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B Ob Dylan Nace En Duluth, Minnesota, Esta ... en la Biblioteca! LIBURUTEGIA / BIBLIOTECA ob Dylan nace en Duluth, Minnesota, Esta- dos Unidos el 24 de mayo de 1941 como Robert Allen Zimmerman. Músico, cantante, poeta y pintor, considerado como una de las figu- Bras más influyentes en la música popular del siglo XX y co- mienzos del XXI. Desde su niñez demostró un gran interés por la música y la poesía. Durante sus estudios universita- Bob Dylan (1962) rios entró en contacto con la música folk y la canción protes- Este es su primer disco, acústico y de gran influencia del folk y ta, y es entonces cuando adopta su nombre artístico, en ho- del blues, donde tan solo incluye dos temas propios, “Talkin' New menaje al poeta Dylan Thomas. En 1961 abandona la uni- York” y “Song to Woody”. versidad y se traslada a New York para dedicarse por completo a la música. El jo- ven cantante llamó la atención de las más importantes figuras del folk, como Pete The Freewheelin' Bob Dylan (1963) Seeger o Joan Baez, próximos a los movimientos por los derechos civiles y contra la Con este disco da comienzo el cantautor de la protesta social y del guerra de Vietnam, y convencidos de que con sus canciones podían combatir el amor. Contiene el éxito “Blowin' in the Wind”, que se convirtió en comercialismo, la hipocresía, la injusticia, la desigualdad y la guerra. También Bob himno pacifista, así como otros temas imperecederos: “Girl from Dylan transmitía con sus letras, de alto contenido poético, mensajes que daban un the North Country”, “Masters of War”, “A Hard Rain's a-Gonna Fall”. nuevo sentido a la música popular. Sus canciones de protesta no sólo reflejaban los sentimientos de la gente hacia los temas contemporáneos, sino que los creaban, The Times They Are A-Changin' (1964) ganándose el título de la voz de su generación. Con la canción “The Times They Are a Changing” se adelantaba al Ha ampliado y personalizado diferentes géneros musicales a los largo de estas cinco revuelo social y político de Norteamérica, llegando a convertirse en décadas, en las que ha explorado la tradición musical estadounidense, con el folk, un himno de la contracultura. el blues, el country y el góspel y el rock and roll, así como la música folk inglesa, irlandesa y escocesa, pasando por el jazz y el swing. Las letras de Dylan contienen Another Side of Bob Dylan (1964) temas sociales, políticos, filosóficos y literarios, próximas a la contracultura emer- Empieza a alejarse del folk., con influencia de The Beatles y una gente de la época; su lirismo, muchas veces impenetrable y hermético, y sus imáge- presencia mayor de letras abstractas, inspiradas por la poesía de nes poéticas están claramente influidos por el surrealismo y la abstracción literaria Jack Kerouac y Allen Ginsberg. Destacan “Chimes of Freedom” y (desde Rimbaud a Ginsberg). “To Ramona”. Obra en prosa Bringing It All Back Home (1965) Tarántula (1971) Es el salto al rock and roll y la consagración de letras más elabo- Crónicas (2014) radas. Es considerado como el primer disco folk-rock de la histo- ria, aunque supuso un cierto rechazo de sus fans de la época. Pintura Temas: “Mr. Tambourine man”, “Maggie’s farm”, “Love Minus Zero/ Draw Blank (1997) libro recopilatorio de dibujos No Limit”, etc. The Draw Blank Series (2007) con 170 reproducciones de acuarelas y gouches Highway 61 Revisited (1965) Exposiciones: The Draw Blank Series (2007) en el Considerado uno de sus mejores discos, marca el cambio del Dy- Kunstsammlungen de Alemania, The Brazil Series lan acústico al eléctrico y al poeta del rock. Incluye el emblemáti- (2010-2011) en la Galería Nacional de Dinamarca. The co tema “Like a Rolling Stone”, símbolo de su generación. Otras Asia Series (2011) y Revisionist Art (2012) en la Galería canciones destacadas: “Ballad of a thin man”, “Hihway 61 revisi- Gagosian, The New Orleans Series (2013) en el Palacio Real de Milán, Face Value ted”, etc. (2013) en National Portrait Gallery de Londres. Blonde on Blonde (1966) Nobel de Literatura 2016 Este disco legendario contiene la famosa canción "I Want You", y su frase final inolvidable: “no nací para perderte”; también destaca La Academia Sueca ha otorgado este galardón a Bob Dylan "por ha- el tema de claros tintes surrealistas: “Visions of Johanna”. ber creado una nueva expresión poética dentro de la gran tradición americana de la canción". John Wesley Harding (1967) The Basement Tapes (1975) Después de un breve retiro, Dylan graba este álbum nueva- Recuperación de las sesiones realizadas en 1967 con The mente folk (exactamente country-rock), desmarcándose de las Band. Indaga en el folk, con temas en su mayoría compuestos tendencias psicodélicas imperantes. “All Along the Watchto- por Dylan, llamados por él mismo "baladas hogareñas", aun- wer” es uno de los temas más destacados. que también es un disco de rock con toques humorísticos. Nashville Skyline (1969) Desire (1976) Disco de 10 temas de música country (uno de ellos instru- Uno de los discos más extraños de Dylan, donde aparece la mental, “Nashville Skyline Rag”), con insólito cambio de voz excelente canción "Hurricane", así como la hermosa canción incluido. Interesante dueto con Johnny Cash de “Girl from the de amor “Isis”. North Country”; y también “I Threw It All Away y Lay”, “Lady, Lay”. Self Portrait (1970) Street Legal (1978) Álbum doble que será muy mal recibido por la crítica, donde Dylan se pasa al pop-rock, incluyendo con coros, saxo y tecla- la mayor parte de los temas son versiones de canciones coun- dos, entregando 9 temas propios. No gustó a la crítica. Desta- try y folk, añadiendo alguno propios inéditos y otros grabados ca el tema “Señor (Tales of Yankee Power)” y “Is Your Love In en directo. Vain?” Pat Garrett & Billy the Kid (1973) Slow Train Coming (1979) Banda Sonora de la película homónima, dirigida por Sam Primero de los discos de cariz cristiano (tras su visión de Je- Peckinpah. Incluye 10 temas, de los cuales 3 son versiones de sucristo). Incluye 9 canciones originales, con Mark Knopfler y la misma canción, “Billy”, y otros 6 son instrumentales. Ade- Pick Withers (Dire Straits). Contiene también toques de góspel. más, se incluye el famoso “Knockin' on Heaven's Door” Se inicia con “Gotta Serve Somebody”, magnífico tema, como también lo es “Gonna Change My Way Of Thinking”. Dylan [1973] (1973) Saved (1980) Álbum de descartes de los 2 discos de 1970, realizado mien- Supone el segundo álbum de Dylan tras su conversión al cris- tras Dylan había abandonado temporalmente su casa disco- tianismo, con claras influencias de la música góspel. Las críti- gráfica y se había ido a vivir a California. cas fueron mayoritariamente negativas. Los sencillos fueron “Saved” y “Solid Rock”. Planet Waves (1974) Shot of Love (1981) Por fin 11 canciones nuevas, 10 si consideramos que “Forever Cierra la trilogía cristiana, si bien es un poco más rockero y Young” tiene 2 versiones. Grabado con The Band. Buena acep- ya introduce algún tema no sacro. Recibimiento crítico negati- vo. En la canción “Heart of mine” colaboraron Ringo Starr (The tación de la crítica y nueva vuelta al rock and roll. Beatles) y Ron Wood (The Rolling Stones). La más valorada es “Every Grain of Sand”. Before the Flood (1974) Infidels (1983) Álbum en directo con The Band. Infidels es un disco importante en la carrera de Bob Dylan, pues supone el reencuentro con la crítica tras su trilogía cris- tiana. Con sonido de los años 80, en parte gracias a la colabo- ración de Kark Knopfler. Destacan “Man of peace” y “Neighborhood Bully”. Blood on the Tracks (1975) Real Live (1984) Su mejor disco de esta época y su vuelta a Nueva York . Influi- El álbum en directo es el correspondiente a la gira promocio- do por su reciente separación, Dylan se expresa en tono doli- nal de este disco, en varios de cuyos conciertos actuó Joan do, según él inspirado en los cuentos de Chéjov. Destacan los Baez y que le llevó a España por primera vez. Carlos Santana temas “Tangled Up in Blue” (una de las mejoras letras de Dy- toca su guitarra en “Tombstone Blues”. lan), “Simple Twist of Fate” y “Idiot Wind”. Empire Burlesque (1985) Love and Theft (2001) El álbum, producido por el propio Dylan, contó con la Supone una continuación musical y lírica de su anterior trabajo participación de músicos como Ron Wood, Jim Keltner, Time Out of Mind, obteniendo también críticas favorables. Es el Al Kooper, Mich Taylor, entre otros. Se distancia de primer álbum producido exclusivamente por el propio músico trabajos anteriores con sonidos propios de los ochenta, bajo el seudónimo de Jack Frost, con temas como “Mississipi”, destacando temas como “Tight connection to my heart” y “High Water(for Charley Patton)” o “Tweedle Dee &Tweedle Dum”. “Dark eyes”. Modern Times (2006) Knocked Out Loaded (1986) 32º álbum de estudio del músico estadounidense que grabó con Es para buena parte de la crítica musical uno de los la banda habitual Never Ending Tour, en el que realiza incursio- más mediocres trabajos de Dylan, a pesar de contener nes en géneros musicales como el rockabilly o el blues (al igual una de las consideradas mejores canciones del músico: que el disco anterior). Tercer trabajo consecutivo en obtener el “Brownsville Girl”. respaldo de la crítica y del público, y con el que se cierra la lla- mada “trilogía conceptual”. Down in the Groove (1988) Together Through Life (2009) A pesar de contar con la colaboración de una larga lista Combina géneros musicales como el rock, el folk y el blues; y la de músicos, este nuevo álbum, que en su mayoría in- participación de David Hidalgo (Los Lobos) aportó a canciones cluye versiones de otros autores, recibirá también críti- como “If you ever go to Houston”, “This fream of you” y “It’s all cas negativas y bajas ventas a nivel mundial.
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