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Remembering Racial Integration in Teaneck, New Jersey, 1949 – 1968
Reputation and Reality in America’s Model Town: Remembering Racial Integration in Teaneck, New Jersey, 1949 – 1968 Rachel Mark Senior Thesis Department of History, Columbia University April 4, 2011 Acknowledgements In ‟65 tension was running high at my high school/ There was a lot of fights between the black and white/There was nothing you could do…/ Troubled times had come to my hometown/ My hometown/ My hometown/ My hometown - Bruce Springsteen, “My Hometown” This thesis investigates how integration is remembered in Teaneck, NJ, the first town in the nation to vote for integrated schools. While I observe in this thesis that the reality of integration ultimately fell short of the goals set by the activists themselves, I do not wish to take away from these individuals and their honorable actions. In a time when the country faced fierce segregation and racism, a majority in Teaneck stepped up and voted for what they believed in their hearts was right: equal education. As a third generation Teaneck resident, I feel a close connection to this story. My grandparents still vividly remember casting their votes for integration, and my mother went to the central sixth grade school created as part of the original integration plan. And at the outset, I would like to thank my parents – Joseph and Meryl Mark – and grandparents – Abraham and Sheila Schlussel, and Norman and Frances Mark – for not just providing me with a topic for my thesis but also for instilling a love of education and learning that inspired me to undertake the project in the first place. -
Dave Cobb Episode Transcript
VOICES IN THE HALL DAVE COBB EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest, producer extraordinaire Dave Cobb. DAVE COBB When we approach these records we approach it much the way a record would’ve been done in 1965, 1970. And it’s humans playing together. There are mistakes all over the record. There’s timing issues, there’s tuning issues, there’s pitch issues, there’s flubs of words. The same way people are seeking out organically grown food, I think people are seeking out organically grown music at the same time. The moment I heard Chris Stapleton I was like, “Man I’ve got to track him down.” If I can just get to Nashville I’d run into him and I’d run into Jason Isbell and try to sucker them in to make records. I like to fly by the seat of my pants. Walk in and see what’s going to grab you that day. To me it was a really cool thing about linking really great artists that I like now, and linking Nashville, what Nashville is today. Taking kind of a snapshot of it. And I love it when I get to introduce somebody to somebody else I think is talented. And you see there eyes both sparkle. And I love the unity in the scene. That’s why I moved here. PETER COOPER It’s Voices in the Hall, with Dave Cobb. “4th of July” - Shooter Jennings (Black Magick / Universal South) PETER COOPER “Fourth of July,” from Shooter Jennings. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center, our multimedia, folk-related archive). All recordings received are included in Publication Noted (which follows Off the Beaten Track). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention Off The Beaten Track. Sincere thanks to this issues panel of musical experts: Roger Dietz, Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Andy Nagy, Angela Page, Mike Regenstreif, Peter Spencer, Michael Tearson, Rich Warren, Matt Watroba, Elijah Wald, and Rob Weir. liant interpretation but only someone with not your typical backwoods folk musician, Jodys skill and knowledge could pull it off. as he studied at both Oberlin and the Cin- The CD continues in this fashion, go- cinnati College Conservatory of Music. He ing in and out of dream with versions of was smitten with the hammered dulcimer songs like Rhinordine, Lord Leitrim, in the early 70s and his virtuosity has in- and perhaps the most well known of all spired many players since his early days ballads, Barbary Ellen. performing with Grey Larsen. Those won- To use this recording as background derful June Appal recordings are treasured JODY STECHER music would be a mistake. I suggest you by many of us who were hearing the ham- Oh The Wind And Rain sit down in a quiet place, put on the head- mered dulcimer for the first time. -
Studies in American Literature
STUDIES IN AMERICAN LITERATURE Volume XXX SETTING IN THE AMERICAN SHORT STORY OF LOCAL COLOR i86j-igoo by ROBERT D. RHODE Texas A & I University 1975 MOUTON THE HAGUE . PARIS © Copyright 1975 in The Netherlands Mouton & Co. N.V., Publishers, The Hague No part of this book may be translated or reproduced in any form by print, photoprint, microfilm, or any other means, without written permission from the publishers ISBN 90 279 3281 6 Printed in The Netherlands by Mouton & Co., The Hague TO MY WIFE Dorothy Rhode Sine qua non PREFACE Literary historians of the American local color movement (1865- 1900), both contemporary and more recent, have offered various explanations for the rise of this peculiar phenomenon and various judgments regarding its literary significance. Although the move- ment was first identified nearly a century ago, there has not been, until recently, much sifting and analyzing of its literary content by serious scholars, with the single exception of Fred Lewis Pattee, whose American Literature Since 1870 appeared in 1916. Among the authors commonly associated with the movement, one stands apart from the rest - Mark Twain, whose clear genius seemed destined to overflow the local color mold and to establish him as a center of critical acclaim for work done without, as well as within, the local color tradition. By 1900, when the American reading public had become bored with most of the lush output of local magazine fiction, the term "local color" had acquired a pejorative meaning. Thus it is not surprising that much of the literature to which the term applied remained, at least for the first several decades of the Twentieth Century, well beneath the level of scholarly attention. -
The Ties That Bind: Gospel Music, Popular Music, And
THE TIES THAT BIND: GOSPEL MUSIC, POPULAR MUSIC, AND RACE IN AMERICA, 1875-1940 A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Arts by Daniel J. Young August 2021 © Copyright All rights reserved Except for previously published materials Thesis written by Daniel J. Young B. A., Saint Vincent College, 2019 M. A., Kent State University, 2021 Approved by Dr. Kenneth Bindas, Advisor Dr. Kevin Adams, Chair, Department of History Dr. Mandy Munro-Stasiuk, Dean, College of Arts and Sciences TABLE OF CONTENTS . iii ACKNOWLEDGEMENTS . iv INTRODUCTION . v CHAPTERS I. “A Better Home:” Racialized Imagery of Heaven in Gospel Music . 1 II. “A Friend Above:” Theological Themes in White and Black Gospel Music . .29 III. “When You Go to Heaven:” Racialized Religious Imagery in Popular Song . 58 CONCLUSION . 79 BIBLIOGRAPHY . 84 iii Acknowledgements First off, I would like to thank my advisor, Dr. Kenneth Bindas, without whom this project would not have been possible. Dr. Bindas first referred me to gospel music as a topic of study. Additionally, his feedback throughout the process of researching and writing has been indispensable. In addition to referring me to gospel, as well as keeping me on track when the temptation to dive into various tangentially related topics proved very strong, Dr. Bindas was very helpful in framing my thinking about gospel, not just as religious music but also as it was tied to the socioeconomic context of the time and elements of modernism especially. Next, I would like to thank the other members of my committee, Dr Elaine Frantz and Dr. -
Deconstructing Media Sterotypes of the American South
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2009 Y'all Think We're Stupid: Deconstructing Media Sterotypes of The American South Karen C. Hamilton Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Hamilton, Karen C., "Y'all Think We're Stupid: Deconstructing Media Sterotypes of The American South" (2009). Electronic Theses and Dissertations. 491. https://digitalcommons.georgiasouthern.edu/etd/491 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Y’ALL THINK WE’RE STUPID: DECONSTRUCTING MEDIA STEREOTYPES OF THE AMERICAN SOUTH by KAREN C. HAMILTON (Under the Direction of John Weaver) ABSTRACT This study examines the various stereotypes that persist about the American South, giving consideration to the common stereotypes, their persistence, and the response of Southerners and non-Southerners to them. Further, it aims to examine in-depth the methods by which these stereotypes are perpetuated, such as literature, movies, television, and music. Within this dissertation, pieces of literature by traditional Southern authors, like William Faulkner and Tennessee Williams, are examined for the images they employ. Further, films such as Deliverance and Sweet Home Alabama, as well as television shows like The Dukes of Hazzard and The Beverly Hillbillies are analyzed for how they convey stereotypes about the South. -
Whiskey Soaked and Hell Bound. Lynyrd Skynyrd and Southern Culture
WHISKEY SOAKED AND HELL BOUND: LYNYRD SKYNYRD AND SOUTHERN CULTURE CECIL K. HUTSON lowa State University (Resumen) Aunque el grupo sureño Lynyrd Skynyrd alcanzó audiencia nacional por su especial modo de hacer rock del sur, en toda su carrera se aprecia una fuerte defensa de los valores tradionales de la cultura sureña. La bandera confederada en todas sus portadas, el orgullo regional, el agrarianismo rural, y la apología al macho sureño, todo ello proyectado en violencia y provocación, convirtieron al grupo en paradigma del conservadurismo del Viejo Sur. Unlike other hard rock groups, the legendary Southern rock and roll band, Lynyrd Skynyrd, did not emerge from the urban ghettos of such cities as London or New York, instead it came out of the rural South. This "rough and tough and plenty mean" Southern band utilized regional cultural traits to become one of the best hard rock bands that the South ever produced. In 1974 Melody Maker, a major rock and roll trades magazine, claimed that Lynyrd Skynyrd's "brand" of Southern rock music had swept across the Southern states. Band members and Southemers, Ronnie Van Zant, Alien Collins, Gary Rossington, Billy Powell, León Wilkeson, Artimus Pyle and Steve Gaines understood the mind-set of the young rural Southemers who listened to their music; thus they were able to speak for a generation of young Southern men. Lynyrd Skynyrd merits study as a major element of Southern popular culture because it had a significant influence on rock 'n' roll. In fact, the band has been labeled as "one of the most -
45 / Reviews/Lp
45 REVIEWS/LP / A&M SP -6004 WILLIE NELSON (Columbia 3-10784) WHITE MANSIONS - Various Artists - - Blue Skies (3:32) (Irving Berlin - ASCAP) (I. Berlin) l`tt3tt. M:v utxi Producer: Glyn Johns - List: 9.98 Willie is hotter than ever, and with his "Stardust" LP still dominating the country charts, This concept album, written by Englishman Paul Kennerley, this Irving Berlin song has been pulled from that album. Equally as strong, if not stronger, traces the lives of three characters, as seen through the eyes of than his previous single, "Georgia On My Mind." This release should see instant adds a drifter, and how the three evolve as Southerners during the across the country. Civil War. The songs are sung by Waylon Jennings, Jessi Colter and the Ozark Mountain Daredevils' John Dillon and Steve TAMMY WYNETTE (Epic 8-50574) Cash. The lyrics paint several vignettes of various issues of the Womanhood (2:51) (Tree Publ. Co. - BMI) (B. Braddock) Civil War, from slavery to "white trash" to the fall of a southern Tammy's beautiful vocal style, coupled with a haunting instrumental beat, make this gentleman. Packaged with a 28 -page libretto, the LP will be the single a sure bet for programmers. Good placement of the male bass harmony adds to the focus of a major A&M campaign. all-around, captivating sound. JERRY LEE LEWIS KEEPS ROCKIN' - Mercury SRM1-5010 - Producer: Jerry Kennedy - List: 7.98 CONWAY TWITTY (MCA -40919) Among his other endearing characteristics, Jerry Lee Lewis Boogie Grass Band (2:19) (Bucksnort - BMI) (Ronnie Reno) is highly unpredictable. -
DATE ARTIST SONG 07/08/2015 Junior WELLS That's Alright
DATE ARTIST SONG 07/08/2015 Junior WELLS That’s alright mamma U2 Streets have no name Count Basie Splanky Unknown Isle of Kitchomaboko John Denver Windsong Glen Miller American Patrol El Divi Unchained Melody Cliff Richard Move it Frank Sinatra Something Stupid Garth Brooks Friends in low places Tom Jones/Jules Holland Lifes to short Acker Bilk Big feet Acker Bilk Stranger on the shore Moody Blues Nights in White Satin Kenny Rogers Crazy Elvis Presley Its now or never Glen Miller Kalamazoo Bix Biederbeck Jazz me blues Bryan Turval She was beautiful 19 04/09/2015 Beatles Let it be 19 Russel Watson Celeste Aide John Barry Out of Africa Barbra Streisland It had to be you Josh Groban You raise me up Simpley Red Holding back the years Abba Waterloo Colin Peters Band You're weaver a dream Bennet/Gaga Anything goes Rod Stewart I am sailing Dusty Springfield Son of a Preacher man Tina Turner Simply the best Amy Winehouse Back to black Meatloaf Bat out of hell Eric Clapton Layla Barry Manilow/John Denver This song Rod Stewart Stay away 17 02/10/2015 Doris Day Sugarbush 36 Celone Dion Immortality Peter Skelton You're a lady Russel Watson Bridge over troubled waters Johny Cash Ring of fire Helen Shapiro Walking back to happiness Bedrich Smetana Bartered Bride Barbra Streislan Second hand Rose Michael Buble You don't know me Glen Miller Tuxedo Junction Carol Kidd When I dream Placido Domingo/DenverLionel RitchieThree times a lady Henry Mancini Pink Panther Dr Hook Love with a beautiful woman Mario Lanza Be my love Only Men A loud Don't rain on my -
Country Y R T N U O C Country
COUNTRY COUNTRY .................................1 BEAT, 60s/70s.............................50 AMERICANA/ROOTS/ALT. ........................14 SURF ........................................60 OUTLAWS/SINGER-SONGWRITER ..................16 REVIVAL/NEO ROCKABILLY .......................62 WESTERN .....................................20 BRITISH R&R ...................................67 WESTERN SWING ...............................21 AUSTRALIAN R&R ...............................68 TRUCKS & TRAINS ..............................22 INSTRUMENTAL R&R/BEAT ........................68 C&W SOUNDTRACKS............................22 POP .......................................69 C&W SPECIAL COLLECTIONS ......................23 LATIN ........................................82 COUNTRY CANADA .............................23 JAZZ.........................................83 COUNTRY AUSTRALIA/NEW ZEALAND ...............24 SOUNDTRACKS ................................84 COUNTRY DEUTSCHLAND/EUROPE .................25 SWING.......................................85 BLUEGRASS ...................................25 ........................86 NEWGRASS ...................................27 DEUTSCHE OLDIES KLEINKUNST / KABARETT .........................88 INSTRUMENTAL ................................28 OLDTIME .....................................28 BOOKS ....................................89 HAWAII ......................................29 DISCOGR./REFERENCES STYLES ....................94 CAJUN/ZYDECO/TEX MEX ........................30 PRICE GUIDES .................................94 -
Monarch Database: Known Release Information for Monarch-Pressed LP's (Revision of 11 Ag 20) Monarch Artist Title Label Cat
Monarch Database: Known Release Information for Monarch-pressed LP's (Revision of 11 Ag 20) Monarch Artist Title Label Cat. # Number Year Month Day Info Chet Baker Sings and Plays with Bud Shank… Pacific Jazz PJ-1202 △ 3268/9-12 1955 c. March Chet Baker The Trumpet Artistry Pacific Jazz PJ-1206 △ 31 1955 November 26 Gerry Mulligan Quartet Paris Concert Pacific Jazz PJ-1210 △ 37/8 1956 LP released 3/3/1956 Gerry Mulligan Quartet Gerry Mulligan Quartet Pacific Jazz PJ-1207 △ 32/41 1956 LP released 12/3/1955 Chico Hamilton Quintet Chico Hamilton Quintet Pacific Jazz PJ-1209 △ 49 1956 LP released January, 1956 Pinky Winters Lonely One Creative/Argo ALP-604 △ 119/147 1956 LP released 8/1956 The Five Keys Best of the Five Keys Aladdin LP-806 △ 189/90 1957 June LP released 12/8/1956 The Five Keys On the Town Score SLP-4003 △ 189/90 1957 June 3 Ahmad Jamal Count 'Em 88 Argo LP-610 △ 221/2 1957 May 20 LP released May 20, 1957 Johnny Cash With his Hot and Blue Guitar Sun SLP-1220 △ 248/9 1957 November 11 Carl Perkins Dance Album Sun SLP-1225 △ 250/1 1957 November Kermit Schaefer Pardon My Blooper, Vol. 2 Jubilee PMB-2 △ 282/3 1957 November Kermit Schaefer Pardon My Blooper, Vol. 4 Jubilee PMB-4 △ 294/-- 1957 November Kermit Schaefer Pardon My Blooper, Vol. 3 Jubilee PMB-3 △ 295/6 1957 November Kermit Schaefer Comedy of Errors Jubilee JGM-2001 △ 300/1 1957 November reissue of LP-2 Chuck Berry After School Session Chess LP-1426 △ 316/7 1957 October LP released May 20, 1957 Ella Fitzgerald and Louis Armstrong Ella and Louis Again Verve MGV-4006-2 △ 363/4 1957 October 11 First mention: 10/14/57 Kermit Schaefer Pardon My Blooper, Vol.