Status of Application Received and Deficiency Found Under Scheme for Pension and Medical Aid to Artists from August 2018 Onwards
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Sources of Maratha History: Indian Sources
1 SOURCES OF MARATHA HISTORY: INDIAN SOURCES Unit Structure : 1.0 Objectives 1.1 Introduction 1.2 Maratha Sources 1.3 Sanskrit Sources 1.4 Hindi Sources 1.5 Persian Sources 1.6 Summary 1.7 Additional Readings 1.8 Questions 1.0 OBJECTIVES After the completion of study of this unit the student will be able to:- 1. Understand the Marathi sources of the history of Marathas. 2. Explain the matter written in all Bakhars ranging from Sabhasad Bakhar to Tanjore Bakhar. 3. Know Shakavalies as a source of Maratha history. 4. Comprehend official files and diaries as source of Maratha history. 5. Understand the Sanskrit sources of the Maratha history. 6. Explain the Hindi sources of Maratha history. 7. Know the Persian sources of Maratha history. 1.1 INTRODUCTION The history of Marathas can be best studied with the help of first hand source material like Bakhars, State papers, court Histories, Chronicles and accounts of contemporary travelers, who came to India and made observations of Maharashtra during the period of Marathas. The Maratha scholars and historians had worked hard to construct the history of the land and people of Maharashtra. Among such scholars people like Kashinath Sane, Rajwade, Khare and Parasnis were well known luminaries in this field of history writing of Maratha. Kashinath Sane published a mass of original material like Bakhars, Sanads, letters and other state papers in his journal Kavyetihas Samgraha for more eleven years during the nineteenth century. There is much more them contribution of the Bharat Itihas Sanshodhan Mandal, Pune to this regard. -
Section 124- Unpaid and Unclaimed Dividend
Sr No First Name Middle Name Last Name Address Pincode Folio Amount 1 ASHOK KUMAR GOLCHHA 305 ASHOKA CHAMBERS ADARSHNAGAR HYDERABAD 500063 0000000000B9A0011390 36.00 2 ADAMALI ABDULLABHOY 20, SUKEAS LANE, 3RD FLOOR, KOLKATA 700001 0000000000B9A0050954 150.00 3 AMAR MANOHAR MOTIWALA DR MOTIWALA'S CLINIC, SUNDARAM BUILDING VIKRAM SARABHAI MARG, OPP POLYTECHNIC AHMEDABAD 380015 0000000000B9A0102113 12.00 4 AMRATLAL BHAGWANDAS GANDHI 14 GULABPARK NEAR BASANT CINEMA CHEMBUR 400074 0000000000B9A0102806 30.00 5 ARVIND KUMAR DESAI H NO 2-1-563/2 NALLAKUNTA HYDERABAD 500044 0000000000B9A0106500 30.00 6 BIBISHAB S PATHAN 1005 DENA TOWER OPP ADUJAN PATIYA SURAT 395009 0000000000B9B0007570 144.00 7 BEENA DAVE 703 KRISHNA APT NEXT TO POISAR DEPOT OPP OUR LADY REMEDY SCHOOL S V ROAD, KANDIVILI (W) MUMBAI 400067 0000000000B9B0009430 30.00 8 BABULAL S LADHANI 9 ABDUL REHMAN STREET 3RD FLOOR ROOM NO 62 YUSUF BUILDING MUMBAI 400003 0000000000B9B0100587 30.00 9 BHAGWANDAS Z BAPHNA MAIN ROAD DAHANU DIST THANA W RLY MAHARASHTRA 401601 0000000000B9B0102431 48.00 10 BHARAT MOHANLAL VADALIA MAHADEVIA ROAD MANAVADAR GUJARAT 362630 0000000000B9B0103101 60.00 11 BHARATBHAI R PATEL 45 KRISHNA PARK SOC JASODA NAGAR RD NR GAUR NO KUVO PO GIDC VATVA AHMEDABAD 382445 0000000000B9B0103233 48.00 12 BHARATI PRAKASH HINDUJA 505 A NEEL KANTH 98 MARINE DRIVE P O BOX NO 2397 MUMBAI 400002 0000000000B9B0103411 60.00 13 BHASKAR SUBRAMANY FLAT NO 7 3RD FLOOR 41 SEA LAND CO OP HSG SOCIETY OPP HOTEL PRESIDENT CUFFE PARADE MUMBAI 400005 0000000000B9B0103985 96.00 14 BHASKER CHAMPAKLAL -
O G BAAJAA GAAJAA OPEN STAGE 1 – AAN Date: Feb 5, 2010 GAN Time Artiste Vocal/Instrument Genre/Notes 11 Am-11.30 Am Unmesh
BAAJAA GAAJAA OPEN STAGE 1 – AANGAN Date: Feb 5, 2010 Time Artiste Vocal/Instrument Genre/Notes Unmesh Khaire(harmonium)+Abhim 11 am-11.30 am anyu Herlekar (tabla) Harmonium solo Hindustani Classica 11.30 am-12.15 pm Darpana Academy Various Folk music of Gujarat 12.15 pm- 12.30 pm Bajrang Vasudeo Vocal Folk music of Maharashtra 12.30 pm- 1 pm Prakash Shejwal Pakhawaj solo Hindustani Classica Vocal: Dhananjay Hegde, Anant Terdal, Suvarny Nayak, Shantheri Kamath Tabla: T. Ranga Pai Harmonium: Shankar Shenoy Sitar:Shruti Dasarapadagalu-Kannada religious and 2 pm-2.45 pm Kamath Vocal folk songs Snehasish Mozumdar (mandolin)+Partha Sarathi 2.45 pm-3.30 pm Mukherjee (tabla) Mandolin Hindustani Classica 3.30 pm-4.15 pm Shahir Rangrao Patil, Rashtriya Shahiri, Bhedik 4.15 pm-5 pm Shahir Mahadeo Budake Shahiri and Dhangari ov Folk music of Maharashtra Arnab Chakrabarty (sarod)+Partha Sarathi 5 pm-5.45 pm Mukherjee (tabla) Sarod Hindustani Classica Dnyani Bhajan Mandal - Mahadeobuwa Shahabadkar (Koli) and 5.45 pm – 6.30 pm ensemble Vocal Religious TOTAL OPEN STAGE 1 Date: Feb 6, 2010 Time Artiste Vocal/Instrumental Genre/Notes 11 am-11.30 am 11.30 am-12.15 pm Milind Date Instrumental Fusion Band Marathi Bhav Sangeet played by T. Ranga Pai (Violin) and Shruti Kamath (Sitar) Tabla: 12.15 pm- 1 pm Shantanu Kinjavdekar Violin and sitar Popular music Hiros Nakagawa (bansuri) + 2 pm-2.45 pm Prafull Athalye (tabla) Bansuri Hindustani Classical 2.45 pm-3.15 pm Child artiste- Rajasthan Various Folk music of Rajasthan S. -
Veteran Leader Sharad Pawar to Inaugurate 31St Pune Festival on September 6Th
Press Release 31/ 08/2019 Veteran leader Sharad Pawar to Inaugurate 31st Pune Festival on September 6th Pune Festival a confluence of music, dance, drama, art, singing, instruments, sports and culture is celebrating its 31st year. It will be inaugurated at 4:30 pm on Friday, September 6th at Ganesh Kala Krida Ragmanch by veteran Leader Sharad Pawar. Tourism Minister of Maharashtra Jaykumar Rawal, Girish Bapat (MP), Amol Kolhe (MP), Ex Minister Harshwardhan Patil, Actress Urmila Matondkar, Managing Director of Maharashtra Tourism Development Corporation Abhimanyu Kale, Pune’s Mayor Mukta Tilak, and Deputy Mayor Dr. Siddharth Dhende will be present as the guest of honour on the occasion. This year in Pune Festival there will be raft of diverse events. Danseuse actress Hema Malini's Ganga Ballet, All India Urdu Mushaira, Hindi humorous poetry convention, Marathi Hasya Kavi Sammelan, Mahila Mahotsav comprising Miss Pune Festival and Various competitions of dance, painting and cooking, Lavani for women, Keral Matosav, Kirtan Mahotsav, Uagawate Tare and Indradhanu, Marathi Drama, Musical Instrument, classical vocal and dances, Hindi Marathi songs program and various sports competitions will be the spectacular highlight of Pune Festival. Pune Festival’s patron, actress and danseuse Hema Malini presents her each ballet in Pune Festival. During the 30 years of the Pune Festival, she has presented her new ballet or Ganesh Vandana 27 times. This time, Hema Malini will present her ballet 'Ganga' at 8 pm on Sunday, September 8th. The Pune Festival is organized jointly by the Pune Festival Committee, Puneite citizens, Maharashtra Tourism Development Corporation and Department of Tourism, Government of India. -
Indo-Caribbean "Local Classical Music"
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2000 The Construction of a Diasporic Tradition: Indo-Caribbean "Local Classical Music" Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/335 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] VOL. 44, NO. 1 ETHNOMUSICOLOGY WINTER 2000 The Construction of a Diasporic Tradition: Indo-Caribbean "Local Classical Music" PETER MANUEL / John Jay College and City University of New York Graduate Center You take a capsule from India leave it here for a hundred years, and this is what you get. Mangal Patasar n recent years the study of diaspora cultures, and of the role of music therein, has acquired a fresh salience, in accordance with the contem- porary intensification of mass migration and globalization in general. While current scholarship reflects a greater interest in hybridity and syncretism than in retentions, the study of neo-traditional arts in diasporic societies may still provide significant insights into the dynamics of cultural change. In this article I explore such dynamics as operant in a unique and sophisticated music genre of East Indians in the Caribbean.1 This genre, called "tan-sing- ing," has largely resisted syncretism and creolization, while at the same time coming to differ dramatically from its musical ancestors in India. Although idiosyncratically shaped by the specific circumstances of the Indo-Caribbean diaspora, tan-singing has evolved as an endogenous product of a particu- lar configuration of Indian cultural sources and influences. -
Free Rajasthani Music
Free rajasthani music click here to download Rajasthani stock music and background music 38 stock music clips and loops. Production music starting at $ Download and buy high quality tracks. Why download Rajasthani MP3 songs when you can listen to the latest Rajasthani songs online! Meera - Rajasthani Lok Bhajan Raj Music Masuda. rajasthani music page 4. Rajasthani Music Royalty-free Music, SFX, and Loops. Filter your results. Music, Sound Effects, Loops, All. All. Music; Sound Effects. Rajasthan Folk - Music of The Desert - Langas & Manganiars | Audio Jukebox | Folk | Vocal | - Duration: 8tracks radio. Online, everywhere. - stream 5 rajasthani playlists including Indian, Gulabi, and Taraf de Haïdouks music from your desktop or mobile device. Discover Rajasthani Music. Play Rajasthani Radio. Genres. ComedyCompilationsDevotionalFolkHoli SongsMovie SongsPopVivah Geet. Albums. CKRS. Free Download Rajasthani Single Remix Rajasthani Single RemixMusic Mp3 Songs, Rajasthani Mp3 Songs, From www.doorway.ru Royalty free rajasthani Music, Sound Effects, Stock Footage and Photos for use in multimedia projects. Download stock music immediately for film and. To download top 50 rajasthani folk songs for free, all you need is. Rajasthani Songs Download New Top Rajasthani Songs Albums www.doorway.ru free music Rajasthani Songs download album Rajasthani Songs djjohal latest. Veena Music,Rajasthani Songs Download,Marwari Songs Download,Rajasthani Music,Marwari Music,Downloads,MP3 Music Downlaod,MP3 Songs Downlaod. Top rajasthani artists: Musafir, Ila Arun, Seema Mishra, The Dharohar Project, Vishwa Mohan Bhatt Do you know anything about this type of music? Start the. See a rich collection of stock images, vectors, or photos for rajasthani music you can buy on Shutterstock. Explore quality images, photos, art & more. -
Status of Application Received and Deficiency Found Under Scheme for Pension and Medical Aid to Artists from August 2018 Sr
Page 1 Status of application received and deficiency found under Scheme for Pension and Medical Aid to Artists from August 2018 Sr. No. Name Address State Date of Application Date of Birth Field Annual / Whether the Whether Remark of Receipit & Date Monthly applicant is Recommende SCZCC, Nagpur. Inward No. Income receipant of d by State State Govt. Pension. Andhra Pradesh 1 Repallichakrad Po-Kusarlapudi, SO- Andhra 507 15-06-2018 01-01-1956 Actor 25000/- Yes. Rs. Yes. - harao Rao S/o Narsipatnam, Mdl- Pradesh 07/08/2018 1500/- Venkayya Rolugunta, Dist- Visakhapatnam -531 118. 2 Velpula Vill/Po-Trulapadu, Mdl- Andhra 526 01-01-1956 Destitutu 42000/- Yes. Rs. Yes. - Nagamma W/o Chandralapadu, Dist- Pradesh 10/08/2018 Artists 1500/- Papa Rao Krishna- 521 183. 3 Meka H. No. Near Bandipalem- Andhra 527 01-01-1956 Destitutu 48000/- Yes. Rs. Yes. - Venkateswarlu Vill/Po, Mdl-Jaggayyapeta, Pradesh 10/08/2018 Artists 1500/- S/o Mamadasu Dist-Krishna- 521 178. 4 Yerapati S/o 13-430/A, Ambedkar Andhra 542 09-07-2018 11-12-1955 Destitutu 48000/- No Yes. Not Eligible. Not Apparao Nagar, Arilova, Pradesh 31/08/2018 Artists getting state govt. Chinagadilimandal Dist- pension. Visakhapatnam-530 040. 5 Kasa Surya 49-27-61/1, Madhura Andhra 543 09-07-2018 01-07-1950 Destitutu 48000/- No Yes. Not getting state Prakasa Rao Nagar, Visakhapatnam- Pradesh 31/08/2018 Artists govt. pension. S/o Lt. 530 016. Narasimhulu Page 2 6 Jalasutram 13-138, Gollapudi, Andhra 544 28-02-1957 Drama Artists 48000/- Yes. Rs. Yes - Vyshnavi W/o Karakatta, Pradesh 31/08/2018 1500/- J. -
Rajasthan Tour Itinerary V. 5
Exclusive Tour of the Music, Dance and Spiritual Worlds of Rajasthan, India 2016 With Yuval Ron & Sajida Ben-Tzur Take a journey full of rare musical encounters, exquisite dancing, sacred Sufi shrines, stunning landscapes, temples, desert tribal parties and the festive celebrations of Rajasthan 14 glorious days - February 14-27, 2016 The sights of India’s impressive landscapes are the glorious backdrop for a special excursion that enables an intimate, unique introduction to India through its tribal musical culture and the special inhabitants of the Rajasthan desert. Rajasthan (Raj – royal, sthan – land/state) is one of the most colorful states in India. It is a desert region abounding in classical and ancient traditions, where palaces, temples, fortresses and royalty exist alongside villages and tribes. Music in India, and especially in Rajasthan, is a principal part of religious rituals setting the tone for holidays and wedding ceremonies. This music, played for kings when they went off to battle, accompanies the Sufi festivities and provides entertainment for the high society. Bringing the various religions and classes together, the music of Rajasthan opens a door to the fascinating cultural worlds that are the focus and inspiration for this special journey. Sajida Ben-Tzur, our tour guide, is a dancer of Kathak classical Indian and the Rajasthani folk dance traditions, an Indian Chef and the daughter of a Sufi Sheikh from Rajasthan. Sajida (pronounced SAJ-DA) has met and worked with many of the most exceptional musicians in this region. This tour facilitates a personal connection with Rajasthan’s landscapes and people through the ears, the eyes and especially the heart! Feb 14-15, 2016 - Day 1-2: Flight to India Depart on a flight of your choice to Delhi, India. -
Ethnomusicology a Very Short Introduction
ETHNOMUSICOLOGY A VERY SHORT INTRODUCTION Thimoty Rice Sumário Chapter 1 – Defining ethnomusicology...........................................................................................4 Ethnos..........................................................................................................................................5 Mousikē.......................................................................................................................................5 Logos...........................................................................................................................................7 Chapter 2 A bit of history.................................................................................................................9 Ancient and medieval precursors................................................................................................9 Exploration and enlightenment.................................................................................................10 Nationalism, musical folklore, and ethnology..........................................................................10 Early ethnomusicology.............................................................................................................13 “Mature” ethnomusicology.......................................................................................................15 Chapter 3........................................................................................................................................17 Conducting -
51 Article Sound Archives and Musical Representations
ARTICLE SOUND ARCHIVES AND MUSICAL REPRESENTATIONS OF MODERN INDIA: THE CASE OF THE FELIX VAN LAMSWEERDE COLLECTION (1963-2005) Rasika Ajotikar, British Academy Postdoctoral Fellow, SOAS University London Abstract This essay presents a critical social history of the context in which the Felix van Lamsweerde Collection came together. Felix van Lamsweerde (b. 1934), a Dutch col- lector, cultural anthropologist and impresario, extensively recorded Indian expressive cultures in the Netherlands and India between 1963 and 2005. This collection was digit- ised and catalogued between 2017 and 2020 at Georg-August-Universität Göttingen and the Berliner Phonogramm-Archiv in Germany as part of a German Research Foundation (DFG) project. It includes a wide range of first-hand and commercial audio/video re- cordings of music, dance and theatre genres from across India along with accompany- ing notes, photographs, and a vast collection of books, magazines and journals. Van Lamsweerde’s journey into studying musics of India and the collection itself points to how India’s cultural politics evolved in the immediate decades following its independ- ence from the British in 1947. Whilst historicising the colonial, oriental and nationalist legacies of music collection in India, this essay examines the Van Lamsweerde Collection and archival projects at large through a source critical approach. It attempts to demon- strate the ways in which caste, class, gender and racialisation processes and the sound archive shaped one another in the formation of transnational cultural representations of India. Drawing on discussions in ethnomusicology, social theory and archival studies, this essay offers an interpretation of how musical knowledge and a homogenous con- struct of Indian culture has taken shape in Western European and American academe. -
Approved by AICTE, Affiliated to Savitribai Phule Pune University
Approved by AICTE, Affiliated to Savitribai Phule Pune University 1 JSPM’s JAYAWANTRAO SAWANT INSTITUTE OF MANAGEMENT & RESEARCH (NAAC Accredited, ISO certified, Approved by AICTE, Recognised by Govt. of Maharashtra and DTE and Affiliated to Savitribai Phule Pune University) DTE Code: MB6143 Programme: Masters of Business Administration (M.B.A.) Approved by AICTE, Affiliated to Savitribai Phule Pune University JSPM’s JAYAWANTRAO SAWANT INSTITUTE OF MANAGEMENT AND RESEARCH (Near JSPM girls Hostel, Gate 2), Handewadi Road, , Hadapsar, Pune, Maharashtra, India www.jspmjsimr.edu.in 2 JSPM at Glance:- JSPM group of institutes has one of the best engineering colleges in Pune. Also, the group has MBA colleges, MCA colleges, Pharmacy colleges and PGDM courses one of the best in Pune and vicinity. JSPM provides right curriculum and innovative teaching methodologies to all its campuses. At JSPM there is a series of vibrant education and leadership strategies for gaining unbeatable competitive advantage from countrywide experts for a matchless growth beyond the ordinary. JSPM provides students a vibrant academic experience that adheres to stringent international quality standards, imbibes life skills among its students, and prepares them to not only take on competitive careers but also succeed in life. The underlying vision of the JSPM is to nurture and engender creativity in thought and innovation, thereby encouraging their students to follow an unconventional path. JSPM extra curriculum prepares dynamic students, personally and professionally, to take up future leadership roles in a global setting. JSPM is committed to high-quality education. The JSPM charter of higher learning clearly states: “Impart high- quality education which meets the diverse needs of our students and the evolving professional requirements”. -
Indian Culture Terminal Competency After Completing This Programme, Participants Will Be Able To: Key Learning Outcomes Approx
1. Module Name Folk Music of Western Rajasthan 2. Sector Indian Culture 3. Entry Qualification 8th Pass 4. Minimum Age (in years) 15 5. Duration 185/1110 6. Provision of Tool kit No Terminal Competency After completing this programme, participants will be able to: Familiarize with importance of music. Recall history of folk music in India. Recall characteristics of folk music Recall characteristics of classical music. Explain and practice different Raag and Taal. Practice and play the given musical instruments. Sing the folk song with and without instrument. Approx. Approx. Key Learning Outcomes Theory Key Learning Outcomes Practical Hrs. Hrs. Registration, Inauguration, introduction and objectives of the 2 - course Psychology of music- Practice or prepare the following Relation of psychology witth music, – a. Raag b. Tall emotional integration through music, mind and music, taste in music, sensation and hearing in music, attention, role of interest in music, 35 160 feeling, emotions and appreciation of music, imagination and creative activity in music, learning music, importance of heredity and environment in music. Relation of folk music with religion. Defination of folk music. Practice of playing following Origin of folk music. musical instruments – History of folk music of india. Raag – Principle and / or basis of folk musick 118 - Harmonium 200 in general. - Flute Forms of folk music – Bhangra, - Saarangi lavani, dandia etc. - Shahnai 1 Approx. Approx. Key Learning Outcomes Theory Key Learning Outcomes Practical Hrs. Hrs. Influence of fold music on indian Taal- classic music, stylization of folk - Tabla melodies into ragas. - Dholak Analysis of the element of Hindustani folk music, Karnataka folk music or south indian folk music, and Rabnindra folk sangeet or folk music or Bengal, folk music of Rajasthan and the elements regarding their interrelationship.