Richmond Heritage Highlights
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Images Catalogue Last Updated 15 Mar 2018
Images Catalogue Last Updated 15 Mar 2018 Record Title Date Number P8095 1st 15 Rugby Union team photo [Hawkesbury Agricultural College HAC] - WR Watkins coach 11/04/1905 P2832 3 Jersey "Matrons" held in paddock below stud stock shed for student demonstrations - Colo breed on right [Hawkesbury 30/04/1905 Agricultural College (HAC)] P8468 3 students perform an experiment at UWS Nepean Science fair for gifted & talented students - 1993 1/06/1993 P8158 3 unidentified people working at a computer in lab coats 14/06/1905 P8294 3D Illustrations at Werrington - VAPA 1/06/1992 P8292 3rd year Communications students under the "tent" - Alison Fettell (Left) & Else Lackey 27/10/1992 P8310 3rd year computer programming project 14/06/1905 P1275 4th Cavalry Mobil Veterinary Section [Hawkesbury Agricultural College (HAC)] 21/04/1905 P2275 4th Cavalry Mobile Veterinary Section [Hawkesbury Agricultural College (HAC)] 21/04/1905 P6108 5 boys playing basketball 14/05/1905 P1683 60 colour slides in a folder - these slides were reproduced in publicity brochures and booklets for Hawkesbury Agricultural 2/06/1905 College - Careers in Food Technology [Hawkesbury Agricultural College (HAC)] P6105 7 boys playing Marbles 14/05/1905 P1679 75th Anniversary of the founding of Hawkesbury Agricultural College - Unveiling the plaque (1 of 9) - B Doman (Principal) 18/03/1966 giving speech from podium [Hawkesbury Agricultural College (HAC)] P1809 75th Anniversary of the founding of Hawkesbury Agricultural College - Unveiling the plaque (2 of 9) - Three men 18/03/1966 (unidentified) [Hawkesbury Agricultural College (HAC)] P1810 75th Anniversary of the founding of Hawkesbury Agricultural College - Unveiling the plaque (3 of 9) - Speaker at podium 18/03/1966 [Hawkesbury Agricultural College (HAC)] P1811 75th Anniversary of the founding of Hawkesbury Agricultural College - Unveiling the plaque (4 of 9) - The Hon. -
UNSW Medicine Entry 2021 – Gateway Schools (RA1 2016, RRMA 1991)
UNSW Medicine Entry 2021 – Gateway Schools (RA1 2016, RRMA 1991) Airds High School Colyton High School Al Sadiq College Condell Park High School Al Zahra College Corrimal High School Albion Park High School Cranebrook High School Alexandria Park Community School Dapto High School Ambarvale High School Delany College Arthur Phillip High School Doonside High School Ashcroft High School Eagle Vale High School Auburn Girls High School East Hills Boys High School Bankstown Girls High School Elizabeth Macarthur High School Bankstown Senior College Emmaus Catholic College Banora Point High School Endeavour Sports High School Bass High School Erina High School Bellfield College Erskine Park High School Belmont High School Evans High School Belmore Boys High School Fairfield High School Bethel Christian School Fairvale High School Beverly Hills Girls High School Figtree High School Birrong Boys High School Five Islands Secondary College Birrong Girls High School Francis Greenway High School Blacktown Boys High School Glendale High School Blacktown Girls High School Glenmore Park High School Bonnyrigg High School Gorokan High School Bossley Park High School Granville Boys High School Brisbane Water Secondary College Woy Woy Campus Granville South Creative and Performing Arts High School Cabramatta High School Greystanes High School Callaghan College Jesmond Campus Hawkesbury High School Cambridge Park High School Holroyd High School Camden High School Holsworthy High School Campbelltown Performing Arts High School Holy Spirit Catholic College Canley -
E-Book Code: REAU1036
E-book Code: REAU1036 Written by Margaret Etherton. Illustrated by Terry Allen. Published by Ready-Ed Publications (2007) © Ready-Ed Publications - 2007. P.O. Box 276 Greenwood Perth W.A. 6024 Email: [email protected] Website: www.readyed.com.au COPYRIGHT NOTICE Permission is granted for the purchaser to photocopy sufficient copies for non-commercial educational purposes. However, this permission is not transferable and applies only to the purchasing individual or institution. ISBN 1 86397 710 4 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012 12345678901234 5 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 12345678901234567890123456789012123456789012345678901234567890121234567890123456789012345678901212345678901234567890123456789012123456789012345 -
Interpretation Strategy
Thompson Square Windsor NSW Interpretation Strategy FINAL February 2017 THIS PAGE LEFT INTENTIONALLY BLANK Contents Contents ......................................................................................................................................... i 1 Executive Summary ................................................................................................................ 1 2 Introduction ............................................................................................................................. 2 2.1 Brief .................................................................................................................................. 2 2.2 Acknowledgements & Authorship ..................................................................................... 3 2.3 Definitions ......................................................................................................................... 4 3 Statutory Context .................................................................................................................... 6 3.1 Heritage Status ................................................................................................................. 6 3.2 Statutory Policies .............................................................................................................. 7 3.3 Guiding Interpretation Policies .......................................................................................... 7 4 Site Identification ................................................................................................................. -
How Early Australian Settlers Drew Maps to Erase Indigenous People and Push Ideas of Colonial Superiority
5/27/2021 How early Australian settlers drew maps to erase Indigenous people and push ideas of colonial superiority Close Academic rigour, journalistic flair National Library of Australia: 31258061 How early Australian settlers drew maps to erase Indigenous people and push ideas of colonial superiority May 27, 2021 6.10am AEST The new Netflix series Shadow and Bone opens with cartographer Alina Starkov crammed Author into the back of a rumbling wagon, sketching a war-torn landscape. A flashback to her childhood in an orphanage shows her looking at a map of a conflict zone. A guardian tells her, “keep a pencil in your hand, or else someone will put a rifle in it Imogen Wegman instead”. The cartographers of this fictional world are crucial to the military, just as they Lecturer in Humanities, University of are in the real world. But there is also a sense that cartographers played a peaceful role in Tasmania the army. In reality, the role of surveyors and cartographers throughout history was often far from peaceful. It was their initial explorations that paved the way for destructive waves of colonising armies and civilians. At each stage of mapping an area, clues are preserved about the priorities and prejudices of the person wielding the pencil, and those instructing them. Today, researchers can spot these clues and draw out the contextual history of the time. Exploring the land https://theconversation.com/how-early-australian-settlers-drew-maps-to-erase-indigenous-people-and-push-ideas-of-colonial-superiority-161097 1/6 5/27/2021 How early Australian settlers drew maps to erase Indigenous people and push ideas of colonial superiority Maps made it easier for the government back home to imagine the territory of a new colony, to claim to “know” and thus own it. -
Margaret Catchpole: Two Worlds Apart
Stephen DODGSON Margaret Catchpole: Two Worlds Apart (Chamber opera in four acts) Howden • Wallace • Morris • Ollerenshaw Edgar-Wilson • Brook • Moore • Willcock • Sporsén Perpetuo • Julian Perkins Stephen Act I: By the Banks of the Orwell Act II: The Cobbold Household 1 [Introduction] 2:27 Scene 1: The drawing room at Mrs Cobbold’s house DO(1D924G–20S13O) N ^ 2Scene 1: Harvest time at Priory Farm & You are young (Dr Stebbing) 4:25 3 What an almighty fuss (Luff, Laud) 1:35 Ah! Dr Stebbing and Mr Barry Margaret Catchpole: Two Worlds Apart 4 For so many years (Laud, Luff) 2:09 (Mrs Cobbold, Barry, Margaret) 6:54 Chamber opera in four acts (1979) 5 Oh harvest moon (Margaret, Laud) 5:26 * Under that far and shining sky Interlude to Scene 2 1:28 Libretto by Ronald Fletcher (1921–1992), 6 (Laud, Margaret) 1:35 based on the novel by Richard Cobbold (1797–1877) The harvest is ended Scene 2: Porch – Kitchen/parlour – First performance: 8–10 June 1979 at The Old School, Hadleigh, Suffolk, UK 7 (Denton, Margaret, Laud, Labourers) 2:19 (Drawing room Oh, my goodness gracious – look! I don’t care what you think Margaret Catchpole . Kate Howden, Mezzo-soprano 8 (Mrs Denton, Lucy, Margaret, Denton) 2:23 ) (Alice, Margaret) 2:26 Will Laud . William Wallace, Tenor 9 Margaret? (Barry, Margaret) 3:39 Come in, Margaret John Luff . Nicholas Morris, Bass The ripen’d corn in sheaves is born ¡ (Mrs Cobbold, Margaret) 6:30 (Second Labourer, Denton, First Labourer, John Barry . Alistair Ollerenshaw, Baritone Come then, Alice (Margaret, Alice, Laud) 8:46 0 Mrs Denton, Lucy, Barry) 5:10 ™ Crusoe . -
Letters from Early Australia – Linguistic Variation and Change
DiG 6 (1998), 1-24 Letters from Early Australia – Linguistic Variation and Change Clemens Fritz I Introduction1 This study of Australian English in general and the language of letters from nineteenth century immigrants in particular developed from two different interests. The first was a personal interest in Australia and its history, linguistic and social, the second an explorer’s fascination with a field he knows to be largely unknown territory. The letters and diaries that are preserved from 19th century Australia show the gripping lives of convicts, the lonesome toil of farmers and the daily experiences of city dwellers. Apart from the personal and historical interests that are connected with these testimonies, the language of the letters is also worthwhile studying. This is intended in the present analysis. The study of Australian English (AE) is still a rather neglected topic of linguistic research especially if it is compared with the work done on the American (AmE) and British (EngE) varieties of English. This situation has improved since the days of the pioneering works of Baker (1966), Mitchell and Delbridge but outside Australia there is virtually only a handful of studies to be found. Notable exceptions are the works of Dabke (1976), Görlach (1991) and Leitner (1984, 1989, 1990). The first works on Australian English focused on the origin of a particular Australian pronunciation, the mixing of dialects and the vocabulary of settlers and convicts. But in the 1970s the interest in the historical study of Australian English declined rapidly and gave way to studies of present-day usage with special attention devoted to the language contact situation of Aborigines and immigrants, sociolinguistic variables _________________________ 1 This paper draws partly on the author’s MA thesis titled Early Australian Letters – A Linguistic Analysis which was completed in 1996 at the University of Regensburg. -
JAMES MEEHAN's SURVEY of HOBART TOWN in 1811 by Frank Bolt Kingston Beach, Tasmania
Papers and Proceedings of the Royal Society of Tasmania, Volume 115, 1981 (ms. received 8.2.1980) JAMES MEEHAN'S SURVEY OF HOBART TOWN IN 1811 by Frank Bolt Kingston Beach, Tasmania (with two text figures) ABSTRACT BOLT, Frank., 1981 (30 ix): ,Tames Meehan's survey of Hobart "rown in 1811. Pap. Proc. R. Soc. Tasm. 0 115, 5-18 (with two figs.). ISSN 0080-4703. Kingston Beach, Tasmania, Australia. https://doi.org/10.26749/rstpp.115.5 During his visit to Hobart Town in 1811, Governor Macquarie instructed Ac ting Surveyor James Meehan to make a design for the layout of this small but growing settle ment on the shores of the Derwent River. The field notes of Meehan's survey work executed as a result of these instructions were recently rediscovered and were analysed and plotted by the author, enabling him to show in map form his interpretation of these survey notes. The resulting map portrays an interesting picture of Hobart Town during the Collins period which is not complete. This interpretation of Meehan's survey notes may encourage further studies. JAMES MEEHAN' S SURVEY OF HOBART TOWN After taking office in 1810 Governor Macquarie decided to make a personal inspection of Van Dieman' s Land in general, and of Hobart Town in particular. !le found on his arrival in Hobart (November 23rd, 1811) a collection of miserable huts interspersed with some structures built of brick, public buildings of an unsatisfactory quality, and a few muddy tracks and laneways, wandering at random across the hilly slopes, along several rivulets and the shores of Sullivans Cove. -
The Excavation of a Brick Barrel-Drain at Parramatta, N.S.W. EDWARD HIGGINBOTHAM
AUSTRALIAN HISTORICAL ARCHAEOLOGY, 1, 1983 The Excavation of a Brick Barrel-drain at Parramatta, N.S.W. EDWARD HIGGINBOTHAM One ofthe most important contributions that can be made by historical archaeology is to throw light on aspects ofthe past neglected by most historians. Drains, for instance, have tended to be ignored by traditional scholarship. Yet the development ofdrainage systems ofone sort or another was extremely important to the occupants ofAustralia's towns and cities during the 19th century. In the following paper Edward Higginbotham, a consultant archaeologist in Sydney, discusses his excavation ofa partofwhat must be one ofAustralia's earliest drains: a brick stormwater drain built under Parramatta during the 1820s. As he explains in his paper, this drain must have played a very important part in the development ofParramatta, the centre of which had poor natural drainage. Indeed, the drain continues to function along most of its course and it is particularly encouraging to learn that a section ofthe excavated part is to be preserved on display to the public. Excavations on the course of an early colonial brick barrel-drain were undertaken in June 1981 at 126-138 George Street. Parramatta, prior to the development of the site with the construction of an office building. The significance of the drainage system became known to the Heritage Council in 1980, when a short section to the north of Phillip Street was exposed dur ing construction work. Its appearance and alignment towards the Lancer Barracks and the Convict Bar racks suggested that it might have been constructed in the 1820s during Macquarie's Governorship.' Subse quently. -
Excavation of Buildings in the Early Township of Parramatta
AUSTRALIAN HISTORICAL ARCHAEOLOGY, 5,1987 The Excavation of Buildings in the Early Township of Parramatta, New South Wales, 1790-1820s EDWARD HIGGINBOTHAM This paper describes the excavation of a convict hut, erected in 1790 in Parramatta, together with an adjoining contemporary out-building or enclosure. It discusses the evidence for repair, and secondary occupation by free persons, one of whom is tentatively identified. The site produced the first recognised examples of locally manufactured earthenware. The historical and archaeological evidence for pottery manufacture in New South Wales between 1790 and 1830 is contained in an appendix. INTRODUCTION Before any archaeological excavation could take place, it was necessary to research the development of the township In September 1788 the wheat crop failed at Sydney Cove from historical documentation, then to establish whether any and also at Norfolk Island, partly because the seed had not items merited further investigation, and finally to ascertain been properly stored during the voyage of the First Fleet. As whether any archaeological remains survived later soon as this was known the Sirius was sent to the Cape of development. Good Hope for both flour and seed grain.' Also in November Preliminary historical research indicated that the area 1788 an agricultural settlement was established at Rose Hill available for archaeological investigation was initially (Parramatta).2 The intention was to clear sufficient land in occupied by a number of huts for convict accommodation, advance of the ship's return, so that the grain could be and subsequently by residential development.8 This paper is immediately sown. The early settlement at Rose Hill was an therefore mainly concerned with the development of convict attempt to save the penal colony from starvation, and and then domestic occupation in Parramatta. -
SUFFOLK RECORD OFFICE Ipswich Branch Reels M941-43
AUSTRALIAN JOINT COPYING PROJECT SUFFOLK RECORD OFFICE Ipswich Branch Reels M941-43 Suffolk Record Office County Hall Ipswich Suffolk IP4 2JS National Library of Australia State Library of New South Wales Filmed: 1975 CONTENTS Page 3 Ipswich Borough records, 1789-1887 3 Parish records, 1793-1962 9 Deeds of Tacket Street Congregational Church, 1880-84 9 Papers of Rous Family, Earls of Stradbroke, 1830-1926 11 Papers of Rope Family of Blaxhall, 1842 12 Papers of Loraine Family of Bramford Hall, 1851-1912 13 Papers of Augustus Keppel, Viscount Keppel, 1740-44 14 Papers of Admiral Frederick Doughty, 1848-73 14 Papers of Greenup Family, 1834-66 15 Papers of Bloomfield Family of Redham, 1845-52 15 Papers of Harold Lingwood relating to Margaret Catchpole, 1928-54 16 Letter of Lt. Col. William Donnan, 1915 2 SUFFOLK RECORD OFFICE Ipswich Branch Reel M941 Ipswich Borough Records C/2/9/1 General Quarter Sessions, 1440-1846 C/2/9/1/11 Miscellanea [previously C1/2/29] Select: 5 Papers regarding transportation of Susanna Hunt, 1789 Contract between Ipswich Corporation and William Richards for the conveyance of Susanna Hunt, wife of John Hunt, to Botany Bay, 1 April 1789. Hunt had been convicted of grand larceny and was sentenced to transportation for seven years. Bond by William Richards and George Aitkin (Deptford) in £80 to carry out contract, 2 April 1789. William Richards (Walworth) to keeper of Ipswich Gaol, 9 April 1789: encloses bond. William Richards to George Aitkin (Lady Juliana), 4 April 1789: instructs him to receive one female convict from Suffolk. -
DODGSON, S: Margaret Catchpole – Two Worlds Apart 8.660459-61
DODGSON, S: Margaret Catchpole – Two Worlds Apart 8.660459-61 A Music Drama in Four Acts Stephen Dodgson, music Ronald Fletcher, libretto (after the novel by Richard Cobbold) CHARACTERS William Laud, a ship’s captain and leader of a band of smugglers (tenor) John Luff, his close companion (baritone) Margaret Catchpole, daughter of a Suffolk labourer (soprano) Farmer Denton, a neighbouring farmer (bass) Mrs. Denton, his wife (mezzo-soprano) Lucy, their servant girl (soprano) Two farm labourers, harvesting with Farmer Denton (tenor/bass) John Barry, son of a local miller (baritone) ‘Crusoe’, a half-crazed old fisherman who haunts the Orwell shore (tenor) Dr. Stebbing, an Ipswich family doctor (bass-baritone) Mrs. Elizabeth Cobbold, Margaret’s employer, friend and benefactress (mezzo-soprano) Alice, maid in the Cobbold household (soprano) The Lord Chief Baron McDonald, Judge (bass) First Gaoler (baritone) Second Gaoler (silent) Mrs. Palmer, Principal of an orphanage for girls – Sydney, Australia (soprano) ACT 1 And look – I tell you, once and for all – I will have her with me. For so many years, I’ve longed for her… BY THE BANKS OF THE ORWELL So long… She twists me like a knife inside, for want of her. Scene 1: HARVEST TIME AT PRIORY FARM The truth is – the Devil take it! – I can’t bear to be without her. I need her. In the background are the stubble harvest fields, the crops now And she it was – remember? – who nursed me back to life gathered. In the near distance, down to the left, the shining estuary of From cutlass wounds taken defending you, the Orwell.