University of Kentucky UKnowledge University of Kentucky Master's Theses Graduate School 2011 PRAGMATIC MODERNISM: PROJECT [PROJEKT] AND POLISH DESIGN, 1956-1970 Mikolaj Czerwinski University of Kentucky,
[email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Czerwinski, Mikolaj, "PRAGMATIC MODERNISM: PROJECT [PROJEKT] AND POLISH DESIGN, 1956-1970" (2011). University of Kentucky Master's Theses. 96. https://uknowledge.uky.edu/gradschool_theses/96 This Thesis is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Master's Theses by an authorized administrator of UKnowledge. For more information, please contact
[email protected]. ABSTRACT OF THESIS PRAGMATIC MODERNISM: PROJECT [PROJEKT] AND POLISH DESIGN, 1956-1970 Recently Scholars of design history began to recognize the phenomenon of Socialist Modernism, the return to modernist aesthetics to Eastern Europe and the Soviet Union during the thaw, the disavowal of Stalinist policies by Nikita Khrushchev after the 20th Party Congress of the Communist Party in February of 1956 and the resulting turn away from Socialist Realism, a historicist method in architecture that expressed socialist values, which the Stalinist favored. Scholars of art and design argued that Socialist Modernism in Poland constituted an affirmation of the party’s authority and that of the political system because designers who practiced it focused on abstract form and technological experiments. Unlike the modernism of the early 20th century, which followed a utopian ideology to ensure universal well being through art and design, it focused on the aesthetics of elementary form.