Witness to His Everlasting Truth, and were there (by Priests, Rulers, and Professors) after Cruel and Long Imprisonment, and Inhumane Whippings and Banishment, Put to Death; for no other Cause, but for Keeping the Commandments of God, and Testimony of Jesus, some soiling and staining, nineteenth century calf- backed boards, upper cover detached [ESTC R21104; Church 607; Sabin 72199], small 4to, London, printed in the year, 1669

£800 - 1,200 €950 - 1,400

SCARCE WORK ON THE BOSTON MARTYRS, the name given to the four Friends who were executed for their religious beliefs under the legislature of the Massachusetts Bay Colony between 1659 and 1661; Robinson was hanged in Boston in October 1659 and Leddra in January 1661. “One of the rarest tracts relating to the persecutions of the New England Quakers” (Sabin).

Provenance Abraham Allen (possibly the Quaker imprisoned for his beliefs in the 166Os), signature on blank verso of final leaf.

48 ROYAL FAMILY – ST GEORGE’S CHAPEL AND PRINCESS CHARLOTTE Papers of John Fisher, successively Bishop of Exeter and Bishop of Salisbury, overseer of the redecoration of St George’s Chapel, Windsor, in 1790 and superintendent of the education of Princess Charlotte, comprising:

(i) Six autograph letters signed by Fisher, to his fiancée Dorothea Scrivener of Exmouth (“...I was ready dressed in my Pontificalia to receive them. As soon as il Ré saw me, he said with a smile, I did not expect the pleasure of seeing you here, Exmouth is a great distance from hence.’ – He then took me into his Library alone with him...... I saw Miss Burney (Cecilia) who very handsomely congratulated me on an approaching event, & begged she might be ranked amongst the first of Mrs Fishers friends...”), Windsor and elsewhere, April to July [1787]

(ii) Warrant signed by George III (late scrawled signature at head), giving to John, Bishop of Salisbury, “the Collars, Great Georges, Little Georges and Garters of all and every Knight Companion” of the Order of the Garter that have reverted to the Crown after the death of their holders, the warrant addressed to and countersigned by Isaac Heard, Garter, papered armorial seal, 1 July 1807

(iii) File of papers pertaining to the redecoration of St George’s Chapel, Windsor, in 1789-90, kept by Fisher in his capacity as Canon and treasurer of the works, comprising: two autograph letters signed by the organ- builder Samuel Green (“Sam.l Green”), to Fisher, the first accepting the King’s commission to build the new organ at St George’s Chapel (“...I beg my humble duty to His Majesty & am willing to enter into a Bond of £200 to compleat the proposed Organ by the first of June 1789...”), the second enclosing his bill and analysing the merits and defects of the instrument (“...the Pipes Speak their notes separately, but when joined with others, they change their Tones & are out of Tune... The Organ now is compleat as any in the Kingdom, besides having a General Swell to the Great Organ...”), 3 October 1788 and 27 October 1791; autograph invoice by Green headed “Work done for His Majesty by Sam.l Green” in 1790 “To a New Organ of Large Demensions Put up in St George’s Church Windsor” costing £1,000, with packaging at 10 guineas, and detailing payments received so far, embossed with 6d receipt duty stamp, 1790; two autograph letters signed by John Douglas, Bishop of Carlisle and Dean of Windsor (“...The screen you mention, will have a very happy Effect; & the removal of the Rood-Loft must add to the beauty of the Chapel... I am sure, we shall have none of Mr [Thomas] Sandby’s misplaced ornaments. – I am very happy to hear that a contract has been entered into for paving St George’s Chapel...... His Majesty, on his return, will learn from you that Mr [sic] Coade is alone accountable for the slow Progress of the works in our Chapel; and, if another of his Kilns should burst, I shall begin to doubt, whether we shall be ready for an Installation before next Summer...”), 1788-89; autograph list of disbursements signed by Fisher, for expenditure of £1,300 cash received from the King, between 12 March 1789 and 15 February 1790, including several to “Mr Sealey for the Artificial Stone ork”,W and three to “Mr Eginton” (“for the Railing of the Communion Table”, “for two Brackets to support the Communion Rails” and “for the Arms of the Knights of the Garter in stained Glass in two Windows”); autograph account signed by Fisher headed “The State of the King’s account with Dr Fisher for the Works in St Georges Chapel”, recording work on the organ (Green), communion rails (Eginton), stained glass (ditto), roof-painting (Mr Crook), banner (Mr Sarney), Furniture (Mr Hatch), the Coadstone screen (“...Mr Sealey for Mrs Coades Stone Screen to which his Majesty has graciously promised to add an hundred Guineas in compensation for Losses in the bursting of the Kilns...”), etc., 25 March 1791

(iv) Series of thirty autograph letters and declarations by Princess Charlotte of Wales, mostly signed “Charlotte” (some with initial), to her tutor and sub-preceptor the Rev Dr John Frederick Nott, commenting on her reading, including Elizabeth Carter’s letters to Mrs Chapone (“...her works Dear Sir are like the orange-tree bearing flowers & fruit at the same time, & satisfying the understanding while it charms the imagination...”), Gray (“...As New Year’s day was a Holiday the Bishop was so kind as to allow me to read Mr Grey’s poems adorned by Mr Bentley’s designs...”) and the love story of the warriors Nisus and Euryalus from the Aeneid (“...I have begun a new exercise with the Bishop which is very entertaining. We also have read the beautiful History of Nisus & Euryolus in Latin & English. The oftener I read it the more beauties I find in it. The whole is charming but the simily between Euryolus & the poppy is one of the most beautiful things that can be...”); the Princess also has frequent cause to apologise for her behaviour (“...O My Dear Dear Mr Nott forgive I pray you me this time and never never shall you have a nother trouble with me as long as you are with me...”) which she promises to emend (“...tho’ I dislike Latine More than any thing in the World Yet you May depend upon my Learning it with as much good temper as possible & that Knowing You dislike to see what dislike I have, I shall endeavour to smother my own Dislike...”); other subjects touched upon included the Royal Family’s visit to Worthing in 1807 (“...we where met by the Arundel Volunteer Cavalry who escorted us to our gate & there we were met by all the regiment of the foot; in the evening all the Town was eluminated which was a great mark of respect to the King & Papa...”), Christmas celebrations (“...in the morning we went to Prayers and the Bishop gave us a sermon. I then learnt by heart and in the afternoon the Miss Fishers came and we had various plays lastly Snap Dragon...”), holiday instruction (“...The Bishop of Exeter has requested Mr Bolton when Christmass Holidays come to bring some Chymical and optic things to show us...”), etc., over 80 pages, many with address leaves, small label-stains, 4to, 1805-1808

(v) Group of letters addressed to the prime minister, the Duke of Newcastle, during the last two years of his life, by the diplomat and secretary of state Lord Rochford, Admiral Sir Charles Saunders, his doctor Edward Warren (“...I think, it is rather too soon for yr Grace to begin the steel water... if your Grace takes a third of a pint for the first time, &, after airing for an hour, another third, that quantity will be sufficient...”), Dr John Chevallier (Master of St John’s, Cambridge), the politician Frederick Montagu, Matthew Fetherstonhaugh of Uppark, and others, 1766-68

£8,000 - 10,000 €9,500 - 12,000

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 48

‘I DISLIKE LATINE MORE THAN ANY THING IN THE WORLD’ - the education of Princess Charlotte and redecoration of St George’s Chapel, Windsor, both under the supervision of Bishop Fisher. John Fisher was appointed a chaplain to George III in 1781, a canon of Windsor in 1786, Bishop of Exeter in 1803 and of Salisbury in 1807. As a canon of Windsor he acted as treasurer during the major redecoration of 1790, the major feature of which was the installation of the new organ by Henry Green, upon which much - some possibly new - information is provided by the present correspondence and receipts. This was also the occasion for the erection of a Coadstone organ screen and additional vaulting, overseen by Mrs Coade’s cousin and future business partner John Sealy; the explosion of their kiln notwithstanding. Also installed were painted windows and decorative railings and the like by Matthew Boulton’s former worker, Francis Eginton.

During a temporary rapprochement with his son, under the terms of which the King took charge of the education of his granddaughter Charlotte, George III appointed Fisher as her Preceptor. Her Sub-Preceptor, and acting tutor - to whom our letters are addressed - was the Rev Dr George Frederick Knott, who is now best-known for his pioneering editions of Wyatt and Surrey (if not for a spat he had with Mary Shelley, her husband, and Lord Byron during their stay in Pisa).

49 RUSKIN (JOHN) Three letters signed (“J Ruskin”), to his mother Margaret (“My dearest Mother”), one incomplete, eulogising his girl-friend Lily Armstrong (“Lily, my Lily of the Ethics of the dust”), whom he compares to his beloved Rose La Touche: in the first describing her as “a very lovely sight just now” (“...she is so exactly what a girlought to be – not a bit of showiness or display in her dress or ways... She has been growing fast taller, but her face remains small – so that proportion is far more beautiful than it was...”), in the last, written nearly four years later, praising the now grown-up girl (“...Lily, my Lily of the Ethics of the dust, is therefore lady of the house, for her mother leaves nearly everything to her. She is not quite eighteen – perfectly simple, gentle, and resolute – the nurse and firm governess of the younger children – and the most beautiful creature in face and form I ever saw anywhere – but she has none of Rosie’s genius, or wild spiritual nature. For a perfect woman, I never saw Lily’s like: with her dark-eyed delicate head and white shoulders and long satin dress, at a full dress party on Saturday she was like a princess of the Arabian nights...”), 8 pages, the first two on black-edged mourning paper (for his father), the last lacking its first gathering, light dust-staining, etc., 8vo, Winnington Hall and Dublin, 12 and 16 October [1864] and [18 May 1868]

£1,000 - 1,500 €1,200 - 1,800

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ‘LILY, MY LILY OF THE ETHICS OF THE DUST’ - Ruskin to a favourite girl pupil at Winnington School, one of those who inspired his Ethics of the Dust published in 1865: ‘It is safe to say that The Ethics of the Dust could not have been written without the inspiration provided by Winnington. The book stands as both a unique and richly allegorical example of Ruskin’s teaching as well as a memorial of a happy time. Ruskin’s visits to Winnington and the relationships he developed with the girls helped him through a difficult period of his life, marred by his ongoing struggle with Rose La Touche... At the same time, the spectre of his failed marriage to Effie Gray loomed, and he had begun to realize that he would never escape “the net that he had woven for himself in his marriage”... He looked back on his time at Winnington wistfully, as at a lost golden age’ (Sarah Atwood, Ruskin’s Educational Ideas, 2012, p.25). These letters, the last already incomplete, are published in The Winnington Letters: John Ruskin’s Correspondence with Margaret Alexis Bell and the Children at Winnington Hall, edited by Van Akin Burd, 1969.

50 • SERRES (JOHN) A Generall Historie of France... Unto the Yeare 1598, engraved pictorial title by R. Elstrack very small loss at lower fore-corner), woodcut illustrations, without opening blank [ESTC S117100], George Eld, 1611--WHITLOCKE (BULSTRODE) The History of England; or Memorials of the English Affairs, engraved frontispiece portrait [ESTC T111675], E. Curll, 1713, folio--BIBLE, in English, Geneva version. The Bible, That is The Holy Scripture, variant “Seve[n]/and twentie provinces” in Esther 1.1, general and New Testament titles within wide historiated woodcut borders, Old Testament title with woodcut ornaments, woodcut illustrations, a few side-notes shaved, [cf. ESTC S101813; cf. Herbert 253]--[PARLIAMENT] An Exact Collection of all Remonstrances, Declarations, Votes, Orders... beginning at his Majesties return from Scotland, being in December 1641, and continued until March the 21 1643, engraved frontispiece (small loss to blank fore- margin), title within typographical border [ESTC R2795], Edward Husbands, 1643, contemporary calf, worn, the last 2 mentioned small 4to; and 3 others, including a volume of 16 “Civil War” pamphlets, 1626-1646 (7)

£700 - 900 €830 - 1,100

51 • SHAKESPEARE - SALE CATALOGUE Particulars of Shakspeare’s House at Stratford on Avon. For Sale by Auction by Mr. Robins... on Thursday Sep.tr 16 at 12 O’clock [title on upper cover], 16pp., 2 engraved illustrations (exterior and interior views of the house) on one plate, tears and frayed at fore-margin, prices realised added in pencil in an early hand, publisher’s grey wrappers with lithographed title and 8 vignettes (4 portraits; 4 views) on upper cover, and ground plan of the house inside lower cover, rebacked with old paper spine, some tears and losses (affecting 3 vignettes at fore-margin; 5 holes to lower cover), 4to, Alfred Robins, [1847]

£400 - 600 €470 - 710

The rare auction catalogue for the 1847 sale of Shakespeare’s house at Stratford, “... the most unique relic amongst England’s treasures... the most truly heart-stirring relic of a most glorious period, and of England’s Immortal Bard” (blurb on title-page). With the support of Charles Dickens the house was “saved for the nation”, being purchased for £3000 for the Shakespeare Birthplace Trust in the face of a threat by the great entrepreneur and showman P.G. Barnum to dismantle the building and ship it to America. This copy is annotated with pencil prices beside the 20 others lots in the sale, including beside lots 2 to 6 (“Visitors’ Book of Autographs” for May 1821 to June 1845”) a note “the five Books 70g/Bought by Mr. Butler”, and beneath lot 8 (“a curious Tablet, with Portrait of Shakespeare”) mention of a second tablet “not in catalogue”.

52 • SHAW (GEORGE) AND FREDERICK P. NODDER The Naturalist’s Miscellany: or Coloured Figures of Natural Objects; Drawn and Described Immediately from Nature, vol. 1-4 only bound in 2, engraved decorative title in volume 1, 112 engraved plates (of 146, all but 3 hand-coloured, 3 with short repair), lacks some text, contemporary red half morocco, flat gilt-tooled spines numbered volumes 1 and 3, rubbed [cf. Nissen IVB 869; Anker 467], 8vo, Nodder & Co., 1790[-1792], sold not subject to return £500 - 700 €590 - 830

53 SOUTHEY (ROBERT) PORTRAIT ATTRIBUTED TO JOHN JAMES MASQUERIER (1778-1855), half-length, seated at a writing slope, his right hand resting on an open book, oil on canvas, framed, 36 x 28 in. (914 x 711mm.), [c.1812]

£6,000 - 8,000 €7,100 - 9,500

‘THE FAITHFUL PAINTER’S EYE/ HAD FIX’D ME LIKE A SPELL’

The prolific and accomplished portraitist John James Masquerier attracted a loyal following amongst the intellectual and artistic communities at the turn of the nineteenth-century, numbering Emma Hamilton and Warren Hastings among his sitters, and so it is unsurprising he would have painted the Poet Laureate Robert Southey. Their acquaintance came about through a mutual friendship with Henry James Pye, the self-styled “rhymer for life” (James Sambrook, ODNB), whom Southey was to succeed as Poet Laureate in 1813.

Masquerier was born into a Huguenot family in London. He returned to Paris in 1789, where he achieved considerable success in the Academy of the Tuileries under Carle Vernet. He returned to London three years later after the storming of the Tuilleries to enrol at the Royal Academy Schools, and excelled there as he had done in Paris. Masquerier and Southey would have found common ground at their mutual horror of Bonaparte, although Southey’s politics by this time were less extreme than those of his Romantic peers.

In a subtle difference to conventional society portraiture, Southey rests his hand on a book, looking up at a moment of poetical inspiration, and epitomises the young, handsome, romantic poet at the time when his career was taking him to new heights. Even now he exudes an air of confidence which later critics would call ‘absurd self- importance’ (Geoffrey Carnall, ODNB). He has abandoned the longer locks depicted in Peter Vandyke’s romantic portrait of 1795 and Robert Hancock’s profile of 1796 (both NPG), so this work would be more contemporaneous with Henry Eldridge’s drawing of 1804 and Edward Nash’s later watercolour of 1820 (NPG). At the time this portrait was painted Southey was living at Greta Hall, Keswick, with his own family, the abandoned Sara Coleridge and her children and the widow of the poet Robert Lovell and her son, where he remained until his death in 1843.

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 54

54 • [SWIFT (JONATHAN)] Travels into Several Remote Nations of the World ... by Lemuel Gulliver, 4 parts in 2 vol., FIRST EDITION, TEERINK’S “A” EDITION, engraved portrait of the author (second state), 6 engraved plates, G6 and 2E8 in volume 2 cancels as usual, occasional light spotting, contemporary panelled calf, rebacked to match [Teerink 289 “A” edition; ESTC T139451; PMM 185; Rothschild 2104], 8vo (190 x 120mm.), Benjamin Motte, 1726

£10,000 - 15,000 €12,000 - 18,000

FIRST EDITION OF GULLIVER’S TRAVELS, which was published on 28 October 1726 and sold out within two weeks. “Of all the works of eighteenth-century English literature, it is probably Gulliver’s Travels that is the best- known and most widely read today” (ODNB).

Provenance Sir John Silvester (1745-1822), bookplates; Peter Cook, Michael Bradshaw, J.S. Davies, eighteenth and nineteenth ownership inscriptions on front free endpapers.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 33 55 • SWEET (ROBERT) The British Flower Garden. Series the Second, 4 vol., 412 hand-coloured engraved plates, some light offsetting, spotting to less than 10, contemporary green half morocco gilt, worn (volumes 1 and 2 with some loss to extremities of spine, one hinge cracked) [cf. Nissen BBI 1923; Dunthorne 293; Great Flower Books, p.77]], 8vo (240 x 145mm.), James Ridgway, 1831-1838

£1,500 - 2,500 €1,800 - 3,000

Provenance Derek Douglas Williams, bookplate.

56 • VIDOCQ (EUGÈNE-FRANCOIS) Le paravoleur, our l’art de se conduire prudemment en tout pays, notamment à Paris, et d’éviter les pièges de toute espèce que tendent aux personnes honnêtes et faciles les charlatans, escrocs, filous et voleurs qui infestent la capitale, ouvrage... par Vidocq, ancien chef de brigade de la Police de Sureté, FIRST EDITION, engraved frontispiece comprising 2 hand-coloured scenes (pick-pockets; conjuror with cards and three cup trick), spotting, contemporary plain yellow wrappers (frayed with some loss of spine, upper cover near detached), 8vo, Paris, Roy-Terry, 1830

£600 - 800 €710 - 950

Scarce first edition of a work devoted to the workings of the Paris underworld, attributed on the title-page to the celebrated crime fighter Eugene Francois Vidocq but seemingly just based upon his Memoirs. It was “a warning to country and suburban bumpkins of the dangers of city life. It was little more than erotica” (James Morton, The First Detective, 2013). Only 2 copies on Worldcat.

57 • WORDSWORTH (WILLIAM) A Letter to a Friend of Robert Burns: Occasioned by an Intended Republication of the Account of the Life of Burns, by Dr. Currie, FIRST EDITION, cut note “by W. Wordsworth” pasted to half-title, with final leaf bearing name of printer, additional 4pp. printed list ( March 1816) of recent Longman publications bound at end, Longman, 1816--[WORDSWORTH (CHRISTOPHER, 1774-1885)] Areopagitica Secunda: or Speech of the Shade of John Milton, on Mr. Seargeant Talfourd’s Copyright Extension Bill, INSCRIPITION (probably in the hand of the author) providing author’s name “by..., Fellow of Trinity Coll., Cambridge” and 6-line note on half-title, Edward Moxon, 1838; Heathen and Christian Philanthropy, John Murray, 1838; National Education. The English Review on Dr. Hook’s Letter, second edition, F. & J. Rivington, 1847--[WORDSWORTH (CHRISTOPHER, 1807-1885)] The Royalty of the Crown in Episcopal Promotions, Rivingtons, 1848; Lines on Hearing that the Bishop of Rome Has Presumed to Nominate a Person with the Style and Title of Archbishop of Westminster, singleton, laid down, [no publisher, 1848]; “She is Not Dead but Sleepeth”. A Sermon Preached... After the Death of Her Majesty Queen Adelaide, Private Impression, 1849; A Sermon Preached at Westminster Abbey, on March 15, 1863... After the Marriage of... Albert Edward Prince of Wales and the Princess Alexandria, INSCRIBED “FROM THE AUTHOR” on title, title printed in red and black, Private Impression, 1863; A Letter [on the List of Special Preachers at Westminster], INSCRIBED BY THE AUTHOR “My dear Lord, This is strictly private:... you have a right to know the facts of the case, yours respectively C.W.” on first page, and note at end, 8 pages, “Private - and not to be Published”, [1864]; On Sisterhoods and Vows, INSCRIBED “From the author” on title, Lincoln, Williamson, 1878; and 21 other pamphlets (including 11 by Christopher Wordsworth), together 31 works in 1 vol., late nineteenth century half calf, with binder’s ticket “Aubrey, Binder, Salisbury”, gilt morocco lettering label “Pamphlets. Wordsworth &c. 1816-93” on spine-- WORDSWORTH (WILLIAM) Concerning the Relations of Great Britain, Spain, and Portugal, to Each Other, and to the Common Enemy, FIRST EDITION, errata leaf at end, notes in an early twentieth century hand (probably that of Christopher Wordsworth) on endpapers, later calf gilt, rubbed, Longman, 1809, 8vo (2)

£800 - 1,200 €950 - 1,400

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 56

55 57

58 • ALDAM (W.H.) A Quaint Treatise on “Flees and the Art a Artyfichall Flee Making”, FIRST EDITION, PORTRAIT PHOTOGRAPH OF THE AUTHOR SIGNED “yours faithfully W.H. Aldam” beneath the image, the photo affixed to the verso of the dedication leaf with a pin, half-title, 2 chromolithographed plates after James Poole, 25 actual specimens of hooked flies, and samples of fly-tying materials within 22 sunken mounts, samples attached with coloured serrated paper seals, publisher’s pictorial cloth gilt, g.e., [Westwood & Satchell, p.3], 4to, John B. Day, 1876

£800 - 1,200 €950 - 1,400

Provenance Francis Alvey Rhodes Darwin (1851-1937), bookplate.

59 • HALFORD (FREDERIC M.) Modern Development of the Dry Fly, the New Dry Fly Patterns, the Manipulation of Dressing Them and Practical Experiences of their Use, 2 vol., ONE OF 75 COPIES OF THE EDITION DE LUXE, signed by the author, additional presentation inscription on verso of half-title in volume 1, portrait frontispiece, 9 colour plates of flies, 18 colour charts, 16 mounted photogravures with tissue guards, volume 2 comprising ‘The Halford Dry Fly Patterns’, with 33 ACTUAL SPECIMENS OF DRY FLIES in 9 sunken mounts, occasional light spotting to some mounts, contemporary red half calf, t.e.g., spines scuffed, 4to, George Routledge, [1910]

£1,000 - 1,500 €1,200 - 1,800

AUTHOR’S PRESENTATION COPY, INSCRIBED TO HIS FELLOW ANGLING AUTHOR HUGH T. SHERINGHAM.

Provenance H.T. Sheringham, inscribed to him by the author “...with kindest regards & many thanks from Frederick M. Halford” on the half-title of volume 1; John Wayland Leslie, bookplate.

60 • PRITT (THOMAS EVAN) Yorkshire Trout Flies, FIRST EDITION, [LIMITED TO 250 COPIES], half-title, 12 lithographed plates (11 hand- coloured of flies), half morocco gilt by Tout, gilt angling devices (fish, and tackle) on spine, t.e.g., Leeds, Goodall and Suddick, 1885--[CRAWHALL (JOSEPH)] The Compleatest Angling Booke That Ever Was Writ, second edition, ONE OF 100 COPIES, AUTHOR’S COPY, numerous wood-engraved illustrations and vignettes by Crawhall, James Guthrie and W. Chapman, some hand-coloured, publisher’s blind-stamped calf gilt, t.e.g., covers detached [Westwood & Satchell, p.69], 4to, [Newcastle, Andrew Reid, 1881]; Izaak Walton: His Wallet Booke, AUTHOR’S PRESENTATION COPY, inscribed “for my dear son Jos.” on title, LIMITED TO 500 COPIES, hand-coloured woodcut illustrations by the author (some full-page), printed linen pockets on pastedowns, publisher’s half vellum gilt, ties (one loose), slightly soiled, Field & Tuer, Leadenhall Press, 1885--RONALDS (ALFRED) The Fly-Fisher’s Entomology, fourth edition, 20 hand-coloured engraved plates, contemporary half morocco, rubbed, Longman, 1849--WALTON (IZAAK) AND CHARLES COTTON. The Compleat Angler, 2 vol., “Lea and Dove Edition”, NUMBER 56 OF 500 COPIES signed by the editor R.B. Marston, 54 photogravure plates after P.H. Emerson and others, illustrations, a few typescript notes by a later owner taped in, publisher’s cloth, t.e.g., soiled, 4to, Sampson Low, 1888, unless mentioned 8vo; and 3 others, angling (9)

£600 - 800 €710 - 950

Provenance First work, Radcliffe Walters, ownership inscription dated 1885; Second and third works, Joseph Crawhall, the first with bookplate, the other inscribed to his son; Fourth work, .C.F Dundas, and E. Lynton-Vicars, bookplates.

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 58 59

60 62

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 37 61 • [WALTON (IZAAK) The Compleat Angler or the Contemplative Man’s Recreation, Being a Discourse of Fish and Fishing], FIRST EDITION, lacks title and 27 leaves (including one blank, all supplied in facsimile by Elliot, Stock & Co.), some headlines and a few margins shaved, occasional light dampstaining, calf by Maltby of Oxford, gilt morocco spine label, covers detached, purpose-made fleece-lined solander box [ESTC R202374; Coigney 1; Oliver 1; Pforzheimer 1048; Westwood & Satchell, p.217], 8vo (135 x 85mm.), [Richard Marriott, 1653]

£2,000 - 3,000 €2,400 - 3,600

FIRST EDITION OF THE MOST FAMOUS AND CELEBRATED WORK IN ANGLING LITERATURE. “A FIRST Walton confers distinction upon its owner... Copies rarely reach the auction room” (Westwood & Satchell).

Provenance Paulin Martin (1842-1929), bookplate and his ownership inscription (“Jy. 1904, Abingdon”), with note of purchase (Sotheby’s sale 2 July, 1902) and note on the copy; Frederick McDonald Hall, sold as his property at Sotheby’s 26 October 1959, lot 269 (catalogue included in the lot); Maggs Bros, loosely inserted correspondence concerning the supply of the box (November 1959); William Henry Collins, who in a letter to Maggs (11 March 1960) mentions “I am the present owner of all the water and the fishing house which previously belonged to Charles Cotton and was built by him in 1674”; thence by descent to the present owner.

62 • WALTON (IZAAK) The Compleat Angler or the Contemplative Man’s Recreation... the Second Edition Much Enlarged, engraved title-page with decorative cartouche (trimmed to size and remargined), 10 engraved illustrations of fish in the text (2 very slightly shaved), 2pp. of music (“The Angler’s Song”) shaved at margin, 5 leaves shaved and strengthened at fore-margin touching letters, approximately 20 headlines slightly shaved, tear repaired to one leaf, small repair touching signature “D5”, olive crushed morocco gilt by F. Bedford, sides and spine elaborately tooled, g.e. [ESTC R38206; Coigney 2; Olivier 2; Pforzheimer 1049], 12mo (144 x 75mm.), T.M. for Rich. Marriot, 1655

£3,000 - 5,000 €3,600 - 5,900

THE HUTH COPY OF THE SCARCE SECOND EDITION, considerably enlarged from the first edition of 1653. “Walton almost rewrote the book and added seven chapters... The commendatory verses by seven writers have been added for the first time... “ (Coigney). This edition also has an additional 4 engraved illustrations of fish. Pforzheimer notes that “Copies of this second edition have long been reputed to be rarer than those of the first but no one seems to have verified this by actual count” (Pforzheimer).

Provenance Huth Library, with gilt morocco bookplate; Walter Henry Collins, purchased from Maggs Bros. in 1954, for £110, with the original receipt; thence by descent to the present owner. See illustration on preceding page.

63 • WALTON (IZAAK) AND CHARLES COTTON The Universal Angler, Made So, by Three Books of Fishing: the First Written by Mr. Izaak Walton; the Second by Charles Cotton, Esq; the Third by Col. Robert Venables, 3 parts in 1 vol, additional engraved titles to the first and final part 3 (the latter misbound before part 2), engraved vignette on title of part 2 (shaved just touching printed area), engraved illustrations of fish in the text of parts 1 and 3, with 3 blanks, lacks the table (3 leaves) at end of the final part, contemporary calf, rebacked preserving original spine, rubbed, purpose-made maroon morocco gilt case by R. Wallis, lettered with angling motifs (fly, fish and net, bag) on spine [ESTC R1359; Horne 6; Oliver 6; Westwood & Satchell, p.219; Wing W666, C6381, V185l], 8vo (150 x 95mm.), Richard Marriott, 1676

£1,000 - 2,000 €1,200 - 2,400

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 63 64

The fifth edition of The Compleat Angler and the last to be published in Walton’s lifetime, issued with the first edition of Cotton and the fourth edition of Venables. “The fact that the fifth edition has been much more popular than any other may in part be due to Walton’s addition of Piscator’s observations on happiness, thankfulness, and contentment which summarizes the spirit, feeling, and charm of a little book which has now been republished some three hundred and eighty-five times” (Horne).

Provenance Griffith Davies, ownership inscription on general title, and bookplate; Ernest Ridley Debenham (1865-1952), bookplate; Walter Henry Collins, one-time owner of Charles Cotton’s stretch of river and fishing house built by him in 1674 (see footnote to Lot 61); thence by descent to the present owner.

64 • WALTON (IZAAK) AND CHARLES COTTON [Compleat Angler] The Universal Angler, Made So, by Three Books of Fishing. The First Written by Mr. Izaak Walton; The Second Charles Cotton, parts 1 and 2 (of 3), title to “Compleat Angler” with decorative cartouche, engraved illustrations of fish in the text, 2pp. of music to “The anglers song”, and final blank in part 1, imprimatur leaf and engraved vignette on title of part 2, good margins, early calf, later gilt morocco spine labels, refurbished (?in 1840, see footnote) with new endpapers, 8vo (149 x 92mm.) , Richard Marriott, 1676

£800 - 1,200 €950 - 1,400

Includes the fifth edition of Walton’s Compleat Angler, and the first edition of Cotton’s work. The Universal Angler was published with a third part, by Robert Venables, not included in this copy, but as stated on the general title-page the work could be had “bound together, or sold each of them severally”. This copy has the engraved title to Walton, but not the letterpress title and yet is apparently as issued.

Provenance John Claxton, ownership inscription on general title; Sir George Lee, of Hartwell, bookplate, and ink note inside upper cover “Hartwell Library. repaired. May 1840”; John Wayland Leslie, Coombe Court, bookplate; Walter Henry Collins, one-time owner of Charles Cotton’s stretch of river and fishing house built by him in 1674 (see footnote to Lot 61), purchased from Maggs Bros. for £27.10s on 3 July 1953, the original receipt included with the lot; thence by descent to the present owner.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 39 65 • WALTON (IZAAK) AND CHARLES COTTON The Complete Angler, first Hawkins edition, engraved frontispiece, 15 plates, illustrations in the text, nineteenth century green morocco gilt (?by Gosden), the side panels with angling devices in corners and centre, g.e. [Coigney 9], Thomas Hope, 1760; idem, ... “edited by John Major. Fourth edition”, engraved portrait and plates, contemporary green decorative morocco gilt, angling devices (fish, fly and basket) on spine, “Piscatorum Sacrum 1674” with decorative border on sides, g.e.g., slightly rubbed [Coigney 56], D. Bogue, 1844; idem, another copy, LARGE PAPER COPY, EXTRA-ILLUSTRATED WITH APPROXIMATELY 110 ADDITIONAL PLATES, ruled in red throughout, contemporary green morocco gilt, “Piscatorum sacrum 1674” image on sides, g.e., slightly rubbed [Coigney 56], D. Bogue, 1844; idem, “... notes... by Sir John Hawkins”, title ruled in red, engraved plates, EXTRA-ILLUSTRATED with approximately 15 additional engravings including proof plates of some of the called for plates, a few gatherings loose, some dampstaining, contemporary pictorial stamped calf (?by Gosden), the covers with blindstamped portrait of Walton and Cotton within ornamental border of angling related images and outer gilt border, spine tooled in gilt and blind with image an angler and gilt lettering labels, g.e, rubbed [Coigney 22], James Smith, 1822; idem, second Hawkins edition, 16 engraved plates, some spotting, contemporary calf, rubbed [Coigney 10], J. Rivington, 1766, 8vo; and 2 others (7)

£600 - 800 €710 - 950

66 • WALTON (IZAAK) AND CHARLES COTTON The Complete Angler, or The Contemplative Man’s Recreation...with Original Memoirs and Notes by Sir Harris Nicholas, 2 vol. (bound from parts), 61 engraved plates and illustrations, EXTRA-ILLUSTRATED WITH ADDITIONAL SUITE OF ALL THE PLATES AND ILLUSTRATIONS on india-proof paper, green crushed morocco gilt by F. Bedford, g.e. [Coigny 44; Westwood & Satchell, p.228], William Pickering, 1836; idem... “edited with an introduction by Richard Le Galliene”, illustrations by Edmund H. New, leaf of typescript notes tipped-in on p.49, contemporary green half morocco gilt by J. Larkins, gilt angling devices (fish, fly, tackle) on spine, t.e.g., extremities slightly rubbed, The Bodley Head, 1897; idem... “edited by John Major. Fourth edition”, 74 engraved plates and illustrations, calf gilt by Riviere, the spine with gilt angling devices (tackle, and fish basket) within raised bands, g.e. [Coigny 56], D. Bogue, 1844; idem... “[edited] by Moses Browne... Seventh edition”, 10 engraved plates, illustrations in the text, calf gilt by Riviere, g.e., Henry Kent, 1759; idem... “introductory essay... and illustrative notes”, 13 engraved plates on india-proof paper, woodcut illustrations, later morocco gilt, with pink bookseller’s ticket “A. Holden..., Exeter”, g.e., John Major, 1824, 8vo and large 8vo (6)

£800 - 1,000 €950 - 1,200

Provenance First work, Hugh Perkins, bookplate and pencil note “bound for me by F. Bedford”; Fifth work, Ernest P.R. Tuckerman, bookplate.

BINDINGS, ILLUSTRATED AND MISCELLANEOUS BOOKS The Property of a Collector

67 • ACKERMANN (RUDOLF) Microcosm of London, 3 vol., wood-engraved titles within architectural background, engraved dedication leaves, and 104 hand-coloured aquatint plates by Bluck, Stadler, Hill and Sutherland after Rowlandson and Pugin, occasional light offsetting to plates, final plate in volume 3 affected by spotting, text with some offsetting (mainly volumes 1 & 3) and occasional spotting, without half-titles, edr straight-grained morocco gilt by C. Hering (his ticket on verso of front free endpaper), covers elaborately tooled in gilt incorporating diamond-shaped centrepieces and outer floral and inner leaf-pattern borders, gilt spines with black lettering labels, dated at foot, inner gilt dentelles, light blue watered silk endpapers, g.e., rebacked preserving original backstrips (rubbed), one or two pen marks to covers, preserved in morocco-edged slipcases [Abbey Scenery 212; Tooley 7], 4to (340 x 272m.), T. Bensley for R. Ackermann [1808-1810, plates watermarked 1806-1808]

£2,000 - 3,000 €2,400 - 3,600

An early issue in a handsome Hering binding of Ackermann’s celebrated portrayal of London life, one of his finest books. This copy has the first issue of the Contents leaf in volume 1, none of the errata corrected in volumes 2 and 3, and 5 out of 6 errata corrected in volume 1; plates 9, 10, 12, 18 and possibly 8 in volume I are in Abbey’s first state, plate 91 in volume 3 in Abbey’s third state.

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 66 67

68 • BEEKEEPING MILLS (JOHN) An Essay on the Management of Bees, Wherein is Shewn the Method of Rearing those Useful Insects, engraved frontispiece and folding plate, advertisement leaf at end, modern half calf preserving earlier marbled panels [British Bee Books 116], J. Johnson and B. Davenport, 1766--THORLEY (JOHN) Melisselogia [in Greek]. Or, the Female Monarchy, being an Enquiry into the Nature, Order, and Government of Bees, engraved frontispiece, list of subscribers, 4 engraved plates by Thomas Loveday (one folding), with ‘Explanation of the Plates’ leaf at end, contemporary sheep gilt, spine ends chipped [British Bee Books 97], 8vo, for the Author, 1744--WILDMAN (THOMAS) A Treatise on the Management of Bees, 3 folding engraved plates, some spotting to title and one plate, later half calf [British Bee Books 119], 4to, for the author, and sold by T. Cadell, 1768 (3)

£600 - 800 €710 - 950

69 • BOSWELL (JAMES) The Life of Samuel Johnson, L.L.D., 2 vol., FIRST EDITION, second issue with “give” corrected (volume 1, p.135, line 10), engraved portrait frontispiece and 2 plates, contemporary speckled calf, neatly rebacked preserving original spines with green and red morocco labels, preserved in single slipcase [Grolier English 65; Rothschild 463], 4to, Henry Baldwin, for Charles Dilly, 1791

£800 - 1,200 €950 - 1,400

72 (part)

70 • BRONTË SISTERS GASKELL (ELIZABETH) The Life of Charlotte Brontë, 2 vol., FIRST EDITION, half-titles, engraved portrait, frontispiece and facsimile plate, without advertisements, blue half morocco gilt by Bayntun, 8vo, Smith, Elder, 1857--WISE (THOMAS J.) A Bibliography of the Writings in Prose and Verse of the Members of the Brontë Family, LIMITED TO 100 COPIES, AUTHOR’S PRESENTATION COPY TO EDMUND GOSSE, inscribed “Edmund Gosse, Esq. C.B. From his ever sincere friend Thos. J. Wise” on half-title, bookplate of Edmund Gosse, publisher’s boards, 4to, Printed for Private Circulation Only, 1917--BRONTË (CHARLOTTE, EMILY & ANNE) Novels of the Sisters Brontë, 10 vol. (of 12, lacking Shirley), Thornton edition... Edited by Temple Scott, publisher’s green cloth, spines gilt, dust-jackets, 8vo, Edinburgh, John Grant, 1924--KEYNES (GEOFFREY) Jane Austen: A Bibliography, 2 copies, each limited to 875 copies, errata leaf inserted at end, original boards, one copy with dust-jacket, small 8vo, Nonesuch Press, 1929 (15)

£600 - 800 €710 - 950

71 • COLLINS (ARTHUR) The Peerage of England, 9 vol. including Longmate’s Supplement, numerous engraved coats-of-arms, contemporary calf, gilt panelled spines with red and green morocco labels (Supplement not uniform), W. Strahan etc., 1779-1784--A New and General Biographical Dictionary, 15 vol., half-titles, contemporary tree calf, spines gilt with red morocco labels, G.G. and J. Robinson etc., 1798--SCOTT (WALTER) The Poetical Works, 10 vol., engraved portrait and vignette titles, contemporary green panelled morocco, elaborately tooled in gilt and blind, some rubbing and scuffs, Edinburgh, Archibald Constable, 1821, 8vo--LA FONTAINE (JEAN DE) Tales: Imitated in English Verse, 2 vol., extra-illustrated with engraved portrait and 82 plates from a contemporary French edition, armorial bookplate of Viscount Birkenhead, red panelled morocco gilt by R. Calvert, ornate gilt spines, t.e.g., 12mo, C. Chapple, 1814; and 35 others (71)

£1,000 - 2,000 €1,200 - 2,400

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 73

72 • DICKENS (CHARLES) The Works...Introduction, General Essay, and Notes by Andrew Lang, Gadshill Edition, 38 vol. (including the additional Miscellaneous Papers and Forster’s Life of Dickens), plates, red half morocco gilt by Sotheran, spines lettered and dated in gilt, with raised bands, t.e.g., 8vo, Chapman & Hall, 1897-[1898]

£1,000 - 1,500 €1,200 - 1,800

73 • FIELDING (HENRY) The Works, 12 vol., NUMBER 61 OF 250 LARGE PAPER COPIES, edited by George Saintsbury, plates (foxing in margins), red crushed morocco gilt by Morrell, sides with triple gilt line border, gilt panelled spines with stylised floral tools and raised bands, inner gilt dentelles, t.e.g., 8vo, J.M. Dent, 1893

£600 - 800 €710 - 950

74 • JOHNSON (SAMUEL) Letters to and from the late Samuel Johnson... Some Poems Never Before Printed... from the Original Mss. in her Possession, by Hester Lynch Piozzi, 2 vol., FIRST EDITION, errata slip at end of volume 2, contemporary speckled calf, gilt spines, [Courtney & Nichol Smith, p. 168; Rothschild 1270], A. Strahan & T. Cadell, 1788; The Lives of the English Poets; and a Criticism on their Works, 3 vol., first Dublin edition, second issue with volume 1 dated 1781, contemporary calf, gilt panelled spines with red and green morocco labels [Courtney & Nichol Smith, p. 141-2], Dublin, Messrs. Whitestone etc., 1781--BOSWELL (JAMES) The Life of Samuel Johnson, 10 vol., additional engraved titles and frontispieces, red half morocco by Maclehose, gilt lettered spines, John Murray, 1835, 8vo (15)

£700 - 900 €830 - 1,100

75 • KNOOP (JOHANN HERMANN) Pomologia, dat is Beschryvingen en Afbeeldingen van de beste soorten van Appels en Peeren, welke in Neder- en Hoog-Duitsland, Frankryk, Engelland en elders geagt zyn, en tot dien einde gecultiveert worden, engraved coat of arms and 20 hand-coloured engraved plates; Fructologia, of Beschryving der Vrugtbomen en Vrugten die men in de hoven plant en onderhoud, 19 hand-coloured engraved plates; Dendrologia, of Beschryving der Plantagie-Gewassen, 3 parts in 1 vol., titles within typographic border printed in red, text slightly browned, contemporary calf, gilt panelled spine, joints and corners renewed [Dunthorne 171 (excluding Dendrologia); Cleveland Herbal 465 (Fructologia only); Nissen BBI 1078 (Fructologia), 1078 (Pomologia); Stafleu TL2 3766, 3767, 3768], folio (350 x 250mm.), Leeuwarden, Abraham Ferwerda [& Gerrit Tresling], 1758-1763

£1,000 - 2,000 €1,200 - 2,400

FIRST EDITIONS OF KNOOP’S EARLY FRUIT MONOGRAPHS. Knoop was head gardener to the Dowager Princess of Orange at Marienburg, near Leeuwarden. The first work describes apples and pears, whilst the second includes soft fruit such as quinces, peaches, plums, cherries and apricots. “Both books may be considered as the first monographs with colored plates of fruit and fruit trees” (Landwehr, p. 33), and the first became the most popular treatise on pomology in the eighteenth century. The third part is devoted to the cultivation of trees and shrubs, reflecting the influence of French gardening practice.

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 77 78 (part)

76 • LINDLEY (JOHN) Rosarum Monographia; or, a Botanical History of Roses, FIRST EDITION, 19 engraved plates (18 hand- coloured), old ownership inscription partially erased from title, without half-title, contemporary roan-backed cloth [Great Flower books p.65; Dunthorne 183; Nissen BBI 1204], 4to, James Ridgeway, 1820--MARTYN (JOHN) Thirty-Eight Plates... to Illustrate Linnaeus’s System of Vegetables, FIRST EDITION, 38 hand-coloured aquatint plates, advertisement leaf, later green roan gilt, g.e., FINE COPY [Henrey 1030; Nissen BBI 1292], 8vo, B. White, 1788; and another (3)

£500 - 700 €590 - 830

77 • [PERCY (THOMAS)] The Regulations and Establishment of the Household of Henry Algernon Percy the fifth Earl of Northumberland, at his Castles of Wresill and Lekinfield in Yorkshire. Begun Anno Domini M.D.XII., half-title, contemporary red straight-grain morocco, covers with ornate roll-tool borders, gilt panelled spine with leaf and flower tools, g.e., 8vo, ‘London Printed’, 1770--GREENWOOD (CHARLES & JOHN) Map of the County of Northumberland, from an Actual Survey Made in the Years 1827 & 1828, large hand-coloured folding map on 2 sheets, dissected into 80 sections and laid on linen, edged in green silk, slight overall yellowing, preserved in green straight- grain morocco slipcase, gilt panelled spine with floral tools (dampstain to covers), 1930 x 1490mm., C. & J. Greenwood, 1828 (2)

£700 - 900 €830 - 1,100

Provenance First work, Launcelot Brown, inscribed on fly-leaf “Presented me by Launcelot Brown Esq of Lincolns inn. March 27. 1774. G.N.C./ A copy of this book sold at Sir G. Coldbrookes [sic] sale for 6.guineas”. Lance, as he was known, was the eldest son of Capability Brown. A protegé of Lord Sandwich at Hinchinbrook, he was nominated ‘pocket Sheriff’ to aid his father’s role as High Sheriff; he was called to the bar in 1772; Miss Abdy, book label.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 45 78 • POPE (ALEXANDER) The Poetical Works, 3 vol., 4-page list of subscribers in volume 3, occasional spotting and browning, red morocco spine labels, joints starting [Gaskell 678], Glasgow, Andrew Foulis, 1785--EVELYN (JOHN) Silva: or a Discourse of Forest-trees, fifth edition,J. Walthoe etc., 1729, folio--CHESTERFIELD (PHILIP DORMER STANHOPE, 4th Earl) Miscellaneous Works, 2 vol., FIRST EDITION, 8 engraved plates, wide margins, gilt panelled spines with red and green morocco labels, 4to, E. & C. Dilly, 1777, contemporary polished calf, FINE COPIES; and 9 others including a set of Hume’s History of England (16)

£700 - 900 €830 - 1,100

See illustration on preceding page.

79 • POPE (ALEXANDER) The Works... with his Last Corrections, Additions and Improvements, 9 vol., 24 engraved plates, twentieth century tree calf, gilt panelled spines with classical motifs and red and green labels, C. Bathurst etc., 1770--MASSINGER (PHILIP) The Plays, 4 vol., half-titles, engraved portrait, later russia, sides with ornate roll tool borders, gilt panelled spines, g.e., some wear and cracks to joints, G. & W. Nicol, 1805--SMOLLETT (TOBIAS) The Miscellaneous Works, 6 vol., engraved portrait, nineteenth centry motled calf, gilt panelled spines with red morocco labels (slightly faded and rubbed), Edinburgh, Mundell, 1806--CHATTERTON (THOMAS) The Works, 3 vol., first collected edition, half-titles, list of subscribers (including ordsworthW and Coleridge), 7 engraved plates, contemporary mottled calf gilt, gilt panelled spines with red and black morocco labels, Longman & Rees, 1803--DRAKE (NATHAN) Essays, 5 vol., 2 engraved portraits, contemporary red straight-grained morocco, sides with outer leaf tool border enclosing central panels with ornate cornerpieces, gilt panelled spines, g.e., John Sharpe, 1805-1810, 8vo (27)

£1,000 - 1,500 €1,200 - 1,800

80 • RAWSTORNE (LAWRENCE) Gamonia: or, the Art of Preserving Game and an Improved Method of Making Plantations and Covers, FIRST EDITION, half-title, 15 hand-coloured aquatint plates after T.J. Rawlins, errata slip tipped in at end, recased in publisher’s green morocco, ornate gilt borders on sides, gilt lettered spine, g.e. [Abbey Life 392; Schwerdt II, p. 127; Tooley 393], R. Ackermann, 1837--Gradus ad Cantabrigiam; or New University Guide to...the University of Cambridge... By a Brace of Cantabs, half-title, 6 hand-coloured aquatint plates of university costumes and scenes, woodcut portrait of Jemmy Gordon, some offsetting onto text, uncut in publisher’s boards (stained), preserved in folding chemise and black morocco-backed slipcase, spine lettered in gilt [Abbey Scenery 81], John Hearne, 1824, 8vo--[CLAYTON (RICHARD)] A Treatise on Greyhounds with Observations on the Treatment & Disorders of them. By a Sportsman, first edition in book form, half-title, engraved frontispiece and vignette title, advertisement leaf at end, publisher’s brown boards [Schwerdt II p.268], 12mo, Lackington, Hughes, 1819 (3)

£700 - 900 €830 - 1,100

Provenance First work from Easton Neston Library of Lord Hesketh, shelf label on front paste-down.

81 • READ (CHARLES RUDSTON) What I Heard, Saw, and Did at the Australian Gold Fields, FIRST EDITION, 4 tinted lithographed plates, wood- engraved title vignette and illustrations, large folding map (short tear without loss), publisher’s cloth, spine gilt with vignette [Abbey Travel 585; Ferguson 14756], T. & W. Boone, 1853--STEPHENS (JOHN) The History of the Rise and Progress of the New British Province of South Australia, second edition, folding map and plan of Adelaide, 4 lithographed plates, folding table, 9pp. advertisements, some browning, publisher’s decorative cloth gilt [Ferguson 2851], Smith, Elder, 1839--MAYNE (R.C.) Four Years in British Columbia and Vancouver Island, wood-engraved plates, folding map, advertisements at end, publisher’s pictorial cloth gilt, hinges cracked [Sabin 47174], John Murray, 1862, 8vo--BIRKBECK (MORRIS) Notes on a Journey in America, from the Coast of Virginia to the Territory of Illinois, third edition, engraved folding map hand-coloured in outline, 4pp. advertisements, publisher’s boards, spine worn with loss [Sabin 5569], James Ridgway, 1818, 8vo (4)

£500 - 700 €590 - 830

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 79 (part)

82 • REPTON (HUMPHRY AND J. ADEY) Fragments on the Theory and Practice of Landscape Gardening. Including some Remarks on Grecian and Gothic Architecture, FIRST EDITION, half-title, 43 plates, comprising one uncoloured woodcut, 22 hand- coloured aquatint plates (10 with overslips), 20 plain or tinted aquatint plates (4 with overslips), 9 aquatint vignettes in the text (2 with overslips), without half-title, some light spotting and soiling, occasional offsetting, contemporary speckled calf gilt, rebacked preserving original gilt panelled spine [Abbey Scenery 391; Tooley 398], 4to (336 x 270mm.), T. Bensley & Son for J. Taylor, 1816

£5,000 - 7,000 €5,900 - 8,300

The first edition of Repton’s last great work on landscape gardening, completed with the aid of his architect son.

Provenance Sir James Carnegie of Southesk Bart.; Donald & Mary Hyde, bookplates.

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 84 85

83 • SMITH (ALBERT) The Story of Mont Blanc, FIRST EDITION, AUTHOR’S PRESENTATION COPY, inscribed on title-page “M.E. Gambart with the author’s kind regards, 1853”, hand-coloured aquatint frontispiece, wood-engraved title vignette and illustrations, calf gilt by Riviere, gilt panelled spine with floral tools, te.g., 8vo, David Bogue, 1853--CONSETT (MATTHEW) A Tour through Sweden, Swedish-Lapland, Finland and Denmark, in a Series of Letters, FIRST EDITION, half-title, 7 engraved plates and one woodcut by Thomas Bewick and Ralph Beilby, contemporary calf-backed boards, 4to, J. Johnson, R.Christopher, for the Author, 1789 (2)

£600 - 800 €710 - 950

84 • [SURTEES (ROBERT)] [Sporting Novels:] Mr Sponge’s Sporting Tour, first issue, 13 hand-coloured plates, 1853; Handley Cross; or Mr. Jorrocks’s Hunt, first illustrated edition, 17 hand-coloured plates, 1854; “Ask Mamma”, 13 hand-coloured plates, 1858; “Plain or Ringlets?” hand-coloured engraved title and 12 plates, 1860; Mr Facey Romford’s Hounds, 24 hand-coloured plates, 1865, together 5 vol., FIRST EDITIONS, illustrated by John Leech, uniformly bound in red calf by Tout, sides with double gilt line borders, spines gilt in 6 compartments decorated with oval fox, hound and horse emblems, and green and purple morocco labels, inner gilt dentelles, t.e.g.; Jorrocks’s Jaunts and Jollities... illustrations by Henry Alken, second edition, hand-coloured additional engraved title with vignettes and 14 hand-coloured aquatint plates by Alken, red morocco gilt by Riviere, sides with triple gilt line borders, gilt panelled spine with floral tools and raised bands, inner gilt dentelles, t.e.g., [Schwerdt II p.236; Tooley 471], Rudolph Ackermann, 1843--EGAN (PIERCE) Sporting Anecdotes... new edition, considerably enlarged and improved, engraved frontispiece 2 engraved portraits and 3 hand-coloured plates by Robert Cruikshank and others (one folding of a boxing match), wood-engraved illustrations, red morocco gilt by Riviere, g.e., joints rubbed [Cohn 268; Schwerdt I p.159; Tooley 202], 1825--SCROPE (WILLIAM) The Art of Deer-Stalking, additional engraved title and frontispiece, 11 lithographed plates, crushed brown half morocco gilt by Bayntun, John Murray, 1839, 8vo (8)

£1,000 - 1,500 €1,200 - 1,800

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 49 85 • TULL (JETHRO) The Horse-Hoing Husbandry: or, an Essay on the Principles of Tillage and Vegetation. Wherein is Shewn a Method of Introducing a Sort of Vineyard-Culture into the Corn-Fields, first folio edition, 1733; Supplement to the Essay on Horse-Hoing Husbandry, FIRST EDITION, 1736, 2 parts in 1 vol., licence leaf before title, 6 folding engraved plates, paper flaw at foot of licence leaf, old ink stains at foot of Supplement title, contemporary panelled calf, gilt panelled spine, joints cracking [Fussell II, p.4; Kress 4153; Norman 2113; PMM 188], folio, for the author, and sold by G. Strahan [-Mr Mills’s in King-Street...], 1733-1736; idem, third edition, 7 folding engraved plates, one leaf repaired without loss, slight damage to leading edges of a few leaves just shaving one plate [Kress 5173], A. Millar, 1751--KENT (NATHANIEL) Hints to Gentlemen of Landed Property, 10 engraved plates (some folding), [Fussell II, pp. 101-3; Kress B.3903], G. Nicol, 1799--BRADLEY (RICHARD) New Improvements of Planting and Gardening, 3 parts in 1 vol., mixed edition, titles in red and black (first browned), 7 engraved plates (some folding) [Henrey 494], W. Mears, 1717-1718, contemporary calf, 8vo (4)

£800 - 1,200 €950 - 1,400

A fine copy of the first illustrated and first folio edition of Jethro Tull’s pioneering work on agriculture and the reduction of manual labour through the use of the seed drills, the horse-hoe and improved aeration. This copy has the rarer first edition of the Supplement, with continuous pagination and without the seventh plate (issued with the second edition of the Supplement in 1740).

Provenance First work, Jacob Astley of Melton Constable, bookplate; Second work, Captain Asher, 5th Foot and Mrs Ashe, ownership signatures on title; Third work, Wiliam Vaughan, Courtfield, Monmouthshire, bookplate. See illustration on preceding page.

86 • WHITE (GILBERT) The Natural History and Antiquities of Selborne, in the County of Southampton, FIRST EDITION, engraved title vignette, large folding map (hand-coloured in outline) and 31 plates (19 double-page) by Vivares, Godfrey and others, folding printed genealogical table, errata leaf, some offsetting onto text, frontispiece with short repair, contemporary tree calf, rebacked preserving original gilt panelled spine [Rothschild 2550], 4to, B. White, 1789-- [WORSLEY (RICHARD)] The History of the Isle of Wight, FIRST EDITION, engraved title vignette and 31 plates (some double-page), engraved folding map by John Hayward (hand-coloured in outline, repaired at edge with resulting stain), folding genealogical table, a little offsetting and spotting, contemporary red straight-grain morocco, gilt panelled spine with green lettering-pieces, gilt turn-ins, g.e., large 4to, R. Dodsley, 1781--WYNDHAM (HENRY PENRUDDOCKE) The Diary of the Late George Bubb Dodington, Baron of Melcombe Regis, half-title, advertisement leaf at end, contemporary calf, red morocco spine label, 8vo, Salisbury, E. Easton, 1784 (3)

£800 - 1,200 €950 - 1,400

Provenance First work, G. Smithson, ownership signature on fly-leaf; Second work, Sir Charles Chadwyck Healey, armorial bookplate; J.R. Abbey, armorial bookplate and note at the end recording its purchase at the Chadwyck Healey sale at Hodgson’s, 16 April 1942, lot 231.

87 • WILDE (OSCAR) The Complete Works, Patrons’ Edition De Luxe, 12 vol., publisher’s boards with printed paper spine labels, dust-jackets (some chipped), Garden City, Doubleday, Page, 1923; Lord Arthur Savile’s Crime & Other Stories, later blue half morocco, gilt panelled spine, t.e.g. [Mason 345], James R. Osgood, McIlvaine, 1891; The Picture of Dorian Gray, second edition, with ‘THE PREFACE’ and ‘OSCAR WILDE’ in italics, and publisher’s imprint on final page, without advertisements, red half morocco by Hatchards [Mason 330], Ward, Lock & Bowden, [1895]; The Ballad of Reading Gaol by C.3.3., seventh (last authorised) edition, publisher’s linen- backed cinnamon cloth [Mason 378], Leonard Smithers, 1899, 8vo (15)

£600 - 800 €710 - 950

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 89

CONTINENTAL BOOKS Other Properties

88 • ALBERTUS MAGNUS, ATTRIBUTED TO De secretis mulierum et virorum, 36 leaves (collates A-F6, with blank F6), numerous marginal manuscript annotations (and several “pointing hands”) in 2 hands, some neat underlining, browning, later vellum, rebacked with old paper label on spine [VD16 A1414; USTC 610584], small 4to (203 x 148mm.), [colophon: Leipzig, Melchior Lotter, 1502]

£600 - 800 €710 - 950

Scarce edition of the Pseudo-Albertus Magnus treatise “On the secrets of women”.

Provenance Ink annotations in several early hands; A. Bernardes de Oliviera, bookplate.

89 • AUGUSTINUS De civitate dei [with commentary by Thomas Waleys and Nicolaus Trivet], 250 leaves (of 256, quire “K” supplied from another edition), 55 lines of text flanked by 64 lines of commentary, and headline, double- column, gothic letter, short repaired tears touching text of 2 leaves (b5 and t2), margins of opening 10 leaves slightly softened and frayed, ink marginalia on approximately 15 leaves in an early hand [ISTC ia01246000; BMC III 695; Goff A1246; GW 2890; HC 2068*], Freiburg im Breisgau, [Kilianus Piscator (Fischer)], 1494; De trinitate, 80 leaves, 54 lines and headline, double-column, gothic letter, a few single wormholes in text, final few leaves browned and softened at fore-margin, full-page manuscript notes in an early English hand on blank verso of final leaf [ISTC ia01346000; BMC III 695; Goff A1346; HC 2040*], [Freiburg im Breisgau: Kilianus Piscator (Fischer)], 1494, 2 works in 1 vol., sixteenth century English blindstamped calf over wooden boards by John Reynes, with his lilies, falcon, bee and dog roll [Oldham 437] enclosing panel of diamond pattern of pineapples [Oldham 437], rebacked, rubbed, without clasps, folio (291 x 204mm.)

£2,000 - 3,000 €2,400 - 3,600

Provenance “Edward Baskerville doctor of devinitie”, sixteenth century ownership inscription in lower margin of fol. 2 of the first work (with later inscription “Sum Thomae Rawlins [liber]” at head of the same page); presentation inscription of John Sprint to J.F. Wagner, Hampstead, 19 July 1658 on front free endpaper; Alexander Thompson of Bachory, bookplate; S. Pottesman (1904-1978); Sotheby Parke Bernet, 15 October 1979, lot 36 (catalogue included in the lot). See illustration on preceding page.

90 • BERAIN (JEAN) Desseins de chemineés dediez à Monsieur Jules Hardouin, engraved decorative title and 12 plates (each depicting 2 chimney places), dampstaining to upper blank margins (title and 2 leaves strengthened at margin on verso, 2 with short tear touching image), some marginal dampstains; Ornemens inventez par J. Berain, engraved decorative title and 57 plates on 53 sheets, long tear repaired to one plate, some dampstains (mostly marginal), 2 works in 1 vol., early calf, spine gilt with morocco label (“Ornem. de Berain”) [cf. Berlin Kat. 343], oblong folio (364 x 454mm.), [Paris], L’autheur aux Galleries du Louvre, [c.1711], sold not subect to return

£800 - 1,200 €950 - 1,400

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 91 91 • BLAES (GERARD) Anatome animalium, terrestrium variorum, volatilium, aquatilium, serpentum, insectorum, FIRST EDITION, engraved allegorical frontispiece, 65 engraved plates, contemporary calf, worn [Garrison-Morton 296; Krivatsy 1339; Nissen ZBI 381; Wellcome b12166704], 4to, Amsterdam, widow of Johannes van Someren, Hendrik and widow of Dirk Boom, 1681--FRACASTORO (GIROLAMO) Liber unus, de sympathia & antipathia rerum, title within decorative woodcut border, lacks final leaf Y8 [Adams F824; Durling 1638; Wellcome b21387436], Paris, J. Tornaeus and G. Gazeius, 1554; [ESTIENNE (CHARLES)] De latinis et graecis nominibus arborum, fruticum, herbarum, piscium & avium liber, woodcut device on title [not in Adams], Paris, 1548, 2 works bound in 1 vol., later vellum, 12mo--HOMER. His Iliads Translated, Adorn’d with Sculpture and Illustrated by Annotations, by John Ogilby, title printed in red and black, engraved frontispiece (with loss to lower section), engraved portrait, 48 engraved plates (including portrait of Homer, 2 with very small rusthole), lacks portrait of Ogilby, a few single spots, small piece of blank margin torn away from one text leaf, contemporary reverse calf, worn [ESTC R30336], small folio, James Flesher, 1669 (3)

£700 - 900 €830 - 1,100

Includes the first edition of Blaes’ Anatome animalium, “the first comprehensive manual of comparative anatomy based on the original and literary researches of a working anatomist” (Cole, Comparative Anatomy), illustrated with fine plates.

92 • BULLINGER (HEINRICH) In Apocalypsim Jesu Christi, revelatam quidem per angelum Domini, woodcut device on title, early inscription obscured with old paper labels, Basle, J. Oporinus, 1559; Festorum dierum, loss to a few side-notes of final leaf, long near contemporary manuscript note in English [see below] on final 2 leaves (including final blank) [Adams B3210], Zurich, C. Froschauer, 1558, 2 works in 1 vol., English early seventeenth century calf, spine with gilt morocco lettering label and gilt ornaments within raised bands, small loss to head of spine, small folio (285 x 185mm.)

£600 - 800 €710 - 950

Provenance Near contemporary 72-line inscription in English in a neat hand at the end of the first work, beginning “That I may speake hereof to the promotion of Gods glory...”. This is a transcription of part of a sermon preached by Roger Hutchinson (died 1555) at Eton in 1552, and published in A Faithful Declaration of Christes Holy Supper in 1560.

93 • CALLOT (JACQUES) Capricci di varie figure, engraved title and 12 plates (numbered 2-13, only of 50) [Lieure 214], [n.d.]; Varie figure gobbi... fatto in Firenza, 19 engraved plates (including title, of 20) [Lieure 279], 1616 [but later]; [Balli di sfessania], 18 engraved plates (of 24, one with tear repaired, small hole just touching image of one) [Lieure 279], [n.d.], 3 works in 1 vol., all images printed in reverse after Callot, light arc of dampstaining in lower margin of opening 15 plates, early ownership inscriptions in Latin and ?German, nineteenth century morocco-backed marbled boards, gilt lettered “Gravures” on spine, oblong 8vo (98 x 140mm.), [seventeenth century], sold as a collection of plates

£600 - 800 €710 - 950

94 • ENGLERT (DAVID, ILLUSTRATOR) Die zwölf Monate des Jahres, in bildlichen Darstellungen für den Anschauungs-Unterricht, FIRST EDITION, 60 hand-coloured lithographed plates, spotting (primarily to text and margins), the flowers with names supplied in ink in English, contemporary cloth, upper cover gilt lettered “Caroline”, worn, oblong folio (280 x 400mm.), Esslingen am Neckar, J.F. Schreiber, 1838

£2,500 - 3,500 €3,000 - 4,100

Rare children’s picture book, showing the annual cycle of activities in farming and housekeeping and the relevant flora and fauna for each season. Influenced by the pedagogical approach of Pestalozzi, the work offered “rich material for instruction in all parts of natural history,” allowing the student to learn “the outward form of things which he does not always have the opportunity to see in nature” (Preface). WorldCat records copies only in Berlin and Princeton, the latter describing it as “The rarest work of ‘Anschauungsunterricht’ [Object Lesson], bibliographically unknown in this form.”

Provenance “A Keepsake for the dear affectionate little Caroline from her friend M. O’Donel, Geneva 1842,” inscription on front free endpaper.

95 • EUCLID Elementa Libris XV [edited by Francisco Candalla], woodcut vignette on title, numerous woodcut geometrical diagrams in the the text, lacks 2 leaves (pp.363/4, and pp.369/70), 2 small ink marks on pp.201/202, early vellum, rebacked in vellum [Adams E986; Thomas-Stanford 21], folio (305 x 190mm.), Paris, J. de Puys [colophon: J. de Tournes], 1578

£500 - 700 €590 - 830

Provenance “Dominici Heromi. 1630”; Albrecht Linemann (1603-1653), German mathematician and astronomer, with 2-line note of sale; “Schwerin” in later hand, all on title-page.

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 96

96 • GEBER [JABIR IBN HAYYAN, ATTRIBUTED] Geber. De alchimia libri tres ejusdem liber investigationis perfecti magisterii, artis Alchimicae iis additus liber trium verborum, large woodcut on title, 9 woodcut illustrations (2 half-page) of chemical apparatus in the text, woodcut initials throughout (14 of which hand-coloured), first two lines of the title hand-coloured in red, occasional light dampstain at inner and lower margins, later vellum-backed marbled boards, gilt morocco lettering label on spine [Duveen 238; Ferguson I, 302 note], small 4to (245 x 175mm.), [Strassburg, Johann Grieninger, 29 August 1531]

£2,000 - 4,000 €2,400 - 4,700

“SCARCE EDITION” (Duveen) of an important collection of alchemical tracts, attributed to Jabir Ibn Hayyan, the eighth-century author of scientific texts.

97 • GOYA Y LUCIENTES (FRANCISCO JOSÉ DE) [Tauromaquia] De las diferentes suertes y actitudes del arte de lidiar los toros. Inventadas y grabadas al agua fuerte por Goya, 33 etched and aquatint plates on heavy wove paper, title caption in ink added within platemark beneath image of first and last plate, later tissue guards, modern calf gilt, the original printed wrappers (with etched self-portrait of Goya on upper cover) bound in, slipcase [Harris 204-236], oblong folio (312 x 430mm.), Madrid, Estampado en la Calcografia de la Imprenta Nacional, 1855

£15,000 - 20,000 €18,000 - 24,000

The second edition of Goya’s suite of engravings illustrating the art of bullfighting, testifying to the artist’s “love and understanding of this most Spanish spectacle” (Harris). First published in 1816, the plates then disappeared before their use in this 1855 edition, published at approximately the same time as the second edition of the Caprichos.

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 98

98 • GWALTHER (RUDOLF) Der Endtchrist. Kurtze, klare und einfaltige Bewysung in fünff Predigen begriffen, dass der Papst zuo Rom der rächt, war, gross und eigentlich Endtchrist sye..., final leaf m6 with woodcut illustration bound as frontispiece, some light browning and soiling, nineteenth century half calf, spine defective [VD16 W 1058], small 8vo, [Zürich, Christoph Froschauer, 1546]

£1,000 - 1,500 €1,200 - 1,800

First German edition, with the fine woodcut by H. Vogtherr depicting a horned centaur in papal tiara, brandishing a sword and trampling scripture.

99 • LACINIO (GIANO) Pretiosa margarita novella de thesauro, ac pretiosissimo philosophorum lapide. Artis huius divinae typus, et methodus: collectanea ex Arnaldo, Rhaymundo, Rhasi, Alberto, et Michaele Scoto; per Ianum Lacinium Calabrum nunc primum, cum lucupletissimo indice, in lucem edita, title with woodcut printer’s device, 19 woodcut illustrations (of 22, lacking 2 leaves, **iii-iv), without errata and colophon leaves (sometimes suppressed according to Renouard), some staining and soiling, worming with loss to title and last 4 leaves of index, contemporary calf, paper spine label (‘Philosoph/Stone’), worn with loss to spine, lacks ties [Renouard 135:6 note; Caillet 5911], Venice, [Giordano Ziletti, apud haer. Aldo I Manuzio], 1557, sold not subject to return

£600 - 800 €710 - 950

Reprint of the Aldine edition of 1546 with a new title bearing the device of G. Ziletti and the date 1557, and the first 8 pages reprinted. Renouard suggests that Ziletti bought up a number of copies of the Aldine edition, noting “le feuillet de la fin, contenant l’ancre Aldine... est quelquefois supprimé”.

Provenance Ownership inscription dated 1556 on title-page.

100 • LEONARDO DA VINCI Trattato della pittura di Lionardo da Vinci. Novamente dato in luce, con la vita dell’istesso autore, scritta da Rafaelle du Fresne, 2 parts in 1 vol., FIRST EDITION, engraved portraits of Leonardo and Alberti, numerous engraved illustrations in the text, engraved head- and tail-pieces and initials, light ?grease stain within platemark of frontispiece portrait, contemporary mottled calf, rubbed, joints slightly weakened, folio (375 x 250mm.), Paris, Jacques Langlois, 1651

£1,000 - 1,500 €1,200 - 1,800

First edition of Leonardo’s treatise on painting, compiled from his original notes by his pupil Francesco Melzi.

Provenance Heneage Finch, ?seventeenth century ownership inscriptions in blank area of frontispiece portrait and on title.

101 • LEVERA (FRANCESCO) Prodromus universae astronomiae restitutae, FIRST EDITON, woodcut ornaments and large initials, without additional engraved title, early vellum [Houzeau and Lancaster 8763; Riccardi I(ii), 36], small folio (305 x 213mm.), Rome, Angelus Bernabò, 1663

£600 - 800 €710 - 950

First edition of this astronomical-astrological compendium.

102 • MARTIALIS (MARCUS VALERIUS) [Epigrammata], second Aldine edition, Aldine device on [Ai] and final leaf, dark blue straight-grained morocco by Bozerian le jeune (signed at foot of spine), sides and spine panelled in gilt and blind, g.e. [Adams M 694; Ahmanson-Murphy 11; Renouard 81:11], 8vo, [colophon:] Venice, Aldus Manutius & Andrea Socerius, December 1517

£500 - 700 €590 - 830

Provenance Charles Pieters, bookplate; his sale, F. Heussner, Ghent, 1864, lot 1099 (“Bel exemplaire”), in the Catalogue de la bibliothèque de feu M. Charles Pieters... dont la vente publique aura lieu le Lundi 23 Mai 1864 et jours suivants...; J.K. Howard, pencil signatures on endpapers.

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 103 103

103 • MINIATURE BOOK Kalendarium. Evangelia 4. Psalmi poenit. 7., printed in red and black gothic type, contemporary black morocco, covers gilt with leaf and floral devices, clasps, gilt gauffered edges, recased, rubbed with loss to gilt [not in Adams or Spielmann; USTC 411574; cf. Bondy p.6], 128mo (35 x 22mm.), Antwerp, C. Plantin, 1570

£5,000 - 7,000 €5,900 - 8,300

EXCEPTIONALLY RARE, AND TRULY PLANTIN’S FIRST MINIATURE BOOK, frequently confused with his 1585 Kalendarium Gregorianum issued in the same format. That work, incorporating the recently-introduced Gregorian calendar, has been erroneously described as Plantin’s “first miniature book” (catalogue of the Arthur A. Houghton sale, Christie’s, 5 December 1979, lot 152, sold to Dixon; Bromer and Edison, Miniature Books, 2007, p.92 - both describing the same copy), and “by far the smallest book issued from that famous press” (Bondy).

Of this 1570 work, we can trace only two other copies: Belgian Royal Library, call number II 95.104 A; Plantin- Moretus Museum, call number Arch. 1230, f.462-463, an unfolded sheet (illustrated in Voet The Golden Compasses (1972), vol. 2, plate 29, again confused with the 1585 edition; and in Hellinga Copy & Print (1962), plate 51).

104 • OCCULT FUENTE LA PEÑA (ANTONIO DE) El ente dilucidado: Discurso unico novissimo que muestra ay en naturaleza, FIRST EDITION, engraved title within decorative border (small piece excised just touching printed area), side- notes cropped from 2 leaves of preliminaries, shaved touching a couple of running headlines, paper repairs to leaf Q1, and to margins of final 3 leaves (resulting in some loss of ornament on last, replaced in pen facsimile), dampstaining throughout, several early ink annotations, limp vellum, titled in ink on spine, calf-backed solander box [Palau V 95362], 4to, Madrid, En la empr[rent]a real, 1676

£400 - 600 €470 - 710

Scarce first edition of a treatise on ghosts, spells, “invisible animals”, monstrosities of nature, hermaphrodites, and other occult phenomena. Includes two chapters on the possibilities of flying (“Si los duendes puedan naturalmente elevarse en el ayre, y sostenerse en el”, and “Si el hombre puede artificiosamente volar”).

105• PIRANESI (GIOVANNI BATTISTA) Raccolta delle piú belle vedute antiche di Roma, disegnate, ed incise dal Cavalier Gio: Batista Piranesi, celebre architetto, comprising letterpress title, engraved plate of 2 medallion portraits, 30 etched views of Rome and one engraved plan, some plates randomly numbered with Roman numerals, 2 signed Laura Piranesi and one Francesco Piranesi, margins with light foxing and one repair, stitched in contemporary wrappers, titled in manuscript on upper cover, outer corners creased and slightly chipped, oblong folio (230 x 35mm.), Rome, 1802

£3,000 - 5,000 €3,600 - 5,900

Very scarce posthumous collection of Rome views by Piranesi, no copies of which have been traced in any library. There are auction records for two other copies containing 52 and 53 plates respectively, although the present collection appears to be as issued.

106 • PIUS II [FORMERLY AENEAS SYLVIUS PICCOLOMINI] Epistolae in Pontificatu editae [edited by Petrus Augustinus Philelphus], 159 leaves (of 164, without opening blank and final 4 leaves, one of which is a blank), 34 lines, roman letter, opening leaf a1 with a large initial “P” in liquid gold with decoration of a intertwined white vine pattern (enlivened with green, blue and red infill) extending into the inner margin, the upper and lower margins with burnished gold dots and penwork, initial spaces filled in alternate red and blue initials, thin strip of paper just touching illuminated inner border of a1, 3 small ink smudges on fol. 10, thin small thread of worming just touching one letter on 2 leaves, paperflaw in blank lower margin of fol. 41, a few ink headlines, side-notes and pointing hands in an early hand, ?eighteenth century vellum, ink titles on spine [ISTC ip00725000; BMC VI 717; Goff P725; H 169*], folio (270 190mm.), [colophon] Milan, Antonius Zarotus, for Johannes de Legnano, 31 May 1481

£1,000 - 2,000 €1,200 - 2,400

Provenance Carthusian monastery of San Cristoforo, Ferrara, early note of ownership on colophon leaf; ink note “G.8. £18” inside lower cover; Thomas Devas, bookplate.

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 106 107

107 • [RACINE (JEAN)] Alexandre le Grand. Tragédie, FIRST EDITION, title with engraved device, woodcut head- and tail-pieces and initials, some mispagination (text jumps from 60 to 73 as usual), a little light soiling and browning, contemporary mottled calf, some loss of leather at corners [Tchemerzine V 337; Le Petit, Bibliographie des éditions originales françaises, 355-356; Guibert, pp.19-22], 12mo, Paris, Pierre Trabouillet, dans la Salle Dauphine, à la Fortune, 1666

£1,000 - 1,500 €1,200 - 1,800

First edition of “l’une des plus rares pièces de Racine” (Le Petit). This copy bears the scarcer imprint of Pierre Trabouillet, who shared the edition with Theodore Girard, and only one copy appears in auction records (the one from the library of the Marquis de Naurois, a descendant of Racine). The five-act tragedy, Racine’s second, was first performed by Moliere’s troupe at the Palais Royal Theatre in Paris on 4 December 1665, to great acclaim.

Provenance Samuel Munchley (“1740, Bought of Giles”), ownership inscription on front free endpaper; R.L.R. Hooper, 1949, ownership signature on front paste-down.

108 • TRITHEMIUS (JOANNES) Compe[n]diu[m] siue Breviariu[m] primi voluminus Annalium sive historiarum de origine regum et gentis Francorum, large woodcut device on title, one full-page woodcut illustration, with final blank, some neat underlining and marginal annotations in an early hand to approximately 10 opening leaves, later pencil annotations in English in margins of opening third of text, nineteenth century morocco-backed marbled boards [Adams 968], folio (273 x 190mm.), [Mainz, Joannes Schöffer, 12 July 1515]

£800 - 1,200 €950 - 1,400

109 • TROILI (GIULIO) Paradossi per pratticare la prospettiva senza saperla, 3 parts in 1 vol., 68 full-page woodcut illustrations within ornamental borders, diagrams, numerous woodcut ornaments and decorations, light damptstain to first title, light spotting, original stiff wrappers, tear to upper cover and some loss to spine [Berlin Kat. 4722; cf. Fowler 347], folio (312 x 220mm.), Bologna, Gioseffo Longhi, 1683

£600 - 800 €710 - 950

Provenance Giacomo Ganassoni, ink inscription inside upper cover.

110 • VENICE Album vénitien dessiné d’après nature par les plus habiles artistes, lithographed title with hand-coloured vignette and 10 hand-coloured lithographed plates within decorative borders (only, of 20?), by Kirchmayr after W. Straucher, G. Pividor, M. Moro and others, some foxing and dampstaining in margins, title with 3 short tears at fore-edge, publisher’s half cloth over pictorial boards, rubbed and dampstained, oblong folio (270 x 395mm.), Venice, J.A. Habnit, [c.1844]

£500 - 700 €590 - 830

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 111

PHOTOGRAPHS AND PHOTOBOOKS The Property of a Deceased Estate

111 • ARMENIA PAPAZYANTS (MATEOS, PHOTOGRAPHER) Hnutyun Vanoreits [Antiquities of the Past], 2 vol., text in Armenian throughout, titles within decorative border with vignette, 30 collotype plates (all but 4 of Armenian churches, others of artifacts or persons), captioned in the negative, and with printed captions on mounts, tissue guards, publisher’s cloth, pictorial paste-down title on upper covers, one lacking spine, oblong folio (225 x 315mm.), Vagharshapat, Printing House of Mother See of Holy Etchmiadzin, 1889-1890, sold as a photograph album not subject to return

£800 - 1,200 €950 - 1,400

RARE NINETEENTH CENTURY PHOTOGRAPHS OF CHURCHES AND ANTIQUITIES IN EASTERN ARMENIA by Mateos Papazyants, “an important figure in the history of Armenian photography... [who] sometime in the 1880s opened a studio in Ejmiatsin, possibly in the grounds of the holy seat of the Armenian catholicos” (Armenian Photography Foundation website). Views in these volumes include churches in the regions of Vanoreyits, Hayrenyats, Gegharkunik.

112 • AUSTRALIA [BYRNE (LAWRENCE J.)] Visit of the Detached Squadron with their Royal Highness Prince Edward and Prince George of Wales to Brisbane, from 16th to 20th August, 1881, FIRST EDITION, AUTHOR’S PRESENTATION COPY, title printed in colour with decorative floral border, 10 mounted albumen prints topographical views and portraits, one chromolithographed plate, occasional spotting (not affecting images), contemporary decorative morocco gilt, g.e., sunned, 4to, Brisbane, James C. Beal, 1881

£400 - 600 €470 - 710

Provenance “Miss Amherst Tyssen-Amherst with Lawrence J. Byrne’s Compliments Brisbane, Queensland. May 1882”, presentation inscription on front free endpaper. Baron Amherst of Hackney (1835-1909), a noted collector of books and Egyptian artifacts housed at his Didlington Hall, Norfolk, had six daughters.

113 BURMA, INDIA, HAWAII AND OTHERS [BURMA] Album of views and groups in Burma, 24 gelatin silver prints, images approximately 120 x 165mm., loose mounted, [1880s]--[INDIA] SYED (K.L., Palanpur Photographer) Album relating to the inauguration of an Indian Prince (possibly Gujarati, including carriage and crowd, greeting at airport, groups), 10 gelatin silver prints, images 145 x 200mm., mounted one per page recto only, [?Palanpur, 1930s]--[HAWAII]. Die Hawaii-inseln und deren Ananas-kultur, 19 gelatin silver prints (including 8 relating to the pineapple industry, one surfing, and “Hawaiian hut”), images 150 x 190mm., mounted one per page, publisher’s wrappers, photographic illustration on upper cover, Bremen, Smidt & Hagens, [1907]--[EGYPT] Album of views in Egypt, the Suez Canal, and Port-Said, 16 albumen prints (including 5 by T. Arnoux) mounted one per page recto only, images 225 x 280mm., modern half morocco, [1880s]--PANAMA. Album of views of showing the various stages of construction, 34 gelatin silver prints, mounted one per page, images 185 x 240mm., contemporary morocco, gilt lettered “Panama 1913” on upper cover, g.e., [1913]--SUMATRA, pictorial title, 51 photogravure plates by C. Kleingrothe, loose as issued in publisher’s pictorial cloth portfolio, Medan [Sumatra, 1898], unless mentioned contemporary cloth, oblong 4to or folio; and 2 others (8)

£800 - 1,200 €950 - 1,400

114 • CHINA - BOXER REBELLION WANG (L.) AND EMIL VON MEERSCHEIDT-HULLESSEM. In und um Peking. Während der Kriegswirren 1900-1901, FIRST EDITION, photogravure frontispiece, upwards of 180 collotype illustrations on 70 pages, publisher’s pictorial cloth, Berlin, Meisenbach Riffarth, 1902--[BOXER REBELLION]. Good album of views of China (including many of Tientsin, Peking, and war damage), 91 albumen prints, each loose mounted with captions in French on mount, images approximately 65 x 110mm., [c.1900]--Album of Ost-Asien 1900-1902, pictorial title, upwards of 200 collotype plates (including approximately 100 of Tientsin, many of Beijing, several “types”, mostly 1 to 4 images per page) with captions in red, [Hamburg], M. Gluckstadt & Munden, [c.1902]; idem, another copy, [1902]--Views in Southern Manchuria, numerous photographic illustrations on approximately 60 pages, titled (on upper cover) and captioned in English and Chinese, ties, [no place, ?c.1910]--Shanghai, title on upper cover, 16 collotype plates of views and types of China, [c.1910], small oblong 4to and folio; and 2 others of Chinese interest, one a photographic trade catalogue of ceramic artifacts “manufactured by Wah Cheong Hong” (8)

£1,000 - 2,000 €1,200 - 2,400

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 115

115 • CHINA ABEL (CLARKE) Narrative of a Journey in the Interior of China, and of a Voyage to and from that Country, in the Years 1816 and 1817, FIRST EDITION, 19 aquatint or engraved plates (9 hand-coloured, 3 sepia of plants shaved), 4 engraved maps (3 folding), 16 illustrations in the text, tissue guards, errata slip, autograph letter signed from the author to the dedicatee tipped-in on front free endpaper, contemporary calf gilt, rebacked preserving original spine, preserved in later slipcase [Löwendahl 797; Lust 496; cf. Abbey Travel 537, second edition], 4to, Longman, Hurst, 1818

£600 - 800 €710 - 950

FIRST EDITION, WITH PASTED-IN AUTOGRAPH LETTER SIGNED BY ABEL CLARKE TO THE DEDICATEE, LORD AMHERST. The letterpress dedication leaf is dated “London, July, 1818”, and the letter “London, 25 July 1818”, Clarke writing “I have at length the pleasure of sending you the long promised book. It is not what I wish or what it ought to be be but will I hope be received by your Lordship as an unfeigned proof of my grateful sense of those attentions... procured from your Lordship’s goodness”. Abel was the naturalist on Lord Amherst’s embassy, during which “he collected plants for Kew, and Joseph Banks supplied him with collecting equipment and a Kew-trained gardener to tend plants awaiting shipment home” (Lowendahl).

116 • CHINA MENNIE (DONALD) The Pageant of Peking. Comprising Sixty-six Vandyck Photogravures of Peking and Environs. With an Introduction by Putnam Weale, FIRST EDITION, 66 tipped-in photogravure plates, publisher’s order slip loosely inserted, publisher’s blue silked cloth gilt, preserved in original box, folio, Shanghai, A.S. Watson, 1922; and a similarly bound fine copy of the 1922 third edition (2)

£600 - 800 €710 - 950

119 120

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 117 • CHINA YAMAMOTO (SANSHICHIRO) Views of the North China Affair, FIRST AND ONLY EDITION, introduction in Japanese, 106 photographic illustrations on 57 plates with captions in English and Japanese, publisher’s pictorial colour-printed wrappers tied in the Japanese-style, preserved in publisher’s cloth portfolio (captioned “Viws [sic]...” on upper cover, worn with some loss), oblong folio (265 x 388mm.), Tokyo, Kanda Nishikicho, February 1901

£800 - 1,200 €950 - 1,400

Album of photographs taken in the aftermath of the Boxer Rebellion, including views of the Imperial Palace, temples and other sights in Beijing and environs, several scenes of conflict damage (“The Chon-Yan Gate at Peking destroyed by bullets”; “The dining room of the Japanese Legation destroyed by bullets”), and groups of foreign detachments and encampments.

118 CHINA, HONG KONG, AND SINGAPORE [BOERSCHMANN (ERNEST, attributed to) Ten architectural details of a pagoda and temple in Jehol [Chengde], gelatin silver prints, approximately 290 x 235mm., [1920s]--[SINGAPORE] Ten views of Singapore (including harbour, street scenes, botanical gardens, government house), albumen prints, largest 220 x 180mm., smallest 170 x 270mm., [1880s], each mounted on card; and 5 others, Hong Kong and Canton (25)

£700 - 900 €830 - 1,100

119 COCHINCHINA - VIETNAM A group of 16 views and groups of the “Concession de Thoi Lai” in Vietnam, seemingly relating to the building of the Thot-Not canal, platinum prints, mounted on contemporary card sheets (with decorative borders), French captions in purple ink on verso of mounts, images approximately 230 x 175mm., [c.1916]--[PHOTO STUDIO, SAIGON] A series of 11 good views of a grand interior of a Euro-Cochinchina house (bedroom, office with European at desk, entrance hall with servant boy, reception room, etc.), platinum prints, mounted on card with “Photo Studio, Saigon” stamp, images approximately 285 x 230mm., [c.1910]; and 4 smaller images related to the digging of the canal (31)

£600 - 800 €710 - 950

The series of Vietnam views relating to a French engineering project to build a canal include portrait studies of the mayor and other elders of a local village (2), views of the canal with village houses or the engineers’ quarters on the bank, fields (2), working buffalo, engineers with oupsgr of local families (2).

120 • JAPAN - NAVAL AND MILITARY Dai Toa senso hod shashin-roku [A Photographic News Record of the Great East Asia War], FIRST EDITION, 40 gelatin silver prints (including Pearl Harbour, the advance on the Malaysian peninsula, fall of Singapore, the Phillipines and the island of Corregidor), each mounted on card, Japanese letterpress text tipped-in on verso, preserved in original cloth box, slipcase, 4to, Tokyo, Yomiuri Shimbunsha, [1942]; idem, another copy, 40 plates, disbound, [1942]--[JAPANESE IMPERIAL NAVY] Shōwa Jūichinendo Renshū Kantai Junkō Kinen [Cruise of the Pacific, in Japanese], colour-printed frontispiece map, folding map, photographic plates, publisher’s boards, rubbed, [Tokyo, 1936]--[JAPANESE MEDICAL COLLEGE] Album of views of the college, students (training, in the canteen, practicing martial arts, hosed down, etc.), 42 gelatin silver prints mounted between 1 and 3 per page (largest 110 x 150mm.), [c.1930], unless otherwise mentioned oblong folio; and 3 further volumes of Japanese military photographic interest (9)

£1,500 - 2,000 €1,800 - 2,400

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 67 121 • JAPAN - TEXTILE DYE DESIGNS Senshoku taikan [Textile Dyeing Pattern Designs], 4 vol., FIRST EDITION, text in Japanese, edited by Tsujimatsu Takashi, approximately 76 double-page spreads of designs for textile dying patterns (most one design per spread, some 2 or 3), stencil colour pochoirs, printed on single sheet panorama folding into publisher’s patterned boards, printed label on covers, together in later cloth portfolio, toggle ties, 4to (250 x 183mm.), [Tokyo, 1914]

£800 - 1,200 €950 - 1,400

Complete set of a series of striking colour pochoir stencil designs for Japanese textile dye patterns used for kimonos etc.

122 • JAPAN [RUSSO-JAPANESE WAR] Album of coloured woodblocks depicting military and naval battle scenes, 40 panels joined in panorama (recto and verso) folding into publisher’s cloth, worn, lacks labels, small folio, [c.1904]--[SHIMIZU (SANJU)] Pictures of the 36 Gates of the Shogun’s Castle in Yedo, 36 colour-printed plates, one map, one uncoloured plate, text in English, publisher’s colour-printed wrappers, preserved in original box (soiled, printed label slightly scuffed), [Tokyo, Dobun-Kwan, 1896]--The Japanese Months, third edition, 12 double-page colour-printed plates, folding into publisher’s patterned cloth, small 4to, Tokyo, The Toyodo, 1898--[NOH MASKS] Onshi Kyoto Hakubutsukan Tokubetsu Tenkan, title and captions in Japanese, 57 photographic plates (3 coloured), publisher’s boards, small folio, [Tokyo, Imperial Museum, 1933] (4)

£600 - 800 €710 - 950

123 Y Ф JAPAN Album of portraits, group studies, street scenes, and views of Japan, 34 large albumen prints (220 x 285mm., of which 28 colour tinted, 22 of figures or groups) mounted one per page, 2 triple-panel colour tinted panoramas (202 x 790mm.), 40 smaller colour tinted albumen prints (95 x 140mm.) mounted 5 per page, the the larger prints captioned or numbered in the negative, all images with printed caption in German on the mount, contemporary decorative lacquer binding, the upper cover with applied decoration of a bird and flowers (?peonies) on a bamboo trellis in ivory and mother-of-pearl (2 small pieces missing), g.e., neatly rebacked, preserved in contemporary silk-lined cloth-covered book box, printed label “Hondaya, Dealer in Photographs, and Album-Frames, No. 63, Kago-machi, Nagasaki” on upper cover, oblong folio (262 x 335mm.), [late nineteenth century]; and 18 large Japanese hand-tinted albumen prints (c.280 x 220mm.), including 8 figure groups and 10 landscapes (quantity)

£800 - 1,200 €950 - 1,400

Well presented album of photographs including figure types (“Playing Taiko”, “Rikisha overturned”, “Young girl going to school”, “Girl’s play”, “Coolie with rain coat”, Geisha “Dancing”, woman with fan, Samurai group, “Tea-house girls”, etc.), street views (“Basket-work shop”, “Sacred car”, “Children holiday”, “Toy shop”, etc.). Loose images include: Geisha dancing, Takashima’s Garden at Yokohama, farmers in the field, 3 women fishing. The two panoramas show Nagasaki, and Hakodate. Other views in Kobe, okyo,T Osaka, and Kyoto. Most of the these images are from Terry Bennett’s “Unidentified Number Groups”. The majority of the smaller images show women groups performing various activities.

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 121 122

124 126

124 JAPAN Album of portraits, group studies, and views of Japan, 18 large colour tinted albumen prints (c.202 x 260mm.) mounted one per page, 40 smaller tinted albumen prints (90 x 135mm.) mounted 4 per page, all recto only, original lacquer binding, gilt design of cranes at a lake side scene with sun rising behind a Mount Fuji on upper cover, g.e., preserved in old box, oblong folio (265 x 335mm.), [late nineteenth century]

£600 - 800 €710 - 950

Large images include 10 figure studies, and 8 views: “Girl Winter Costume” (B1080), “Singing Girls” (P51), “Girls in Winter Night” (B1065), “Coolie With Rain Coat” (B95), “Tattoo Person” (A40), “Home Bathing” (1099), “Wrestlers” (B1035), “Daibutsu at Kamkura” (A87), “Bronze Image at Tokio” (A220), “Stone Image Gamman” (71), “Sacred Car” (B1141), “Hill of Noge Yokohama” (A247), and others. The smaller views include 10 group studies of “types”, and 30 views.

125 Y JAPAN Album recording the voyage of a ?British naval ship to Japan, south-east Asia and China, approximately 160 gelatin silver prints (23 hand-tinted) mounted between 2 and 6 per page (largest 120 x 170mm.), contemporary lacquer binding, the upper cover with design depicting a geisha pulled in a rickshaw through a Japanese landscape using inlaid mother-of-pearl, [c.1900]--[Souvenir Album of the Visit to Japan October 1934 of Mission of the Federation of British Industries, 60 gelatin silver prints of views, etc., mounted one per page with printed captions, images 100 x 145mm., [Japanese Government Railways, 1934]--Fair Japan, 49 photographic views (captioned in image, c. 105 x 145mm.) and one coloured print, window-mounted, g.e., Tokyo, Japanese Government Railways, [?1930s]--[JAPAN] Album of views, scenes of traditional culture and trades, (Sumo, Geishas, Noh plays, tea-picking, arhcery, rice planting etc.), 58 gelatin silver prints (110 x 150mm.), printed captions beneath image, [1930s], original cloth, stitched in the Japanese style, oblong 4to or small folio; and another (5)

£600 - 800 €710 - 950

126 • JAPAN OGAWA (KAZUMASA) Sights and Scenes in Fair Japan, FIRST EDITION, 50 tinted collotype photographs on thick card, publisher’s cloth bound in the Japanese style, upper cover with woven silk decoration of blossom branches, g.e., preserved in original printed box, oblong folio, Tokyo, Kelly and Walsh, [1910]; Japanese Costume Before the Restoration, 17 photographic plates, [1893]; Military Costumes in Old Japan, 15 photographic plates, [1895], publisher’s pictorial wrappers, silk ties, small folio, Tokyo, Ogawa; and 2 other early twentieth century works illustrated with photographic illustrations of Japan (5)

£600 - 800 €710 - 950

Ogawa (1860-1929) was a “pivotal figure in early Japanese photography... [his] publications were also instrumental introducing Japanese art and culture to a mass international market” (Terry Bennett, Photography in Japan 1853-1912). See illustration on preceding page.

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 128

127 NEW ZEALAND - MAORI Group of 10 portrait photographs, mostly of Maori sitters (6 male, 3 female, one group) by Josiah Martin (5) and Elizabeth Pulman (4), albumen prints, some captioned in the negative, each laid on old album sheet, window-mounted, images between 135 x 95mm. and 202 x 150mm., [late nineteenth century]; and another (11)

£600 - 800 €710 - 950

Josiah Martin images include: “Rewi Maniapoto J.M. 644”; “Karo & Child J.M. 631”; a montage of photographs containing eleven portraits, one view of a meeting house, one view of Parihaka, one village scene of Rotorua, one view of war canoe, six figurative sculptures and cartouche with Martin’s name; “241. Sophia” [i.e. Te Paea Hinerangi, a Maori female guide]; Two Maori subjects (numbered “635” in negative, attributable to Martin); portrait of a (?Fijian) man wearing a Wasekaseka (whale tooth necklace) holding a club. Elizabeth Pulman images include: “353. Anehana”, “58. Tuhoto, Youhung Maori... Age 104 to 110 buried 5 days & nights in the mud during the eruption of Mt. Tarawera”; “Te Rit Maana Teraputu. 352”, and “Hati Wira Takiha. 52”.

128 STEREOSCOPES A large collection of photographic stereoscope views, including sets in original case boxes of India (100, with accompanying text volume), Palestine (100), Italy (100), Rome (46, with accompanying book), Switzerland (100), 2 views mounted per card, printed captions, oblong 8vo, Underwood & Underwood, [c.1900-1902]; and others, including South Africa and Boer War (c.200), North America (c. 100, including New York, Niagra Falls, and Yosemite), and World War I (c.30), and approximately 150 colour-printed photographic stereoscope cards of Japan and Russo-Japanese War together with stereoscope viewer (quantity)

£600 - 800 €710 - 950

129 THAILAND, JAVA, BURMA, CEYLON, INDIA A good group of photographs, including: THAILAND. Group of 11 images, including the Prince of Siam standing, 5 good views of Bangkok, family group, most captioned in ink on mount, images approximately 190 x 245mm.; MYANMAR. Group of 4 views, including 2 of pagodas, one street scene, and Anglican church, images approximately 230 x 170mm.; JAVA. Group of 11 images on 5 sheets, comprising 3 large views (bullock cart; sculptured elephant on pedestal; female workers); and 8 small (6 portraits or portrait groups; 2 carts), various sizes; CEYLON. Group of 7 views (including Colombo Harbour, Fruit Market, Mount Lavenia Hotel Bambalapidya Road Inn, Galler Face Hotel), by A.W.A. Platé & Co., images approximately 185 x 245mm.), [c.1880-1900]; INDIA. Group of 5 views (including Hyderabad, Calcutta, 3 by Bourne); and 2 others, albumen prints, mounted on card recto only, [1880s] (30)

£800 - 1,200 €950 - 1,400

130 WORLD WAR I AND II Album of 28 press photographs of the Western Front, including war damage at Douia and Lens, prisoners of war, armoury workshop, trench deaths (human, and horse), trench life (British soliders wearing captured German helmet), gelatin silver prints mounted one per page (each approximately 145 x 195mm.), a few with typed captions, 3 further images captioned in negative, and 10 WWI photo postcards, ownership inscription of Sgt. Georges Staynes, contemporary cloth, oblong 4to, [c.1916]--Austro-Hungarian World War I album of views on the Russian, Serbian, Turkish fronts, including hospital wards, bridge building, artillery exercises, transportation (cars in mud), armoured trains, dead, damaged buildings, Turkish soldiers and camels, etc, 105 gelatin silver prints (most c.90 x 135mm.), mounted mostly 2 per page (recto only), all captioned in white ink, contemporary half cloth, rubbed, small folio, [c.1916-1918]--Belgrad Kriegsweihnachten 1941.. Belgrad einst und jetzt, 23 mounted photographic plates, publisher’s cloth, oblong 4to, [?Berlin], Propaganda-Abteilung, [1941]--[GERMAN INVASION OF POLAND] Album of views, including destruction (and rebuilding) of bridges, road building, surveying, interaction with “locals”, and other manoeuvres, 75 gelatin silver prints (5 large, others smaller mounted 4 per page), captioned throughout in white ink, contemporary cloth, oblong 4to, [1939-1940] (4)

£400 - 600 €470 - 710

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 131 Other Properties

131 ALGERIA Two albums of views of major sights (mosques, colonial architecture, gardens, Kasbah, fort, street scenes, the harbour), local types and merchants, and several “events” (bull fighting, funeral procession of Cardinal Lavigirie, “Cook’s tourist”), approximately 235 albumen prints, most captioned in English in the negative with signature “G.B.T.”, some others captioned in ink beneath the image, varied tones, mounted between 2 and 12 per page (mostly 2 or 3, largest 150 x 210mm.; smallest 75 x 95mm.), contemporary red cloth, gilt lettered “Algeria. 1892-3” on upper covers, oblong 4to, [1892-93] (2)

£600 - 800 €710 - 950

Unusual albums of views of Algiers and the surrounding area by a good nineteenth century British amateur photographer (pictured with his camera in 3 images, in one of which he stands beside a local holding the tripod). Four of the images (including “Old Moorish Cafe at the Gate of Jardin d’Essai”) are captioned in ink “Highly Commended Amateur Photo Competition - Algiers Mar. 4/[18]93”, suggesting that “G.B.T.” was resident in the city.

Provenance Presentation inscription, seemingly from the photographer, “To his father & mother from their very affct. son ?G.B. Ternan, Algiers, May 1st/[18]93”

132 CHINA An album of views of Beijing (including Jade Canal, Italian legation, Chien-Men station), the Imperial Summer Palace (10), Winter Palace, Lotus Lake, and groups of the foreign (mostly Italian) legations (at the Beijing races, playing polo), etc.; Singapore and Hong Kong (8), London (14), Italian mostly of the cavalry and preparations for departure to China (14), Ceylon (2, by Scowen), approximately 165 gelatin silver prints, mounted between one and 5 images per page (largest 172 x 230mm., typically approximatately 110 x 145mm.), most captioned and dated in ink (in English or Italian), one manuscript pictorial menu (“Peking, September 1902”), some leaves loose, contemporary half morocco, defective, small oblong folio, [c.1901-1904]

£600 - 800 €710 - 950

Album relating to the foreign legations at Peking in the aftermath of the Boxer Rebellion. Images include: Summer Palace (10), Chien-Men railway station (6, mostly street scenes, one 200 x 255mm.), “Marconi’s system in the Italian Legation in Peking August 1903”, Temple of Heaven (4), “The Return to Peking of the [Imperial] Court after the troubles in 1900” (170 x 230mm.) outside the Great Qing Gate, Jade Canal at Legation (6, including some winter damage), “Emperor Dowager’s portrait by Miss [Katherine] Carl en route to St. Louis at Chien-Men station” [container on train carriage by city walls], informal groups of foreign legations (including Sir Robert Hart, American commissioner Edward Drew’s family, Count Rospigliosi), the Peking race course and hunt.

Provenance “Francesco Rospigliosi, Londra Aprile 1902”, pencil inscription on front free endpaper. Rospigliosi began working at the Beijing Customs in 1902. See illustration on preceding page.

133 CHINA Collection of approximately 137 photographs of China during the Boxer Rebellion, gelatin silver prints, all but one mounted recto and verso on large sheets of buff paper, French captions below in ink, various sizes (mostly approximately 70 x 105mm.), [c.1900]

£800 - 1,200 €950 - 1,400

Collection assembled by a French soldier, including images of: Field Marshal von Waldersee with French and German troops (several); “ville chinoise” (2); Bastille Day celebrations at ‘Yangtsou’; lifting a horse using a cradle; ruins in Taku, possibly after the Battle of Taku Forts; Tiensin (several views, including the Post Office); the compiler in various locations, his house inside and out, and his horse Baptistin; “le polo par les anglais”; Summer Palace; “je joue au diabolo”; “Théâtre des Zouaves à Yang-Tsou”; moving the battery from Taku to Tiensin by rail.

134 CHINA Group of 16 photographs, albumen prints, unmounted, one captioned in negative, 2 with ink captions in sky areas, 200 x 270mm. and slightly smaller, [1870s-1880s]

£2,000 - 3,000 €2,400 - 3,600

Images include: Peking (pagoda at the Summer Palace, Yuanmingyuan; Changling Tomb; Gate of the Wofo Temple; Temple of Heaven, 2 prints from the same negative; general view over Qianmen Street from the Chien Men; Longevity Hill / Wanshou Shan; Tongzhou Pagoda); monumental arch at Ningpo, by Major J.C. Watson but with very small caption in negative not found in other prints; view of Yuyao by Watson; Buddhist temple in Amoy; Confucius Temple from the water, Nanjing; Shanghai (Yu Gardens; dilapidated pagoda near the city).

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 134 135

135 • COBURN (ALFRED LANGDON) London... with an Introduction by Hilaire Belloc, 20 tipped-in photogravure plates, captions supplied below in ink, first three text leaves spotted, ownership inscription on front pastedown inked over, publisher’s calf-backed boards, lacking spine, disbound, folio (410 x 300mm.), Duckworth & Co., New York, Brentano’s, [1909]

£2,000 - 3,000 €2,400 - 3,600

Provenance Mackinstrae, bookplate.

136 DE LA GRANGE (ALEXIS) ‘Temple hindou moderne à Mirzapour, Bengale’, salt print from waxed-paper negative, mounted within gilt border, printed caption below and publisher’s blindstamp, mount spotted, image 220 x 170mm., Lille, Blanquart-Evrard, 1851

£1,500 - 2,500 €1,800 - 3,000

Plate 22 from Blanquart-Evrard’s Album photographique de l’artiste et de l’amateur, 1851, which included five of de la Grange’s photographs taken in 1849-50. De la Grange described this temple as “une des plus gracieuses productions de l’art moderne dans l’Inde. La petitesse de sa dimension est rachetée par le fini des sculptures dont il est orné” (plate list of the aforementioned work). See illustration overleaf.

136 138

137 • EMERSON (PETER HENRY) Wild Life on a Tidal Water. The Adventures of a House-Boat and her Crew. Illustrated with Thirty Photo-Etchings, P. H. Emerson and T F Goodall, NUMBER 14 OF 100 COPIES OF THE ÉDITION DE LUXE, AUTHOR’S PRESENTATION COPY inscribed “Lady Augusta Fane with the author’s comps/ Xmas 1890” on half-title, 30 photo-etched plates, printed tissue guards, large folding plan, publisher’s pictorial boards, sides rubbed, rebacked in morocco gilt, t.e.g., 4to (300 x 255mm.), Sampson Low, 1890

£1,500 - 2,000 €1,800 - 2,400

PRESENTATION COPY OF ONE OF THE 100 “EDITION DE LUXE” COPIES.

Provenance Lady Augusta Fane, presentation inscription from Emerson; Cecil Fane (1856-1914), bookplate.

138 • FRITH (FRANCIS) Egypt, Nubia, and Ethiopia. Illustrated by One Hundred Stereoscopic Photographs... with Descriptions... by Joseph Bonomi... and Notes by Samuel Sharpe, FIRST EDITION, 100 albumen stereoviews by Frith mounted one per page as issued (most neatly cut down at sides not affecting image or captions), wood engravings in the text, advertisement slip for Negretti and Zambra bound in, small piece cut away (and replaced) from title and pp.1-2 just touching letters, publisher’s decorative cloth gilt, rebacked preserving original spine [Gernsheim, Incunabula 172], 4to (229 x 170mm.), Smith, Elder, 1862

£3,500 - 4,500 €4,100 - 5,300

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 139

140

“The books of Francis Frith inaugurated the first golden age of albumen-silver photographic illustration (1860- 80) during which photographs of great visual strength were supplemented by supportive texts that were decidedly subordinate to the photographs. One of the most outspoken on the esthetics of photography, Frith was among the first photographers to successfully seize the opportunity of using the ecentlyr perfected glass-negative and albumen print process to establish a reputation as a master photographic book illustrator” (Truthful Lens, p.130). The images in this volume were taken during Frith’s third voyage to the Middle East between 1859 and 1860.

Provenance Lester Collins Farris, bookplate.

139 MURRAY (JOHN) Gate at Fatehpur Sikri, lightly albumenized print, mounted, image 245 x 345mm., [c.1858-1862]

£800 - 1,200 €950 - 1,400

140 MURRAY (JOHN) Mr Grant’s house, Agra, salt print from waxed-paper negative, mounted, pencil caption below, photographer’s and publisher’s printed credits at foot, image 215 x 345mm., J. Hogarth, 1857

£500 - 700 €590 - 830

Mr Grant worked for the Bengal Civil Service and was an accountant for the North-West Provinces; his house was used as a temporary fortification during the 1857 Indian Mutiny.

141 143

141 MURRAY (JOHN) View of the Qutb Minar, Delhi, lightly albumenized print, mounted, image 345 x 235mm., [c.1858-1862]

£800 - 1,200 €950 - 1,400

142 PONTING (HERBERT GEORGE) “Summertime, the Opening-up of the Ice”, blue-toned carbon print, some surface spotting, mounted on board, Ponting’s blindstamp lower right, image 580 x 348mm., [1910-1911]

£1,000 - 1,500 €1,200 - 1,800

No. 87 Fine Art Society Exhibition catalogue, with manuscript caption and number on F.A.S. label on verso.

143 PONTING (HERBERT GEORGE) Skua Gull Chicks, gelatin silver print on original mount, blindstamped “H.G. Ponting” lower right, SIGNED BY THE PHOTOGRAPHER on image lower left, contemporary frame with title plaque beneath, image 272 x 382mm., [1910-11, printed 1920s]

£1,000 - 1,500 €1,200 - 1,800

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 144

144 * UNITED STATES - PHOTOGRAPHY “360 Photos of American Scenery. Collected by Norman Selfe on the Spots Represented in 1884”, title in coloured inks on opening leaf, 292 albumen plates (7 largest 380 x 530mm., and smaller), mounted between 1 and 10 per page (recto only), most captioned in ink, 5 defective, contemporary half morocco, g.e., worn, covers detached, oblong folio (455 x 610mm.), [1880s]

£4,000 - 6,000 €4,700 - 7,100

FINE PHOTOGRAPHIC RECORD OF A TOUR OF THE UNITED STATES UNDERTAKEN BY EADWEARD MUYBRIDGE’S COUSIN THE AUSTRALIAN ENGINEER NORMAN SELFE IN 1884. Includes seven large plate images of street architecture in San Francisco, a good series relating to logging and mills in the Redwood, California and Washington Territory, and other landscape and architectural views.

Images include: New Zealand (12, including 2 good city views of Auckland; 4 of White Terrace captioned in the negative, by George Dobson Valentine); Honolulu (4, including “The Kings Palace”); California, including San Francisco (7 large views, comprising 3 captioned “Street Architecture” showing streets of half completed wooden houses; one of a large wooden house overlooking the bay; 3 captioned “Californian Architecture” depicting a grand palace-style house, 380 x 530mm.; 25 smaller, including views of the grand “Robber Baron” palaces of Hopkins, Stanford and Crocker, Palace Hotel, etc.), San Rafael (12, one panoramic view, 11 of large wooden houses), Humboldt Bay (6, including “2 Street, Eureka” and Redwood Mills, and good series of 6 depicting logging in Redwood Forest, these 240 x 340mm.); Oregon State and Washington (12, most numbered in the negative), Columbia River Scenery (4, including “Upper Cascades and Indian Block Houses”), Vancouver and Washington Territory (15, including 7 Port Blakely mills, 2 other mills, views of Victoria, New Tacoma and Seattle), American steamers (10), Yosemite Valley (13, of which 7 signed by Fiske in the negative), Nevada (“Boca Brewery near Reno”), Salt Lake City, Utah Territory (7, all captioned in the negative), Colorado (37, all captioned in the negative, 4 signed W.H. Jackson, many of the others attributable to Jackson), Chicago, Illinois (11), St. Louis, Missouri (6), Washington D.C. (7), New York State (43, including 9 of Rochester; 11 of New York City; 8 of Albany), White Mountains, New Hampshire (3), St. Lawrence (6), Canada (27, including Montreal, Toronto, Niagara); Series of 12 signed in the negative by Taber of San Francisco; good studio portrait of a seated Chinese man (190 x 130mm.), portraits of native Americans (“Squaw”, “Indian Chief”, “Squaw and Papoose on Tramp”, each approximately 140 x 100mm.).

Provenance Norman Selfe (1839-1911), Australian engineer and urban planner. Selfe was born in Kingston-Upon- Thames, close to his cousin the photographer Eadweard Muybridge. In 1862 Muybridge had correspondence with Norman’s father, Henry Selfe, relating to patents on two of his inventions. Selfe undertook a two year exploration of America and Europe during 1884-1885 before returning to Sydney to establish his successful engineering practice and build in 1888 his own house “Amesbury” which certainly appears to have been influenced by the large houses he saw in California and which feature in the present album; Haberfield School, Sydney, small circular stamp in one margin.

GENERAL TRAVEL

145 • AUSTRALIA HUNTER (JOHN) An Historical Journal of the Transactions at Port Jackson and Norfolk Island, with the Discoveries which have been made in New South Wales and in the Southern Ocean, since the Publication of Phillip’s Voyage, engraved portrait frontispiece, engraved title with vignette after the author, 15 engraved plates and maps (2 folding, some spotting and off-setting), list of subscribers, title shaved at lower margin just touching imprint, modern half calf [Ferguson 152; Hill 857; Wantrup 13], 4to (293 x 225mm.), John Stockdale, 1793

£1,000 - 1,500 €1,200 - 1,800

First edition of “a very valuable work on the early history of the English settlements in Australia”, written by John Hunter (1737-1821) who succeeded Arthur Phillip as governor of New South Wales.

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 146

147

146 • AUSTRALIA OXLEY (JOHN) Journals of Two Expeditions into the Interior of New South Wales, Undertaken by Order of the British Government in the Years 1817-18, FIRST EDITION, 5 aquatint plates (2 hand-coloured), one folding engraved plate, 3 folding engraved maps, 2 folding charts (one engraved), faint trace of old stamp on title, modern half morocco [Abbey Travel 568; Ferguson 796; Wantrup 107], 4to (270 x 200mm.), John Murray, 1820

£1,000 - 1,500 €1,200 - 1,800

First edition of the “first detailed account of Australian exploration by land” (ODNB), based upon the two expeditions which Oxley led in search of inland seas.

147 • BARLAEUS (CASPAR) Rerum per octennium in Brasilia, FIRST EDITION, woodcut device on title, engraved dedication, portrait, 25 double-page maps and plans, 31 double-page or folding views after Frans Post, browned throughout as usual, title and a few plates creased, a couple of short tears at edges, longer tears without loss to plates 36 and 47, one text leaf softened with short split, contemporary vellum, covers gilt-panelled, lacking ties, gilding rubbed [Alden 647.9; Borba de Moraes, p.78; Sabin 3408], folio (430 x 300mm.), Amsterdam, Joannes Blaeu, 1647

£6,000 - 8,000 €7,100 - 9,500

IMPORTANT WORK ON THE HISTORY OF THE SHORT-LIVED DUTCH COLONIAL EMPIRE IN BRAZIL. Barlaeus’s history was commissioned by Maurits van Nassau, Governor-General of Dutch Brazil from 1637- 1644. Most of the the views are after Frans Post, the famous painter who accompanied Nassau to Brazil. “One of the most beautiful books on Brazil of this period” and of “inestimable documentary value” (Borba de Moraes). See illustration on preceding page.

148 • BURTON (RICHARD FRANCIS) Personal Narrative of a Pilgrimage to El-Medinah and Meccah, 3 vol., FIRST EDITION, half-title in volume 3 (not called for in other volumes), 14 plates (5 chromolithographs, 8 tinted lithographs), one folding engraved map, 3 plans (2 folding), 24pp. publisher’s catalogue (dated September 1854) at end of volume 1, without one tissue guard, occasional light spotting, publisher’s blue cloth with binder’s ticket of ‘Edmonds & Remnants’ at end of volume 1, brown printed pastedown endpapers, gilt lettered on spine, rubbed, extremities of spine slightly frayed [Abbey Travel 368; Penzer, pp.49-50], 8vo, Longman, 1855-1856

£3,000 - 4,000 €3,600 - 4,700

First edition of “one of the greatest works of travel ever published” (Penzer). Burton, the first English Christian to enter Mecca (performing the Hajj, disguised as a Muslim), was also the first to travel between the Holy Cities of Islam by way of the Eastern route.

Provenance “Melton Library/ 640/ 14 days”, nineteenth century inscription on one endpaper of each volume.

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 150 150

149 • [BURTON (RICHARD FRANCIS)] Wanderings in West Africa from Liverpool to Fernando Po. By A F.R.G.S., 2 vol., FIRST EDITION, half-titles, one wood-engraved plate, one folding lithographed map in volume 2, publisher’s maroon cloth, gilt lettered on spine, very slightly rubbed at extremities of spine [Penzer, pp.71-72], 8vo, Tinsley Brothers, 1863

£500 - 700 €590 - 830

150 • DARWIN (CHARLES), ROBERT FITZROY AND PHILIP PARKER KING Narrative of the Surveying Voyages of His Majesty’s Ships Adventure and Beagle, Between the Years 1826 and 1836, Describing the Examination of the Southern Shores of South America, and the Beagle’s Circumnavigation of the Globe, 3 vol. bound in 4 (including the appendix to volume 2), FIRST EDITION, 48 engraved plates and maps, 8 folding engraved maps (6 laid on linen, all loose as issued, retained in pockets inside upper covers), without half-titles, light offsetting from frontispiece to title in volume 1 but generally an unusually clean clopy, later half calf, rebacked in calf gilt with red and green gilt morocco labels [Freeman 10; Hill 607; Norman 584; Sabin 37826], 8vo, Henry Colburn, 1839

£10,000 - 15,000 €12,000 - 18,000

Provenance Arthur J. Balfour (1848-1930, Prime Minister), with “Whittinghame Library” gilt stamped on upper covers; Thomas P. Jones, Chile, with loosely inserted invoice (“£3.10.0”) from J.A. Allen & Co., 6 April 1940

153

151 • FOREIGN FIELD SPORTS Foreign Field Sports, Fisheries, Sporting Anecdotes &c... from Drawings by Messrs. Howitt, Atkinson, Clark, Manskirch, &c. with a Supplement of New South Wales, 110 hand-coloured aquatint plates (some watermarked “1818”), with wash border, without half-title, contemporary green morocco gilt, g.e., neatly rebacked preserving original spine [Abbey Travel 2; Ferguson 577; Tooley 225; Schwerdt I, p.179; Westwood & Satchell, p.92], 4to (280 X 215mm.), Edward Orme, 1814

£1,000 - 1,500 €1,200 - 1,800

“The coloured plates in this work, especially those drawn by Howitt, are fine, both as regards draughtsmanship and colouring, and the production as a whole possesses a certain cachet...” (Schwerdt). The field sports depicted are wonderfully diverse, including “Arabs Hawking Antelopes”, “Russian Fishing in Winter”, “German Bear-trap pitfull”, “Hunting Antelopes with a Panther”, “Whale Fishery” (4), Bullfighting (13), “Greenlanders Seal Hunting” and “Hog Hunting in India”; includes the supplement of ten New South Wales plates.

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 152 154

152 • FROGER (FRANCOIS) A Relation of a Voyage made in the Years 1695, 1696, 1697 on the Coasts of Africa, Streights of Magellan, Brasil, Cayenna, and the Antilles, by a Squadron of French Men of War, under the Command of M. de Gennes, first edition in English, engraved additional pictorial and 15 plates and maps (2 folding), contemporary calf, spine gilt in compartments with red morocco lettering label, upper joint slightly weakened [Alden & Landis 698/81; Borba de Moraes I:331-332 (not noting engraved title); Gay 232; Hill 656; Sabin 26004; Wing F2233], 8vo, M. Gillyflower [and others], 1698

£1,000 - 1,500 €1,200 - 1,800

“This is an account of ... an expedition to found a French settlement in the Strait of Magellan, proposed by French buccaneers who settled there. The project failed. This account of the expedition is especially noteworthy for details of natural history subjects and for the accuracy of Froger’s charts. Froger went on this voyage at the age of eighteen” (Hill). Includes an early map of the port of Rio de Janeiro.

153 • KAEMPFER (ENGELBERT) The History of Japan: Giving an Account of the Antient and Present State of Government of that Empire... together with a Description of the Kingdom of Siam, 2 vol., first edition in English, second issue (with the ‘Second Appendix’), translated by J.G. Scheuchzer, titles printed in red and black, additional engraved titles and 45 mostly double-page or folding plates and maps, small loss (c.40 x 10mm.) to one plate, contemporary calf, neatly rebacked and recornered [Cordier Japonica 414-415], folio (350 x 215mm.), for the Publisher, and sold by T. Woodward and C. Davis, 1728

£3,000 - 4,000 €3,600 - 4,700

Kaempfer’s “History of Japan was for more than a century the chief source of Western knowledge of the country” (DSB). It includes six appendices, on tea, Japanese paper, acupuncture, moxa, ambergris, and Japan’s seclusion policy.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 85 154 • KNOX (ROBERT) An Historical Relation of the Island of Ceylon, in the East-Indies: together with an Account of the Detaining in Captivity of the Author and Divers other Englishmen now Living There, and of the Author’s Miraculous Escape, FIRST EDITION, 15 engraved plates, folding engraved map of Ceylon, license leaf before title, advertisement leaf at end, without the portrait (as usual), old ink title paper tab tipped onto fore-edge of p.2, contemporary calf, worn, joints a little tender [ESTC R16598], folio (330 x 190mm.), Richard Chiswell, 1681

£1,200 - 1,800 €1,400 - 2,100

Whilst trading along the Coromandel coast Robert Knox (1641-1720) was forced to land at Kottiar Bay, Ceylon, whereupon he was held captive for the next nineteen years, eventually escaping in 1679. The Historical Relation of the Island Ceylon was written on the voyage back to England, where it was published with encouragement of the East India Company and Robert Hooke of the Royal Society. “The book influenced the work of contemporaries such as Daniel Defoe, who drew from Knox’s experiences much of the context for, and the aspirations of, his hero in Robinson Crusoe” (ODNB).

Provenance Charles Bruce, Viscount Bruce of Ampthill, bookplate on blank verso of title; pencil note of purchase for £1- 16s from Bernard Quaritch, March 1898 on front paste-down. See illustration on preceding page.

155 • MÖLLHAUSEN (HEINRICH BALDUIN) Tagebuch einer Reise vom Mississippi nach den Küsten der Südsee, FIRST EDITION, introduction by Alexander von Humboldt, engraved vignette on title, 7 chromolithographed plates mounted on card, 6 tinted lithographed plates after Möllhausen, folding map, illustrations in the text, occasional light spotting (slightly heavier on title), publisher’s cloth gilt, rebacked preserving most of the original pictorial spine [Howes M713; Sabin 49914; Wagner-Camp 305:1; Wheat Transmississippi West 955], 4to (305 x 235mm.), Leipzig, Hermann Mendelssohn, 1858

£1,000 - 2,000 €1,200 - 2,400

Heinrich Möllhausen first visited the American frontier in 1847-1852. On his return to Germany he secured the recommendation of Alexander von Humboldt for the post of artist and topographer on Lt. A.W. Whipple’s Pacific Railroad expedition to scout for possible transcontinental railroad routes at the 35th parallel. Their route was the third of four potential routes proposed by then Secretary of War, Jefferson Davis. They traveled through central New Mexico and Arizona to the Colorado River, then across the Mojave Desert to California, reaching the coast at San Pedro.

156 • ROBERTS (DAVID) The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, 6 vol. bound in 3, 248 tinted lithographed plates (including pictorial titles), 2 engraved maps, tissue guards, 4 loose, contemporary green morocco gilt with binder’s ticket of S. & T. Gilbert, g.e., covers detached [cf. Abbey Travel 272, 385 & 388, folio edition], 4to (290 x 200mm.), Day, 1855-1856

£2,000 - 3,000 €2,400 - 3,600

157 • SALT (HENRY) A Voyage to Abyssinia, and Travels into the Interior of That Country, Executed Under the Orders of the British Government, in the Years 1809 and 1810, FIRST EDITION, 34 engraved plates, charts and maps (4 folding, general map hand-coloured, with plate 34 on plate 12 as issued), without half-title, general map with tear at stub, faint offsetting to maps, school prize inscription on flyleaf, contemporaryed r calf, covers with wide gilt borders, rebacked preserving original spine, upper cover scuffed [Blackmer 1479; Gay 184; Hilmy II, p.208], 4to, F.C. and J. Rivington, 1814

£600 - 800 €710 - 950

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 155

156

158 SCOTT (ROBERT FALCON) Captain Robert Falcon Scott, R.N. C.V.O. F.R.G.S./ Leader of the National Antarctic Expeditions 1901-1904 & 1910-1912/ Born June 6th 1868. Died March 1912, photogravure three-quarter length portrait by Maull & Fox, with facsimile signature, mounted, framed and glazed in a contemporary wooden frame, image 330 x 235mm., 1912--WEBB (ARCHIBALD BERTRAM, 1887-1944) Captain Scott’s Last Journey, lithograph on card, with additional hand-colouring and gouache, title caption in margin, imprint in border inked over, framed and glazed, image 325 x 553mm., [after 1913] (2)

£600 - 800 €710 - 950

159 SCOTT (ROBERT FALCON) Autograph letter signed (“R Scott”), to the Lord Mayor of Bristol [Christopher Albert Hayes], discussing fund- raising for his forthcoming expedition (“...I said I would forward you a list of the donations which have already been given by Bristol people...”) and arranging a visit to Bristol with Lieutenant [Teddy] Evans (“...Evans asked me if Sir George White had been asked to speak. I was not able to answer him, but said I was sure that you were quite alive to the value of influential Speakers!...”), on paper with the printed heading of the British Antarctic Expedition, 1910, 2 pages, laid down (one at front edge), 4to, Victoria Street, 19 April 1910

£1,000 - 1,500 €1,200 - 1,800

Sold with a printed menu of the Bristol Savages House Dinner, held at the Royal Hotel, 16 April 1910, signed and dated on the cover by Scott (“R Scott”) and below by the Duke of Beaufort, the Lord Mayor’s copy, signature in feint pencil, browned and laid down, plus a contemporary newspaper account, describing the dinner and Scott’s speech. The Terra Nova was to set sail two months later, the expedition still desperately short of money.

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 160

160 • SIMPSON (WILLIAM) The Seat of War in the East. First [-Second] Series, 2 parts in one vol., tinted lithographed pictorial titles, engraved dedication leaf, 79 tinted lithographed plates, tissue guards with printed keys (one defective), gutta perch perished with plates working loose, publisher’s red half morocco gilt lettered on spine and upper cover, worn [Abbey Travel 237], folio (558 x 370mm.), Paul & Dominic Colnaghi, 1855-1856

£600 - 800 €710 - 950

“During the Crimean War Simpson became a pioneer war artist: dispatched by the printsellers Colnaghi & Son... he recorded the naval battles in the Baltic Sea and then went on to Balaklava in November 1854 to make accurate sketches on the spot. The drawings which he made during that terrible winter were submitted to Lord Raglan, sent home to England, and shown to Queen Victoria by the minister of war” (ODNB). Lithographed by Day & Son they remain one of the most significant visual records of the Crimean conflict.

161 • [TACHARD (GUY)] Voyage de Siam, des Peres Jesuites, Envoyez par le Roy auz Indes & la Chine, FIRST EDITION, engraved vignette on title, 20 plates and maps (10 double-page, some showing 2 subjects), 7 vignette head-pieces (one shaved), woodcut initials, some staining (affecting one or two plates), contemporary calf, gilt panelled spine with raised bands and morocco label, new endpapers [Cordier Indosinica 947; Mendelssohn 4, 455], Paris, Arnold Seneuze & Daniel Horthemels, 1686--BARROW (JOHN) Travels in China, second edition, hand- coloured aquatint frontispiece, 7 plates (4 hand-coloured), light foxing and spotting, frontispiece with imprint trimmed, contemporary russia, blindstamped and gilt, rebacked preserving most of original spine [Abbey Travel 531; Löwendahl 724; Lust 50; Tooley 84], T. Cadell and W. Davies, 1806, 4to (2)

£700 - 900 €830 - 1,100

162 • UNITED STATES - PINCKNEY’S TREATY Tratado de Amistad, Límites y Navegacion concluido entre el Rey Nuestro Señor y los Estados Unidos de America: Firmado en San Lorenzo El Real. A 27 de octubre de 1795, woodcut Royal arms on title, parallel text in English and Spanish, 2 folding engraved “passports”, later sheep, red gilt morocco spine label [Palau 339329; Sabin 96587], large 8vo (245 x 168mm.), Madrid, en la Imprenta Real, 1796

£5,000 - 7,000 €5,900 - 8,300

EXCEPTIONALLY FINE AND FRESH COPY, WITH THE TWO FOLDING PASSPORTS, of the first bi-lingual edition of the Treaty of San Lorenzo, or “Pinckney’s Treaty,” which established the boundary between the United States and Spanish territories, and agreed navigation rights on the Mississippi River. Only one other complete copy appears to have been offered at auction since 1960.

The agreement was signed in San Lorenzo de El Escorial on October 27, 1795 by Manuel de Godoy in the name of Carlos IV of Spain and by Thomas Pinckney representing the United States. Various clauses defined the boundaries of Florida and of Louisiana and secured joint navigation rights for the United States on the Mississippi and the right to deposit at the mouth of the Mississippi. In addition, Americans were permitted to use New Orleans as a port of deposit and export without paying duty, and each state was to retain the Indians who were within its borders and refrain from making treaties with other tribes.

Provenance Pedro Fagalde Herce, bookplate.

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 163

GENERAL ATLASES AND MAPS

163 BRUNSWICK, GEORGIA - MANUSCRIPT MAP “A Plan of the Town of Brunswick. Situate on Turtle River in the Parish of St. David, taken from the Record therof in the Survey.r Generals Office Delineated & Certified to be a true Copy by Henry Younge Surv. Gen.l 17 Decemb. 1771”, manuscript map, brown ink on paper, the title within decorative “scroll” cartouche, “town lots” numbered in red ink, outline of Turtle River in green wash, decorative compass rose and scale (with yellow wash), dissected into 10 parts laid on linen (with ink title “Town of Brunswick” on a James Wyld printed label on verso), 367 x 540mm. , [1771]; and 2 hand-coloured engraved plans (“Cadiz Bay” and “River Viguo”, Spain) by Captain Joseph Speer, 1773, both mounted and presented as the Brunswick map, and housed together in purple cloth slipcase, with James Wyld’s printed label on upper cover, and titles of the three maps supplied in ink (3)

£2,000 - 4,000 €2,400 - 4,700

A RARE COLONIAL MANUSCRIPT PLAN OF BRUNSWICK, GEORGIA. Brunswick, “the only town of lasting endurance established in Georgia under crown administration, was located on a 2,034 acre site that had been set aside some years before by the royal council for such purposes. It was laid out by deputy surveyor George Macintosh in 1771. The town proper, covering 385.5 acres, consisted of 556 building lots arranged, in the style of Savannah, around six squares...” (Farris W. Cadle, Georgia Land Surveying History and Law, 1991). Finely executed, with decorative title cartouche and compass rose, the plan shows in fine detail the town layout with the names of the six major squares (“King”, “Hanover”, “Halifax” etc) and streets, the town lots (“each 90 by 180 feet”) and wharf lots (“90 feet wide & about 70 feet from high water”) all clearly laid out, and the major surrounding features (“Plug Point”, “Salt Marsh”, “Bird Isl[an]d”, and “Turtle River”) named. Cadle notes “the almost complete loss of Georgia colonial survey records during the Revolution” but suggests that, due to the skills of Yonge and his fellow Surveyor General, William DeBrahm, “the quality of surveying in Georgia in the later colonial period equaled or exceeded that in the other American colonies”. Henry Yonge (1712-1788) had been appointed joint surveyor general in 1749.

Provenance Mounted and cased in late 1830s/40s by James Wyld, “Geographer to Her Majesty”.

164 CHINA - MACAO AND HONG KONG ROSS (DANIEL) AND PHILIP MAUGHAN (Lieutenants of the Bombay Marine) “Chart of the Different Passages Leading to the Macao Roads... 1818”, MANUSCRIPT MAP after Ross and Daniel’s original engraved map of 1810, ink and colour wash on paper, a few small tears repaired (one area with very small loss), mounted, framed and glazed, image 700 x 940mm., [1818]

£2,000 - 4,000 €2,400 - 4,700

FINE MANUSCRIPT MAP AFTER DANIEL ROSS’S CHART OF THE CHINESE COASTLINE. Captain Daniel Ross, regarded as “the Father of the Indian Surveys”, founded the Bombay Geographical Society and led a survey of the coasts of China between 1806 and 1820. His chart of the “Macao Roads”, centred on Hong Kong, was published in 1810. This finely executed manuscript copy, dated 1818, is largely accurate to the original (with some obvious changes to the lettering used for the title, a simplification of the compass, and omission of Chinese characters), but errors in the lettering (“vocky” for “rocky”, “hereabodls” for “hereabouts”, “saee passgage” for “safe passage”, etc.) suggest that the map was made by somebody whose first language was not English, possibly an Indian employee of the Bombay Geographical Society.

165 • CHINA [ORTELIUS (ABRAHAM)] Chinae, olim Sinarum regionis, hand-coloured double-page engraved map, Spanish text on verso, good margins, 370 x 470mm., [Antwerp, 1588, or later]

£1,000 - 1,500 €1,200 - 1,800

166 • MARTIN (ROBERT MONTGOMERY) The British Colonies; their History, Extent, Condition and Resources, 13 vol. (including supplement on Australia), 40 double-page engraved maps by Rapkin, most hand-coloured in outline, 38 engraved plates and portraits, publisher’s red cloth gilt [Mendelssohn III, 269-70; cf. Sabin 44908], 4to, John Tallis & Company, [c.1851]

£1,000 - 1,500 €1,200 - 1,800

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 166

167

167 • NORTHWEST PASSAGE C.6. Chart Shewing the North West Passage Discovered by Capt. R.L.M. McClure, H.M.Ship Investigator; also the Coast Explored in Search of Sir J. Franklin, by Sir Jas. Ross 1848 & 9... Capt. Sir Edwd. Belcher 1852 & 53... by E.A. Inglefield, Commander H.M.S. Phoenix, PRESENTATION COPY FROM E.A. INGLEFIELD, inscribed “Bobbington School from Captn. Inglefield R.N.” in blank area upper left, lithographed chart after W.H. Fawkener, good margins, laid on linen, 475 x 945mm., Hydrographic Office, Admiralty, 14 October 1853

£1,000 - 2,000 €1,200 - 2,400

The first chart to show Captain Robert McClure’s discovery of the North-West Passage. This is a presentation copy inscribed to a school by E.A. Inglefield, captain of the H.M.S. Phoenix which took relief to Sir Edward Belcher’s Franklin Search party in 1853, and on his return brought back news of the discovery of the passage.

168 PORTOLAN CHART Portolan chart of the Mediterranean, centred on Sicily, extending from Holy Land to Northern Africa, the length of the Mediterranean to South West England and Wales, MANUSCRIPT ON VELLUM, single sheet, in red, green, blue and sepia inks, at head a roundel portrait of the Virgin and Child within a decorative border (90 x 90mm.) above 2 cherub winds and ink note of authorship [see below], coastlines in sepia, rivers in green, very numerous coastal place-names in red and sepia in semi-italic lettering, 24 city vignettes (castellated buildings surmounted by flags, some crescent), African coast embellished with 5 palm trees, a lion and a leaping unicorn, a camel with rider situated between the Red Sea (in red ink) and Jerusalem (represented by 3 hills mounted with crosses), 2 large decorative compass roses (125 x 125mm.), 7 smaller roses, one large cartouche with scale, the whole divided by red and green rhumblines extending from the compass roses, one long meandering horizontal tear (with minimal loss), unevenly cut at edges with some loss, laid on pasteboard, approximate size 1025 x 515mm. (but shaped to rounded pinnacle at top with some loss to sides), captioned beneath roundel “[Placidus Cal]oiro et Oliva Fecit in Nobili urbe Messanae ano 1637”

£40,000 - 60,000 €47,000 - 71,000

A NEWLY DISCOVERED AND FINELY DECORATED PORTOLAN CHART OF THE MEDITERRANEAN. It was made by Placidus Caloiro et Oliva, a member of the distinguished family of Catalan chartmakers. At least 16 members of the Oliva family are recorded as making Portolan charts between 1538 and 1673. The present chart was produced at Messina, and is centred on Sicily, showing most of the islands of the Mediterranean, the African, European and Arabian coastlines, elaborately ornamented with compass roses, animals, town vignettes, and a roundel of the Virgin and Child.

Provenance Property of an English West Country Estate.

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 168

FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 95 169

169 • SCHREIBER (JOHANN GEORG) Atlas selectus von allen Koenigreichen und Laendern der Welt, engraved allegorical title, 132 engraved maps, ALL COLOURED IN A CONTEMPORARY HAND, letterpress leaf of contents, light toning, title working loose, contemporary calf, worn, small oblong folio (225 x 305mm.), J.G. Schreiber, [c.1750]

£1,000 - 2,000 €1,200 - 2,400

Maps include twin-hemisphere World, four Continents, and North America.

170 • SOUTH AMERICA DE LA ROCHETTE (LOUIS STANISLAS D’ARCY) Colombia Prima, or South America, In Which it Has Been Attempted to Delineat the Extent of Our Knowledge of that Continent. Extracted Chiefly from the Original Manuscript Maps of His Excellency the Late Chevalier Pinto, large scale hand-coloured engraved wall map, dissected into 64 sections on 8 sheets laid on linen, some offsetting, hand-coloured engraved key map pasted onto card chemise, the maps folding into original red morocco-faced marbled slipcase, lettered in gilt on side, approximately 2500 x 1600mm., William Faden, 4 June, 1807

£800 - 1,200 €950 - 1,400

Provenance Augustus Frederick, Duke of Sussex (1773–1843), armorial ex-libris, and shelfmark on chemise.

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 171

171 • TEXAS BRADY (WILLIAM) Glimpses of Texas: Its Divisions, Resources, Development and Prospects, FIRST EDITION, folding hand-coloured engraved map of Texas (with inset maps of the environs of Houston, and “General Map of the United States and Mexico”), publisher’s cloth, gilt lettered on upper cover, 8vo, Houston, W. Brady, 1871

£600 - 800 €710 - 950

“Texas Invites Immigration... to all good men, of whatever religion or politics or nationality, a hearty welcome is extended” - scarce first edition of a brochure published by a Houston real estate broker, illustrated with a fine hand-coloured map of the State.

Provenance Capt. W. Rowett, 7 Trevor Square [London]”, nineteenth century ownership inscription inside upper cover. It is probable that this is Captain William Rowett (1806-1875), founder of the International Ocean Telegraphic Company (and involved in other companies looking to lay cables between Europe and America). Born in Polperro, Cornwall he was living in London by 1865.

172 • WORLD [ORTELIUS (ABRAHAM) Typus orbis terrarum, hand-coloured double-map map, billowing clouds in spandrels, Spanish text on verso, some oxidisation, repairs at fold with small losses [Shirley 122, second plate, state 2], 335 x 480mm., [Antwerp, ?1588]

£1,000 - 1,500 €1,200 - 1,800

See illustration overleaf.

BRITISH MAPS AND TOPOGRAPHY

173 • BAKER (GEORGE) The History and Antiquities of the County of Northampton, 2 vol. bound in 5, FIRST EDITION, EXTRA- ILLUSTRATED, 39 engraved plates (as called for), engraved illustrations in the text, letterpress note to subscribers inserted, 11 ADDITIONAL ITEMS BOUND IN (including 6 original pen and ink or watercolour views, 2 after Buck, 4 loose), blue half morocco gilt by Birdsall of Northampton, gilt morocco lettering labels on upper covers (one label with loss of one corner), g.e., folio (446 x 278mm.), John Bowyer Nichols, 1822-1830[-1841]

£600 - 800 €710 - 950

Finely bound by Birdsall of Northampton, the additional material includes 2 pen and wash drawings (Little Billing Priory; Drayton House) after Nathaniel and Samuel Buck; an albumen print of croquet players on the lawn of Marston House (dated 1870 in the negative); 3 watercolour views of Wolverton Church, Buckingham; and a large brass rubbing of Walter Ermyn, from Castle Ashby Church, Northants.

Provenance Perhaps from the library of the Sir Thomas Phillipps (1792-1872), a letterpress receipt (for £2-2-0) bound in, made out in the name of Phillipps by Baker for 2 copies of Part 5 of The History; John Beckinridge Fermor- Hesketh, of Cosgrove Hall, Northants, from whom inherited by the current owner.

174 • BRITISH ISLES [ORTELIUS (ABRAHAM)] Angliae, Scotiae, et Hiberniae, sive Britannicar: Insularum descriptio, [1571]; Angliae regni florentissimi nova descriptio, [1573], hand-coloured engraved maps, Latin text on verso, 345 x 500mm., Antwerp (2)

£500 - 800 €590 - 950

175 • BRITISH ISLES ORTELIUS (ABRAHAM) Britannicarum Insularum Typus, 1595; Britannicarum insularum vetus descriptio, 2 map sheets, [1592], Latin text on verso; Scotiae tabula, French text on verso, [1598]--JANSSONIUS (JOANNES) Insularum Britannicarum acurata delineatio, no text on verso, [1641], hand-coloured engraved maps, each approximately 360 x 510mm., Antwerp (4)

£800 - 1,200 €950 - 1,400

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 173

175

176 • BRITISH ISLES VRIENTS (JOANNES BAPTIST) Angliae et Hiberniae accurata descriptio, double-page hanc-coloured engraved map after Ortelius, large genealogical table, ships and sea-monsters, Latin text on verso, margins restored (some pen facsimile), 435 x 570mm., Antwerp, [1612]

£600 - 800 €710 - 950

See illustration overleaf.

177 • DORSET SAXTON (CHRISTOPHER) Dorcestriae comitatus vicinarumque regionum nova veraq descriptio Anno. Dom. 1575, double-page engraved map, large decorative title cartouche, ships, boats and sea creature in the sea area, Salisbury (with city diagram) added in a neat early hand, later hand-colouring, laid down, shaved just inside platemark on right hand margin, 388 x 555mm., 1575 [1579]

£1,000 - 2,000 €1,200 - 2,400

See illustration overleaf.

179

178

180 181

100 | BONHAMS 178 • ENGLAND AND WALES SAXTON (CHRISTOPHER) AND ABRAHAM ORTELIUS. Anglia regnum si quod aliud in toto Oceano ditissimum et florentissimum, double-page hand-coloured engraved map after Christopher Saxton, large decorative cartouche, naval battle in sea area, Latin text on verso [Shirley 258], 385 x 480mm., [Antwerp, Vrients, 1603]

£700 - 900 €830 - 1,100

A scarce and decorative map, probably engraved by Pieter van den Keere, and found in no other editions of Ortelius’ atlas except, sometimes, in the Spanish text version of 1602 (Shirley).

179 • IRELAND SPEED (JOHN) The Kingdome of Irland Devided into Severall Provinces, decorative title cartouche with cherubs harp, inset panel of six costume figures, compass, ships and sea creatures, small tear just touching upper border, 390 x 515mm., William Humble, 1651; The Province of Ulster Described, inset view of Enniskillen Fort, 380 x 500mm.John Sudbury and George Humble, 1610 [but c.1611], double-page hand- coloured engraved maps, English text on verso (2)

£800 - 1,000 €950 - 1,200

180 KENT - ESTATE PLAN “The Mapp of Jenings in the Parish of Hunton, in the County of Kent, being the Estate of Mrs Mary Hawkins widdow: & Mrs Eliz: Snatt Daughters & Coheirs of Thomas Snatt Dec’sd Gent; Containing 63 Acres of Wood, Meddow, Pasture, and Arable Lands. Being a Description of the several Buttings, and Boundaries, and by whome the Boundary Fences are maintained. And several other things of Remark”, bearing the cartouche: “Jno. Watts of Boxley, fecit. – 1709”, the map showing a bird’s-eye view of the manor house, as well as its stable, gatehouse, fatting lodge, hay barn, fodder house and oast house, plus adjacent pond, orchard, filbert plat [for hazelnuts] and ash plot; the map also showing the stocks on the junction-island of the Queen’s High Road with a smithy nearby, as well as Hunton Rectory (here described as a parsonage); embellished with a female figure holding a measuring rod in statute perches and dividers, and decorative swagged borders; executed in grey pen-and-wash, with red, yellow and green outlines; docketed: “A Map of Jenings Containing 63 Ac” and later with the name Mr Wildash, on one sheet of vellum, top corners cut, light dust-staining and wear but overall in good and attractive condition, 420 x 550mm., John Watts of Boxley, 1709

£1,000 - 1,500 €1,200 - 1,800

Included in the lot is “A Plan of Jennings Court Estate... belonging to Thos Law Hodges Esq.re” [of c.1840], showing a groundplan with a view of the house in its early 19th century incarnation, pen-and-wash on paper, torn across the centre and brittle elsewhere, 600 x 705mm.

181 • KENT ANDREWS (JOHN), JOHN DURY and WILLIAM HERBERT. A Topographical Map of the County of Kent, large engraved map in 128 sections mounted on 4 linen sheets, large decorative dedicatory cartouche with list of landowners, inset plan of Sandwich, hand-coloured in outline, some dampstaining and tears to folds [cf. Rodgers 220], each sheet approximately 1160 x 1680mm., [1769]

£1,000 - 1,500 €1,200 - 1,800

Rare folding format of the first large scale detailed map of Kent, most copies of which are found in the 25-sheet atlas format. This copy, with the imprint obscured, has the inset map of Sandwich as opposed to Canterbury.

182 • KENT HASTED (EDWARD) The History and Topographical Survey of the County of Kent, 4 vol., FIRST EDITION, 40 engraved maps (all but 2 folding, the large county map hand-coloured in outline), 60 engraved plates (some folding), engraved vignettes and illustrations in the text, list of subscribers, occasional browning and offsetting, nineteenth century polished calf, ornate gilt panelled spines with red and green morocco labels [Upcott I, pp.358-368], folio (393 x 232mm.), Canterbury, Simmons and Kirkby, for the Author, 1778-1799

£1,000 - 1,500 €1,200 - 1,800

Provenance Rev. William Grice, bookplate.

183 • KENT PACKE (CHRISTOPHER) Ankographia [in Greek] sive Convallium descriptio... Explanation of a New Philosophica-Chorographical Chart of East Kent, without the rare accompanying map as usual, first and last leaves browned, nineteenth century half roan, 4to, Canterbury, 1743--DEARN (T.D.W.) An Historical Topographical and Descriptive Account of the Weald of Kent, engraved map and 8 aquatint plates, some offsetting, twentieth century speckled calf gilt, Cranbrook, S. Reader, 1814--BOYS (JOHN) A General View of the Agriculture of the County of Kent, hand-coloured folding map (torn at folds without loss), 2 engraved plates, folding table, later red half morocco, Sherwood, Neely & Jones, 1813--COOKE (GEORGE ALEXANDER) Topographical and Statistical Description of the County of Kent, lacking map, contemporary calf, rebacked, 12mo, [c.1800]; together with 4 loose maps and prints (map of the Isle of Thanet and Kip view of Smiths Hall, both from Harris’s Kent; sheet 12 of Andrews, Dury & Herbert’s large map of Kent, including Tunbridge and Twyford Hundreds; Morden’s map of Kent, the 3 maps hand-coloured) (8)

£700 - 900 €830 - 1,100

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 184 • LANCASHIRE AND CHESHIRE – BRIDGEWATER CANAL “A Survey with Maps of the Townships of Barton, Stretford, Hough, Chorley, and Morley, in the Counties of Lancaster and Chester belonging to John Trafford Esq.re/ surveyed by Wm Bennet/ 1782”, comprising a decorative title-page (incorporating a view of the Great Barn and other farm buildings belonging to Trafford Old Hall, with the moat in the foreground on the right, and a gunman stalking a heron), drawn on vellum, and thirty- two plans, also on vellum, in three series: the Trafford Demesne (plans 1-12), Stretford (1-11) and Wilmslow (1-9), each plan recording individual parcels of land, with details of houses, churches, bridges, locks and the like indicated, nearly all in the first two sections showing land abutting the Bridgewater Canal and River Irwell (as well as the Mersey and Bollin); the text, written in a flourished hand on paper, comprising tabulated lists of landholdings referring to the number of relevant plan and the number within that plan, in columns with name of the landholder, of each premise, contents in statute measure, value per acre, yearly value, and contents in customary measure; with updates added in pencil, c.120 pages of text on paper, plus frontispiece and 32 maps on vellum (each c.370 x 240mm.), the first map folding-out (370 x 490mm.), outer pages loose, and some stained crudely repaired with adhesive tape, dust-staining and other signs of wear through use, nevertheless although in need of conservation remaining in attractive and sound condition, late nineteenth century half roan, clasp, rubbed, folio, William Bennet, 1782

£3,000 - 4,000 €3,600 - 4,700

THE BRIDGEWATER CANAL AND RIVER IRWELL NAVGATION DURING THE INDUSTRIAL REVOLUTION - an unusually handsome survey showing land in Lancashire and Cheshire owned by the Trafford family. They were of Anglo Saxon origin, taking their name from their landholdings, De Trafford, after the Norman Conquest - their heraldic griffin being incorporated into the arms of the modern metropolitan borough in Greater Manchester. This survey was commissioned by John Trafford of Croston who inherited the family lands from a cousin in 1779 and in 1792 obtained an act of Parliament allowing him to let or lease some of his inherited lands. He was succeeded in 1815 by his son Thomas Joseph Trafford (1778-1852), first baronet, who obtained license to readopt the name De Trafford in 1842.

The majority of these plans feature the Bridgewater Canal or River Irwell (sometimes the Mersey or Bollin) rivers, four showing Irlam and other sites abutting “Chatt Moss” (crossed of course by Stephenson’s Liverpool & Manchester Railway against much opposition from the proprietors of the Bridgewater Canal early in the next century). William Bennet, who made this survey in 1782, is possibly identifiable with the canal surveyor of that name who is known to have been working in Lancashire in about 1790-94, before moving to the south west of England at the behest of Smeaton and Brindley’s pupil Robert Whitworth.

The survey’s frontispiece and central section, covering Stretton, were reproduced photographically for the Chetham Society, Remains, Historical and Literary, Connected with the Palatine Counties of Lancaster and Chester, vol.2.v.45 (where it is pointed out that several of the plans depict Stretford Cross and the stocks beneath).

185 • SCOTLAND THOMSON (JOHN) The Atlas of Scotland, 2 double-page hand-coloured engraved plates showing the relative heights and lengths of Scottish mountains and rivers, 29 maps on 54 double-page hand-coloured engraved mapsheets (of 58, lacking 2 parts of Ayreshire, one of Ross, and one of Inverness Shire), one hand-coloured index map, contemporary half calf, worn, lacks spine [Chubb XXXII], folio, Edinburgh, J. Thomson, 1832

£800 - 1,200 €950 - 1,400

Considered, due to its accuracy and decorative presentation, to be the finest atlas of Scotland since that of Blaeu in 1654. Thomson took the trouble to have the individual maps vetted by those with local knowledge.

186 • TEESDALE (HENRY) New British Atlas, Containing a Complete set of County Maps, on which are Delineated all the Principal Cross Roads, Cities, Towns & most Considerable Villages, Parks, Rivers, Navigable Canals & Railways Preceded by General Maps of England, Ireland, Scotland, North & South Wales... to 1831, double-page engraved title by T. Barnett, 3 folding general maps and 45 double-page county maps (Yorkshire on 4 sheets), all fully hand- coloured, contemporary half morocco, neatly rebacked preserving original spine [Chubb CCCVXI], folio (370 x 235mm.), Henry Teesdale & Co., [1831]

£600 - 800 €710 - 950

A fine clean copy of this “beautifully engraved atlas” (Chubb).

ORIGINAL ILLUSTRATIONS

187 * AR [BOND (MICHAEL)] BANBERY (FRED) ‘Perhaps you’d like to tell him he’s won a free supply of groceries’, coloured pencil, ink and pencil on tracing paper, image 200 x 290mm.; ‘He opened his suitcase and peered inside’, pencil on tracing paper, image 190 x 290mm., framed, [c.1973] (2)

£800 - 1,200 €950 - 1,400

Preliminary drawings for Michael Bond’s Paddington Goes Shopping, 1973, pp.30-31 and pp.24-25 respectively.

Provenance The Estate of Fred Banbery.

Exhibited ‘Fred Banbery and Paddington Bear’, Chris Beetles, April 2000.

188 AR [FLEMING (IAN)] MCLUSKY (JOHN) Fifteen panels from McLusky’s comic strip versions of James Bond stories, ink and white paint on artist’s board, text captions mostly pasted on, 7 of the panels framed in two frames, remaining 8 loose, each panel approximately 160 x 480mm., [1958 and 1964]

£2,000 - 3,000 €2,400 - 3,600

After initial hesitation, in 1958 Ian Fleming allowed the Daily Express to create a syndicated comic strip based on his novels. The series began on 7 July that year, with Casino Royale - the text adapted by staff writer Anthony Hearne and the imagery by John McLusky.

Seven of the panels in the present lot depict the baccarat scene in Fleming’s first 007 novel: “Bond is about to leave the baccarat table defeated, when... ‘Thirty two million francs with the Compliments of the U.S.A. - Felix Leiter.’”

There was later a hiatus in the series when Fleming published his short story ‘The Living Daylights’ in the rival Sunday Times. McLusky’s strips restarted in 1964 with On Her Majesty’s Secret Service - featured here in eight panels covering the ski chase which culminates in one of Bond’s pursuers being churned up in a snowblower.

189 AR MCKEE (DAVID) “Ssssh, Elmer” said Tiger “The twins are asleep.”, from Elmer and the Lost Teddy, original pencil, ink and acrylic, mounted alongside the original pencil sketch, the former signed on the image “McKee”, the latter signed on the image “David McKee”, framed and glazed, images to view 325 x 525mm., [c.1999]

£1,000 - 1,500 €1,200 - 1,800

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 187

189

FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 105 191

190 AR MCKEE (DAVID) Elmer the Elephant, “He can borrow my teddy”, from Elmer and the Lost Teddy, original pencil and acrylic, mounted alongside the original pencil sketch, the former signed on the image “McKee”, the latter signed on the image “David McKee”, framed and glazed, images to view 325 x 525mm., [c.1999]

£1,000 - 1,500 €1,200 - 1,800

‘”Never mind,” said Elmer. “He can borrow my teddy tonight. Tomorrow I’ll look for his.” Elmer hurried home for his teddy. As soon as Baby Elephant snuggled down with it, he fell fast asleep.”

191 AR ORR (MONRO SCOTT) ‘He Instantly climbed up into a large Tree’ from “Stories from the Arabian Nights”, watercolour, gouache and bodycolour, signed (‘Monro S. Orr”) lower right, mounted and window-mounted, image to view 483 x 326mm., [1913]

£800 - 1,000 €950 - 1,200

Large original watercolour illustration by Scottish artist Monro Scott Orr (1874-1955), used as an illustration in a gift book edition of Stories from the Arabian Nights published by Harrap in 1913.

192 OUTHWAITE (IDA RENTOUL) “Serana’s Wedding”, from “Fairyland”, depicting a frog officiating at a fairy wedding, original pen, ink and watercolour, laid down on artist’s board, signed lower left “I.R.O”, captioned “The Wedding” in pencil on verso with numeric notations, ink stamp of “W. & G. Dean, Equitable Place, Melbourne”, mounted, framed and glazed, image to view 370 x 320mm., [c.1926]

£3,000 - 5,000 €3,600 - 5,900

Fine original watercolour, reproduced as a colour plate in the short story Serana the Bush Fairy in the anthology Fairyland, printed by Ramsay Publishing in 1926.

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 192 193

190

193 OUTHWAITE (IDA RENTOUL) Fine original watercolour depicting two fairy children (one male holding a lantern, one female) embracing on a path on the edge of a wood, pen, ink and watercolour, signed lower left “I.R.O”, numeric notations in pencil on verso, mounted, framed and glazed, image 370 x 273mm., [c.1920]

£3,000 - 5,000 €3,600 - 5,900

194 RACKHAM (ARTHUR) Cinderella, in rags, standing at a window, within a framework of mice, mystical creatures and plants, from “Cinderella”, fine original watercolour, pen and ink illustration, on paper mounted on artist’s boards, signed (“A. Rackham”) lower right, mounted (old ink “No. 39” on verso), framed and glazed, image 225 x 175mm., overall size 275 x 200mm., [1919]

£8,000 - 12,000 €9,500 - 14,000

ORIGINAL WATERCOLOUR OF CINDERELLA, used as the colour frontispiece to the De Luxe edition of Cinderella. Retold by C.S. Evans (Heinemann, 1919). The central image of Cinderella is surrounded by an elaborate border of mice, mysterious creatures and plants by Rackham. In the lower border is a pencil annotation by Rackham “Note to Reproducer. I think there is no need to use colours that are either very bright or very dense. You will see that the solid blacks are rather brown & not very strong. The variety and quality of the quiet buffs & grays are more important than the bright spots”

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 195 196

195 RACKHAM (ARTHUR) “Bring out your spinning-wheels, Bring out your spinning-wheels”, depicting an old lady handing over her spinning wheels to a court official, used as an illustration in “Sleeping Beauty”, original pen and ink drawing, on paper, signed with initials (“AR”) lower right, toned, mounted and framed, sheet size 200 x 215mm., [1920]

£1,000 - 1,500 €1,200 - 1,800

Fine example of one of Arthur Rackham’s silhouettes used in “The Sleeping Beauty. Retold by C.S. Evans” (1920), in which Rackham’s “gift for silhouette was given full play” (Derek Hudson, Arthur Rackham. His Life and Work, 1974).

Provenance Old exhibition labels (“31. Sold”, “Purchased 2/7/[19]36”) on verso of frame.

196 AR SHEPARD (E.H.) Original ink sketch of Winnie-the-Pooh, full-length looking quizzical, blue ink on pink paper tipped onto a leaf of an autograph book (other inscriptions include; British band leaders Joe Loss, Ted Heath and Ray Ellington; actor Richard Murdoch, comedian Tommy Handley; amateur watercolour of “wise old owl”, etc.), the Shepard approximately 105 x 65mm., signed and dated “Ernest H. Shepard, April 24/[19]42”

£1,000 - 2,000 €1,200 - 2,400

MODERN BOOKS AND MANUSCRIPTS 197 ARCHITECTURE – F. L. GRIGGS Collection of over forty architectural drawings by Frederick Landseer Griggs, comprising elevations, floor plans and designs for architectural features for private homes in the Cotswolds, such as ‘Miles House, Chipping Campden’, ‘Cottage at Pike Corner, Campden for Major W.T. Hart’, ‘Proposed House in Water Lane’, ‘Additions to Ladywall, Broad Campden for the Countess of Gainsborough’ and ‘Alterations and additions to Westcote House, Campden’; a group of ecclesiastical plans including the ‘Proposed Altar...for the South Aisle of St Catharine’s Ch: Campden (1919)’; and plans for memorial crosses in Painswick, Chedworth, Blockley, Barlaston, Biddenham, Broadway, Chipping Campden and Snowshill, pencil and watercolour, many signed and annotated, some on tracing paper, 570 x 780mm. and smaller, 1914 to 1935; together with two engravings by Emery Walker of Merton College, Oxford (1912) and Wadham College, Oxford (1910)

£1,000 - 1,500 €1,200 - 1,800

GRIGGS AND THE CHIPPING CAMPDEN SCHOOL

These works by etcher, architect and illustrator Frederick Landseer Griggs epitomise the ideals of traditional skills and craftsmanship embodied by C. R. Ashbee’s Guild and School of Handicraft at Chipping Campden in Gloucestershire. Griggs moved to Campden the year after the Guild’s foundation in 1902 and remained there until his death in 1938. He made his name as an illustrator in the visionary pastoral tradition of William Blake and Samuel Palmer, particularly for his work in the Highways and Byways series of county guidebooks. As an architect, Griggs collaborated with Ernest Gimson and the Sapperton group of craftsmen and worked primarily on small-scale local domestic projects such as these, his plans showing a precise, modern mediaevalism in the tradition of the Cotswold vernacular.

Arguably his major achievement lay in the war memorials he designed after the First World War for which we have plans for no less than eight in this collection – ‘These works, done without payment, continue to adorn the Gloucestershire countryside... each was designed to be appropriate to its setting and the history of the site. Griggs was now producing his most ambitious designs, towering compositions of Gothic spires and turrets, deliberately archaic, expressing his sense of the symbolic and emotional grandeur of the past contrasted to the present... visions which attracted a disillusioned post-war society’ (Justine Hopkins, ODNB). His influence went beyond the Arts and Crafts movement, as mentor to both Graham Sutherland and John Piper – ‘The sequence from Blake to Sutherland traces a history of the English spirit, but only when Griggs is recognized at its centre’ (Jerrold Northrop Moore, F. L. Griggs, The Architecture of Dreams, Oxford, 1999).

Two certificates, one appointing Griggs an associate of the Royal Academy, signed by Aston Webb as President, 3 July 1922, and another appointing him a full member of the Royal Academy, signed by George V, 23 November 1931, are included with the collection, which comes by direct descent from the family of the artist.

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 198 100

198 BELL (VANESSA) Design for the cover of “Mr. Bennett and Mrs. Brown” by Virginia Woolf, brown watercolour and pencil, on paper, mounted, framed and glazed, sheet size 215 x 140mm., [1924]

£1,500 - 2,000 €1,800 - 2,400

Design by Vanessa Bell for the cover her sister Virginia Woolf’s Mr. Bennett and Mrs. Brown, published on 30 October 1924, as the first of “The Hogarth Essays” series issued by the Hogarth Press. “In 1925 Bell’s original cover design of a woman reading a book was dropped and replaced by her design of a vase of flowers” (Bradshaw, The Bloomsbury Artists, 1999, p.68, illustrating the both printed versions).

Provenance Anthony d’Offay, “Vanessa Bell. Paintings and Drawings”, November-December, 1973, No. 17, exhibition label on frame.

199 • CHAGALL (MARC) LASSAIGNE (JACQUES) Chagall, colour lithographed title-page and 13 ORIGINAL LITHOGRAPHS BY CHAGALL (11 coloured, of which 4 folding), publisher’s boards with original colour lithographed wrappers designed by Chagall, small 4to, Paris, Maeght, [1957]

£800 - 1,200 €950 - 1,400

200 CHURCHILL (WINSTON) Wartime photograph of Churchill, signed and dated on the mount “Winston S. Churchill/ Feb.y 1942”, showing Churchill half length, with a cigar in his right hand, with ‘Cecil Beaton/ Photograph’ studio stamp on reverse, and pencilled serial number 3565-5-01, silver gelatin print, one or two minor spots and a minor crease in image, light time-staining at edges and around the signature where exposed by mounting, nevertheless a strong and attractive image, size of image 253 x 228mm., overall 386 x 282mm., February 1942

£2,000 - 3,000 €2,400 - 3,600

WINSTON CHURCHILL THE WARTIME PRIME MINISTER PHOTOGRAPHED BY CECIL BEATON - this famous image was taken by Beaton while serving as Official Photographer, Home Front, for the Ministry of Information and shows Churchill at his seat in the Cabinet Room at No.10 Downing Street. It was taken on 20 November 1940, at the height of the Blitz; and was signed in February 1942, the month that saw the fall of Singapore.

Ranked by the ODNB, along with the photograph by Karsh of Ottawa, as ‘the most memorable’ portrait ‘of Churchill in the Second World War’, originals of this image are uncommon, only two being listed as sold at auction by ABPC.

201 CHURCHILL (WINSTON) Photograph signed (“Winston S. Churchill”) on the mount, showing Churchill at the Cabinet Table, half length, facing the camera, studio stamp on the reverse ‘Photo By/ Walter Stoneman/ Of J. Russell & Sons’, bromide print on original manilla card mount, some silvering at edges of image, light dust-staining and fading, image 164 x 150mm., [1 April 1941]

£1,000 - 1,500 €1,200 - 1,800

This well-known wartime photograph was taken by Walter Stoneman for the National Photographic Record at the Cabinet Office at about 3 in the afternoon on 1 April 1941; and is the photograph Churchill usually gave to those who served under him during the war, often in smaller format than the present example.

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 202 203

202 CROWDER (HENRY) Henry Music... Poems by Nancy Cunard, Richard Aldington, Walter Lowenfels, Samuel Beckett, Harold Acton, FIRST AND ONLY EDITION, LIMITED TO 100 COPIES SIGNED BY CROWDER, AND ADDITIONALLY INSCRIBED BY HIM “For Bimbe. How can I frame a sentence or sentences that tell what I feel about Bimbe. She is lovely, charming, sweet, beautiful. Of us, and with us” on colophon, 20pp. of music by Crowder (this text block working loose), publisher’s pictorial boards with specially designed photomontage (incorporating a portrait of Crowder, African sculptures and Nancy Cunard’s bangles) by Man Ray, slightly rubbed, small folio (330 x 250mm.), Paris, Hours Press, 1930

£2,000 - 4,000 €2,400 - 4,700

PRESENTATION COPY OF HENRY MUSIC, edited by Nancy Cunard, and published for her Hours Press in an edition of only 100 copies, with settings by Henry Crowder (1890-1955), African-American jazz musician and Nancy’s lover. Included are poems by Cunard herself (“Equatorial Way” dedicated to Henry, and “Memory Blues”), Samuel Beckett (“From the only Poet to a shining Whore”), Richard Aldington and Harold Acton. Man Ray designed the photomontage design on the covers, incorporating a portrait of Crowder, African sculptures and piles of Nancy Cunard’s bangle collection.

Provenance Presented by Henry Crowder to Yvonne Kapp (“Bimbe”), warmly inscribed “...She is lovely, charming, sweet, beautiful. Of us, and with us.” Kapp (1903-1999), best known as the biographer of Eleanor Marx, was at this time working for Paris Vogue. See Kapp, Time Will Tell. A Memoir, 2003, p.151.

203 • DULAC (EDMUND) ANDERSEN (HANS) Stories, NUMBER 544 OF 750 COPIES SIGNED BY THE ARTIST, 28 tipped-in colour plates by Dulac, notification for the Dulac Exhibition at Leicester Galleries (1911) loosely inserted, publisher’s vellum gilt, yellow silk ties, t.e.g., one small light spot on upper cover and small mark at foot of spine but generally A VERY FINE COPY, 4to, Hodder & Stoughton, [1911]

£800 - 1,200 €950 - 1,400

204 • DULAC (EDMUND) ANDERSEN (HANS CHRISTIAN) Stories, NUMBER 739 OF 750 COPIES SIGNED BY THE ARTIST, 28 tipped- in colour plates by Dulac, text block slightly shaken, publisher’s vellum gilt, t.e.g., soiled, without ties, 4to, Hodder & Stoughton, [1911]

£600 - 800 €710 - 950

205 • DULAC (EDMUND) QUILLER-COUCH (ARTHUR) The Sleeping Beauty and Other Fairy Tales, NUMBER 373 OF 1000 COPIES SIGNED BY THE ARTIST, 30 tipped-in colour plates, publisher’s 4-page advertisement for Dulac, Rackham and other gift-books loosely inserted, publisher’s morocco gilt, t.e.g., spine faded with hairline tear at upper margin, [1910]--POE (EDGAR ALLAN) The Bells and Other Stories, NUMBER 82 OF 750 COPIES SIGNED BY THE ARTIST, 28 tipped-in colour plates, publisher’s decorative vellum gilt, t.e.g., spines slightly rubbed, new ties, [1912], Hodder & Stoughton--ROSENTHAL (LEONARD) The Kingdom of the Pearl, NUMBER 260 OF 675 COPIES, 10 tipped-in colour plates, occasional light spotting, publisher’s cloth-backed pictorial boards, slightly rubbed, Nisbet, [1920], all illustrated by Dulac, 4to (3)

£800 - 1,000 €950 - 1,200

206 • DULAC (EDMUND) Stories from the Arabian Nights. Retold by Laurence Housman, NUMBER 343 OF 350 COPIES SIGNED BY THE ARTIST, 50 tipped-in colour plates, publisher’s decorative vellum gilt, t.e.g., ties, some light soiling, small dark mark to upper joint, [1907]--Rubaiyat of Omar Khayyamt... rendered into English Verse by Edward Fitzgerald, NUMBER 429 OF 750 COPIES SIGNED BY THE ARTIST, 20 tipped-in colour plates (light crease to one corner of 3), notice concerning Dulac Exhibition of watercolours at Ernest Brown (1909) loosely inserted, publisher’s decorative vellum, t.e.g., ties, a few light spots to upper cover and spine but generally very good, 1909, 4to, Hodder & Stoughton (2)

£800 - 1,200 €950 - 1,400

For details of the charges payable in addition to the final Hammer Price of each Lot 114 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 207

FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 115 207 FINLAY (IAN HAMILTON) An extensive archive of manuscript, printed and photographic material, compiled by John Stathatos, comprising: 29 typed or autograph letters signed (“Ian Hamilton Finlay” or “Ian”, approximately 58 pages), [dating from December 1980 to January 1998], with copies of Stathatos’ replies; approximately 160 Wild Hawthorn Press publications including books (of which 9 limited editions signed by IHF; 8 colour lithographed revolutionary posters), booklets, cards, fold-out artworks and ephemera; 24 Christmas cards or Wild Hawthorn postcards, or postal propoganda (of which 12 relate to the Little Spartan War) signed by IHF and sent to Stathatos (some with integral address leaf, stamped); approximately 27 exhibition catalogues, invitations and lists relating to IHF exhibitions; quantity of facsimiles of the correspondence relating to the Little Spartan War by and to IHF, [c.1979-1993]; 20 original vintage gelatin silver prints of Little Sparta by Stathatos, correspondence mostly on Little Sparta headed paper, books in publisher’s bindings, various sizes (quantity)

£6,000 - 8,000 €7,100 - 9,500

‘SO HERE WE ARE AGAIN: AUTUMN, AND WAR’ - An extensive correspondence concerning Finlay’s battles with Strathclyde Council over Little Sparta, gardening and the changing seasons, photography, proposed exhibitions (some in conjunction with the recipient), poetry and family matters extending over a period of nearly twenty years, written to the the Greek photographer and writer John Stathatos, to whom Finlay wrote that “you belong to that (very!) small group of friends who one feels to be grown up, responsible, reliable - and therefore reassuring, a solace, against all the casual disorder, lack of thought, etc, etc.” (15 February 1984).

The letters provide an in-depth commentary on the “Battle”, reflecting the artist’s fluctuating moods and approaches, from the strident “My position is simple: I am saying that Strathclyde Region is a bureaucratic despotism... that I have discovered the Arts Council, The Law Society... etc. to be radically corrupt... I see a foul alliance between the mediocrity and the Arts Councils, and (internationally) between the avant-garde and the state” (9 December 1980), to the hopeful “In short, there is a Revolutionary Situation; if only the poets would join in, in a really inventive way, who knows what Glories might be achieved... it would be possible to contrive a meeting with the bureaucrats, to discuss neoclassicism and (indeed) Neoplatonism... reasserting the role of the Arts, redeeming decades of subsidy and blandness and sad disgrace” (18 November 1982), to the pragmatic “I expect a renewed attack from the Region around mid-January -- two weeks being about the length of time a Strathclyde Committee would take to recover from the New Year” (26 December 1982), through to the dying days of the conflict “I am now supposed to pay Strathclyde’s inheritors a great deal of money, but I won’t do so. I am very depressed about it all...” (6 April 1996). Mention is made of other art world figures’ involvement (Richard Demarco “who turned up here recently (ignoring my ban on him!)”, Sol LeWitt’s support through purchasing his works); defiance in the face of other conflicts (“Such terrible things have been done to me... as you probably know my French Bicentenary garden project was cancelled after a Paris campaign, asserting, amongst other things, that I served in the Waffen S.S., am one of the world’s leading fascists... I haven’t given up. But a lot of unspeakable things have happened... anyway, here I am”); and outbursts of frustration (“Our literature - no, our culture - is run by Fashion and by lawyers”) and unease (“[I expect to be]... led away in chains... [as] my understanding of British Justice (etc.) is largely based on The Wind in the Willows”. Throughout, Finlay’s affection for his garden and gardening is apparent, reporting in his final letter “I have three new pairs of doves, and 3 kittens, which an unknown cat abandoned in my shed. But, unlike some other gardens, I will stop far short of tigers and lions” (28 January 1998).

For details of the charges payable in addition to the final Hammer Price of each Lot 116 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 208 209 210

Photographs by John Stathatos: 20 vintage gelatin silver prints, including one portrait of the Hamilton Finlay, and 19 studies in the gardens of Little Sparta taken during two visits, in 1981 and 1983. Images mostly 165 x 240mm. In a letter to Stathatos (25 April 1983) Finlay writes “Photos: Yes, neoclassical and temple-ransackalry [sic] are what is needed. The sooner the better...”, and “Even the nicest winter photos (of Little Sparta) oppress me, as I feel that it is all a struggle from damp and gloom into light, and that the damp and gloom are only too real - and are like a part of the Region” (4 September 1984).

A breakdown of the contents of the lot, including a full listing of the upwards of 150 Wild Hawthorn Press publications, is available on request.

Provenance John Stathatos. An early supporter (or Saint-Just Vigilante) of Hamilton Finlay’s fight for Little Sparta, Stathatos twice visited the gardens to take photographs (some of which were included the New York literary magazine Conjunctions, 1983), and contributed an article (‘Piety and Impiety: The Little Spartan Wars...’) to Art & Design. Art & The Contemporary Mindscape, 1997

208 • FLEMING (IAN) Live and Let Die, FIRST EDITION, publisher’s cloth, first state dust-jacket without credit to the designer Kenneth Lewis (unclipped, age toned, slight wear at corners), 8vo, Jonathan Cape, [1954]

£2,000 - 4,000 €2,400 - 4,700

209 • FLEMING (IAN) Moonraker, FIRST EDITION, with “shoo” spelling on p.10, lacks front free endpaper, upper fore-corner of leaf before title clipped, publisher’s cloth, dust-jacket (unclipped with price on both flaps, spine dulled, light spotting on lower cover, slightly rubbed at extremities of spine), 8vo, Jonathan Cape, [1955]

£800 - 1,200 €950 - 1,400

210 • FLEMING (IAN) Dr. No, some chipping to head and tailband of dust-jacket [1958]; Thunderball, [1961]; The Spy Who Loved Me vertical crease in upper panel of dust-jacket, [1962]; On Her Majesty’s Secret Service, [1963]; You Only Live Twice, scuffmark affecting 2 letters of jacket title, ink inscriptions on verso of dust-jacket (not showing on recto) [1964]; The Man With The Golden Gun, ink ownership inscription of “B.J. ?Hannam” inside upper cover, [1965], FIRST EDITIONS, publisher’s cloth, some light dampstaining to fore-edges, dust-jackets (unclipped, occasional dampstaining), 8vo, Jonathan Cape (6)

£1,000 - 1,500 €1,200 - 1,800

211 • FOUJITA (TSUGUHARU) CHAUMET (HENRI) Bêtes & Cie. Illustré de 25 eaux-fortes de Foujita, LIMITED TO 330 COPIES “sur vélin d’arches”, from an overall edition of 350, this copy number 309, 25 etched illustrations of animals (including cat, elephant, hippopotamus, tortoise), birds and fish by Foujita, contemporary red morocco, dark stain to spine and upper cover, publisher’s wrappers bound in, 8vo, Paris, Kra, [1927]

£500 - 700 €590 - 830

212 • GOLDEN COCKEREL PRESS BATES (H.E.) Flowers and Faces... Engravings by John Nash, NUMBER 33 OF 60 SPECIALLY BOUND COPIES, WITH AN EXTRA SUITE OF PLATES, from an overall editon of 325 copies, signed by Bates on the colophon, title with decorative border and 4 wood-engraved plates by John Nash, additional suite of 4 plates all signed on image by Nash (loose as issued in paper sleeve), original green crushed morocco gilt by Sangorski & Sutcliffe, t.e.g., 4to, Golden Cockerel Press, 1935

£700 - 900 €830 - 1,100

One of 60 copies with an additional suite of 4 plates by John Nash, each signed in ink by the artist.

For details of the charges payable in addition to the final Hammer Price of each Lot 118 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 214

213 • HEMINGWAY (ERNEST) Fiesta [The Sun Also Rises], FIRST ENGLISH EDITION, second impression, publisher’s blue cloth, spine faded, PICTORIAL DUST-JACKET with price “7s.6d. net” (spine soiled with extremities slightly chipped just touching letter “I” of title word at head, vertical crease to front flap), with Brentano’s, Paris label inside lower cover, 8vo, Jonathan Cape, [September 1927]

£6,000 - 8,000 €7,100 - 9,500

Extremely rare dust-jacketed copy of Hemingway’s first novel to appear in England. This second impression appeared four months after the first.

214 • HOCKNEY (DAVID) CAVAFY (CONSTANTINE P.) Fourteen Poems... Chosen and Illustrated with Twelve Etchings by David Hockney, EDITION B, LIMITED TO 250 COPIES, signed by David Hockney on colophon, this copy number 280, 12 etched plates, publisher’s pink cotton-silk cloth, slipcase, folio, Editions Alecto, 1966

£1,000 - 1,500 €1,200 - 1,800

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 119 215 IRELAND – PATRICK PEARSE & THE EASTER RISING The Order of Surrender, typed and signed (“P. H. Pearse”) and dated (“29th April 1916/ 3.45 p.m.”), stating “In order to prevent the further slaughter of Dublin citizens, and in the hope of saving the lives of our followers now surrounded and hopelessly outnumbered, the members of the Provisional Government present at Head Quarters have agreed to an unconditional surrender, and the Commandants of the various districts in the City and country will order their command tp [sic] lay down arms.”, on paper blindstamped with the British royal cypher and with a gummed label showing the Manchester martyrs on a tricolour background, creasing, dust- staining and creases at folds, 328 x 204mm., Dublin, 3.45 p.m., 29 April 1916

£80,000 - 120,000 €95,000 - 140,000

‘THE MEMBERS OF THE PROVISIONAL GOVERNMENT...HAVE AGREED TO AN UNCONDITIONAL SURRENDER’: PATRICK PEARSE SETS IN HAND HIS OWN MARTYRDOM, bringing with it the birth of modern Ireland.

I write it out in a verse - MacDonagh and MacBride And Connolly and Pearse Now and in time to be, Wherever green is worn, Are changed, changed utterly: A terrible beauty is born. (from ‘Easter 1916’ by W. B. Yeats)

One of the key documents in modern Irish history. With Pearse’s ‘unconditional surrender’ the Easter Rising of 1916 was seen as a military disaster but within a very short space of time it became a great symbolic victory for the cause of Irish nationalism. The brutal suppression of the Rising by the British and the execution of its leaders led to a groundswell of popular support for Irish Independence resulting in the victory of Sinn Fein in the elections of December 1918, the war of independence, and the creation of the Irish Republic in 1921.

On Easter Monday, 24 April 1916, a thousand members of the nationalist Irish Volunteers led by schoolmaster and Irish language teacher Patrick Pearse - Richard Ellmann numbers James Joyce amongst his pupils - joined with James Connolly’s Irish Citizen Army and 200 women of Cummann na mBan, to seize key locations in Dublin and proclaim an Irish Republic from their headquarters at the General Post Office. The British response was swift and uncompromising. Their use of heavy shelling and artillery met with stiff resistance from the rebels, resulting in heavy casualties, particularly among civilians, and widespread destruction. Pearse, as leader of the rebels, had been inspired by ‘romantic and morbid fascination with people who had died in hopeless revolt’ (Ruth Dudley Edwards, ODNB). In practice, he was appalled to see the bloodshed amongst the innocent civilian population, and after seeing three civilians with a white flag shot down outside the last rebel headquarters in Moore Street, was prompted to surrender unconditionally to Brigadier-General Lowe, thereby offering himself up as a martyr to the cause.

The surrender order itself was composed at the British army headquarters at Parkgate Street after a brief meeting with General John Maxwell, British Commander-in-Chief, and, as a final ignominy, typed on British headed paper (the spelling error in ours testifies to the speed at which this was completed). Copies were distributed to the disparate rebel positions around the city by Nurse Elizabeth O’Farrell, who had acted as messenger between the rebels and the British during the surrender negotiations, with the assistance of members of the Capuchin community. It was not until the next day that rebels in outlying areas reluctantly put down their arms as word reached them and they received further written reassurances from Pearse from his cell at Arbour Hill Barracks that the surrender order was genuine. Our copy bears a tricolour stamp printed by the rebels at the time of the Rising depicting William Allen, Michael Larkin and William O’Brien, the ‘Manchester Martyrs’, who were hung in Manchester for killing a police constable during a failed rescue attempt of two Fenian prisoners. The stamp was possibly affixed to authenticate the der,or but may equally have been added at a later date.

Pearse was executed by firing squad at Kilmainham Goal a few days later: ‘Yeats thought him ‘a dangerous man; he has the vertigo of self-sacrifice’... As the figurehead of the rising, and the author of memorable verse and prose in which militarism was equated with heroic self-sacrifice, Pearse became the most famous of the fifteen executed rebels and the centre of a powerful mythology...’ (ODNB). He wrote to his mother from prison two days before he died: ‘Our deeds of the last week are the most splendid in Ireland’s history...we shall be remembered by posterity and blessed by unborn generations...’ (The Letters of P.H. Pearse, ed. Seamas O’Buachalla, 1980).

It is not known exactly how many typed copies were made but it is thought to be in single figures. Of surviving copies, one of two typed orders held by the National Library of Ireland would appear to be the carbon undercopy of our document (MS 15,000/2/1) as it bears the same error and correction. Another signed by Pearse and countersigned by James Connolly and Thomas MacDonagh, is held at the Imperial War Museum

For details of the charges payable in addition to the final Hammer Price of each Lot 120 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 121 (Doc.9614). The National Museum of Ireland holds two handwritten versions (HE.EW.848 and HE.EWL.133), one from 29 April and dated 4.45 p.m., just an hour after ours, and another from the day after. The final handwritten order of surrender was sold at auction in 2005 and remains in private hands, being currently exhibited at the G.P.O. Dublin Witness History exhibition. None bear the tricolour stamp.

The letter is accompanied by two undated notes, one presumably written on the 29 or 30 April and signed by a member of the Royal Irish Constabulary after the surrender; ‘The following received from Commandeth [sic] Dublin. Most of the country commanders have already surrendered, no terms exept [sic] unconditional surrender are offered, inform press & people’; the other reporting the destruction of Liberty Hall by British troops on 26 April 1916 in the mistaken belief that members of the Irish Citizen Army were within, docketed ‘Official’ in pencil at the head with the words ‘God save the King’, obscured, at the foot, reporting confidently that ‘During the night the Royal Naval Reserve in Gunboat and Transport on the Liffey shelled, and the troops subsequently occupied Liberty Hall, Headquarters of Sinn Fein Force, meantime large reinforcements have arrived in Dublin...The situation is well in hand, Repairs to line being rapidly fixed’.

The order of surrender and supporting documents also bear witness to another bloody episode in the history of independence. They come by descent through the family of two R.I.C. men, a father and future son-in- law who were Head Constable and Sergeant at the time of the Easter Rising - the great-grandfather and grandfather of the present owner. It is believed that the great-grandfather, George Mcdonagh, was given the order of surrender by District Inspector Percival Lea Wilson whilst they were stationed together at Gorey in Co. Wexford. Wilson was assassinated in June 1920 on the orders of Michael Collins, supposedly in retaliation for having mistreated the rebel leader, Thomas Clarke, four years earlier. A group photograph of their R.I.C. unit and two press photographs of Wilson’s military funeral are included in the lot.

216 • MILNE (A.A.) Now We Are Six, SIGNED BY THE AUTHOR on the title-page, publisher’s red morocco gilt, rubbed with some loss to extremities of spine, [1927]; idem, another copy, jacket with small loss at head of spine touching first word, [1927]; idem, another copy, jacket with loss to head and foot affecting letters, [1927]; The House at Pooh Corner, jacket with small losses at extremities of spine, [1928]; Winnie-The-Pooh, jacket with some loss to extremities of spine and a small loss to upper cover, [1926], FIRST EDITIONS, illustrations by E.H. Shepard, all but the first publisher’s cloth, dust-jackets, Methuen--[DODGSON (CHARLES LUTWIDGE)] Through the Looking-Glass, and What Alice Found There, “twenty-second thousand”, illustrations by John Tenniel, publisher’s red pictorial cloth gilt, g.e., rubbed, lower joint split, Macmillan, 1872, 8vo (6)

£600 - 800 €710 - 950

217 • NASH (PAUL) Places. 7 Prints Reproduced from Woodblocks, Designed & Engraved by Paul Nash, FIRST EDITION, NUMBER 47 OF 50 COPIES ON JAPON PAPER SIGNED BY THE ARTIST on the colophon, 8 full-page woodcut illustrations (including large tail-piece) and decorations by Nash, publisher’s cloth-backed pictorial boards, original glassine (creased with loss), original box case covered in paper design by Nash, large printed label on upper cover, on joint neatly repaired, 4to, William Heinemann, 1922

£2,000 - 4,000 €2,400 - 4,700

FINE COPY OF THE LIMITED EDITION OF 50 COPIES SIGNED BY NASH IN THE VERY RARE ORIGINAL BOX of the first book both illustrated and written by Nash.

For details of the charges payable in addition to the final Hammer Price of each Lot 122 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 217 218

218 • NICHOLSON (WILLIAM) BIANCO (MARGERY WILLIAMS) The Velveteen Rabbit. Or How Toys Become Real. With Illustrations by William Nicholson, FIRST EDITION, PRESENTATION COPY INSCRIBED BY THE ILLUSTRATOR “1922 Xmas. For Tony with my love William Nicholson” on blank recto of front free endpaper, half-title, 7 colour lithographed plates (3 double-page, 2 with caption shaved), occasional light spotting, decorative rabbit pattern endpapers, publisher’s pictorial boards (loss to extremities of spine, light soiling to upper part of upper cover), dust-jacket (loss to upper part - affecting rabbit ears - of upper wrapper, small losses to upper part of lower cover, and most of spine), 4to, William Heinemann, 1922

£1,000 - 2,000 €1,200 - 2,400

PRESENTATION COPY OF THE FIRST EDITION, INSCRIBED BY THE ILLUSTRATOR WILLIAM NICHOLSON, and retaining most of the very rare dust-jacket.

Provenance Tony Wallach, presentation inscription from Nicholson, dated 1922. Tony’s mother Mona was the daughter of Nicholson’s friend, and fellow painter, Harrington Mann. Tony died during the second world war, and his mother later married the author A.G. Macdonell. They had a daughter, Jenny, from whom the vendor inherited this book.

219 • OMAR KHAYYAM Rubaiyat... Illustrated by Ronald Balfour, NUMBER 22 OF 100 COPIES SIGNED BY THE ILLUSTRATOR, 38 tipped-in plates (some colour) by Balfour, publisher’s cloth, light dampstaining at lower margins, Constable, 1920; Rubaiyat, ONE OF 250 DE LUXE COPIES SIGNED BY THE ILLUSTRATOR, this copy unnumbered but marked “signed copy” on colophon, tipped-in colour plates and illustrations by René Bull, publisher’s decorative vellum gilt, t.e.g., lacks ties, Hodder & Stoughton, [1913]; Rubaiyat, “decorations by Fish”, 20 colour plates by A.H. Fish, publisher’s cloth-backed boards, corners rubbed, John Lane The Bodley Head, [1922], 4to (3)

£600 - 800 €710 - 950

220 • OMAR KHAYYAM Rubaiyat, NUMBER 41 OF 55 COPIES PRINTED ON KELMSCOTT HAND-MADE PAPER, printed in red and black, illustrations by Thomas Lowinsky, publisher’s quarter vellum, t.e.g., Shakespeare Head’s Press, 1926; Rubaiyat, illustrations throughout by Elihu Vedder, publisher’s pictorial cloth gilt, t.e.g., Boston, Houghton Mifflin, 1884; Rubaiyat, 5 colour plates and illustrations after Frank Brangwyn, early half vellum gilt by Bayntun of Bath, gilt floral motifs on spine, t.e.g., Gibbings, 1906; Rubaiyat, 20 tipped-in plates (some colour) by Ronald Balfour, publisher’s boards, rebacked, Constable, [1920]; Rubaiyat, foreword by C.B. Havell, 12 colour plates by Asit-Kumar Haldar, the text in publisher’s wrappers, the plates mounted on card in the “Persian style”, loose as issued in cloth portfolio, Allahabad, Indian Press, [n.d.]--STONEHOUSE (JOHN H.) The Story of the Great Omar Bound by Francis Longinus Sangorski and its Romantic Loss, photographic illustrations, publisher’s buckram, dust-jacket, slipcase, Piccadilly Fountain Press, 1933; and 6 others, including A.G. Potter’s bibliography of Rubaiyats (1929), and editions of the Rubaiyat illustrated by Gilbert James (1898), Elihu Vedder (1896), Sangorski & Sutcliffer (n.d.), George Popoff (1948), and others, various sizes (12)

£800 - 1,200 €950 - 1,400

221 • OMAR KHAYYAM - GOLDEN COCKEREL PRESS The... Rubáiyát, translated by Edward Fitzgerald, NUMBER 13 OF 30 SPECIALLY BOUND COPIES, WITH 5 EXTRA ENGRAVED PLATES BY BUCKLAND-WRIGHT, and 8 facsimiles after Fitzgerald’s manuscript, signed by the illustrator and other collaborators on the colophon, 8 full-page engraved illustrations by John Buckland- Wright, the 5 additional engraved plates and facsimiles in a wallet inside the lower cover, original cream morocco by Sangorski & Sutcliffe, gilt-blocked decoration on the upper cover, t.e.g., slipcase (lightly soiled), folio, Golden Cockerel Press, 1938

£2,000 - 3,000 €2,400 - 3,600

ONE OF 30 COPIES, WITH AN ADDITIONAL 5 ENGRAVINGS BY JOHN BUCKLAND-WRIGHT, these having a slightly more erotic content than those published in the book.

For details of the charges payable in addition to the final Hammer Price of each Lot 124 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 223

222 • OMAR KHAYYAM - GOLDEN COCKEREL PRESS The... Rubáiyát, translated by Edward Fitzgerald, NUMBER 50 OF 300 COPIES, 8 engraved plates by John Buckland-Wright, original quarter vellum, t.e.g., 1938; The Rubaiyat, NUMBER 59 OF 75 SPECIALLY BOUND COPIES WITH AN EXTRA SUITE OF PLATES, 7 plates after J. Yunge Bateman, the extra suite of 9 plates (2 of which not used in the bound volume) loose as issued in cloth wallet, red gilt-blocked morocco, t.e.g., slipcase, 1958, small folio, Golden Cockerel Press; and a copy of the 1958 edition limited to 200 copies, original cloth (worn), 1958 (3)

£600 - 800 €710 - 950

223 • AR OMAR KHAYYAM - SUSAN ALLIX Rubaiyat of Omar Khayyam. Rendered into English by Edward Fitzgerald... with Etchings by Susan Allix. Typography by Lewis Rouse Jones, NUMBER 18 OF 25 COPIES BOUND BY SUSAN ALLIX, from an edition of 75 copies, 27 copper etched designs printed in various colours on thick paper, mostly geometric and abstract, many full-page, some double-page, with borders and vignettes, uncut in original red goatskin by Susan Allix, upper cover with gilt lattice-work design containing small stars, spine lettered in gilt, slipcase, 4to (260 x 190mm.), Susan Allix, 1973

£1,500 - 2,000 €1,800 - 2,400

One of only 25 copies specially bound by the artist Susan Allix; the remaining 50 copies were bound by Sangorski & Sutcliffe. Allix trained at the Royal College of Art, and has been making and binding hand-crafted books since 1973. She has exhibited internationally and examples of her work are to be found in the British Library, the Library of Congress and the Dutch Royal Library.

224 • ORWELL (GEORGE) The Road to Wigan Pier, FIRST PUBLIC EDITION, half-title, 32 photographic illustrations on 16 sheets, lights spotting (heaviest on extreme fore-edge), publisher’s blue cloth, yellow lettering on spine, dust-jacket (uncut, spine darkened and extremities slightly frayed not touching text, small red ink marks on upper cover) [Fenwick A.5b], 8vo, Victor Gollancz, 1937

£6,000 - 8,000 €7,100 - 9,500

THE RARE FIRST “PUBLIC” EDITION OF WIGAN PIER IN THE VERY SCARCE DUST-JACKET. “The book was... published on 8 March 1937 in both a Left Book Club edition and a public edition” (Fenwick). The Left Book Club edition was issued in a limp orange cloth, priced 2s 6d, in an edition of 44,150 copies whilst the public edition was issued in cloth with a dust-jacket, priced at 10s 6d., in a print run of only 2,150 copies.

For details of the charges payable in addition to the final Hammer Price of each Lot 126 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 225

225 • PRIVATE PRESS [PEARTREE PRESS - JAMES GUTHRIE] The Elf. A Little Book, 4 vol. [Autumn-Winter-Spring-Summer], EDITION LIMITED TO 20 COPIES, first issue numbered “17”, second and third numbered “17”, the last unnumbered, printed in red, some spotting, without the illustrations, publisher’s wrappers, with ties, Ingrave[- Shorne, nr. Gravesend], [Peartree Press], 1899-1900; A collection of approximately 50 printed prospectuses, trial pages, lists, etc. relating to Peartree Press; GUTHRIE (JAMES) A group of 8 autograph letters signed, and 2 typed letters signed to several recipients, 16 pages, mostly concerning Pear Tree Press and printing related matters, prices, new publications, exhibitions, etc., 8vo, [1928-1943]; The Book Craftsman, 4 vol. [complete], a few pieces of ephemera including a manuscript note (“Delayed by illness. J.G.”) inserted in volume 4, a typed letter signed (“James Guthrie”, dated 6 September 1941) noting that publication of the Book Craftsman has stopped due to the war and other Pear Tree related matter loosely inserted, Fansham, Bognor Regis, Peartree Press, 1934-1935--[DOVES PRESS] Note on a Passage in Shelley’s Ode to Liberty, 8pp., disbound, [Doves Press], 1914; A collection of approximately 21 prospectuses, lists and ephemera printed by the Doves Press, [c.1901-1913]--[ESSEX HOUSE PRESS] A collection of approximately 22 prospectuses, lists, bibliography (1898) printed by the press, [c.1898-1903], loose and preserved in 5 purpose-made morocco-backed solander cases, gilt lettered on spines--BINYON (LAURENCE) Dream Come True, LIMITED TO 175 COPIES, double-page opening printed in green with woodcut illustration, publisher’s patterned boards, Eragny Press, 1905, 8vo and 4to; and small quantity of other Private Press material, including 3 limited editions by the Pear Tree Press, approximately 25 items printed by the St. Albert’s Press, and some printing by the Alcuin Press (quantity)

£1,000 - 1,500 €1,200 - 1,800

A collection of prospectuses, lists, printed ephemera and limited editions relating to the Doves, Essex House, Pear Tree, Alcuin, St. Albert’s and Eragny private presses.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | 127 226 PROSPERO POETS Papers of the poet, biographer, anthologist, radio presenter and editor, Simon Rae, chiefly centred on his editorship of the Prospero Poets, first and second series, and of The Orange Dove of Fiji, 1989 (poems by Hughes, Heaney and others published for the benefit of the WWF), the archive comprising letters by Hughes (three autograph notes – “Two pieces – not so easy to illustrate. But I have a soft spot them [sic] – even if they’re illustrated by nothing but flowers & birds, aurochs and mastodons, with a sprinkling of 16th century Alchemical woodcuts. I hope you can get to like them enough to use them without a sinking of spirits, whisky or whatever...”), Heaney, Cope, Sweeney, McGough, Duffy, Armitage, Reid, Raine, Motion, Ewart, Redgrove, Shuttle, Brownjohn, Fenton, Constantine, Abse, Enright, Dunn, Fuller, Causley, Harrison, Jenkins, Thwaite, Imlah, Muldoon, and others; with editorial papers, listings of costs, photocopies, etc.; plus a run of signed hardback Prospero poems (including the two by Hughes), plus unsigned duplicates, specimen sheets, etc.

£600 - 800 €710 - 950

227 • RACKHAM (ARTHUR) DICKENS (CHARLES) A Christmas Carol, NUMBER 136 OF 525 COPIES SIGNED BY RACKHAM, 12 tipped- in colour plates, illustrations and ornaments by Rackham, some spotting (mostly to endpapers), vignette on list of illustrations leaf partially hand-coloured, publisher’s vellum gilt, t.e.g., light soiling, a few small red ink spots on upper cover, without ties, 4to, William Heinemann, [1915]

£1,200 - 1,800 €1,400 - 2,100

228 • REMBRANDT BODE (WILHELM) The Complete Works of Rembrandt, 8 vol., NUMBER 28 OF 75 ÉDITION DE LUXE COPIES ON JAPON PAPER, from an overall edition of 575, upwards of 580 heliogravure plates, some photographic plates, tissue guards, contemporary tan crushed half morocco, gilt lettered spines, t.e.g., folio (440 x 340mm.), Paris, Charles Sedelmeyer, 1897-1906

£800 - 1,200 €950 - 1,400

A SUBSCRIBER’S COPY OF THE EDITION DE LUXE IN HALF MOROCCO.

Provenance Lord Ashburton, a subscriber to the édition de luxe, with specially printed letterpress justification leaf. Ashburton was the owner of Rembrandt’s portrait of Lieven Willemsz van Coppenol (Bode 456), now in the Metropolitan Museum of Art, New York.

229 • ROWLING (J.K.) Harry Potter and the Philosopher’s Stone, UNCORRECTED PROOF COPY, with “J.A. Rowling” on the title- page, publisher’s plain white and yellow wrappers (a few small marks), 8vo, Bloomsbury, 1997; together with a COLOUR PROOF OF THE COVER OF THE FIRST EDITION (2)

£1,500 - 2,500 €1,800 - 3,000

One of approximately 200 uncorrected proof copies of the very first Harry Potter title, with the spelling error “J.A. Rowling” on the title-page, together with a proof of the cover of the first edition, which is priced at £4.50 and has considerable variations in the lettering and blurb.

Provenance Sent to the current owner whilst working in a Bournemouth bookshop in 1997.

For details of the charges payable in addition to the final Hammer Price of each Lot 128 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 229

229 230

230 • ROWLING (J.K.) Harry Potter and the Philosopher’s Stone, FIRST PAPERBACK EDITION, with “10 9 8 7 6 5 4 3 2 1” on the colophon, some yellowing and light spotting, publisher’s pictorial wrappers, spine sunned, a few creases, small paper tab pasted over price on lower cover, 8vo, Bloomsbury, [1997]

£1,000 - 1,500 €1,200 - 1,800

The first paperback edition, issued on the same day as the first hardback edition, of the first Harry Potter title.

231 • THOMAS (DYLAN) Deaths and Entrances. Poems, later impression, INSCRIBED BY THE AUTHOR “From Dylan Thomas/August 1950/with all/best wishes.” on front free endpaper, publisher’s cloth, spine faded, 8vo, J.M. Dent, [1949]

£600 - 800 €710 - 950

232 • URANIAN AND FIN DE SIÈCLE POETRY Album containing a large quantity of manuscript verse, many marked up for publication, as well as ephemera extracted from magazines and the like, several hundred pages, many attached with red wax, the album comprising some 80 leaves, dust-staining etc., hinges broken, gothic red morocco, stamped with the initials ‘C.J.W’, 4to, mostly c.1887-88

£1,000 - 1,500 €1,200 - 1,800

This collection appears to have been assembled by Joseph William Gleeson White (1851-1898), the friend of Baron Corvo and editor of The Studio. It was assembled either for, or in response to, his influential anthology Ballads and Rondeaus: Chants Royal, Sestinas, Villanelles, &c.; Selected with chapter on the various forms, 1887, which according to his friend Douglas Sladen was ‘at the origin of a veritable rage of ballade-writing’ (see Catherine Delyfer, Yellow Nineties Online). Among the poets represented in our collection are William Sharp [Fiona MacLeod] (two ballades, both signed and marked up for the printer), George Moore (two verses), W.E. Henley (draft of ‘A Ballade of Wet Weather’), Ernest Radford, Cosmo Monkhouse, Arthur Reed Ropes [Adrian Ross], Douglas Sladen (including a corrected proof of his 1888 ballad on the Armada), Justin Huntley McCarthy, Ernest De Lancey Pierson, the young H.J.C. Grierson (‘To John Keats: Chant Royal’), James Ashcroft Noble, Jean Richepin, the Scottish Gaelic poet Mary MacKellar, Ada Louise Martin (‘Sleep’) and Graham R. Thomson (pen-name of Rosamund Marriott Watson). Among Trans-Atlantic authors are Bliss Carman (inscribed ephemera), Edith M. Thomas (including her villanelle ‘Across the World I Speak to Thee’, later set by Amy Beach), Clinton Scollard, H.C. Bunner, Arlo Bates, and Elisabeth Cavazza (inscribed ephemera).

Gleeson White’s Uranian interests are well represented. Included is an anonymous “Rondel: To Aubrey Beardsley When his God Pan disappeared from the wrapper design of ‘The Studio’” (the faun having been deemed too suggestive of ‘Greek love’, a subject explored in the first number of 1893). A number of verses are by another friend of Corvo’s, Charles Kains-Jackson, editor of The Artist, which according to Timothy D’Arch Smith ‘printed Uranian material in profusion’ (Love in Earnest, p.17). With them is a fragmentary letter written at the height of the Cleveland Street scandal in 1889 where Kains-Jackson tells Gleeson White that “The Euston case has concentrated all the public attention on one of the raid[ed] houses and thus makes things easier for the rest”, adding that “Oscar has reappeared...”. Other Uranian material includes a pamphlet poem on Daphne and Chloe inscribed by Gleeson White to Kains-Jackson, an anonymous poem on White’s ‘A Song of Youths’, a villanelle on the youth Pan, a heavily worked draft of [Charles Sayle’s] ‘King’s College Chapel: Evening’, verses by ‘P.C.’ (‘English Boyhood’, etc.), and a batch of verses by Corvo’s long-suffering Venice host Horatio F. Brown with a covering letter telling Gleeson White that “It is a divine, pearly grey, day” and that “Tuke is to his painting gone”.

For details of the charges payable in addition to the final Hammer Price of each Lot 130 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 233

233 • WAUGH (ALEC) Autograph manuscript of his novel No Truce with Time, written throughout in a small neat hand in green ink, with numerous revisions (including paste-overs) and deletions, many made currente calamo; prefaced by half- title and title-page, a note on the manuscript and dedication to Joan Duff (suppressed in the published version) dated 10 June 1940; the text interspersed with running numbers in pencil and red-crayon (evidently during preparation of the typescript), some 200 leaves, written on rectos only, numbered by Waugh from 1-178 and 1-26, on ruled ring-file paper, bound up [for presentation by Waugh] in half green morocco, some scuffing and fading, folio, July 1939-April 1940

£1,000 - 1,500 €1,200 - 1,800

FINE AND SUBSTANTIAL WARTIME MANUSCRIPT OF A NOVEL BY ALEC WAUGH, Evelyn’s elder and, for a while, more famous brother. It is prefaced with a note dated 10 June 1940 describing the manuscript’s long, and difficult, gestation: “Note on/ No Truce with Time was begun in July 1939. It was abandoned on the outbreak of war at manuscript page 57. It was resumed in January 1940 when the author was in charge of the platoon of Bren Gun carriers with the I.T.C. at Dorchester. It was written between 4.00 a.m. and 7.15 a.m. each morning, It was finished on Thursday April 18 - two days before the author was transferred from the I.T.C. to the B.E.F. The revised typescript was lost in the battle of Flanders May 1940 and the last part was never completely re-revised”.

Our manuscript differs considerably from the version that finally saw the light of day. It opens, for example: “Shading her eyes against the glare, she paused on the verandah steps, her glance turned backward. Yes, it looked just the same - the long straight streets of Granville, its iron roofs glistening in the sunlight: the bungalows white and red against the green of the circling hills: the battlements of the old French forts above the harbour: the schooners moored against the wharf: the cargo boats at anchor: the square sails of the fishing smacks, white against the blue lawn of the bay; the outline of Martinique shadowy across the fifty miles of the windward channel, the high Pitons of St. Lucia silver clear - all just as it had been, three hours back...”. By contrast, the published text begins: ʻIt was a quarter to twelve on a morning in early January in the small British West Indian island of El Santo. A sultry sun steamed through a clouded sky. Into the side of an empty road a small two-seater had been drawn. A man in the early twenties stood beside it. His forehead was damp with sweat; his hands were clenched; his eyes were glowering...’.

The book was published in January 1941. Included in the lot is the first edition, inscribed by augh:W “This is the very first copy off the press - there are so many reasons Joan dear, why it should be yours”; also included in the lot are presentation copies inscribed to her of Waugh’s Guy Renton (1953) and The Mule on the Minaret (1965).

No Truce with Time remains available in the Bloomsbury Reader series (ʻ... Alec Waugh again brings all his powers as a novelist to unravel a densely emotional human situation...’). Others of Waugh’s manuscripts are held at the Harry Ransom Center, University of Texas.

234 • WAUGH (EVELYN) [Sword of Honour Trilogy:] Men at Arms, 1952; Officers and Gentlemen, 1955; Unconditional Surrender, 1961, preserved in slipcase; Scott-King’s Modern Europe, 1947; The Loved One, [1948]; A Tourist in Africa, 1960; Brideshead Revisited, Book Society edition, 1945, dust jackets (the last chipped); Black Mischief, 1932; Scoop, 1933, FIRST EDITIONS, publisher’s cloth, 8vo, Chapman & Hall; and 11 others by Waugh, including some duplicates (20)

£500 - 700 €590 - 830

235 • WAUGH (EVELYN) Decline and Fall. An Illustrated Novelette, FIRST EDITION, second impression, AUTHOR’S PRESENTATION COPY, INSCRIBED “For Desmond MacCarthy from Evelyn Waugh, with his gratitude, Dec. 1928”, publisher’s cloth, gilt lettered on spine, soiled with small abrasions at spine corners, 8vo, Chapman & Hall, October 1928

£600 - 800 €710 - 950

Inscribed presentation copy of Waugh’s first novel, given to the literary critic Desmond MacCarthy (1877- 1952) who in June 1928 had become the first editor of Life and Letters, for which he commissioned an essay by Waugh on Ronald Firbank in 1929. MacCarthy was to become “an influential admirer” (C. Sykes, Evelyn Waugh, 1975) and supporter of Waugh throughout his career; later ownership inscription (1947) inside upper cover.

236 • WOOLF (VIRGINIA) A Room of One’s Own, FIRST EDITION, LARGE PAPER ISSUE, ONE OF 492 COPIES SIGNED BY THE AUTHOR in purple ink on the half-title, ADDITIONALLY SIGNED BY WOOLF in black ink on front free endpaper, this copy “out of series”, publisher’s cloth, slightly rubbed [Kirkpatrick A12a], 8vo, New York, The Fountain Press; London, The Hogarth Press, 1929

£1,000 - 1,500 €1,200 - 1,800

237 • YEATS (W.B.) The Wanderings of Oisin, FIRST EDITION, LIMITED TO 500 COPIES, half-title, publisher’s blue cloth with publisher’s blindstamped monogram on the lower cover, slight bubbling to covers, hinges splitting [Wade 2], 8vo, Kegan Paul, 1889

£600 - 800 €710 - 950

First edition of Yeats’s first regularly published work, which was published in an edition of 500 copies and sold by subscription. This copy is in the first issue binding.

END OF SALE

For details of the charges payable in addition to the final Hammer Price of each Lot 132 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. A PAIR OF VINCENZO CORONELLI ENQUIRIES IMPORTANT INSTRUMENTS 18 INCH GLOBES ON STANDS +44 (0) 20 7393 3984 OF SCIENCE & TECHNOLOGY Italian, Late 17th century [email protected] Tuesday 24 October 2017 £100,000 - 150,000 Knightsbridge, London $130,000 - 190,000 Closing date for entries 1 September 2017 Entries now invited

bonhams.com/scientific Index

Abyssinia 157 Buckland-Wright, J. 222 Ex libris 8 Ackermann, R. 67 Bullfighting 97 Extra-illustrated 66 Aesop 1 Bullinger, H. 92 Agriculture 85 Burgess, W.W. 11 Falconer, J. 25 Albertus Magnus 88 Burma and Sumatra 113 Fale, T. 26 Albin, E. 2 Burton, R. 13 Fielding, H. 73 Alchemy 96, 99 Burton, R.F. 148, 149 Finlay, I.H. 207 Aldam, W.H. 58 Fisher, J. 48 Aldus 102 Callot, J. 93 Fitzroy, R. 150 Algeria 131 Campbell, J. 6 Fleming, I. 188, 208-210 Alken, H. 84 Caricature skeletons 33 Foreign Field Sports 151 Allix, S. 223 Cavafy, C.P. 214 Foujita, T. 211 Americana 44, 81, 144, 163 Ceramics 14 Franklin 167 Andersen, H. 203, 204 Ceylon 154 Frith, W. 138 Andrews, J. 181 Chagall, M. 199 Froger, F. 152 Angling 58-65 Charles II 5 Fuente la Pena, A. de 104 Anwyl, L. 13 Charnock, J. 37 Arab world 46, 148 Chaumet, H. 211 Georgia, USA 163 Arabian Nights 191 China 114-118, 132-134, 161, 164, 165 Golden Cockerel Press 221, 222 Architecture 197 Churchill, W. S. 200, 201 Goya y Lucientes, F.J. de 97 Armenia 111 Clarke, A. 115 Griggs, F. L. 197 Artist’s manuals 100 Coburn, A.L. 135 Grimm Brothers 27 Astronomy 101 Cochinchina 119 Gwalther, R. 98 Augustinus 89 Collins, A. 71 Halford, F.M. 59 Australia 81, 83, 112, 145, 146, 151 Collins, W. 16 Hasted, E. 182 Cookery 17 Hawaii 113 Bacon, F. 3 Cotton, C. 63, 64 Hemingway, E. 213 Baker, G. 173 Crawhall, J. 60 Herbals 22 Balfour, R. 219 Crime and conjuring 56 Hockney, D. 214 Banbery, F. 187 Crimean War 160 Hong Kong 164 Barlaeus, C. 147 Cruikshank, G. 27 Horology 26 Barlow, F. 1 Crypography 25 Horse racing 5 Bates, H.E. 212 Humboldt, A. von 155 Beckett, S. 202 Darwin, C. 150 Hunter, J. 145 Beekeeping 68 De la Grange, A. 136 Bell, V. 198 De La Rochette, S.D. 170 Illuminated address 29 Berain, J. 90 Dickens, C. 18-21, 72, 227 Incunabula 89, 106 Bianco, M.W. 218 Dodoens, R. 22 India 136, 139-141 Bibles 4 Dorset 177 Ireland 179, 215 Bindings 5, 6, 71-73, 78, 79, 223 Doves Press 225 Italy 110 Blackstone, W. 7 Dulac, E. 203-206 Blaes, G. 91 Easter Rising 215 Jabir Ibn Hayyan 96 Bode, W. 228 Education 94 Japan 120-126, 153 Bond, M. 187 Egypt and Middle East 138, 156 Johnson, S. 74 Bookplates 8 Elephants 189-190 Boswell, J. 69 Elizabeth I 24 Kaempfer, E. 153 Boxer Rebellion 133, 114 Emerson, P.H. 137 Kent 180-183 Boyle, R. 9 Engineering 184 Kimono designs 121 Brady, W. 171 Englert, D. 94 Knoop. J.H. 75 Brazil 147 Entomology 2 Knox, R. 154 Bronte, A. 10 Euclid 95 Index

Lacinio, G. 99 Orwell, G. 224 Shaw, G. 52 Lancashire 184 Outhwaite, I.R. 192, 193 Shepard, E.H. 196 Law 7, 32 Oxley, J. 146 Simpson, W. 160 Leddra, W. 47 Singapore 118 Leonardo da Vinci 100 Pamphlets 42, 50, 57 Smith, A. 83 Levera, F. 101 Papazyants, M. 111 Smith, E. 17 Lincolnshire 40 Parr, E. 43 South America 170 Lindley, J. 76 Penn, W. 44 Southey, R. 53 Locke, J. 30 Percy, T. 77 Speed, J. 179 London 11, 67 Perspective 109 Stereoscopes 128 Pinckney’s Treaty 162 Surtees, R. 84 Magna Carta 31, 32 Piranesi, G.B. 105 Sweet, R. 55 Man Ray 202 Pius II 106 Swift, J. 54 Manuscript sermons 92 Plantin press 103 Maps 77 Playing Cards 45 Tachard, G. 161 Marin, J. 127 Poe, E.A. 205 Tallis, J. 166 Martialis, M.V. 102 Polar 142, 143 Teedale, H. 186 Martin, R.M. 166 Ponting, H.G. 142, 143 Texas, USA 171 Mathematics 95 Pope, A. 78, 79 Thailand and Java 129 McKee, D. 189, 190 Portolan chart 168 Thomas, D. 231 Medicine 33, 42, 91 Pritt, T.E. 60 Thomson, J. 185 Melville, H. 34 Private Press 225 Trade catalogue 14 Mennie, D. 116 Prospero Poets 226 Trithemius, J. 108 Military 130 Troili, G. 109 Millar, J. 23 Qu’ran 46 Tull, J. 85 Miller, P. 35 Mills, J. 68 Racine, J. 107 United States 144, 162, 171 Milne, A.A. 216 Rackham, A. 194, 195, 227 Uranian literature 232 Milton, J. 36 Rae, S. 226 Miniature books 103 Rawstorne, L. 80 Venice 110 Moellhausen, H.B. 155 Reichenbach, H.G.L. 41 Victoria, Queen 29 Murray, J. 139-141 Rembrandt 228 Vidocq, E-F. 56 Repton, H. 82 Vietnam 119 Nash, J. 212 Roberts, D. 156 Vrients, J.B. 176 Nash, P. 217 Robinson, W. 47 Natural History 75 Rome 105 Walton, I. 61-66 Naval and marine 37 Rowling, J.K. 229, 230 Waugh, E. 234, 235 Navy 38 Royal Family 48 White, G. 86 New Zealand 127 Royalty 112 White, J.W.G. 232 Newton, I. 39, 40 Ruskin, J. 49 Wilde, O. 87 Nicholson, W. 218 Winnie-the-Pooh 196 Nodder, F.P. 52 Sale catalogues 51 Women’s medicine 88 Northamptonshire 173 Salt, H. 157 Woolf, V. 198, 236 Northwest Passage 167 Saxton, C. 177, 178 Wordsworth, W. 57 Schreiber, J.G. 169 World maps 172 Occultism 104 Science 9 World War I 130 Ogawa, K. 126 Scotland 185 World War II 120 Omar Khayyam 206, 219-221 Scott, R.F. 158, 159 Ornithological watercolours 41 Scottish bindings 4 Yamamoto, S. 117 Orr, M.S. 191 Serres, J. 50 Yeats, W.B. 237 Ortelius, A. 165, 172, 174-176, 178 Shakespeare, W. 51 NOTICE TO BIDDERS to any person even if that person has completed a Bidding Buyer’s Premium and associated charges. If we approve the 8. VAT Form. identity of your client in advance, we will be in a position to This notice is addressed by Bonhams to any person who doing so. Such items which are unsuitable for connection of any statement or representation made by Bonhams or on address the invoice to your principal rather than you. We will The prevailing rate of VAT at the time of going to press is 20%, may be interested in a Lot, including Bidders and potential are sold as items of interest for display purposes only. If you Bonhams’ behalf which is in any way descriptive of any Lot Bidding in person require proof of the agent’s client’s identity and residence in but this is subject to government change and the rate payable Bidders (including any eventual Buyer of the Lot). For ease of yourself do not have expertise regarding a Lot, you should or as to the anticipated or likely selling price of any Lot. No You should come to our Bidder registration desk at the Sale advance of any bids made by the agent on his behalf. Please will be the rate in force on the date of the Sale. reference we refer to such persons as “Bidders” or “you”. Our consult someone who does to advise you. We can assist in statement or representation by Bonhams or on its behalf in any venue and fill out a Bidder Registration Form on (or, if possible, refer to our Conditions of Business and contact our Customer List of Definitions and Glossary is incorporated into this Notice arranging facilities for you to carry out or have carried out more way descriptive of any Lot or any Estimate is incorporated into before) the day of the Sale. The bidding number system is Services Department for further details. The following symbols, shown beside the Lot number, are to Bidders. It is at Appendix 3 at the back of the Catalogue. detailed inspections and tests. Please ask our staff for details. our Buyer’s Agreement. sometimes referred to as “paddle bidding”. You will be issued used to denote that VAT is due on the Hammer Price and Where words and phrases are used in this notice which are in with a large card (a “paddle”) with a printed number on it. This 6. CONTRACTS BETWEEN THE BUYER AND Buyer’s Premium: the List of Definitions, they are printed in italics. Any person who damages a Lot will be held liable for the Alterations will be attributed to you for the purposes of the Sale. Should SELLER AND THE BUYER AND BONHAMS † VAT at the prevailing rate on Hammer Price and Buyer’s loss caused. Descriptions and Estimates may be amended at Bonhams’ you be a successful Bidder you will need to ensure that your Premium IMPORTANT: Additional information applicable to the Sale discretion from time to time by notice given orally or in number can be clearly seen by the Auctioneer and that it is On the Lot being knocked down to the Buyer, a Contract for Ω VAT on imported items at the prevailing rate on Hammer may be set out in the Catalogue for the Sale, in an insert in writing before or during a Sale. 3. DESCRIPTIONS OF LOTS AND ESTIMATES your number which is identified as the Buyer’s. You should not Sale of the Lot will be entered into between the Seller and the Price and Buyer’s Premium the Catalogue and/or in a notice displayed at the Sale venue let anyone else use your paddle as all Lots will be invoiced to Buyer on the terms of the Contract for Sale set out in Appendix VAT on imported items at a preferential rate of 5% and you should read them as well. Announcements affecting THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST * Contractual Description of a Lot the name and address given on your Bidder Registration Form. 1 at the back of the Catalogue. You will be liable to pay the on Hammer Price and the prevailing rate on Buyer’s the Sale may also be given out orally before and during the The Catalogue contains an Entry about each Lot. Each Lot FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Once an invoice is issued it will not be changed. If there is Purchase Price, which is the Hammer Price plus any applicable Premium Sale without prior written notice. You should be alert to the is sold by its respective Seller to the Buyer of the Lot as STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT any doubt as to the Hammer Price of, or whether you are the VAT. At the same time, a separate contract is also entered into G Gold bullion exempt from VAT on the Hammer Price possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is printed EXAMINED ON YOUR BEHALF BEFORE THE SALE. successful Bidder of, a particular Lot, you must draw this to between us as Auctioneers and the Buyer. This is our Buyer’s and subject to VAT at the prevailing rate on the Buyer’s have been any. in bold letters and (except for the colour, which may be the attention of the Auctioneer before the next Lot is offered for Agreement, the terms of which are set out in Appendix 2 at the Premium inaccurately reproduced) with any photograph of the Lot in the 4. CONDUCT OF THE SALE Sale. At the end of the Sale, or when you have finished bidding back of the Catalogue. Please read the terms of the Contract • Zero rated for VAT, no VAT will be added to the Hammer Catalogue. The remainder of the Entry, which is not printed in 1. OUR ROLE please return your paddle to the Bidder registration desk. for Sale and our Buyer’s Agreement contained in the Catalogue Price or the Buyer’s Premium bold letters, represents Bonhams’ opinion (given on behalf of Our Sales are public auctions which persons may attend and in case you are the successful Bidder. We may change the a Buyers from within the EU: VAT is payable at the In its role as Auctioneer of Lots, Bonhams acts solely for the Seller) about the Lot only and is not part of the Contractual you should take the opportunity to do so. We do reserve the Bidding by telephone terms of either or both of these agreements in advance of prevailing rate on just the Buyer’s Premium (NOT the and in the interests of the Seller. Bonhams’ job is to sell the Description in accordance with which the Lot is sold by the right at our sole discretion to refuse admission to our premises If you wish to bid at the Sale by telephone, please complete a their being entered into, by setting out different terms in the Hammer Price). Buyers from outside the EU: VAT is Lot at the highest price obtainable at the Sale to a Bidder. Seller. or to any Sale without stating a reason. We have complete Telephone Bidding Form, which is available from our offices or Catalogue and/or by placing an insert in the Catalogue and/ payable at the prevailing rate on both Hammer Price and Bonhams does not act for Buyers or Bidders in this role and discretion as to whether the Sale proceeds, whether any in the Catalogue. Please then return it to the office responsible or by notices at the Sale venue and/or by oral announcements Buyer’s Premium. If a Buyer, having registered under does not give advice to Buyers or Bidders. When it or its Lot is included in the Sale, the manner in which the Sale is Estimates for the Sale at least 24 hours in advance of the Sale. It is before and during the Sale. You should be alert to this a non-EU address, decides that the item is not to be staff make statements about a Lot or, if Bonhams provides In most cases, an Estimate is printed beside the Entry. conducted and we may offer Lots for Sale in any order we your responsibility to check with our Bids Office that your possibility of changes and ask if there have been any. exported from the EU, then he should advise Bonhams a Condition Report on a Lot it is doing that on behalf of the Estimates are only an expression of Bonhams’ opinion made choose notwithstanding the numbers given to Lots in the bid has been received. Telephone calls will be recorded. The immediately. Seller of the Lot. Bidders and Buyers who are themselves on behalf of the Seller of the range where Bonhams thinks the Catalogue. You should therefore check the date and starting telephone bidding facility is a discretionary service and may not 7. BUYER’S PREMIUM AND OTHER CHARGES not expert in the Lots are strongly advised to seek and obtain Hammer Price for the Lot is likely to fall; it is not an Estimate time of the Sale, whether there have been any withdrawals be available in relation to all Lots. We will not be responsible PAYABLE BY THE BUYER In all other instances no VAT will be charged on the Hammer independent advice on the Lots and their value before bidding of value. It does not take into account any VAT or Buyer’s or late entries. Remember that withdrawals and late entries for bidding on your behalf if you are unavailable at the time of Price, but VAT at the prevailing rate will be added to Buyer’s for them. The Seller has authorised Bonhams to sell the Lot Premium payable or any other fees payable by the Buyer, may affect the time at which a Lot you are interested in is put the Sale or if the telephone connection is interrupted during Under the Buyer’s Agreement, a premium (the Buyer’s Premium which will be invoiced on a VAT inclusive basis. which are detailed in paragraph 7 of the Notice to Bidders, as its agent on its behalf and, save where we expressly make up for Sale. We have complete discretion to refuse any bid, bidding. Please contact us for further details. Premium) is payable to us by the Buyer in accordance with the it clear to the contrary, Bonhams acts only as agent for the below. Lots can in fact sell for Hammer Prices below and to nominate any bidding increment we consider appropriate, terms of the Buyer’s Agreement and at rates set out below, 9. PAYMENT Seller. Any statement or representation we make in respect above the Estimate. Any Estimate should not be relied on to divide any Lot, to combine two or more Lots, to withdraw Bidding by post or fax calculated by reference to the Hammer Price and payable of a Lot is made on the Seller’s behalf and, unless Bonhams as an indication of the actual selling price or value of a Lot. any Lot from a Sale and, before the Sale has been closed, Absentee Bidding Forms can be found in the back of this in addition to it. For this Sale the following rates of Buyer’s It is of critical importance that you ensure that you have readily sells a Lot as principal, not on our behalf and any Contract for Estimates are in the currency of the Sale. to put up any Lot for auction again. Auction speeds can Catalogue and should be completed and sent to the office Premium will be payable by Buyers of Lots: available funds to pay the Purchase Price and the Buyer’s Sale is between the Buyer and the Seller and not with us. If exceed 100 Lots to the hour and bidding increments are responsible for the Sale. It is in your interests to return your Premium (plus VAT and any other charges and Expenses to us) Bonhams sells a Lot as principal this will either be stated in the generally about 10%. However these do vary from Sale to Condition Reports form as soon as possible, as if two or more Bidders submit 25% up to £100,000 of the Hammer Price in full before making a bid for the Lot. If you are a successful Catalogue or an announcement to that effect will be made by In respect of most Lots, you may ask for a Condition Report Sale and from Auctioneer to Auctioneer. Please check with identical bids for a Lot, the first bid received takes preference. 20% from £100,001 to £2,000,000 of the Hammer Price Bidder, payment will be due to us by 4.30 pm on the second the Auctioneer, or it will be stated in a notice at the Sale or an on its physical condition from Bonhams. If you do so, this will the department organising the Sale for advice on this. Where In any event, all bids should be received at least 24 hours 12% from £2,000,001 of the Hammer Price working day after the Sale so that all sums are cleared by insert in the Catalogue. be provided by Bonhams on behalf of the Seller free of charge. a Reserve has been applied to a Lot, the Auctioneer may, before the start of the Sale. Please check your Absentee the eighth working day after the Sale. Unless agreed by us in Bonhams is not entering into a contract with you in respect in his absolute discretion, place bids (up to an amount not Bidding Form carefully before returning it to us, fully completed Storage and handling charges may also be payable by the advance payments made by anyone other than the registered Bonhams does not owe or undertake or agree to any duty of the Condition Report and accordingly does not assume equalling or exceeding such Reserve) on behalf of the Seller. and signed by you. It is your responsibility to check with our Buyer as detailed on the specific Sale Information page at the Buyer will not be accepted. Payment will have to be by one of or responsibility to you in contract or tort (whether direct, responsibility to you in respect of it. Nor does the Seller owe or We are not responsible to you in respect of the presence or Bids Office that your bid has been received. This additional front of the catalogue. the following methods (all cheques should be made payable to collateral, express, implied or otherwise). If you successfully bid agree to owe you as a Bidder any obligation or duty in respect absence of any Reserve in respect of any Lot. If there is a service is complimentary and is confidential. Such bids are Bonhams 1793 Limited). Bonhams reserves the right to vary for a Lot and buy it, at that stage Bonhams does enter into an of this free report about a Lot, which is available for your own Reserve it will normally be no higher than the lower figure for made at your own risk and we cannot accept liability for our Payment by credit card, company debit cards and debit cards the terms of payment at any time. agreement with the Buyer. The terms of that contract are set inspection or for inspection by an expert instructed by you. any Estimate in the Catalogue, assuming that the currency of failure to receive and/or place any such bids. All bids made issued by a non-UK bank will be subject to a 2% surcharge on out in our Buyer’s Agreement, which you will find at Appendix However, any written Description of the physical condition of the Reserve has not fluctuated adversely against the currency on your behalf will be made at the lowest level possible the total value of the invoice. Sterling personal cheque drawn on a UK branch of a bank or 2 at the back of the Catalogue. This will govern Bonhams’ the Lot contained in a Condition Report will form part of the of the Estimate. The Buyer will be the Bidder who makes the subject to Reserves and other bids made for the Lot. Where building society: all cheques must be cleared before you can relationship with the Buyer. Contractual Description of the Lot under which it is sold to highest bid acceptable to the Auctioneer for any Lot (subject appropriate your bids will be rounded down to the nearest The Buyer’s Premium and all other charges payable to us by collect your purchases; any Buyer. to any applicable Reserve) to whom the Lot is knocked down amount consistent with the Auctioneer’s bidding increments. the Buyer are subject to VAT at the prevailing rate, currently 2. LOTS by the Auctioneer at the fall of the Auctioneer’s hammer. Any New Bidders must also provide proof of identity and address 20%. Cash: you may pay for Lots purchased by you at this Sale dispute as to the highest acceptable bid will be settled by the The Seller’s responsibility to you when submitting bids. Failure to do this will result in your bid with notes, coins or travellers cheques in the currency in which Subject to the Contractual Description printed in bold letters The Seller does not make or agree to make any representation Auctioneer in his absolute discretion. All bids tendered will not being placed. VAT may also be payable on the Hammer Price of the Lot, the Sale is conducted (but not any other currency) provided in the Entry about the Lot in the Catalogue (see paragraph 3 of fact or contractual promise, Guarantee or warranty and relate to the actual Lot number announced by the Auctioneer. where indicated by a symbol beside the Lot number. See that the total amount payable by you in respect of all Lots below), Lots are sold to the Buyer on an “as is” basis, with undertakes no obligation or duty, whether in contract or in An electronic currency converter may be used at the Sale. This Bidding via the internet paragraph 8 below for details. purchased by you at the Sale does not exceed £3,000, or all faults and imperfections. Illustrations and photographs tort (other than to the eventual Buyer as set out above), in equipment is provided as a general guide as to the equivalent Please visit our Website at http://www.bonhams.com for the equivalent in the currency in which the Sale is conducted, contained in the Catalogue (other than photographs forming respect of the accuracy or completeness of any statement amount in certain currencies of a given bid. We do not accept details of how to bid via the internet. On certain Lots, which will be marked “AR” in the Catalogue at the time when payment is made. If the amount payable part of the Contractual Description) or elsewhere of any Lots or representation made by him or on his behalf, which is in any responsibility for any errors which may occur in the use of and which are sold for a Hammer Price of €1,000 or greater by you for Lots exceeds that sum, the balance must be paid are for identification purposes only. They may not reveal the any way descriptive of any Lot or as to the anticipated or the currency converter. We may use video cameras to record Bidding through an agent (converted into the currency of the Sale using the European otherwise than in coins, notes or travellers cheques; true condition of the Lot. A photograph or illustration may not likely selling price of any Lot. Other than as set out above, no the Sale and may record telephone calls for reasons of security Bids will be accepted as placed on behalf of the person named Central Bank Reference rate prevailing on the date of the Sale), reflect an accurate reproduction of the colour(s) of the Lot. statement or representation in any way descriptive of a Lot and to assist in solving any disputes which may arise in relation as the principal on the Bidding Form although we may refuse the Additional Premium will be payable to us by the Buyer to Bank transfer: you may electronically transfer funds to our Lots are available for inspection prior to the Sale and it is for or any Estimate is incorporated into any Contract for Sale to bids made at the Sale. At some Sales, for example, jewellery to accept bids from an agent on behalf of a principal and cover our Expenses relating to the payment of royalties under Trust Account. If you do so, please quote your paddle number you to satisfy yourself as to each and every aspect of a Lot, between a Seller and a Buyer. Sales, we may use screens on which images of the Lots will be will require written confirmation from the principal confirming the Artists Resale Right Regulations 2006. The Additional and invoice number as the reference. Our Trust Account details including its authorship, attribution, condition, provenance, projected. This service is provided to assist viewing at the Sale. the agent’s authority to bid. Nevertheless, as the Bidding Premium will be a percentage of the amount of the Hammer are as follows: history, background, authenticity, style, period, age, suitability, Bonhams’ responsibility to you The image on the screen should be treated as an indication Form explains, any person placing a bid as agent on behalf Price calculated in accordance with the table below, and shall Bank: National Westminster Bank Plc quality, roadworthiness (if relevant), origin, value and You have the opportunity of examining the Lot if you want to only of the current Lot. It should be noted that all bids tendered of another (whether or not he has disclosed that fact or the not exceed €12,500 (converted into the currency of the Sale Address: PO Box 4RY estimated selling price (including the Hammer Price). It is your and the Contract for Sale for a Lot is with the Seller and not will relate to the actual Lot number announced by identity of his principal) will be jointly and severally liable with using the European Central Bank Reference rate prevailing on 250 Regent Street responsibility to examine any Lot in which you are interested. It with Bonhams; Bonhams acts as the Seller’s agent only (unless the Auctioneer. We do not accept any responsibility for any the principal to the Seller and to Bonhams under any contract the date of the Sale). London W1A 4RY should be remembered that the actual condition of a Lot may Bonhams sells the Lot as principal). errors which may occur in the use of the screen. resulting from the acceptance of a bid. Subject to the above, Account Name: Bonhams 1793 Limited Trust Account not be as good as that indicated by its outward appearance. please let us know if you are acting on behalf of another Hammer Price Percentage amount Account Number: 25563009 In particular, parts may have been replaced or renewed and Bonhams undertakes no obligation to you to examine, 5. BIDDING person when bidding for Lots at the Sale. From €0 to €50,000 4% Sort Code: 56-00-27 Lots may not be authentic or of satisfactory quality; the inside investigate or carry out any tests, either in sufficient depth or at From €50,000.01 to €200,000 3% IBAN Number: GB 33 NWBK 560027 25563009 of a Lot may not be visible and may not be original or may be all, on each Lot to establish the accuracy or otherwise of any We do not accept bids from any person who has not Equally, please let us know if you intend to nominate another From €200,000.01 to €350,000 1% damaged, as for example where it is covered by upholstery Descriptions or opinions given by Bonhams, or by any person completed and delivered to us one of our Bidding Forms, person to bid on your behalf at the Sale unless this is to be From €350,000.01 to €500,000 0.5% If paying by bank transfer, the amount received after the or material. Given the age of many Lots they may have been on Bonhams’ behalf, whether in the Catalogue or elsewhere. either our Bidder Registration Form, Absentee Bidding Form or carried out by us pursuant to a Telephone or Absentee Bidding Exceeding €500,000 0.25% deduction of any bank fees and/or conversion of the currency damaged and/or repaired and you should not assume that Telephone Bidding Form. You will be asked for proof of identity, Form that you have completed. If we do not approve the of payment to pounds sterling must not be less than the a Lot is in good condition. Electronic or mechanical parts You should not suppose that such examinations, investigations residence and references, which, when asked for, you must agency arrangements in writing before the Sale, we are entitled sterling amount payable, as set out on the invoice. may not operate or may not comply with current statutory or tests have occurred. supply if your bids are to be accepted by us. Please bring to assume that the person bidding at the Sale is bidding on requirements. You should not assume that electrical items your passport, driving licence (or similar photographic proof of his own behalf. Accordingly, the person bidding at the Sale will designed to operate on mains electricity will be suitable for Bonhams does not make or agree to make any representation identity) and proof of address. We may request a deposit from be the Buyer and will be liable to pay the Hammer Price and connection to the mains electricity supply and you should of fact, and undertakes no obligation or duty (whether in you before allowing you to bid. We may refuse entry to a Sale obtain a report from a qualified electrician on their status before contract or tort) in respect of the accuracy or completeness

NTB/MAIN/V2/2.17

NTB/MAIN/V2/2.17 to any person even if that person has completed a Bidding Buyer’s Premium and associated charges. If we approve the 8. VAT Form. identity of your client in advance, we will be in a position to address the invoice to your principal rather than you. We will The prevailing rate of VAT at the time of going to press is 20%, Bidding in person require proof of the agent’s client’s identity and residence in but this is subject to government change and the rate payable You should come to our Bidder registration desk at the Sale advance of any bids made by the agent on his behalf. Please will be the rate in force on the date of the Sale. venue and fill out a Bidder Registration Form on (or, if possible, refer to our Conditions of Business and contact our Customer before) the day of the Sale. The bidding number system is Services Department for further details. The following symbols, shown beside the Lot number, are sometimes referred to as “paddle bidding”. You will be issued used to denote that VAT is due on the Hammer Price and with a large card (a “paddle”) with a printed number on it. This 6. CONTRACTS BETWEEN THE BUYER AND Buyer’s Premium: will be attributed to you for the purposes of the Sale. Should SELLER AND THE BUYER AND BONHAMS † VAT at the prevailing rate on Hammer Price and Buyer’s you be a successful Bidder you will need to ensure that your Premium number can be clearly seen by the Auctioneer and that it is On the Lot being knocked down to the Buyer, a Contract for Ω VAT on imported items at the prevailing rate on Hammer your number which is identified as the Buyer’s. You should not Sale of the Lot will be entered into between the Seller and the Price and Buyer’s Premium let anyone else use your paddle as all Lots will be invoiced to Buyer on the terms of the Contract for Sale set out in Appendix * VAT on imported items at a preferential rate of 5% the name and address given on your Bidder Registration Form. 1 at the back of the Catalogue. You will be liable to pay the on Hammer Price and the prevailing rate on Buyer’s Once an invoice is issued it will not be changed. If there is Purchase Price, which is the Hammer Price plus any applicable Premium any doubt as to the Hammer Price of, or whether you are the VAT. At the same time, a separate contract is also entered into G Gold bullion exempt from VAT on the Hammer Price successful Bidder of, a particular Lot, you must draw this to between us as Auctioneers and the Buyer. This is our Buyer’s and subject to VAT at the prevailing rate on the Buyer’s the attention of the Auctioneer before the next Lot is offered for Agreement, the terms of which are set out in Appendix 2 at the Premium Sale. At the end of the Sale, or when you have finished bidding back of the Catalogue. Please read the terms of the Contract • Zero rated for VAT, no VAT will be added to the Hammer please return your paddle to the Bidder registration desk. for Sale and our Buyer’s Agreement contained in the Catalogue Price or the Buyer’s Premium in case you are the successful Bidder. We may change the a Buyers from within the EU: VAT is payable at the Bidding by telephone terms of either or both of these agreements in advance of prevailing rate on just the Buyer’s Premium (NOT the If you wish to bid at the Sale by telephone, please complete a their being entered into, by setting out different terms in the Hammer Price). Buyers from outside the EU: VAT is Telephone Bidding Form, which is available from our offices or Catalogue and/or by placing an insert in the Catalogue and/ payable at the prevailing rate on both Hammer Price and in the Catalogue. Please then return it to the office responsible or by notices at the Sale venue and/or by oral announcements Buyer’s Premium. If a Buyer, having registered under for the Sale at least 24 hours in advance of the Sale. It is before and during the Sale. You should be alert to this a non-EU address, decides that the item is not to be your responsibility to check with our Bids Office that your possibility of changes and ask if there have been any. exported from the EU, then he should advise Bonhams bid has been received. Telephone calls will be recorded. The immediately. telephone bidding facility is a discretionary service and may not 7. BUYER’S PREMIUM AND OTHER CHARGES be available in relation to all Lots. We will not be responsible PAYABLE BY THE BUYER In all other instances no VAT will be charged on the Hammer for bidding on your behalf if you are unavailable at the time of Price, but VAT at the prevailing rate will be added to Buyer’s the Sale or if the telephone connection is interrupted during Under the Buyer’s Agreement, a premium (the Buyer’s Premium which will be invoiced on a VAT inclusive basis. bidding. Please contact us for further details. Premium) is payable to us by the Buyer in accordance with the terms of the Buyer’s Agreement and at rates set out below, 9. PAYMENT Bidding by post or fax calculated by reference to the Hammer Price and payable Absentee Bidding Forms can be found in the back of this in addition to it. For this Sale the following rates of Buyer’s It is of critical importance that you ensure that you have readily Catalogue and should be completed and sent to the office Premium will be payable by Buyers of Lots: available funds to pay the Purchase Price and the Buyer’s responsible for the Sale. It is in your interests to return your Premium (plus VAT and any other charges and Expenses to us) form as soon as possible, as if two or more Bidders submit 25% up to £100,000 of the Hammer Price in full before making a bid for the Lot. If you are a successful identical bids for a Lot, the first bid received takes preference. 20% from £100,001 to £2,000,000 of the Hammer Price Bidder, payment will be due to us by 4.30 pm on the second In any event, all bids should be received at least 24 hours 12% from £2,000,001 of the Hammer Price working day after the Sale so that all sums are cleared by before the start of the Sale. Please check your Absentee the eighth working day after the Sale. Unless agreed by us in Bidding Form carefully before returning it to us, fully completed Storage and handling charges may also be payable by the advance payments made by anyone other than the registered and signed by you. It is your responsibility to check with our Buyer as detailed on the specific Sale Information page at the Buyer will not be accepted. Payment will have to be by one of Bids Office that your bid has been received. This additional front of the catalogue. the following methods (all cheques should be made payable to service is complimentary and is confidential. Such bids are Bonhams 1793 Limited). Bonhams reserves the right to vary made at your own risk and we cannot accept liability for our Payment by credit card, company debit cards and debit cards the terms of payment at any time. failure to receive and/or place any such bids. All bids made issued by a non-UK bank will be subject to a 2% surcharge on on your behalf will be made at the lowest level possible the total value of the invoice. Sterling personal cheque drawn on a UK branch of a bank or subject to Reserves and other bids made for the Lot. Where building society: all cheques must be cleared before you can appropriate your bids will be rounded down to the nearest The Buyer’s Premium and all other charges payable to us by collect your purchases; amount consistent with the Auctioneer’s bidding increments. the Buyer are subject to VAT at the prevailing rate, currently New Bidders must also provide proof of identity and address 20%. Cash: you may pay for Lots purchased by you at this Sale when submitting bids. Failure to do this will result in your bid with notes, coins or travellers cheques in the currency in which not being placed. VAT may also be payable on the Hammer Price of the Lot, the Sale is conducted (but not any other currency) provided where indicated by a symbol beside the Lot number. See that the total amount payable by you in respect of all Lots Bidding via the internet paragraph 8 below for details. purchased by you at the Sale does not exceed £3,000, or Please visit our Website at http://www.bonhams.com for the equivalent in the currency in which the Sale is conducted, details of how to bid via the internet. On certain Lots, which will be marked “AR” in the Catalogue at the time when payment is made. If the amount payable and which are sold for a Hammer Price of €1,000 or greater by you for Lots exceeds that sum, the balance must be paid Bidding through an agent (converted into the currency of the Sale using the European otherwise than in coins, notes or travellers cheques; Bids will be accepted as placed on behalf of the person named Central Bank Reference rate prevailing on the date of the Sale), as the principal on the Bidding Form although we may refuse the Additional Premium will be payable to us by the Buyer to Bank transfer: you may electronically transfer funds to our to accept bids from an agent on behalf of a principal and cover our Expenses relating to the payment of royalties under Trust Account. If you do so, please quote your paddle number will require written confirmation from the principal confirming the Artists Resale Right Regulations 2006. The Additional and invoice number as the reference. Our Trust Account details the agent’s authority to bid. Nevertheless, as the Bidding Premium will be a percentage of the amount of the Hammer are as follows: Form explains, any person placing a bid as agent on behalf Price calculated in accordance with the table below, and shall Bank: National Westminster Bank Plc of another (whether or not he has disclosed that fact or the not exceed €12,500 (converted into the currency of the Sale Address: PO Box 4RY identity of his principal) will be jointly and severally liable with using the European Central Bank Reference rate prevailing on 250 Regent Street the principal to the Seller and to Bonhams under any contract the date of the Sale). London W1A 4RY resulting from the acceptance of a bid. Subject to the above, Account Name: Bonhams 1793 Limited Trust Account please let us know if you are acting on behalf of another Hammer Price Percentage amount Account Number: 25563009 person when bidding for Lots at the Sale. From €0 to €50,000 4% Sort Code: 56-00-27 From €50,000.01 to €200,000 3% IBAN Number: GB 33 NWBK 560027 25563009 Equally, please let us know if you intend to nominate another From €200,000.01 to €350,000 1% person to bid on your behalf at the Sale unless this is to be From €350,000.01 to €500,000 0.5% If paying by bank transfer, the amount received after the carried out by us pursuant to a Telephone or Absentee Bidding Exceeding €500,000 0.25% deduction of any bank fees and/or conversion of the currency Form that you have completed. If we do not approve the of payment to pounds sterling must not be less than the agency arrangements in writing before the Sale, we are entitled sterling amount payable, as set out on the invoice. to assume that the person bidding at the Sale is bidding on his own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and

NTB/MAIN/V2/2.17 Debit cards: there is no additional charge for purchases made case of the nature, volume or source of the loss or damage exceptional condition and to those defects that might with personal debit cards, issued by a UK bank. Debit cards alleged to be suffered, and irrespective of whether the said affect the immediate safety of a firearm in normal use. An issued by an overseas bank, deferred and company debit loss or damage is caused by or claimed in respect of any intending Bidder unable to make technical examinations cards and all credit cards will be subject to a 2% surcharge; negligence, other tort, breach of contract (if any) or statutory and assessments is recommended to seek advice from a duty, restitutionary claim or otherwise. In any circumstances gunmaker or from a modern firearms specialist. All prospective Credit cards: Visa and Mastercard only. Please note there is where we and/or the Seller are liable in relation to any Lot or Bidders are advised to consult the ˚ of bore and wall-thickness a 2% surcharge on the total invoice value when payments are any Description or Estimate made of any Lot, or the conduct measurements posted in the saleroom and available from the made using credit cards. It may be advisable to notify your of any Sale in relation to any Lot, whether in damages, for department. Bidders should note that guns are stripped only card provider of your intended purchase in advance to reduce an indemnity or contribution, or for a restitutionary remedy or where there delays caused by us having to seek authority when you come otherwise, our and/or the Seller’s liability (combined, if both is a strong indication of a mechanical malfunction. Stripping to pay. If you have any questions with regard to payment, we and the Seller are liable) will be limited to payment of a sum is not, otherwise, undertaken. Guns intended for use should please contact our Customer Services Department. which will not exceed by way of maximum the amount of the be stripped and cleaned beforehand. Hammer guns should Purchase Price of the Lot irrespective in any case of the nature, have their rebound mechanisms checked before use. The China UnionPay (CUP) debit cards: No surcharge for using volume or source of any loss or damage alleged to be suffered safety mechanisms of all guns must be tested before use. CUP debit cards will apply on the first £100,000 invoiced or sum claimed as due, and irrespective of whether the liability All measurements are approximate. to a Buyer in any Sale; a 2% surcharge will be made on the arises from any negligence, other tort, breach of contract (if balance over £100,000. any) or statutory duty or otherwise. Nothing set out above will Original Gun Specifications Derived from be construed as excluding or restricting (whether directly or Gunmakers 10. COLLECTION AND STORAGE indirectly) our liability or excluding or restricting any person’s The Sporting Gun Department endeavours to confirm a gun’s rights or remedies in respect of (i) fraud, or (ii) death or original specification and date of manufacture with makers who The Buyer of a Lot will not be allowed to collect it until payment personal injury caused by our negligence (or by the negligence hold their original records. in full and in cleared funds has been made (unless we have of any person under our control or for whom we are legally made a special arrangement with the Buyer). For collection and responsible), or (iii) acts or omissions for which we are liable Licensing Requirements removal of purchased Lots, please refer to Sale Information at under the Occupiers Liability Act 1957, or (iv) any other liability Firearms Act 1968 as amended the front of the Catalogue. Our offices are open 9.00am – 5pm to the extent the same may not be excluded or restricted as Bonhams is constantly reviewing its procedures and would Monday to Friday. Details relating to the collection of a Lot, the a matter of law or (v) our undertakings under paragraphs 9 (in remind you that, in the case of firearms or shotguns subject to storage of a Lot and our Storage Contractor after the Sale are relation to specialist Stamp or Book Sales only) and 10 of the certification, to conform with current legislation, Bonhams is set out in the Catalogue. Buyer’s Agreement. The same applies in respect of the Seller, required to see, as appropriate, your original registered firearms as if references to us in this paragraph were substituted with dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING references to the Seller. museum firearms licence / Section 5 authority or import licence For information and estimates on domestic and international (or details of any exemption from which you may benefit, for shipping as well as export licenses please contact 15. BOOKS instance Crown servant status) for the firearm(s) you have Alban Shipping on +44 (0) 1582 493 099 purchased prior to taking full payment of the amount shown [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to unframed maps and bound manuscripts are not liable to VAT obtain any relevant export and/or import licence(s). Export on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable licences are issued by Arts Council England and application to produce the correct paperwork, the Lot(s) will be reoffered forms can be obtained from its Export Licensing Unit. The 16. CLOCKS AND WATCHES by Bonhams in the next appropriate Sale, on standard terms detailed provisions of the export licencing arrangements can for Sellers, and you will be responsible for any loss incurred by be found on the ACE website http://www.artscouncil.org.uk/ All Lots are sold “as is”, and the absence of any reference to Bonhams on the original Sale to you. what-we-do/supporting-museums/cultural-property/export- the condition of a clock or watch does not imply that the Lot is controls/export-licensing/ or by phoning ACE on +44 (0)20 in good condition and without defects, repairs or restorations. In the case of RFD certificates and Section 5 authorities, we 7973 5188. The need for import licences varies from country Most clocks and watches have been repaired in the course of wish to keep an up-to-date copy on file. Please supply us with to country and you should acquaint yourself with all relevant their normal lifetime and may now incorporate parts not original a Fax or photocopy. It would be helpful if you could send us an local requirements and provisions. The refusal of any import or to them. Furthermore, Bonhams makes no representation or updated copy whenever your certificate or authority is renewed export licence(s) or warranty that any clock or watch is in working order. As clocks or changed. any delay in obtaining such licence(s) shall not permit the and watches often contain fine and complex mechanisms, rescission of any Sale nor allow any delay in making full Bidders should be aware that a general service, change of Lots marked ‘S1´ and bearing red labels are Section 1 firearms payment for the Lot. Generally, please contact our shipping battery or further repair work, for which the Buyer is solely and require a valid British Firearms certificate, RFD Licence or department before the Sale if you require assistance in responsible, may be necessary. Bidders should be aware import licence. relation to export regulations. that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These Lots marked ‘S2’ and bearing blue labels are Section 2 13. CITES REGULATIONS watches may not be shipped to the USA and can only be firearms and require a valid British Shotgun certificate, RFD imported personally. licence or import licence. Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are outside the EU. These regulations may be found at CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or Authority or import licence. may be requested from: Proof of Firearms The term “proof exemption” indicates that a firearm has been Lots marked with a ‘S58´ and bearing yellow labels are for Animal Health and Veterinary Laboratories Agency (AHVLA) examined at a Proof House, but not proved, as either (a) it was obsolete calibres and no licence is required unless ammunition Wildlife Licencing deemed of interest and not intended for use, or (b) ammunition is held. Floor 1, Zone 17, Temple Quay House was not available. In either case, the firearm must be regarded 2 The Square, Temple Quay as unsafe to fire unless subsequently proved. Firearms Unmarked Lots require no licence. BRISTOL BS1 6EB proved for Black Powder should not be used with smokeless Tel: +44 (0) 117 372 8774 ammunition. Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries. 14. THE SELLERS AND/OR BONHAMS’ LIABILITY The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both Other than any liability of the Seller to the Buyer of a Lot Taxidermy and Related Items unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply under the Contract for Sale, neither we nor the Seller are such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to liable (whether in negligence or otherwise) for any error or inform themselves of all such regulations and should expect misdescription or omission in any Description of a Lot or any the exportation of items to take some time to arrange. Estimate in respect of it, whether contained in the Catalogue or Guns Sold as Parts Barrels of guns sold as parts will only be made available for otherwise, whether given orally or in writing and whether given sleeving and measurements once rendered unserviceable before or during the Sale. Neither we nor the Seller will be 18. FURNITURE according to the Gun Barrel Proof Act of 1968 to 1978 and the liable for any loss of Business, profits, revenue or income, or Rules of Proof. for loss of reputation, or for disruption to Business or wasted Upholstered Furniture Whilst we take every care in cataloguing furniture which has time on the part of management or staff, or for indirect losses been upholstered we offer no Guarantee as to the originality or consequential damages of any kind, irrespective in any Condition of Firearms Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery.

NTB/MAIN/V2/2.17 19. JEWELLERY 21. PICTURES 0It is not our policy to inspect every unopened case. In the case of wines older than 20 years the boxes will usually Explanation of Catalogue Terms have been opened and levels and appearance noted in Gemstones The following terms used in the Catalogue have the following Historically many gemstones have been subjected to a variety the Catalogue where necessary. You should make proper meanings but are subject to the general provisions relating to of treatments to enhance their appearance. Sapphires and allowance for variations in ullage levels and conditions of corks, Descriptions contained in the Contract for Sale: rubies are routinely heat treated to improve their colour and capsules and labels. • “Jacopo Bassano”: in our opinion a work by the artist. clarity, similarly emeralds are frequently treated with oils When the artist’s forename(s) is not known, a series of or resin for the same purpose. Other treatments such as Corks and Ullages asterisks, followed by the surname of the artist, whether staining, irradiation or coating may have been used on other Ullage refers to the space between the base of the cork preceded by an initial or not, indicates that in our opinion gemstones. These treatments may be permanent, whilst and the wine. Ullage levels for Bordeaux shaped bottles are the work is by the artist named; others may need special care or re-treatment over the years only normally noted when below the neck and for Burgundy, • “Attributed to Jacopo Bassano”: in our opinion probably to retain their appearance. Bidders should be aware that Alsace, German and Cognac shaped bottles when greater a work by the artist but less certainty as to authorship is Estimates assume that gemstones may have been subjected than 4 centimetres (cm). Acceptable ullage levels increase with expressed than in the preceding category; to such treatments. A number of laboratories issue certificates age; generally acceptable levels are as follows: • “Studio/Workshop of Jacopo Bassano”: in our opinion a that give more detailed Descriptions of gemstones. However work by an unknown hand in a studio of the artist which Under 15 years old – into neck or less than 4cm there may not be consensus between different laboratories on may or may not have been executed under the artist’s 15 to 30 years old – top shoulder (ts) or up to 5cm the degrees, or types of treatment for any particular gemstone. direction; Over 30 years old – high shoulder (hs) or up to 6cm In the event that Bonhams has been given or has obtained • “Circle of Jacopo Bassano”: in our opinion a work by certificates for any Lot in the Sale these certificates will be a hand closely associated with a named artist but not It should be noted that ullages may change between disclosed in the Catalogue. Although, as a matter of policy, necessarily his pupil; publication of the Catalogue and the Sale and that corks may Bonhams endeavours to provide certificates from recognised • “Follower of Jacopo Bassano”: in our opinion a work by a fail as a result of transporting the wine. We will only accept laboratories for certain gemstones, it is not feasible to obtain painter working in the artist’s style, contemporary or nearly responsibility for Descriptions of condition at the time of certificates for each Lot. In the event that no certificate is contemporary, but not necessarily his pupil; publication of the Catalogue and cannot accept responsibility published in the Catalogue, Bidders should assume that the • “Manner of Jacopo Bassano”: in our opinion a work in the for any loss resulting from failure of corks either before or after gemstones may have been treated. Neither Bonhams nor style of the artist and of a later date; this point. the Seller accepts any liability for contradictions or differing • “After Jacopo Bassano”: in our opinion, a copy of a known certificates obtained by Buyers on any Lots subsequent to work of the artist; Options to buy parcels the Sale. • “Signed and/or dated and/or inscribed”: in our opinion the A parcel is a number of Lots of identical size of the same wine, signature and/or date and/or inscription are from the hand bottle size and Description. The Buyer of any of these Lots has Estimated Weights of the artist; the option to accept some or all of the remaining Lots in the If a stone(s) weight appears within the body of the Description • “Bears a signature and/or date and/or inscription”: in our parcel at the same price, although such options will be at the in capital letters, the stone(s) has been unmounted and opinion the signature and/or date and/or inscription have Auctioneer’s sole discretion. Absentee Bidders are, therefore, weighed by Bonhams. If the weight of the stone(s) is stated been added by another hand. advised to bid on the first Lot in a parcel. to be approximate and does not appear in capital letters, the stone(s) has been assessed by us within its/their settings, Wines in Bond and the stated weight is a statement of our opinion only. This 22. PORCELAIN AND GLASS Wines lying in Bond are marked Δ. All Lots sold under Bond, information is given as a guide and Bidders should satisfy and which the Buyer wishes to remain under Bond, will be themselves with regard to this information as to its accuracy. Damage and Restoration For your guidance, in our Catalogues we detail, as far as invoiced without VAT or Duty on the Hammer Price. If the practicable, recorded all significant defects, cracks and Buyer wishes to take the Lot as Duty paid, UK Excise Duty and Signatures restoration. Such practicable Descriptions of damage cannot VAT will be added to the Hammer Price on the invoice.

1. A diamond brooch, by Kutchinsky be definitive, and in providing Condition Reports, we cannot When the maker’s name appears in the title, in Bonhams’ Guarantee that there are no other defects present which have Buyers must notify Bonhams at the time of the sale whether opinion the piece is by that maker. not been mentioned. Bidders should satisfy themselves by they wish to take their wines under Bond or Duty paid. If a inspection, as to the condition of each Lot. Please see the Lot is taken under Bond, the Buyer will be responsible for all

2. A diamond brooch, signed Kutchinsky Contract for Sale printed in this Catalogue. Because of the VAT, Duty, clearance and other charges that may be payable Has a signature that, in Bonhams’ opinion, is authentic but difficulty in determining whether an item of glass has been thereon. may contain gemstones that are not original, or the piece may repolished, in our Catalogues reference is only made to visible have been altered. chips and cracks. No mention is made of repolishing, severe Buyers outside the UK must be aware that any forwarding or otherwise. agent appointed to export their purchases must have a

3. A diamond brooch, mounted by Kutchinsky movement certificate for Lots to be released under Bond. Has been created by the jeweller, in Bonhams’ opinion, but using stones or designs supplied by the client. 23. VEHICLES Bottling Details and Case Terms The Veteran Car Club of Great Britain The following terms used in the Catalogue have the following 20. PHOTOGRAPHS meanings: Explanation of Catalogue Terms Dating Plates and Certificates CB – Château bottled • “Bill Brandt”: in our opinion a work by the artist. When mention is made of a Veteran Car Club Dating Plate or DB – Domaine bottled • “Attributed to Bill Brandt”: in our opinion probably a work by Dating Certificate in this Catalogue, it should be borne in mind EstB – Estate bottled the artist, but less certainty to authorship is expressed than that the Veteran Car Club of Great Britain using the services of BB – Bordeaux bottled in the preceding category. Veteran Car Company Ltd, does from time to time, review cars BE – Belgian bottled • “Signed and/or titled and/or dated and/or inscribed”: in already dated and, in some instances, where fresh evidence FB – French bottled our opinion the signature and/or title and/or date and/or becomes available, the review can result in an alteration of GB – German bottled inscription are in the artist’s hand. date. Whilst the Club and Veteran Car Company Ltd make OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed in every effort to ensure accuracy, the date shown on the Dating UK – United Kingdom bottled another hand”: in our opinion the signature and/or title and/ Plate or Dating Certificate cannot be guaranteed as correct and owc – original wooden case or date and/or inscription have been added by intending purchasers should make their own enquiries as to the iwc – individual wooden case another hand. date of the car. oc – original carton • The date given is that of the image (negative). Where no further date is given, this indicates that the photographic 24. WINE print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which Lots which are lying under Bond and those liable to VAT may was made within approximately 5-10 years of the negative. not be available for immediate collection. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but Examining the wines understood to be later, “printed later” will appear in the Lot It is occasionally possible to provide a pre-Sale tasting for Description. larger parcels (as defined below). This is generally limited to • Unless otherwise specified, dimensions given are those of more recent and everyday drinking wines. Please contact the the piece of paper on which the image is printed, including department for details. any margins. Some photographs may appear in the Catalogue without margins illustrated. • All photographs are sold unframed unless stated in the Lot Description.

NTB/MAIN/V2/2.17 SYMBOLS 1.4 The contract is made on the fall of the Auctioneer’s 4.2 The Seller will not be liable for any breach of any hammer in respect of the Lot when it is knocked undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO down to you. Act 1979 or otherwise, as to the satisfactory quality DENOTE of the Lot or its fitness for any purpose. 2 SELLER’S UNDERTAKINGS Y Subject to CITES regulations when exporting these items 5 RISK, PROPERTY AND TITLE outside the EU, see clause 13. 2.1 The Seller undertakes to you that: TP Objects displayed with a TP will be located at the 5.1 Risk in the Lot passes to you when it is knocked Cadogan Tate warehouse and will only be available for 2.1.1 the Seller is the owner of the Lot or is duly authorised down to you on the fall of the Auctioneer’s collection from this location. to sell the Lot by the owner; hammer in respect of the Lot. The Seller will W Objects displayed with a w will be located in the not be responsible thereafter for the Lot prior to Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the you collecting it from Bonhams or the Storage collection from this location. Catalogue, the Seller sells the Lot with full title Contractor, with whom you have separate contract(s) Δ Wines lying in Bond. guarantee or, where the Seller is an executor, trustee, as Buyer. You will indemnify the Seller and keep the AR An Additional Premium will be payable to us by the Buyer liquidator, receiver or administrator, with whatever Seller fully indemnified from and against all claims, to cover our Expenses relating to payment of royalties right, title or interest he may have in the Lot; proceedings, costs, expenses and losses arising in under the Artists Resale Right Regulations 2006. See respect of any injury, loss and damage caused to the clause 7 for details. 2.1.3 except where the Sale is by an executor, trustee, Lot after the fall of the Auctioneer’s hammer until you ○ The Seller has been guaranteed a minimum price for the liquidator, receiver or administrator the Seller is both obtain full title to it. Lot, either by Bonhams or a third party. This may take the legally entitled to sell the Lot, and legally capable form of an irrevocable bid by a third party, who may make of conferring on you quiet possession of the Lot 5.2 Title to the Lot remains in and is retained by the a financial gain on a successful Sale or a financial loss if and that the Sale conforms in every respect with Seller until the Purchase Price and all other sums unsuccessful. the terms implied by the Sale of Goods Act 1979, payable by you to Bonhams in relation to the Lot ▲ Bonhams owns the Lot either wholly or partially or may Sections 12(1) and 12(2) (see the Definitions and have been paid in full to, and received in cleared otherwise have an economic interest. Glossary); funds by, Bonhams. Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into 2.1.4 the Seller has complied with all requirements, legal or 6 PAYMENT the USA. otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or 6.1 Your obligation to pay the Purchase Price arises Ω a •, †, *, G, , see clause 8, VAT, for details. import of the Lot have (unless stated to the contrary when the Lot is knocked down to you on the fall of in the Catalogue or announced by the Auctioneer) the Auctioneer’s hammer in respect of the Lot. DATA PROTECTION – USE OF YOUR INFORMATION been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.2 Time will be of the essence in relation to payment of Where we obtain any personal information about you, we the past; the Purchase Price and all other sums payable by shall only use it in accordance with the terms of our Privacy you to Bonhams. Unless agreed in writing with you Policy (subject to any additional specific consent(s) you may 2.1.5 subject to any alterations expressly identified as such by Bonhams on the Seller’s behalf (in which case have given at the time your information was disclosed). A made by announcement or notice at the Sale venue you must comply with the terms of that agreement), copy of our Privacy Policy can be found on our Website www. or by the Notice to Bidders or by an insert in the all such sums must be paid to Bonhams by you bonhams.com or requested by post from Customer Services Catalogue, the Lot corresponds with the Contractual in the currency in which the Sale was conducted Department, 101 New Bond Street, London, W1S 1SR or by Description of the Lot, being that part of the Entry by not later than 4.30pm on the second working email from [email protected] about the Lot in the Catalogue which is in bold day following the Sale and you must ensure that letters and (except for colour) with any photograph of the funds are cleared by the seventh working day APPENDIX 1 the Lot in the Catalogue and the contents of after the Sale. Payment must be made to Bonhams any Condition Report which has been provided to by one of the methods stated in the Notice to CONTRACT FOR SALE the Buyer. Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in IMPORTANT: These terms may be changed in advance of 3 DESCRIPTIONS OF THE LOT accordance with this paragraph, the Seller will have the Sale of the Lot to you, by the setting out of different terms the rights set out in paragraph 8 below. in the Catalogue for the Sale and/or by placing an insert in the 3.1 Paragraph 2.1.5 sets out what is the Contractual Catalogue and/or by notices at the Sale venue and/or by oral Description of the Lot. In particular, the Lot is not 7 COLLECTION OF THE LOT announcements before and during the Sale at the Sale venue. sold as corresponding with that part of the Entry in You should be alert to this possibility of changes and ask in the Catalogue which is not printed in bold letters, 7.1 Unless otherwise agreed in writing with you by advance of bidding if there have been any. which merely sets out (on the Seller’s behalf) Bonhams, the Lot will be released to you or to your Bonhams’ opinion about the Lot and which is not order only when Bonhams has received cleared Under this contract the Seller’s liability in respect of the quality part of the Contractual Description upon which the funds to the amount of the full Purchase Price and of the Lot, it’s fitness for any purpose and its conformity with Lot is sold. Any statement or representation other all other sums owed by you to the Seller and to any Description is limited. You are strongly advised to examine than that part of the Entry referred to in paragraph Bonhams. the Lot for yourself and/or obtain an independent examination 2.1.5 (together with any express alteration to it of it before you buy it. as referred to in paragraph 2.1.5), including any 7.2 The Seller is entitled to withhold possession from you Description or Estimate, whether made orally or in of any other Lot he has sold to you at the same or 1 THE CONTRACT writing, including in the Catalogue or on Bonhams’ at any other Sale and whether currently in Bonhams’ Website, or by conduct, or otherwise, and whether possession or not until payment in full and in cleared 1.1 These terms govern the Contract for Sale of the Lot by or on behalf of the Seller or Bonhams and funds of the Purchase Price and all other sums due by the Seller to the Buyer. whether made prior to or during the Sale, is not part to the Seller and/or Bonhams in respect of the Lot. of the Contractual Description upon which the Lot is 1.2 The Definitions and Glossary contained in Appendix sold. 7.3 You will collect and remove the Lot at your own 3 in the Catalogue are incorporated into this Contract expense from Bonhams’ custody and/ or control or for Sale and a separate copy can also be provided 3.2 Except as provided in paragraph 2.1.5, the Seller from the Storage Contractor’s custody in accordance by Bonhams on request. Where words and phrases does not make or give and does not agree to with Bonhams’ instructions or requirements. are used which are in the List of Definitions, they are make or give any contractual promise, undertaking, printed in italics. obligation, guarantee, warranty, or representation 7.4 You will be wholly responsible for packing, handling of fact, or undertake any duty of care, in relation to and transport of the Lot on collection and for 1.3 The Seller sells the Lot as the principal to the any Description of the Lot or any Estimate in relation complying with all import or export regulations in Contract for Sale, such contract being made to it, nor of the accuracy or completeness of any connection with the Lot. between the Seller and you through Bonhams which Description or Estimate which may have been made acts in the sole capacity as the Seller’s agent and not by or on behalf of the Seller including by Bonhams. 7.5 You will be wholly responsible for any removal, as an additional principal. However, if the Catalogue No such Description or Estimate is incorporated into storage or other charges or Expenses incurred states that Bonhams sells the Lot as principal, or this Contract for Sale. by the Seller if you do not remove the Lot in such a statement is made by an announcement accordance with this paragraph 7 and will by the Auctioneer, or by a notice at the Sale, or an 4 FITNESS FOR PURPOSE AND indemnify the Seller against all charges, costs, insert in the Catalogue, then Bonhams is the Seller SATISFACTORY QUALITY including any legal costs and fees, Expenses and for the purposes of this agreement. losses suffered by the Seller by reason of your 4.1 The Seller does not make and does not agree failure to remove the Lot including any charges to make any contractual promise, undertaking, due under any Storage Contract. All such sums obligation, guarantee, warranty, or representation of due to the Seller will be payable on demand. fact in relation to the satisfactory quality of the Lot or its fitness for any purpose. NTB/MAIN/V2/2.17 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations 8.1 If the Purchase Price for a Lot is not paid to 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances Bonhams in full in accordance with the Contract for damage caused by the Lot after the fall of the beyond its reasonable control or if performance of its Sale the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances agreement of Bonhams but without further notice to give rise to a significantly increased financial you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach of cost to it, that party will not, for so long as such (whether through Bonhams or otherwise): the express undertaking provided in paragraph 2.1.5, circumstances prevail, be required to perform such the Seller will not be liable for any breach of any term obligations. This paragraph does not apply to the 8.1.1 to terminate immediately the Contract for Sale of the that the Lot will correspond with any Description obligations imposed on you by paragraph 6. Lot for your breach of contract; applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise. 10.4 Any notice or other communication to be given 8.1.2 to resell the Lot by auction, private treaty or any under the Contract for Sale must be in writing and other means on giving seven days’ written notice to 9.3 Unless the Seller sells the Lot in the course of a may be delivered by hand or sent by first class you of the intention to resell; Business and the Buyer buys it as a Consumer, post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax 8.1.3 to retain possession of the Lot; 9.3.1 the Seller will not be liable (whether in negligence, number in the Catalogue (marked for the attention of other tort, breach of contract or statutory duty or in the Company Secretary), and if to you to the address 8.1.4 to remove and store the Lot at your expense; restitution or under the Misrepresentation Act 1967, or fax number of the Buyer given in the Bidding Form or in any other way) for any lack of conformity with, (unless notice of any change of address is given in 8.1.5 to take legal proceedings against you for any sum or inaccuracy, error, misdescription or omission in writing). It is the responsibility of the sender of the due under the Contract for Sale and/or damages for any Description of the Lot or any Entry or Estimate in notice or communication to ensure that it is received breach of contract; relation to the Lot made by or on behalf of the Seller in a legible form within any applicable time period. (whether made in writing, including in the Catalogue, 8.1.6 to be paid interest on any monies due (after as well or on the Website, or orally, or by conduct or 10.5 If any term or any part of any term of the Contract as before judgement or order) at the annual rate otherwise) and whether made before or after this for Sale is held to be unenforceable or invalid, of 5% per annum above the base rate of National agreement or prior to or during the Sale; such unenforceability or invalidity will not affect the Westminster Bank Plc from time to time to be enforceability and validity of the remaining terms or calculated on a daily basis from the date upon which 9.3.2 the Seller will not be liable for any loss of Business, the remainder of the relevant term. such monies become payable until the date of actual Business profits or revenue or income or for loss of payment; reputation or for disruption to Business or wasted 10.6 References in the Contract for Sale to Bonhams will, time on the part of the Buyer or of the Buyer’s where appropriate, include reference to Bonhams’ 8.1.7 to repossess the Lot (or any part thereof) which has management or staff or, for any indirect losses or officers, employees and agents. not become your property, and for this purpose consequential damages of any kind, irrespective in (unless the Buyer buys the Lot as a Consumer from any case of the nature, volume or source of the loss 10.7 The headings used in the Contract for Sale are for the Seller selling in the course of a Business) you or damage alleged to be suffered, and irrespective convenience only and will not affect its interpretation. hereby grant an irrevocable licence to the Seller by of whether the said loss or damage is caused by himself and to his servants or agents to enter upon or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means “including, all or any of your premises (with or without vehicles) breach of contract, statutory duty, restitutionary claim without limitation”. during normal Business hours to take possession of or otherwise; the Lot or part thereof; 10.9 References to the singular will include reference to 9.3.3 in any circumstances where the Seller is liable to the plural (and vice versa) and reference to any one 8.1.8 to retain possession of any other property sold to you in respect of the Lot, or any act, omission, gender will include reference to the other genders. you by the Seller at the Sale or any other auction statement, or representation in respect of it, or or by private treaty until all sums due under the this agreement or its performance, and whether in 10.10 Reference to a numbered paragraph is to a Contract for Sale shall have been paid in full in damages, for an indemnity or contribution or for paragraph of the Contract for Sale. cleared funds; a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a 10.11 Save as expressly provided in paragraph 10.12 8.1.9 to retain possession of, and on seven days written sum which will not exceed by way of maximum the nothing in the Contract for Sale confers (or purports notice to sell, Without Reserve, any of your other amount of the Purchase Price of the Lot irrespective to confer) on any person who is not a party to the property in the possession of the Seller and/or of in any case of the nature, volume or source of Contract for Sale any benefit conferred by, or the Bonhams (as bailee for the Seller) for any purpose any loss or damage alleged to be suffered or sum right to enforce any term of, the Contract for Sale. (including, without limitation, other goods sold to claimed as due, and irrespective of whether the you) and to apply any monies due to you as a result liability arises from any negligence, other tort, breach 10.12 Where the Contract for Sale confers an immunity of such Sale in satisfaction or part satisfaction of any of contract, statutory duty, bailee’s duty, restitutionary from, and/or an exclusion or restriction of, the amounts owed to the Seller or to Bonhams; and claim or otherwise. responsibility and/or liability of the Seller, it will also operate in favour and for the benefit ofBonhams, 8.1.10 so long as such goods remain in the possession 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will Bonhams’ holding company and the subsidiaries of the Seller or Bonhams as its bailee, to rescind be construed as excluding or restricting (whether of such holding company and the successors and the contract for the Sale of any other goods sold to directly or indirectly) any person’s liability or excluding assigns of Bonhams and of such companies and of you by the Seller at the Sale or at any other auction or restricting any person’s rights or remedies in any officer, employee and agent of Bonhams and or by private treaty and apply any monies received respect of (i) fraud, or (ii) death or personal injury such companies, each of whom will be entitled to from you in respect of such goods in part or full caused by the Seller’s negligence (or any person rely on the relevant immunity and/or exclusion and/or satisfaction of any amounts owed to the Seller or to under the Seller’s control or for whom the Seller is restriction within and for the purposes of Contracts Bonhams by you. legally responsible), or (iii) acts or omissions for which (Rights of Third Parties) Act 1999, which enables the the Seller is liable under the Occupiers Liability Act benefit of a contract to be extended to a person who 8.2 You agree to indemnify the Seller against all legal 1957, or (iv) any other liability to the extent the same is not a party to the contract, and generally at law. and other costs of enforcement, all losses and other may not be excluded or restricted as a matter of law. Expenses and costs (including any monies payable 11 GOVERNING LAW to Bonhams in order to obtain the release of the 10 MISCELLANEOUS Lot) incurred by the Seller (whether or not court All transactions to which the Contract for Sale proceedings will have been issued) as a result of 10.1 You may not assign either the benefit or burden of applies and all connected matters will be governed Bonhams taking steps under this paragraph 8 on the Contract for Sale. by and construed in accordance with the laws of a full indemnity basis together with interest thereon that part of the United Kingdom where the Sale (after as well as before judgement or order) at the 10.2 The Seller’s failure or delay in enforcing or exercising takes place and the Seller and you each submit to rate specified in paragraph 8.1.6 from the date upon any power or right under the Contract for Sale will the exclusive jurisdiction of the courts of that part which the Seller becomes liable to pay the same until not operate or be deemed to operate as a waiver of of the United Kingdom, save that the Seller may payment by you. his rights under it except to the extent of any express bring proceedings against you in any other court of waiver given to you in writing. Any such waiver will competent jurisdiction to the extent permitted by 8.3 On any resale of the Lot under paragraph 8.1.2, the not affect the Seller’s ability subsequently to enforce the laws of the relevant jurisdiction. Bonhams has a Seller will account to you in respect of any balance any right arising under the Contract for Sale. complaints procedure in place. remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf. NTB/MAIN/V2/2.17 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as acting as your agent and on your behalf, to enter otherwise set out in the Notice to Bidders, you must into a contract (the “Storage Contract”) with the IMPORTANT: These terms may be changed in advance of pay to us by not later than 4.30pm on the second Storage Contractor for the storage of the Lot on the the Sale of the Lot to you, by the setting out of different terms working day following the Sale: then current standard terms and conditions agreed in the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders on each lot, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the charges (and all costs of moving the Lot into storage) Reference is made in this agreement to information methods of payment set out in the Notice to due under any Storage Contract. You acknowledge printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the and agree that you will not be able to collect the Lot Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an from the Storage Contractor’s premises until you is referred to it is incorporated into this agreement. agent for a named principal and we have approved have paid the Purchase Price, any Expenses and all that arrangement, in which case we will address the charges due under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by 3.6 Time will be of the essence in relation to any your behalf. this agreement and we agree, subject to the terms payment payable to us. If you do not pay the below, to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the Notice rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your to Bidders or otherwise notified to you, store the Lot removal of the Lot or until the time and date set out in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down in the Notice to Bidders, on the Sale Information to you, any monies we receive from you will be Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to applied firstly pro-rata to pay the Purchase Price of is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you each Lot and secondly pro-rata to pay all amounts Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid due to Bonhams. responsible as bailee to you for damage to or the to us, in cleared funds, everything due to us and the loss or destruction of the Lot (notwithstanding that it Seller; 4 COLLECTION OF THE LOT is not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us times specified in the Notice to Bidders. Thereafter, Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells the Lot may be removed elsewhere for storage and when it was knocked down to you. the Lot as principal) made as agent on behalf of the you must enquire from us as to when and where you Seller. can collect it, although this information will usually be 6.2 You are advised to obtain insurance in respect of the set out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/V2/2.17 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general the time they are due and/or the Lot is not removed Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated in accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to any other sums due to us. to be a leading expert in the relevant field; or rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment OF THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot is is or is not a Forgery. contract; the subject of a claim by someone other than you and other than the Seller (or that such a claim can 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after reasonably be expected to be made), we may, at our principal) purchase the Lot from you and you will as well as before judgement or order) at the annual absolute discretion, deal with the Lot in any manner transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate which appears to us to recognise the legitimate full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time interests of ourselves and the other parties involved encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon and lawfully to protect our position and our legitimate with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of interests. Without prejudice to the generality of the the Sale of Goods Act 1979 and we will pay to you actual payment; discretion and by way of example, we may: an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has 8.1.1 retain the Lot to investigate any question raised or respect of the Lot. not become your property, and for this purpose reasonably expected by us to be raised in relation to (unless you buy the Lot as a Consumer) you hereby the Lot; and/or 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our incapable of assignment by, you. servants or agents, to enter upon all or any of your 8.1.2 deliver the Lot to a person other than you; and/or premises (with or without vehicles) during normal 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part 8.1.3 commence interpleader proceedings or seek any Lot, all rights and benefits under this paragraph will thereof; other order of any court, mediator, arbitrator or cease. government body; and/or 7.1.7 to sell the Lot Without Reserve by auction, private 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three 8.1.4 require an indemnity and/or security from you in including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; return for pursuing a course of action agreed to by motor vehicle or motor vehicles, a Stamp or Stamps you. or a Book or Books. 7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without 8.2 The discretion referred to in paragraph 8.1: 10 OUR LIABILITY limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full; 8.2.1 may be exercised at any time during which we have 10.1 We will not be liable whether in negligence, other actual or constructive possession of the Lot, or at tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any any time after such possession, where the cessation restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any of such possession has occurred by reason of any or in any other way for lack of conformity with or time thereafter in payment or part payment of any decision, order or ruling of any court, mediator, any inaccuracy, error, misdescription or omission in sums due to us by you under this agreement; arbitrator or government body; and any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without 8.2.2 will not be exercised unless we believe that there or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our exists a serious prospect of a good arguable case in including in the Catalogue, or on the Bonhams’ possession or under our control for any purpose favour of the claim. Website, or orally, or by conduct or otherwise) and (including other goods sold to you or with us for whether made before or after this agreement or prior Sale) and to apply any monies due to you as a result 9 FORGERIES to or during the Sale. of such Sale in payment or part payment of any amounts owed to us; 9.1 We undertake a personal responsibility for any 10.2 Our duty to you while the Lot is at your risk and/or Forgery in accordance with the terms of this your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to paragraph 9. exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by 9.2 Paragraph 9 applies only if: persons or things caused by: us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, 9.2.1 your name appears as the named person to whom 10.2.1 handling the Lot if it was affected at the time of Sale as the case may be, of the Purchase Price of any Lot the original invoice was made out by us in respect of to you by woodworm and any damage is caused as of which you are the Buyer. the Lot and that invoice has been paid; and a result of it being affected by woodworm; or

7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or practicable after you have become aware that the liable for: not court proceedings will have been issued) incurred Lot is or may be a Forgery, and in any event within by us as a result of our taking steps under this one year after the Sale, that the Lot is a Forgery; and 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by becomes dangerous, we may dispose of it without same until payment by you. written evidence that the Lot is a Forgery and details notice to you in advance in any manner we think fit of the Sale and Lot number sufficient to identify the and we will be under no liability to you for doing so. Lot.

NTB/MAIN/V2/2.17 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are for Business profits, revenue or income or for loss of reflected the then accepted general opinion of convenience only and will not affect its interpretation. Business reputation or for disruption to Business or scholars and experts or fairly indicated that there wasted time on the part of the Buyer’s management was a conflict of such opinion; or 12.8 In this agreement “including” means “including, or staff or, if you are buying the Lot in the course of without limitation”. a Business, for any indirect losses or consequential it can be established that the Lot is a non- damages of any kind, irrespective in any case of conforming Lot only by means of a process not 12.9 References to the singular will include reference to the nature, volume or source of the loss or damage generally accepted for use until after the date on the plural (and vice versa) and reference to any one alleged to be suffered, and irrespective of whether which the Catalogue was published or by means gender will include reference to the other genders. the said loss or damage is caused by or claimed of a process which it was unreasonable in all the in respect of any negligence, other tort, breach of circumstances for us to have employed; or 12.10 Reference to a numbered paragraph is to a contract, statutory duty, bailee’s duty, a restitutionary paragraph of this agreement. claim or otherwise. the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or 12.11 Save as expressly provided in paragraph 12.12 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or nothing in this agreement confers (or purports to circumstances where we are liable to you in confer) on any person who is not a party to this respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under agreement any benefit conferred by, or the right to representation in respect of it, or this agreement “collections” or “collections and various” or the Lot enforce any term of, this agreement. or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain a an indemnity or contribution or for a restitutionary collection, issue or Books which are undescribed or 12.12 Where this agreement confers an immunity remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the from, and/or an exclusion or restriction of, the limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles responsibility and/or liability of Bonhams, it will also by way of maximum the amount of the Purchase or advertisements. operate in favour and for the benefit of Bonhams’ Price of the Lot plus Buyer’s Premium (less any holding company and the subsidiaries of such sum you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- holding company and the successors and assigns irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the of Bonhams and of such companies and of any source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot officer, employee and agent of Bonhams and such or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from companies, each of whom will be entitled to rely the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse on the relevant immunity and/or exclusion and/or breach of contract, statutory duty, bailee’s duty, a claims and we will pay to you an amount equal to restriction within and for the purposes of Contracts restitutionary claim or otherwise. the sum of the Purchase Price and Buyer’s Premium (Rights of Third Parties) Act 1999, which enables the paid by you in respect of the Lot. benefit of a contract to be extended to a person who You may wish to protect yourself against loss by is not a party to the contract, and generally at law. obtaining insurance. The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or 13 GOVERNING LAW 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all rights or restricting (whether directly or indirectly) any and benefits under this paragraph will cease. All transactions to which this agreement applies person’s liability or excluding or restricting any and all connected matters will be governed by and person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS construed in accordance with the laws of that part (ii) death or personal injury caused by our negligence of the United Kingdom where the Sale takes (or (or any person under our control or for whom we 12.1 You may not assign either the benefit or burden of is to take) place and we and you each submit to are legally responsible), or (iii) acts or omissions for this agreement. the exclusive jurisdiction of the courts of that part which we are liable under the Occupiers Liability Act of the United Kingdom, save that we may bring 1957, or (iv) any other liability to the extent the same 12.2 Our failure or delay in enforcing or exercising any proceedings against you in any other court of may not be excluded or restricted as a matter of law, power or right under this agreement will not operate competent jurisdiction to the extent permitted by or (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights the laws of the relevant jurisdiction. Bonhams has a conditions. under it except to the extent of any express waiver complaints procedure in place. given to you in writing. Any such waiver will not affect 11 BOOKS MISSING TEXT OR ILLUSTRATIONS our ability subsequently to enforce any right arising DATA PROTECTION – USE OF YOUR INFORMATION under this agreement. Where the Lot is made up wholly of a Book or Books Where we obtain any personal information about you, we and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from shall only use it in accordance with the terms of our Privacy either case referred to as a “non-conforming Lot”), performing that party’s respective obligations Policy (subject to any additional specific consent(s) you may we undertake a personal responsibility for such a under this agreement by circumstances beyond its have given at the time your information was disclosed). A non-conforming Lot in accordance with the terms of reasonable control or if performance of its obligations copy of our Privacy Policy can be found on our Website www. this paragraph, if: would by reason of such circumstances give rise bonhams.com or requested by post from Customer Services to a significantly increased financial cost to it, that Department, 101 New Bond Street, London W1S 1SR, United the original invoice was made out by us to you in party will not, for so long as such circumstances Kingdom or by email from [email protected]. respect of the Lot and that invoice has been paid; prevail, be required to perform such obligations. This and paragraph does not apply to the obligations imposed APPENDIX 3 on you by paragraph 3. you notify us in writing as soon as reasonably DEFINITIONS AND GLOSSARY practicable after you have become aware that the 12.4 Any notice or other communication to be given Lot is or may be a non-conforming Lot, and in any under this agreement must be in writing and may Where these Definitions and Glossary are incorporated, the event within 20 days after the Sale (or such longer be delivered by hand or sent by first class post or following words and phrases used have (unless the context period as we may agree in writing) that the Lot is a air mail or fax transmission (if to Bonhams marked otherwise requires) the meanings given to them below. The non-conforming Lot; and for the attention of the Company Secretary), to the Glossary is to assist you to understand words and phrases address or fax number of the relevant party given which have a specific legal meaning with which you may not within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change be familiar. such longer period as we may agree in writing) you of address is given in writing). It is the responsibility return the Lot to us in the same condition as it was of the sender of the notice or communication to LIST OF DEFINITIONS at the time of the Sale, accompanied by written ensure that it is received in a legible form within any evidence that the Lot is a non-conforming Lot and applicable time period. “Additional Premium” a premium, calculated in accordance details of the Sale and Lot number sufficient to with the Notice to Bidders, to cover Bonhams’ Expenses identify the Lot. 12.5 If any term or any part of any term of this agreement relating to the payment of royalties under the Artists Resale is held to be unenforceable or invalid, such Right Regulations 2006 which is payable by the Buyer to but not if: unenforceability or invalidity will not affect the Bonhams on any Lot marked [AR] which sells for a Hammer enforceability and validity of the remaining terms or Price which together with the Buyer’s Premium (but excluding the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. any VAT) equals or exceeds 1000 euros (converted into indicates that the rights given by this paragraph do the currency of the Sale using the European Central Bank not apply to it; or 12.6 References in this agreement to Bonhams will, where Reference rate prevailing on the date of the Sale). appropriate, include reference to Bonhams’ officers, “Auctioneer” the representative of Bonhams conducting employees and agents. the Sale.

NTB/MAIN/V2/2.17 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has the words “we”, “us” and “our”. include, unless the context otherwise requires, reference to benefit of the indemnity in the same position in which he would “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items have been, had the circumstances giving rise to the indemnity Sale. offered for Sale as one Lot). not arisen and the expression “indemnify” is construed “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. VAT on the Hammer Price (where applicable), the Buyer’s (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant Premium and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered forSale pass. to be offered for Sale by Bonhams. by Bonhams. “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot any VAT chargeable thereon, Expenses and any other amount (being that part of the Entry about the Lot in the Catalogue due to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and “Description” any statement or representation in any person named on the Contract Form acts as an agent for a way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or (b) the buyer will enjoy quiet possession of the representation relating to its authorship, attribution, condition, not), “Seller” includes both the agent and the principal who goods except in so far as it may be disturbed by provenance, authenticity, style, period, age, suitability, quality, shall be jointly and severally liable as such. The Seller is also the owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer referred to in the Conditions of Business by the words “you” of any charge or encumbrance so disclosed or Price). and “your”. known. “Entry” a written statement in the Catalogue identifying the “Specialist Examination” a visual examination of a Lot by a Lot and its Lot number which may contain a Description and specialist on the Lot. (3) This subsection applies to a contract of sale in the illustration(s) relating to the Lot. “Stamp” means a postage Stamp offered for Sale at a case of which there appears from the contract or is “Estimate” a statement of our opinion of the range within Specialist Stamp Sale. to be inferred from its circumstances an intention that which the hammer is likely to fall. “Standard Examination” a visual examination of a Lot by a the seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by non-specialist member of Bonhams’ staff. person may have. Bonhams in respect of the Lot including legal Expenses, “Storage Contract” means the contract described in banking charges and Expenses incurred as a result of paragraph 8.3.3 of the Conditions of Business or paragraph (4) In a contract to which subsection (3) above applies there an electronic transfer of money, charges and Expenses 4.4 of the Buyer’s Agreement (as appropriate). is an implied term that all charges or encumbrances for loss and damage cover, insurance, Catalogue and “Storage Contractor” means the company identified as such known to the seller and not known to the buyer have other reproductions and illustrations, any customs duties, in the Catalogue. been disclosed to the buyer before the contract is advertising, packing or shipping costs, reproductions rights’ “Terrorism” means any act or threatened act of terrorism, made. fees, taxes, levies, costs of testing, searches or enquiries, whether any person is acting alone or on behalf of or in preparation of the Lot for Sale, storage charges, removal connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies charges, removal charges or costs of collection from the Seller committed for political, religious or ideological or similar there is also an implied term that none of the following as the Seller’s agents or from a defaulting Buyer, plus VAT if purposes including, but not limited to, the intention to influence will disturb the buyer’s quiet possession of the goods, applicable. any government and/or put the public or any section of the namely: “Forgery” an imitation intended by the maker or any other public into fear. person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at which before the contract is made. substantially affect the identity of the Lot as one conforming to a Lot may be sold (whether at auction or by private treaty). the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a The following expressions have specific legal meanings with are warranties.” Lot made up of a Stamp or Stamps or a Book or Books as set which you may not be familiar. The following glossary is out in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/V2/2.17 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British Ceramics Furniture Modern, Contemporary Scientific Instruments UK UK UK & Latin American Art Jon Baddeley Charles O’ Brien John Sandon Thomas Moore U.S.A +44 20 7393 3872 +44 20 7468 8360 +44 20 7468 8244 +44 20 8963 2816 Alexis Chompaisal U.S.A. U.S.A U.S.A +1 323 436 5469 Jonathan Snellenburg Madalina Lazen California & Andrew Jones +1 212 461 6530 +1 212 644 9108 American Paintings +1 415 503 3413 Modern Design Scot Levitt Gareth Williams Scottish Pictures 20th Century British Art +1 323 436 5425 European Sculptures +44 20 7468 5879 Chris Brickley Matthew Bradbury & Works of Art +44 131 240 2297 +44 20 7468 8295 Carpets UK Motor Cars UK Michael Lake UK Silver & Gold Boxes Aboriginal Art [email protected] +44 20 8963 6813 Tim Schofield UK Francesca Cavazzini U.S.A. +44 20 7468 5804 Ellis Finch +61 2 8412 2222 Hadji Rahimipour Greek Art U.S.A +44 20 7393 3973 +1 415 503 3392 Olympia Pappa Mark Osborne U.S.A African, Oceanic +44 20 7468 8314 +1 415 503 3353 Aileen Ward & Pre-Columbian Art Chinese & Asian Art EUROPE +1 323 436 5463 U.S.A UK Golf Sporting Philip Kantor Fredric Backlar Asaph Hyman Memorabilia +32 476 879 471 South African Art +1 323 436 5416 +44 20 7468 5888 Kevin Mcgimpsey Giles Peppiatt U.S.A +44 131 240 2296 Automobilia +44 20 7468 8355 American Paintings Dessa Goddard UK Kayla Carlsen +1 415 503 3333 Irish Art Toby Wilson Sporting Guns +1 917 206 1699 HONG KONG Penny Day +44 8700 273 619 Patrick Hawes +852 3607 0010 +44 20 7468 8366 Adrian Pipiros +44 20 7393 3815 Antiquities AUSTRALIA +44 8700 273621 Siobhan Quin Yvett Klein Impressionist & Travel Pictures +44 20 7468 8225 +61 2 8412 2222 Modern Art Motorcycles Veronique Scorer UK Ben Walker +44 20 7393 3962 Antique Arms & Armour Clocks India Phillips +44 8700 273616 UK UK +44 20 7468 8328 Urban Art David Williams James Stratton U.S.A Native American Art Gareth Williams +44 20 7393 3807 +44 20 7468 8364 William O’Reilly Ingmars Lindbergs +44 20 7468 5879 U.S.A U.S.A +1 212 644 9135 +1 415 503 3393 Paul Carella Jonathan Snellenburg Watches & +1 415 503 3360 +1 212 461 6530 Indian, Himalayan & Natural History Wristwatches Southeast Asian Art U.S.A UK Art Collections, Coins & Medals H.K. Claudia Florian Jonathan Darracott Estates & Valuations UK Edward Wilkinson +1 323 436 5437 +44 20 7447 7412 Harvey Cammell John Millensted +85 22 918 4321 U.S.A. +44 (0) 20 7468 8340 +44 20 7393 3914 U.S.A Old Master Pictures Jonathan Snellenburg U.S.A Mark Rasmussen UK +1 212 461 6530 Art Nouveau & Decorative Paul Song +1 917 206 1688 Andrew Mckenzie Art & Design +1 323 436 5455 +44 20 7468 8261 Whisky UK Islamic & Indian Art U.S.A UK Mark Oliver Contemporary Art Oliver White Mark Fisher Martin Green +44 20 7393 3856 UK +44 20 7468 8303 +1 323 436 5488 +44 1292 520000 U.S.A Ralph Taylor U.S.A Frank Maraschiello +44 20 7447 7403 Japanese Art Orientalist Art Erin McGrath +1 212 644 9059 U.S.A UK Charles O’Brien +1 415 503 3363 Jeremy Goldsmith Suzannah Yip +44 20 7468 8360 HONG KONG Australian Art +1 917 206 1656 +44 20 7468 8368 Daniel Lam Merryn Schriever U.S.A Photography +852 3607 0004 +61 2 8412 2222 Entertainment Jeff Olson U.S.A Alex Clark Memorabilia +1 212 461 6516 Judith Eurich Wine +61 3 8640 4088 UK +1 415 503 3259 UK Katherine Schofield Jewellery Richard Harvey Australian Colonial +44 20 7393 3871 UK Prints and Multiples +44 (0) 20 7468 5811 Furniture and Australiana U.S.A Jean Ghika UK U.S.A +61 2 8412 2222 Catherine Williamson +44 20 7468 8282 Lucia Tro Santafe Kate Wollman +1 323 436 5442 U.S.A +44 20 7468 8262 +1 415 503 3221 Books, Maps & Susan Abeles U.S.A Erin McGrath Manuscripts European Ceramics +1 212 461 6525 Judith Eurich +1 415 503 3363 UK UK HONG KONG +1 415 503 3259 HONG KONG Matthew Haley Sebastian Kuhn Graeme Thompson Daniel Lam +44 20 7393 3817 +44 20 7468 8384 +852 3607 0006 Russian Art +852 3607 0004 U.S.A U.S.A UK Christina Geiger Peter Scott Marine Art Daria Chernenko +1 212 644 9094 +1 415 503 3326 UK +44 20 7468 8334 Veronique Scorer U.S.A British & European Glass +44 20 7393 3962 Yelena Harbick UK U.S.A +1 212 644 9136 John Sandon Gregg Dietrich +44 20 7468 8244 +1 917 206 1697 U.S.A. Suzy Pai Mechanical Music +1 415 503 3343 Jon Baddeley +44 20 7393 3872 SD1/3/17 International Salerooms, Offices and Associated Companies( • Indicates Saleroom)

UNITED KINGDOM Midlands EUROPE Switzerland - Geneva Illinois ASIA Rue Etienne-Dumont 10 Ricki Blumberg Harris London Knowle Belgium 1204 Geneva +1 (773) 267 3300 Hong Kong • 101 New Bond Street • The Old House Boulevard +41 (0) 22 300 3160 +1 (773) 680 2881 Suite 2001 London W1S 1SR Station Road Saint-Michel 101 [email protected] [email protected] One Pacific Place +44 20 7447 7447 Knowle, Solihull 1040 Brussels 88 Queensway +44 20 7447 7400 fax West Midlands +32 (0) 2 736 5076 Switzerland - Zurich Massachusetts Admiralty Amy Corcoran B93 0HT [email protected] Andrea Bodmer Hong Kong +1 (617) 742 0909 Montpelier Street • +44 1564 776 151 Dreikönigstrasse 31a +852 2918 4321 [email protected] London SW7 1HH +44 1564 778 069 fax Denmark 8002 Zürich +852 2918 4320 fax +44 20 7393 3900 Henning Thomsen +41 44 281 9535 [email protected] +44 20 7393 3905 fax Oxford +45 4178 4799 [email protected] Nevada Banbury Road [email protected] David Daniel Beijing Shipton on Cherwell +1 (775) 831 0330 Suite 511 Kidlington OX5 1JH [email protected] Chang An Club South East France MIDDLE EAST 10 East Chang An Avenue England +44 1865 853 640 4 rue de la Paix +44 1865 372 722 fax 75002 Paris Israel New Jersey Beijing 100006 Alan Fausel +86(0) 10 6528 0922 Guildford +33 (0) 1 42 61 10 10 Joslynne Halibard Millmead, [email protected] +972 (0)54 553 5337 +1 (973) 997 9954 +86(0) 10 6528 0933 fax Guildford, Yorkshire & North East joslynne.halibard@ [email protected] [email protected] Surrey GU2 4BE England Germany - Cologne bonhams.com +44 1483 504 030 Albertusstrasse 26 New Mexico Singapore Michael Bartlett Bernadette Rankine +44 1483 450 205 fax Leeds 50667 Cologne 11th Floor, Wisma Atria 30 Park Square West +49 (0) 221 2779 9650 NORTH AMERICA +1 (505) 820 0701 Leeds LS1 2PF [email protected] 435 Orchard Road Isle of Wight [email protected] Singapore 238877 +44 1273 220 000 +44 113 234 5755 USA +44 113 244 3910 fax Oregon +65 (0) 6701 8038 Germany - Munich • Sheryl Acheson +65 (0) 6701 8001 fax Representative: Maximilianstrasse 52 San Francisco 220 San Bruno Avenue +1(503) 312 6023 bernadette.rankine@ 80538 Munich Brighton & Hove San Francisco [email protected] bonhams.com Tim Squire-Sanders North West England +49 (0) 89 2420 5812 CA 94103 +44 1273 220 000 [email protected] +1 (415) 861 7500 Pennsylvania Taiwan Chester Summer Fang 2 St Johns Court, +1 (415) 861 8951 fax Alan Fausel West Sussex Greece +1 (610) 644 1199 37th Floor, Taipei 101 Tower +44 (0) 1273 220 000 Vicars Lane, 7 Neofytou Vamva Street Nor 7 Xinyi Road, Section 5 Chester, Los Angeles • [email protected] Athens 10674 7601 W. Sunset Boulevard Taipei, 100 CH1 1QE +30 (0) 210 3636 404 +886 2 8758 2898 +44 1244 313 936 Los Angeles Texas South West [email protected] Amy Lawch +886 2 8758 2897 fax +44 1244 340 028 fax CA 90046 England +1 (323) 850 7500 +1 (713) 621 5988 summer.fang@ Ireland +1 (323) 850 6090 fax [email protected] bonhams.com Bath Manchester 31 Molesworth Street The Stables Dublin 2 Queen Square House • Charlotte Street 213 Ashley Road +353 (0) 1 602 0990 New York Virginia 580 Madison Avenue Gertraud Hechl Bath BA1 2LL Hale WA15 9TB [email protected] AUSTRALIA New York, NY +1 (540) 454 2437 +44 1225 788 988 +44 161 927 3822 10022 [email protected] Sydney +44 1225 446 675 fax +44 161 927 3824 fax Italy - Milan +1 (212) 644 9001 97-99 Queen Street, Via Boccaccio 22 +1 (212) 644 9007 fax Washington Woollahra, NSW 2025 Cornwall – Truro 20123 Milano Heather O’Mahony Australia 36 Lemon Street Channel Islands +39 0 2 4953 9020 Representatives: +1 (206) 218 5011 +61 (0) 2 8412 2222 Truro [email protected] [email protected] +61 (0) 2 9475 4110 fax Cornwall Jersey Arizona Terri Adrian-Hardy [email protected] TR1 2NR La Chasse Italy - Rome Washington DC La Rue de la Vallee +1 (480) 994 5362 +44 1872 250 170 Via Sicilia 50 [email protected] Gertraud Hechl +44 1872 250 179 fax St Mary 00187 Roma +1 (540) 454 2437 Melbourne Jersey JE3 3DL Como House +39 0 6 48 5900 California washingtonDC Como Avenue Exeter +44 1534 722 441 [email protected] @bonhams.com +44 1534 759 354 fax Central Valley South Yarra The Lodge David Daniel Melbourne VIC 3141 Southernhay West Exeter, The Netherlands +1 (916) 364 3737 Representative: Australia Devon De Lairessestraat 154 [email protected] CANADA +61 (0) 3 8640 4088 EX1 1JG Guernsey 1075 HL Amsterdam +61 (0) 2 9475 4110 fax +44 1392 425 264 +44 1481 722 448 +31 (0) 20 67 09 701 Toronto, Ontario • California Jack Kerr-Wilson [email protected] +44 1392 494 561 fax [email protected] Palm Springs 20 Hazelton Avenue Brooke Sivo Toronto, ONT Tetbury Scotland Portugal +1 (760) 350 4255 22a Long Street Rua Bartolomeu Dias nº M5R 2E2 AFRICA [email protected] +1 (416) 462 9004 Tetbury Edinburgh • 160. 1º Nigeria 22 Queen Street [email protected] Gloucestershire Belem California Neil Coventry GL8 8AQ Edinburgh 1400-031 Lisbon +234 (0)7065 888 666 EH2 1JX San Diego Montreal, Quebec +44 1666 502 200 +351 218 293 291 Brooke Sivo David Kelsey [email protected] +44 1666 505 107 fax +44 131 225 2266 [email protected] +1 (323) 436 5420 +44 131 220 2547 fax +1 (514) 894 1138 [email protected] [email protected] South Africa - Representatives: Spain - Barcelona Johannesburg Dorset Bonhams West Teresa Ybarra Colorado Penny Culverwell Bill Allan of Scotland +34 930 087 876 Julie Segraves +27 (0)71 342 2670 +44 1935 815 271 Kirkhill House [email protected] +1 (720) 355 3737 SOUTH AMERICA [email protected] Broom Road East [email protected] Brazil East Anglia and Newton Mearns Spain - Madrid +55 11 3031 4444 Bury St. Edmunds Glasgow Nunez de Balboa no 4-1A Florida +55 11 3031 4444 fax Michael Steel G77 5LL 28001 Madrid Jon King +44 1284 716 190 +44 141 223 8866 +34 915 78 17 27 Palm Beach +44 141 223 8868 fax [email protected] +1 (561) 651 7876

Norfolk Miami The Market Place Representatives: +1 (305) 228 6600 Reepham Wine & Spirits Ft. Lauderdale Norfolk NR10 4JJ Tom Gilbey +1 (954) 566 1630 +44 1603 871 443 +44 1382 330 256 [email protected] +44 1603 872 973 fax Georgia Mary Moore Bethea Wales +1 (404) 842 1500 Representatives: [email protected] Cardiff Jeff Muse +44 2920 727 980

G-NET10/3/17 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: FINE BOOKS, ATLASES, MANUSCRIPTS Sale date: 14 June 2017 AND PHOTOGRAPHS

Sale no. 24115 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/06/14 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. Bonhams Montpelier Street Knightsbridge London SW7 1HH

+44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax FINE BOOKS, ATLASES, MANUSCRIPTS AND PHOTOGRAPHS | Knightsbridge, London Wednesday 14 June 2017 24115

International Auctioneers and Valuers – bonhams.com