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CIVIL CSSURVEY CCONSULTANTS, INC MERIDIAN, IDAHO Committed to Service W USTICK RD W USTICK RD North W KING ARTHUR DR N TUDOR DR W SUSSEX DR W TUDOR DR ST N FIVE MILE RD MILE FIVE N W GUINEVERE DR W SUSSEX DR N CONSTANTINE ST W RACE ST W LANCELOT AVE CITY OF BOISE W WOODCHUCK PROPOSED PARK SITE N MORROW AVE N BURTON ST N FAYETTE AVE W GALLAHAD AVE W SAGRAMORE AVE W MONTANA AVE W WOODLAND LN ST N CARADOC ST N GAWAINE ST N HAMPTON ST W EXCALIBUR ST W EXCALIBUR AVE W CANTERBURY DR NOT TO SCALE N CITRUS PL W EXCALIBUR ST W ARDYCE ST ST N FAYETTE PL W ARDYCE CT W ARDYCE ST W DE WITT LN W ARDYCE ST W ARDYCE ST N MORROW PL W MACAW LN AVE SHEET 3 N CITRUS LN W MACAW CT N MITCHELL N WILDWOOD W LONE WOLF LN LN N ARGENTINA LN N PILGRIM LN W ABRAM DR W ABRAM LN N DENNIS PL Canal N SIESTA LN N ASTER N SHEET 2 W GRANGER AVE W PALM DR W PALM ST (PRIVATE) ASTOR LN N DUSTY LN N W PALM LN N CARISSA W JAVA DR AVE W JAVA CT N MORROW AVE N BALI DR N CITRUS DR W CORY ST W TAHITI CT W TAHITI ST N ARMSTORNG W CORY ST N HAMTON W SOUTHWIND W GLEN ELLYN DR N PILGRIM PL W GLEN ELLYN ST W GLEN ELLYN CT W GLEN ELLYN ST W GLEN ELLYN CT W GLEN ELLYN CT W GLEN ELLYN ST N BALI AVE CITRUS AVE W POPPY ST W POPPY ST N SIESTA WY N CARISSA PL W POPPY ST N FAYETTE PL W POPPY ST W POPPY ST N SUNRISE AVE W MARLINWOOD ST N DOVE AVE W MARLINWOOD DR N PILGRIM PL W SUNFLOWER LN W CHARITAN DR N CONSTANTINE AVE N ASTER AVE W BLUECANYON ST SHEET 2 W MARLINWOOD DR W LUPINE ST N SPRINGLAND PL ST W LUPINE ST Settlers W LUPINE AVE W CHARITAN ST SHEET 1 W CHARITAN ST N FARWELL AVE DR W LANDMARK DR W LANDMARK DR N SIESTA AVE N DOVE AVE N MITCHELL ST W CHARITAN DR W LANDMARK ST W LANDMARK ST W BUMBLEBEE DR N CITRUS W BUMBLEBEE DR RD N MUMBARTO W OLYMPUS ST W TIDEWATER CT ST W HOLT ST Milk W TIDEWATER CT W HALSTEAD LN W HALSTEAD DR N HAMPTON N PILGRIM AVE N CARISSA AVE N FARWELL LN W HALSTEAD CT Lateral N ANCESTOR AVE W ESHELMAN ST W ESHELMAN ST N WILDWOOD W GARVERDALE CT W GARVERDALE LN N FIVE MILE RD W FAIRVIEW AVENUE W FAIRVIEW AVENUE.

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Queen Guinevere
Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry.
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Сest Romanz Fist Crestïens Chrétien De Troyes and the Birth of the French Novel
Natalia M. Dolgorukova СEST ROMANZ FIST CRESTÏENS CHRÉTIEN DE TROYES AND THE BIRTH OF THE FRENCH NOVEL BASIC RESEARCH PROGRAM WORKING PAPERS SERIES: LITERARY STUDIES WP BRP 24/LS/2017 This Working Paper is an output of a research project implemented at the National Research University Higher School of Economics (HSE). Any opinions or claims contained in this Working Paper do not necessarily reflect the views of HSE Natalia M. Dolgorukova1 СEST ROMANZ FIST CRESTÏENS CHRÉTIEN DE TROYES AND THE BIRTH OF THE FRENCH NOVEL2 The paper addresses three controversial issues in two romances by Chrétien de Troyes - Yvain, or the Knight with the Lion and Lancelot, or the Knight of the Cart. Both romances were written around 1176-1180 and because of their narrative continuity and complementarity could be considered as a diptych. First, we examine the evolution of Chretien’s conception of love, “mysteriously” changing from his first romances to Lancelot; then we enter into the debate between celtisants and their critics about the Celtic influence in Chretien and consider Celtic sources of the two romances; we conclude the article, tracing out the fairy tale paradigm in both romances, which helps us reveal new meanings of the cart and the lion, operating as magic agents in the romances. Keywords: Chrétien de Troyes, “Yvain, or the Knight with the Lion”, “Lancelot, or the Knight of the Cart”, fin’amors, Breton Cycle, Celtic material, troubadours, trouvères, V. Propp, Mabinogion, parody Jel: Z 1 National Research University Higher School of Economics. Faculty of Humanities, School of Philology. Senior Lecturer. E-mail: [email protected].
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Shadows Over Camelot Rules Summary V2
SUPPORT THE EOG BY BECOMING AN OFFICIAL MEMBER SIGN UP AT ORDEROFGAMERS.COM The Esoteric Order of Gamers orderofgamers.com High quality materials for the dedicated devotee of immersive, thematic tabletop games. Game rules summaries, foamcore box plans, articles, interviews, reviews, videos, tutorials, forums – and lots more. @EOGamers gplus.to/EOGamers facebook.com/EOGamers EsotericOrderGamers instagram.com/orderofgamers v2 May 2011 Game: SHADOWS OVER CAMELOT Publisher: Days of Wonder (2005) Page 1: Rules summary Page 1: Rules summary Merlin’s Company Print on card (ensure you are printing at 100% scale) laminate and trim to size. These sheets are intended only for the personal use of existing owners of the game for additional reference. Universal Head makes no claim whatsoever to the rights of the publisher and copyright holder, and does not benefit financially from these player aids. Artwork from the original game is copyrighted by the publisher and used without permission. This PDF may not be re-posted online, sold or used in any way except for personal use. Setup Progression of Evil Quests Set up the boards (for the Lancelot and Dragon Draw a Black Card You must play specific combinations of cards to win board, Lancelot’s side is faceup) and place the Relic Draw the top card, read it aloud and apply its effect. Combat Quests. If a Solo Quest is abandoned all miniatures on their respective boards. White cards played so far are discarded. A Special Black card can be cancelled if you and/ Each player randomly takes a Coat of Arms and or your fellow Knights collectively play 3 Merlin cards.
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Then Arthur Fought the MATTER of BRITAIN 378 – 634 A.D
Then Arthur Fought THE MATTER OF BRITAIN 378 – 634 A.D. Howard M. Wiseman Then Arthur Fought is a possible history centred on a possi- bly historical figure: Arthur, battle-leader of the dark-age (5th- 6th century) Britons against the invading Anglo-Saxons. Writ- ten in the style of a medieval chronicle, its events span more than 250 years, and most of Western Europe, all the while re- specting known history. Drawing upon hundreds of ancient and medieval texts, Howard Wiseman mixes in his own inventions to forge a unique conception of Arthur and his times. Care- fully annotated, Then Arthur Fought will appeal to anyone in- terested in dark-age history and legends, or in new frameworks for Arthurian fiction. Its 430 pages include Dramatis Personae, genealogies, notes, bibliography, and 20 maps. —— Then Arthur Fought is an extraordinary achievement. ... An absorbing introduction to the history and legends of the period [and] ... a fascinating synthesis. — from the Foreword by Patrick McCormack, author of the Albion trilogy. —— A long and lavishly detailed fictional fantasia on the kind of primary source we will never have for the Age of Arthur. ... soaringly intelligent and, most unlikely of all, hugely entertaining. It is a stunning achievement, enthusiastically recommended. — Editor’s Choice review by Steve Donoghue, Indie Reviews Editor, Historical Novel Society. Contents List of Figures x Foreword, by Patrick McCormack xi Preface, by the author xv Introduction: history, literature, and this book xix Dramatis Personae xxxi Genealogies xxxix
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MARK TWAIN's Connecticut Yankee, Finding Himself Suddenly
PROLOGUE ddd ARK TWAIN’S Connecticut Yankee, finding himself suddenly M transported across centuries into the strange world of Camelot, man- ages, despite the shock of time travel, to preserve his acute sense of observa- tion. From the start he views the Arthurian court ambivalently, feeling horror at its failure to anticipate the democratic and technological glories of his own nineteenth century, mixed with a somewhat reluctant dash of romantic admi- ration for its very otherness, exhibited with such vigour and colour, especially in the quaint richness of its verbal expression. If the Yankee thus drops substantial weights onto the pans swinging on each side of the scales of judgement, the balance arm tips heavily toward the nega- tive. His early conclusion is that Camelot must be an insane asylum, its denizens virtual savages who can be dismissed as ‘white Indians’. Listening to the talk in court for the first time, he reports: As a rule the speech and behavior of these people were gracious and courtly; and I noticed that they were good and serious listeners when anybody was telling anything— I mean in a dogfightless interval. And plainly, too, they were a childlike and innocent lot; telling lies of the stateliest pattern with a most gentle and winning naivety, and ready and willing to listen to anybody else’s lie, and believe it, too. It was hard to asso- ciate them with anything cruel or dreadful; and yet they dealt in tales of blood and suf- fering with a guileless relish that made me almost forget to shudder.1 This passage, of course, shows us much that we try to avoid as historians.
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Masarykova Univerzita Portrayal of Women in Arthurian Legends
Masarykova univerzita Pedagogická fakulta Katedra anglického jazyka a literatury Portrayal of women in Arthurian legends Bachelor thesis Brno, 2012 Supervisor: Author: Mgr. Jarolslav Izavčuk Petr Crhonek 1 Prohlášení Prohlašuji, že jsem závěrečnou bakalářskou vypracoval samostatně, s využitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. Souhlasím, aby tato práce byla použitá jako zdroj studijních materiálů. Blansko, 23.září 2012 Petr Crhonek ……………………………………… 2 Annotation This bachelor thesis is aimed at women characters that can be met when reading Sir Thomas Malory’s L’Morte d’Arthur and Sir Gawain and the Green Knight from an unknown author. The thesis is to describe the characters, analyse them and compare to real women that were important throughout the history. In the end of this thesis there are interviews that were carried out by the author during his stay in England in the town of Barnstaple, Devon and pictures taken by the author that are to show some famous and interesting places connected to the legends of King Arthur. Key words King Arthur, women in Arthurian legends, Different roles of women, social status of women, women’s activities, crisis of masculinity, women as warriors, women as ladies-in-waiting, Morte d’Arthur, Sir Gawain and the Green Knight. 3 Acknowledgement I would like to thank to Mgr. Jaroslav Izavčuk for supervising this thesis and his useful guidance.
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How to Lose a Queen in Three Comic Poems: a Discussion of Arthur’S Kingship and His Loss of Guinevere
HOW TO LOSE A QUEEN IN THREE COMIC POEMS: A DISCUSSION OF ARTHUR’S KINGSHIP AND HIS LOSS OF GUINEVERE by Samantha Lehman Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2018 © Copyright by Samantha Lehman, 2018 Dedication This thesis is dedicated to the smart people who love me and have my back. ii Table of Contents Dedication …………….…………………………………………………………….. ii Abstract ……..…….………………………………………………………………... iv Acknowledgements ……....…………………………………………………………. v Chapter 1: Introduction ………...………………………………………………… 1 Chapter 2: The Poems ……...……….……..…………………………………….. 10 2.1 The Lai du Cor ……….....…….…………………………………………. 10 2.2 The Boy and the Mantle …….…….…………………………………….... 22 2.3 Sir Corneus ………………….…………………………………………… 31 Chapter 3: Conclusion ……………..…………………………………………….. 38 Endnotes ……….……..……………………………………………………………. 40 Works Cited …….…….……………………………………………………………. 41 iii Abstract King Arthur’s legacy as a great man and ruler is widespread across various medieval texts, yet despite his apparent greatness he constantly finds himself dealing with the loss of control over his queen, either physically, sexually, or both, while he also strives to maintain his reputation as a good, strong, and noble king. These losses occur in various manners over various texts, but the losses I focus on in this thesis come from three late medieval comic poems: The Boy and the Mantle, Sir Corneus, and the Lai du Cor. My thesis explores what these ideas of loss and control mean within each of these poems and argues that Arthur’s loss of control over his queen results in the fortification of male fellowship at his court. iv Acknowledgements This thesis would have never come to fruition without the support and encouragement of a number of individuals.
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King Arthur in Legend and History
KING ARTHUR IN LEGEND AND HISTORY Edited by RICHARD WHITE With a Foreword by ALLAN MASSIE J. M. Dent London CONTENTS Note on the Editor ix Chronology of Key Arthurian Texts Foreword by Allan Massie xiii Introduction xv Note on the Text xxvi Maps xxvii KING ARTHUR IN LEGEND AND HISTORY PART i: EARLY WORKS 3 GILDAS, The Ruin of Britain 3 NENNIUS, History of the Britons 4 The Annals of Wales 6 The Mabinogion: 'Culhwch and Olwen' 7 The Life of St Goeznovius 12 LIFRIC OF LLANCARFAN, The Life of St Cadoc 13 The Life of St Carannog 16 The Life of St Iltud 18 The Life of St Padarn 18 CARADOC OF LLANCARFAN, The Life of St Gildas 19 WILLIAM OF MALMESBURY, The Deeds of the English Kings 22 PART Z: GEOFFREY OF MONMOUTH AND THE 'BRUT' CHRONICLE TRADITION 25 GEOFFREY OF MONMOUTH, History of the Kings of Britain 25 WILLIAM OF NEWBURGH, History of English Affairs 40 WACE, Brut 45 LAWMAN (LAYAMON), Brut 60 ROBERT OF GLOUCESTER, Metrical Chronicle 78 ROBERT MANNYNG OF BRUNNE, Chronicle 82 The Alliterative Morte Arthure 96 The Parlement of the Thre Ages 125 VI CONTENTS JEHAN DE WAURIN, Chronicles and Ancient Histories of Great Britain 127 SCOTTISH CHRONICLES: JOHN DE FORDUN, Chronicle of the Scottish People 129 ANDREW OF WYNTOUN, Chronicle 131 WILLIAM STEWART, The Buik of the Chronicles of Scotland 134 PART 3: ARTHUR IN EARLY FRENCH ROMANCE I4I CHRETIEN DE TROYES: Erec and Enide 141 Cliges 146 Lancelot, or the Knight of the Cart 156 Yvain, or the Knight of the Lion 159 Perceval, or the Story of the Grail 162 The First Perceval Continuation 171 The Second Perceval Continuation 177 GERBERT DE MONTREUIL, Perceval Continuation .
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H-France Review Vol. 14 (February 2014), No. 38 Glyn S. Burgess
H-France Review Volume 14 (2014) Page 1 H-France Review Vol. 14 (February 2014), No. 38 Glyn S. Burgess and Leslie C. Brook, eds. and trans., Arthurian Archives. French Arthurian Literature V: The Lay of Mantel. Cambridge: D.S. Brewer, 2013. 169 pp. Introduction, edited text, facing-page translation, notes, appendices, bibliography, proper-name indices. $90.00 U.S. (hb). ISBN: 978-1-84384- 338-2. Review by Matthieu Boyd, Fairleigh Dickinson University. This book is a scholarly edition of a shortish medieval narrative poem, “The Lay of the (Short) Mantle ([Cort] Mantel),” with translation and commentary. In 914 lines, the anonymous poem tells how King Arthur’s court receives a magic mantle that distends or shrinks if worn by an unfaithful woman. The knights use it to test their ladies, and are embarrassed to discover (for much of their knightly prestige is vested in the virtue of the ladies whom they serve) that only one of them passes the test. In appendices we find a separate edition of Mantel from one of the manuscripts (Appendix I); the eighteenth-century retelling of the story that introduced it to the general public (Appendix II); and a translation of Cor, “The Lay of the Drinking-Horn,” a medieval analogue in which the test is a magic drinking-horn that spills on any man whose lady has been unfaithful to him (Appendix III). In both Mantel and Cor, the comparatively obscure knight Caradoc and his lady are the only ones to escape the ordeal unscathed. The form of Mantel, the “narrative lay” in octosyllabic rhyming couplets, is one of the classic Old French literary forms, pioneered by Marie de France in her Lais (c.1165).
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Sir Gawain and the Green Knight - Wikipedia, the Free Encyclopedia 第 1 頁，共 12 頁
Sir Gawain and the Green Knight - Wikipedia, the free encyclopedia 第 1 頁，共 12 頁 Sir GawainH aelpn usd improve th eWikipedia Gr ebye supportingn Kn it ifinanciallyght . From Wikipedia, the free encyclopedia Sir Gawain and the Green Knight is a late 14th-century Middle English alliterative romance outlining an adventure of Sir Gawain, a knight of King Arthur's Round Table. In the tale, Sir Gawain accepts a challenge from a mysterious warrior who is completely green, from his clothes and hair to his beard and skin. The "Green Knight" offers to allow anyone to strike him with his axe if the challenger will take a return blow in a year and a day. Gawain accepts, and beheads him in one blow, only to have the Green Knight stand up, pick up his head, and remind Gawain to meet him at the appointed time. The story of Gawain's struggle to meet the appointment and his adventures along the way demonstrate the spirit of chivalry and loyalty. The poem survives in a single manuscript, the Cotton Nero A.x., that also includes three religious pieces, Pearl, Cleanness, and Patience. These works are thought to have been written by the same unknown author, dubbed the "Pearl Poet" or "Gawain poet." All four narrative poems are written in a North West Midland dialect of Middle English.[1][2] The story thus emerges from the Welsh and English traditions of the dialect area, borrowing from earlier "beheading game" stories and highlighting the importance of honour and chivalry in the face of danger.
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Rogue Knights: Characterization in Malory's “A Noble Tale of Sir
Rogue Knights: Characterization in Malory’s “A Noble Tale of Sir Launcelot du Lake” Stephen M. Hoyle Waynesboro, Virginia B.A., Bridgewater College, 2018 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of English University of Virginia May, 2020 Hoyle 2 Sir Thomas Malory’s Le Morte Darthur represents a genre of its own. On the one hand, it is a compendium of the Arthurian legend wherein the Matter of Britain, as produced by both British and French writers, is presented as a generally unified whole. On the other hand, the work is very much Malory’s own creation. He weaves together the continental conquests of Arthur and the romantic adventures of his errant Knights of the Round Table, and his originality reveals itself in how he treats these recycled tales. He is not merely a mouthpiece for his long-deceased British and French Arthurian forebears; he offers his own voice and judgements on chivalry in his continuation of their tradition. In Malory’s time, chivalry had not quite become obsolete; one might say it was needed and hungered for. Malory’s life, and the composition of Le Morte Darthur, developed against the backdrop of increasing social upheaval and political instability in England, culminating in civil war. The Morte is supposed to have been written in the middle of the Wars of the Roses; William Caxton published it less than a month before Richard III was killed at Bosworth Field. As Malory himself learned, these were dangerous times to choose allegiances, which likely accounts for why he appears to have had a habit of turncoating.
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Carl Groseand Anna Maria Murphy
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