DOCSLIB.ORG

DODGSON, S: Margaret Catchpole – Two Worlds Apart 8.660459-61

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DODGSON, S: Margaret Catchpole – Two Worlds Apart 8.660459-61 DODGSON, S: Margaret Catchpole – Two Worlds Apart 8.660459-61 A Music Drama in Four Acts Stephen Dodgson, music Ronald Fletcher, libretto (after the novel by Richard Cobbold) CHARACTERS William Laud, a ship’s captain and leader of a band of smugglers (tenor) John Luff, his close companion (baritone) Margaret Catchpole, daughter of a Suffolk labourer (soprano) Farmer Denton, a neighbouring farmer (bass) Mrs. Denton, his wife (mezzo-soprano) Lucy, their servant girl (soprano) Two farm labourers, harvesting with Farmer Denton (tenor/bass) John Barry, son of a local miller (baritone) ‘Crusoe’, a half-crazed old fisherman who haunts the Orwell shore (tenor) Dr. Stebbing, an Ipswich family doctor (bass-baritone) Mrs. Elizabeth Cobbold, Margaret’s employer, friend and benefactress (mezzo-soprano) Alice, maid in the Cobbold household (soprano) The Lord Chief Baron McDonald, Judge (bass) First Gaoler (baritone) Second Gaoler (silent) Mrs. Palmer, Principal of an orphanage for girls – Sydney, Australia (soprano) ACT 1 And look – I tell you, once and for all – I will have her with me. For so many years, I’ve longed for her… BY THE BANKS OF THE ORWELL So long… She twists me like a knife inside, for want of her. Scene 1: HARVEST TIME AT PRIORY FARM The truth is – the Devil take it! – I can’t bear to be without her. I need her. In the background are the stubble harvest fields, the crops now And she it was – remember? – who nursed me back to life gathered. In the near distance, down to the left, the shining estuary of From cutlass wounds taken defending you, the Orwell. On the left, in the foreground, a small farm hut. In the And the likes of you. centre, a track comes over from the hillsides, round a bush, and into Back to the ship and the open sea? the farmyard. To the right is the farmhouse in which the harvest Yes, by God! festivities are to be held, with a door and a large window on either side. But now, I’ll have her with me – Throughout the scene, the evening sunlight fades. The large moon, Even if I have to take her off by force. already in evidence, grows brighter. Later, lamps are lighted in the windows, lanterns are brought outside, and night has fallen when John LUFF Barry leaves and the scene closes. Well, now – that’s easily, easily done. Get her down to the beach tonight – Will Laud and John Luff enter surreptitiously, left, taking cover in front We’ll have her on board in a couple of shakes. of the farm hut – Luff protesting vigorously, and taunting his Once out to sea – once get her bedded – and she’s yours: companion. Home, family, and all that stuff, soon forgotten. Taker her – and be done. LUFF What an almighty fuss…about a woman. (Margaret appears round the bush, and comes along the track into the Lord – what a fuss, what a fuss. farmyard) A woman should only be kept for use – For bed and board. LAUD Her place is under a landman’s roof. She’s coming now. Be off with you – back to the boat! Once let her sniff, and pry, and work her way I’ll be with you soon. Into your own affairs, And – by God! – (Luff gestures in mock despair, and slips away to the river bank. Laud She’s like an anchor rattling fathoms down from your neck: stays behind the hut – awaiting her) Chaining you endlessly down. I say: back to the ship – and let this woman be. MARGARET Oh harvest moon, LAUD So low, so round, so dusky in the sky, Stop your prating man! So hazy and golden over the fields where the scythed poppies droop You’ll have the people here about our ears. and die, ⓟ & © 2021 Naxos Rights (Europe) Ltd. Page 1 of 18 DODGSON, S: Margaret Catchpole – Two Worlds Apart 8.660459-61 So golden over the braided sheaves, the shingle shore, the shining Clattering pots and pans, sea, Than I was born to trudge behind a plough: Oh harvest moon, A slave to a slave’s grave. How I do love this land, these peaceful fields, (He tries to embrace her, but she struggles to free herself as they hear This world of home you light for me. the men coming from the fields) Come with me now! Come with me – LAUD And you’ll see that all I say is true. (Stepping out and startling her) Margaret! MARGARET No, no! Let me go. Listen MARGARET Oh…Will (Farmer Denton and his labourers have brought home the last load of (They embrace impulsively, but, almost at once, Margaret pushes him the harvest, and are coming in traditional manner to the corner of the away) house. Farmer Denton leads the singing, followed by a chorus) No! No! Where have you been? DENTON So long away – after all your promises. The harvest is ended, your labours are o’er – At the same trade, I know. So come to spend Largess together once more… Why do you still come back – secretly, like a thief – When you never mean to keep y our word? LAUD The Devil curse the harvest! LAUD The voyage was so long, Margaret…Listen! DENTON Week after week we were bound in port – The last cart is loaded, and safely brought in – Storm after storm… So come and let Largess together begin… MARGARET MARGARET Storm after storm? Fight after fight, you mean. Go now – quickly – or they’ll find you here. Go! And all along this very Suffolk coast. Do you think I don’t know about your escapades? LAUD You – with a price on your head now – By the shore tonight, Margaret! We must talk again. A wanted man? MARGARET LAUD Go quickly! Margaret, I sear its true. Look – these are presents from the south of Spain: LAUD Some silk, and laces, and – look – smooth lady’s gloves. Don’t fail me. Call ‘Margaret’, and I’ll know it’s you. And for your family, here’s… MARGARET (Margaret sweeps them out of his hands, scattering them all over the No more of this. Go! ground) (As the men come near, Laud has to make his escape. Margaret MARGARET hastily tries to compose herself as Farmer Denton comes round the Presents, Will Laud? corner of the house with John Barry and two labourers – all singing the You do not know me yet. last lines of their chorus.) Do you think I want presents? That presents will buy me? DENTON and labourers Again – gain – I’ll brand it into your brain – The harvest is ended, our labours are o’er, I’ll never to won – never – We’ll come to spend Largess together once more, Until you change your evil, foolish ways. With full flowing mugs of old harvest beer, We’ll drink to our Master, who gives us good cheer. LAUD (seizing her angrily) (They see Margaret in some distress, but also the presents scattered By God, Margaret! Have a care on the ground about her) How you use that tongue of yours on me. Do you call it a crime, then, DENTON That all I want is to sail the high seas freely? Margaret…Well…what’s this? Would you see me bow down, then? Your visitor again, eh? Have ‘government officers’ telling me where I can trade? Your bold sea-faring gentleman again, eh? Did they make the laws? One of these days they’ll catch him – Did they make the sky and sea? You’ll see. To hold us all in bondage? But – till then, my girl – No, Margaret, no. He’s never going to let you be. Under that far and shining sky But come now – why in tears? Is a world that’s free. Over that sea’s heaving breast MARGARET Is a world that thrills the blood – (Passionately disclaiming) Making this land-life on Orwell’s shore Tears? I’m not weeping. Seem nothing but a drudge. Only so angry that he takes me for granted – I want you to share that world with me, Margaret. Thinks I’ll still want him, I tell you – and you know in your heart it’s true – Whatever he does, whenever he comes. You were no more born – you, with your proud spirit – To be a tame farmhand’s tame wife, ⓟ & © 2021 Naxos Rights (Europe) Ltd. Page 2 of 18 DODGSON, S: Margaret Catchpole – Two Worlds Apart 8.660459-61 (Mrs. Denton and Lucy, the servant girl, hearing the noise of the men’s Soon, I may have my father’s mill, arrival, come out of the door to greet them, and, excited by the exotic And everything I have, or do, would all be yours. gifts on the ground, pay little heed to Margaret’s distress) I love you, Margaret. All I want is to bring you happiness. MRS. DENTON Oh, my goodness gracious – look! MARGARET A silken shawl – ribbons and gloves. No, John. I cannot, cannot. I don’t believe Will Laud is evil. LUCY I do believe he has good in him. (Thoughtlessly parroting her mistress) And a straight way is hard for him – with all his adventure. Oh, my goodness gracious – look! No, John, I cannot, cannot. A cap and lace – such shining brocade. Whilst ever Will Laud lives, I cannot go to any other man. (The festivities begin to be heard from the farmhouse. The harvest MARGARET song begins quietly.) Take them all – take all of them. The ripen’d corn in sheaves is born, Do you think I’d touch his trashy gifts? The loaded wain brings home the grain, Pick them all up.
Load more

Recommended publications
  • E-Book Code: REAU1036
    E-book Code: REAU1036 Written by Margaret Etherton. Illustrated by Terry Allen. Published by Ready-Ed Publications (2007) © Ready-Ed Publications - 2007. P.O. Box 276 Greenwood Perth W.A. 6024 Email: [email protected] Website: www.readyed.com.au COPYRIGHT NOTICE Permission is granted for the purchaser to photocopy sufficient copies for non-commercial educational purposes. However, this permission is not transferable and applies only to the purchasing individual or institution. ISBN 1 86397 710 4 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012 12345678901234 5 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345
    [Show full text]
  • Margaret Catchpole: Two Worlds Apart
    Stephen DODGSON Margaret Catchpole: Two Worlds Apart (Chamber opera in four acts) Howden • Wallace • Morris • Ollerenshaw Edgar-Wilson • Brook • Moore • Willcock • Sporsén Perpetuo • Julian Perkins Stephen Act I: By the Banks of the Orwell Act II: The Cobbold Household 1 [Introduction] 2:27 Scene 1: The drawing room at Mrs Cobbold’s house DO(1D924G–20S13O) N ^ 2Scene 1: Harvest time at Priory Farm & You are young (Dr Stebbing) 4:25 3 What an almighty fuss (Luff, Laud) 1:35 Ah! Dr Stebbing and Mr Barry Margaret Catchpole: Two Worlds Apart 4 For so many years (Laud, Luff) 2:09 (Mrs Cobbold, Barry, Margaret) 6:54 Chamber opera in four acts (1979) 5 Oh harvest moon (Margaret, Laud) 5:26 * Under that far and shining sky Interlude to Scene 2 1:28 Libretto by Ronald Fletcher (1921–1992), 6 (Laud, Margaret) 1:35 based on the novel by Richard Cobbold (1797–1877) The harvest is ended Scene 2: Porch – Kitchen/parlour – First performance: 8–10 June 1979 at The Old School, Hadleigh, Suffolk, UK 7 (Denton, Margaret, Laud, Labourers) 2:19 (Drawing room Oh, my goodness gracious – look! I don’t care what you think Margaret Catchpole . Kate Howden, Mezzo-soprano 8 (Mrs Denton, Lucy, Margaret, Denton) 2:23 ) (Alice, Margaret) 2:26 Will Laud . William Wallace, Tenor 9 Margaret? (Barry, Margaret) 3:39 Come in, Margaret John Luff . Nicholas Morris, Bass The ripen’d corn in sheaves is born ¡ (Mrs Cobbold, Margaret) 6:30 (Second Labourer, Denton, First Labourer, John Barry . Alistair Ollerenshaw, Baritone Come then, Alice (Margaret, Alice, Laud) 8:46 0 Mrs Denton, Lucy, Barry) 5:10 ™ Crusoe .
    [Show full text]
  • Letters from Early Australia – Linguistic Variation and Change
    DiG 6 (1998), 1-24 Letters from Early Australia – Linguistic Variation and Change Clemens Fritz I Introduction1 This study of Australian English in general and the language of letters from nineteenth century immigrants in particular developed from two different interests. The first was a personal interest in Australia and its history, linguistic and social, the second an explorer’s fascination with a field he knows to be largely unknown territory. The letters and diaries that are preserved from 19th century Australia show the gripping lives of convicts, the lonesome toil of farmers and the daily experiences of city dwellers. Apart from the personal and historical interests that are connected with these testimonies, the language of the letters is also worthwhile studying. This is intended in the present analysis. The study of Australian English (AE) is still a rather neglected topic of linguistic research especially if it is compared with the work done on the American (AmE) and British (EngE) varieties of English. This situation has improved since the days of the pioneering works of Baker (1966), Mitchell and Delbridge but outside Australia there is virtually only a handful of studies to be found. Notable exceptions are the works of Dabke (1976), Görlach (1991) and Leitner (1984, 1989, 1990). The first works on Australian English focused on the origin of a particular Australian pronunciation, the mixing of dialects and the vocabulary of settlers and convicts. But in the 1970s the interest in the historical study of Australian English declined rapidly and gave way to studies of present-day usage with special attention devoted to the language contact situation of Aborigines and immigrants, sociolinguistic variables _________________________ 1 This paper draws partly on the author’s MA thesis titled Early Australian Letters – A Linguistic Analysis which was completed in 1996 at the University of Regensburg.
    [Show full text]
  • SUFFOLK RECORD OFFICE Ipswich Branch Reels M941-43
    AUSTRALIAN JOINT COPYING PROJECT SUFFOLK RECORD OFFICE Ipswich Branch Reels M941-43 Suffolk Record Office County Hall Ipswich Suffolk IP4 2JS National Library of Australia State Library of New South Wales Filmed: 1975 CONTENTS Page 3 Ipswich Borough records, 1789-1887 3 Parish records, 1793-1962 9 Deeds of Tacket Street Congregational Church, 1880-84 9 Papers of Rous Family, Earls of Stradbroke, 1830-1926 11 Papers of Rope Family of Blaxhall, 1842 12 Papers of Loraine Family of Bramford Hall, 1851-1912 13 Papers of Augustus Keppel, Viscount Keppel, 1740-44 14 Papers of Admiral Frederick Doughty, 1848-73 14 Papers of Greenup Family, 1834-66 15 Papers of Bloomfield Family of Redham, 1845-52 15 Papers of Harold Lingwood relating to Margaret Catchpole, 1928-54 16 Letter of Lt. Col. William Donnan, 1915 2 SUFFOLK RECORD OFFICE Ipswich Branch Reel M941 Ipswich Borough Records C/2/9/1 General Quarter Sessions, 1440-1846 C/2/9/1/11 Miscellanea [previously C1/2/29] Select: 5 Papers regarding transportation of Susanna Hunt, 1789 Contract between Ipswich Corporation and William Richards for the conveyance of Susanna Hunt, wife of John Hunt, to Botany Bay, 1 April 1789. Hunt had been convicted of grand larceny and was sentenced to transportation for seven years. Bond by William Richards and George Aitkin (Deptford) in £80 to carry out contract, 2 April 1789. William Richards (Walworth) to keeper of Ipswich Gaol, 9 April 1789: encloses bond. William Richards to George Aitkin (Lady Juliana), 4 April 1789: instructs him to receive one female convict from Suffolk.
    [Show full text]
  • Wm 2020 07.Pdf
    Millstone July - August 2020 Vol 18 Issue 4 www.kurrajonghistory.org.au Covering all of the Hawkesbury West of the River, from North Richmond to Berambing, Bilpin, Grose Vale to Colo, including Wilberforce, Ebenezer, Glossodia, Tennyson, Freemans Reach and Bowen Mountain. The Kurrajong Returning to The Kurrajong! In 1823 another famous botanist and explorer visited the district – Allan Cunningham. He has Its History & Natural History By A Musgrave PART 2 been termed the ‘Prince of Australian Explorers’. On the 26 November 1823, he left Bell’s farm, then known as Bell View In September, 1823, Archibald Bell Jr, the son of Lieut. and visited the mountain known to the aborigines as “Tomah’. Archibald Bell, the founder of the “Belmont’ Estate near North Allan Cunningham was a Richmond, made a successful crossing of the country from plant collector for Sir Joseph ‘Belmont’ to the Cox’s River via Mt Tomah. He had previously Banks and in 1837 he be- tried in August of the same year, but the rough going and the came the Colonial Botanist fact that no way could be found down Mt Tomah forced his and Superintendent of the party to return. An account of the later successful expedition Sydney Botanic Gardens on appeared in The Sydney Gazette, Thursday 9 October, 1823. 27th June 1839. An obelisk is The distance travelled was given as about 35-40 miles. erected over his remains in On October 6, 1823 Robert Hoddle, Assistant surveyor to the Sydney Gardens. Surveyor-General Oxley, left Richmond to survey the line So in 1823 no less than four discovered by Bell.
    [Show full text]
  • Early Australian Letters a Linguistic Analysis
    1 Universität Regensburg Early Australian Letters A Linguistic Analysis © Clemens Fritz Ahornstraße 23 93080 Pentling Germany 2 TABLE OF CONTENTS Page I INTRODUCTION 5 II FROM ENGLISH IN AUSTRALIA TO AUSTRALIAN ENGLISH 9 1. The Colonial Period - Settlers and Convicts 9 1.1 Introduction 9 1.2 The Origins 9 1.3 The Early Colony 10 1.4 Convicts vs. Settlers 11 1.5 A New Vocabulary 13 1.5.1 General Remarks 13 1.5.2 The Flash Language 14 1.6 The Irish and Australia 16 1.6.1 The situation in Ireland 16 1.6.2 The Irish in Australia 18 2. From the Goldrushes to the Great War 18 2.1 The New Immigrants 18 2.2 The Nationalist Period 19 3. The Modern Period 21 4. Dialects in Contact 22 4.1 Trudgill's Theory of Dialect Mixing 22 4.2 Theories on the Origins of Australian English 24 4.2.1 Uniform Developments in Several Places 24 4.2.2 The 'Cockney Theory' 25 4.2.3 The Sydney Mixing Bowl 27 4.2.4 Broad, General and Cultivated Australian 28 4.2.5 A Revision of the Theories Presented 29 4.3 Dialect Mixing Revisited 31 4.3.1 The Preconditions 31 4.3.2 The Mechanisms 32 4.3.3 The Direction and the Extent of Accommodation 32 4.3.4 The Principle of Ordered Accommodation 33 4.4 The Origins of Australian English 35 4.4.1 The Early Period 35 4.4.2 The Later Period 36 4.4.3 Conclusion 37 5.
    [Show full text]
  • Francis Barrallier, Explorer, Surveyor, Engineer, Artillery Officer, Aide-De-Camp, Architect and Ship Designer: Three Years in New South Wales (1800-1803)
    FRANCIS BARRALLIER, EXPLORER, SURVEYOR, ENGINEER, ARTILLERY OFFICER, AIDE-DE-CAMP, ARCHITECT AND SHIP DESIGNER: THREE YEARS IN NEW SOUTH WALES (1800-1803) VALERIE LHUEDE' Ensign Barrallier [... discharged] the duties of Military Engineer and Artillery Officer, superintending the Military Defences, Batteries and Cannon of this Settlement, in addition to which he has most arduously and voluntarily executed the duties of Civil Engineer and Surveyor to the advancement of the Geography and the Natural History of the Territory.2 I have informed you [Sir Joseph Banks] in my several letters of the great use Ensign Barrallier, of the NSW Corps, was of to me and the public, first in going to the southward and surveying the coast from Wilson's Promontory to Western Port; next in surveying Hun ter's River, where he went twice; and since then in making journey to the mountains, which was introductory to his undertaking the journey he afterwards performed. [...] As Col. Paterson has thought proper [...] to write me officially that Mr. Barrallier's excursions were contrary to the Duke of York's instructions, I found myself obliged to give him up, and relinquish this highly desirable object for the present. I [was] concerned at it, as the young man has such ardour and perseverance that I judged much public benefit would have resulted to his credit and my satisfaction. [...] In conse quence, I [...] claimed him as my aide-de-camp, and mat the object of discovery should not be totally relinquished, I sent him on an embassy to the King of the Mountains. Governor Philip Gidley King3 Chris Cunningham, in his book Blue Mountains Rediscovered* quotes Mark Twain in Following the Equator (1831) as saying, "Australian history is full of surprises, and adventures, and incongruities, and contradictions and incredibilities, but they are all true, they all happened".
    [Show full text]
  • Women in Colonial Commerce 1817-1820: the Window of Understanding Provided by the Bank of New South Wales Ledger and Minute Books
    WOMEN IN COLONIAL COMMERCE 1817-1820: THE WINDOW OF UNDERSTANDING PROVIDED BY THE BANK OF NEW SOUTH WALES LEDGER AND MINUTE BOOKS Leanne Johns A thesis presented for the degree of Master of Philosophy at the Australian National University, Canberra August 2001 DECLARATION I certify that this thesis is my own work. To the best of my knowledge and belief it does not contain any material previously published or written by another person where due reference is not made in the text. ACKNOWLEDGEMENTS I acknowledge a huge debt of gratitude to my principal supervisor, Professor Russell Craig, for his inspiration and encouragement throughout the writing of this thesis. He gave insightful and expert advice, reassurance when I needed it most, and above all, never lost faith in me. Few supervisors can have been so generous with their time and so unfailing in their support. I also thank sincerely Professor Simon Ville and Dr. Sarah Jenkins for their measured and sage advice. It always came at the right point in the thesis and often helped me through a difficult patch. Westpac Historical Services archivists were extremely positive and supportive of my task. I am grateful to them for the assistance they so generously gave and for allowing me to peruse and handle their priceless treasures. This thesis would not have been possible without their cooperation. To my family, who were ever enthusiastic about my project and who always encouraged and championed me, I offer my thanks and my love. Finally, this thesis is dedicated to the thousands of colonial women who endured privations, sufferings and loneliness with indomitable courage.
    [Show full text]
  • Richmond Heritage Highlights
    RichmondHeritage Highlights On 6 December 1810, the town of Richmond was one of five selected by Governor Lachlan Macquarie to provide safe residences and storage of produce for farmers who had already settled on flood prone land on the banks of the Hawkesbury-Nepean River. Richmond was named by Macquarie for its resemblance to its English counterpart....’from its beautiful situation and as corresponding with that of its district’. In 1811, the township was surveyed by James Meehan, Heritage Highlights who marked out the principal streets, town lots, market square (now Richmond Park) and the church precinct. Enormous expansion to the south occurred in 1966 with the Hobartville housing subdivision taking over the outer pastures of the Hobartville Stud. Although the perimeter of the town has now spread beyond to Hobartville in the south-west, with some development to the north-east, the original layout is still very much as Macquarie envisaged. This brochure includes many privately owned buildings which aren’t open to the public and may be viewed from the street only. Heritage Highlights RichmondRichmond Park - originally the Market Square 1 Windsor Street On 8 January 1811, the Governor and Mrs Macquarie, accompanied by a surveyor, marked out ‘The Great Square’ and the principal streets of the new township of Richmond. By the 1860s it had become a haven for wandering stock and was considered for subdivision into small housing allotments. Thankfully the area was dedicated as a reserve for public recreation in 1868, and in the late 1870s a major tree planting program commenced including Australian and exotic species, many of these are still growing today.
    [Show full text]
  • Margaret Catchpole Batch4
    MARGARET CATCHPOLE THE HEROINE OF SUFFOLK OR THE VICISSITUDES OF REAL LIFE A DRAMA IN THREE ACTS [Adapted from the celebrated work of the same title.] BY EDWARD STIRLIN G AUTHOR OF Martin Chuzzlewit—The Rubber of Life—Woman's the Devil —Bachelor's Buttons —The Queen of Cyprus—The Rose of Corbeil—Blue Jackets— Yankee Notes for English Circulation— Captain Char- lotte — The Pickwick Club—Aline, &c. &c. &c. THOMAS HAILES LACY, 89, STRAND, (Opposite Southampton Street, Covent Garden Market.) LONDON. MARGARET CATCHPOLE. First produced at the Royal Surry Theatre, March, 1845. This extraordinary female, born of humble parents, underwent the most singular vicissitudes that perhaps ever marked the career of woman. After meeting with many strange adventures, to obtain an interview with her lover (a celebrated captain of smugglers of the last century) she stole a horse, on which she rode to London in about eight hours; for this she was tried, and CONDEMNED TO DEATH, at the Bury Assizes, in the year 1797 ; was reprieved, broke out of prison at Ipswich, to join her lover, was retaken, sentenced again to death, and her punishment changed to transportation for life. She retrieved her character in Australia, where she distinguished herself in many extraordinary Adven- tures ; obtained a FREE PARDON, married a wealthy settler, who left her sole mistress of an immense fortune; she had one son and two daughters, who received the best education which England could afford, and returned to settle in their native land, to close the eyes of their affec- tionate parent, who died September 10th 1841, in the sixty-eighth year of her age, deeply lamented and revered by all who knew her.
    [Show full text]
  • PR8022 C5B3 1984.Pdf
    'PR C60d.a.. •CS�� lq81t- � '"' �r,;,�{ cJ c::_,.:;;J ; �· .;:,'t\� -- -- - - -- -2-fT7UU \�1\\�l\1�\\�1\l�l\\\\\ I 930171 3\ �.\ 3 4067 00 4 ' PR8022. C5B3198 D e CENG __ - Qv1.1T'n on Pn-oU.t::t!. C 5831984 MAIN GEN 04/04/85 THE UNIVERSI'IY OF QUEENSlAND LIBRARIES Death Is A Good Solution THE UNIVERSITY OF QUEENSLAND PRESS SCHOLARS' LIBRARY Death Is A Good Solution The Convict Experience in Early Australia A.W. Baker University of Queensland Press First published 1984 by University of Queensland Press Box 42, St Lucia, Queensland, AustraW. ©A.W.Bakerl984 This book is copyright. Aput &om my fair dealing for the purposes of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Enquiries should be made to the publisher. Typeset by University of Queensland Press Printed in Hong Kong by Silex Enterprise & Printing Co. Distributed in the UK, Europe, the Middle East, Africa, and the Caribbe1n by Prentice Hall International, International Book DistnOutors Ltd, 66 Wood Lane End, Heme! Hempstead, Herts., England Distributed in the USA and Canada by Technical lmpex Corporation, 5 South Union Street, Lawrence, Mass. 01843 USA Cataloauing ia Publication Data Nt�tiorralLibraryoJAustrtJ!ia Baker, A.W. (Anthony William), 1936- Death is a good solution. Bibliography. .. ---· ---- ��· -�No -L' oRAR'V Includes index. � OF C\ :��,t;�,�k'f· I. Aumalim litera�- History mdl>AAI�. � �· 2. Convicts in literature. I. Title (Series: University of Queensland Press scholars' library). A820.9'3520692 LibrtJryofCortgrtss Baker, A.W.(Anthony William), 1936- Death is a good solution.
    [Show full text]
  • Free PDF/Ebook
    The Early Writings of George William MacArthur Reynolds (1814–79) Short Stories, Essays, Translations, and Poetry from The Monthly Magazine, the London Journal, and Reynolds’s Miscellany Stephen Basdeo (ed.) 2020 This edition first published in September 2020. This updated (second) edition published in November 2020. Self-published at Leeds, West Yorkshire, by Stephen Basdeo. Introductions and Notes © Stephen Basdeo 2020. ISBN: 978-1-716-42578-3 This book is a collection of writings that G.W.M. Reynolds published under his pseudonym “Parisianus” in the Monthly Magazine as well as those he signed by name in the London Journal Reynolds’s Miscellany. This is not an exhaustive collection of Reynolds’s early writings; as I work through transcribing over 1,000 articles etc. more will be added and this book will be updated. Contents The Errors of the Christian Religion Exposed 4 Constantina; on the Importance of its Occupation 45 by the French The French Poets and Novelists 59 The Wandering Jew’s Tale 92 The Literature of Hungary 99 The Baroness: A Novel 110 The Lovers: A Legend of Guernsey 212 The Progress of Civilization in Belgium 223 On the Democracy of the United States 232 The History of the Bastille 261 The Father: An Episode in the Life of a Nobleman 272 Mary Hamel 281 The Sculptor of Florence 306 The Appointment: A Tale 326 The Assassin 353 Margaret Catchpole 380 A Guillotine Scene in France 392 Translations of Victor Hugo’s Works 398 G.W.M. Reynolds by Ramsey MacDonald 422 The Errors of the Christian Religion Exposed: By a Comparison of the Gospels of Matthew and Luke It is the duty of every man, as far as his ability extends, to detect and expose delusion and error.
    [Show full text]