SECTION 02080 MATERIAL Knoxville Utilities Board
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The Evolution of the Printed Bengali Character
The Evolution of the Printed Bengali Character from 1778 to 1978 by Fiona Georgina Elisabeth Ross School of Oriental and African Studies University of London Thesis presented for the degree of Doctor of Philosophy 1988 ProQuest Number: 10731406 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10731406 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 20618054 2 The Evolution of the Printed Bengali Character from 1778 to 1978 Abstract The thesis traces the evolution of the printed image of the Bengali script from its inception in movable metal type to its current status in digital photocomposition. It is concerned with identifying the factors that influenced the shaping of the Bengali character by examining the most significant Bengali type designs in their historical context, and by analyzing the composing techniques employed during the past two centuries for printing the script. Introduction: The thesis is divided into three parts according to the different methods of type manufacture and composition: 1. The Development of Movable Metal Types for the Bengali Script Particular emphasis is placed on the early founts which lay the foundations of Bengali typography. -
Unit 4 : Making Type Easy to Read
Making Type Easy to Read Unit 4 : Making Type Easy to Read Readers are easily discouraged by hard-to-read copy. Readership drops when the wrong typeface, type size, or line spacing is used. Improper alignment or paragraph indications can also interfere with readership. Subtleties like letter and word spacing, hyphenation, and punctuation can undermine the image of professionalism you hope to project in your print communications. Lesson 1 : Setting the Body Copy 1.1. Learning Objectives On completion of this lesson you will be able to describe: ♦ Choose the appropriate typeface and size for body text. ♦ Determining lines pacing and alignment. 1.2. Introduction The first four decisions you make when setting body copy are among the most important design decisions you make. ♦ What typeface should use? ♦ What type size should I use? ♦ What's all the fuss about leading? ♦ Which alignment is better: flush-left/ragged-right or justified? 1.3. Choose the Right Typeface As long as you choose one of the main stream serif typefaces, which are characterized by small finishing strokes that guide the reader's eye from letter to letter, you really can't go wrong. With typefaces designed for extended reading, what you use is not as important as how you use it. Keep in mind that I'm not talking about strange typefaces like Choose the Right Aachen Bold. I'm talking about classic serif typefaces that have Typeface proven their utility through decades and even hundreds of years of use. Here are a few safe typefaces for body copy: Baskerville Janson Caslon Melior Erhardt Palatino 53 Graphics Design Garamond Plantin (in its many forms including Minion, Sabon, and Utopia) Goudy Times ITC Century. -
Monotype LETS Fonts Catalog
文字見本 pt Page / Ad Lib ICG Agmena W0G Bold Agmena W0G Bold Italic Agmena W0G Book Agmena W0G Book Italic Agmena W0G Italic Agmena W0G Regular Agmena W0G SemiBold Agmena W0G SemiBold Italic Akko WG Akko WG Black Akko WG Black Italic 文字見本 pt Page / Akko WG Bold Akko WG Bold Italic Akko WG Italic Akko WG Light Akko WG Light Italic Akko WG Medium Akko WG Medium Italic Akko WG Thin Akko WG Thin Italic Albertus Nova Black Albertus Nova Bold Albertus Nova Light 文字見本 pt Page / Albertus Nova Regular Albertus Nova Thin Aldus nova Bold Aldus nova Bold Italic Amasis eText Amasis eText Bold Amasis eText Bold Italic Amasis eText Italic Andale Mono Andale Mono Bold Andale Mono Bold Italic Andale Mono Italic 文字見本 pt Page / Andale Sans WGL Andale Sans WGL Bold Andale Sans WGL Bold Italic Andale Sans WGL Italic Arial Black Arial MT Arial MT Bold Arial MT Bold Italic Arial MT Italic Arial Rounded MT Arial Unicode MS Arial Unicode MS Bold 文字見本 pt Page / Ascender Sans Ascender Sans Bold Ascender Sans Bold Italic Ascender Sans Italic Ascender Sans Mono Ascender Sans Mono Bold Ascender Sans Mono Bold Italic Ascender Sans Mono Italic Ascender Sans Narrow Ascender Sans Narrow Bold Ascender Sans Narrow Bold Italic Ascender Sans Narrow Italic 文字見本 pt Page / Ascender Serif Ascender Serif Bold Ascender Serif Bold Italic Ascender Serif Italic Ascender Uni Ascender Uni Duo Avenir Next W0G Bold Avenir Next W0G Bold Italic Avenir Next W0G Demi Avenir Next W0G Demi Italic Avenir Next W0G Heavy Avenir Next W0G Heavy Italic 文字見本 pt Page / Avenir Next W0G Italic Avenir Next -
Outlining Guidelines for the Development of Universal Design Hangeul Typefaces
Outlining Guidelines for the Development of Universal Design Hangeul Typefaces * Pier Paolo Capestrani Department of Industrial Design Engineering, Korea University of Technology and Education, Cheonan, Korea Abstract Background The design of new typefaces is going towards the direction of multilingual, multiscript and cross-platform solutions, delivering globally a consistent appearance. Having reference guidelines to facilitate the development of highly legible typefaces can be a further improvement in this context and can help to maintain a clear focus on the benefits for the end- user. The studies on this specific topic at the local level have been barely considered by the design community. This paper aims to define the key issues in current Korean typeface design and to determine guidelines for the development of Universal Design (UD) Hangeul typefaces. Methods Two correlated qualitative tests were conducted. The first test aims to select, among widely used Hangeul typefaces the most proper one to run the following test. The second test intent is to determine specific legibility issues. The participants in these tests were selected among the local population. Half of the participants were selected among the elderly, more prone to visual acuity issues, in order to detect eventual relevant variances in the results when compared to the average population. Results The tests demonstrated that legibility issues are correlated to the letters’ deformation derived by the alphabetic syllabary nature of the Korean writing system, which implies compression and stretching of the letters to fit a square block. Another legibility issue is related to the spacing between the different letters used to build a single syllable/block. -
Some Social Considerations in the Female Portraits of Palma Vecchio
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2004 Some social considerations in the female portraits of Palma Vecchio. Sarah Elizabeth Fruehling 1977- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Fruehling, Sarah Elizabeth 1977-, "Some social considerations in the female portraits of Palma Vecchio." (2004). Electronic Theses and Dissertations. Paper 466. https://doi.org/10.18297/etd/466 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. SOME SOCIAL CONSIDERATIONS IN "THE FEMALE PORTRA][TS OF PALMA VECCHIO Bv.' Sarah Elizabeth Fruehling B.A., Mount Vernon Nazarene College, 2000 A Thesis Submitted to the Faculty of the Graduate School of the University of LouisvlHe in partial Fulfillment of the Requirements for the De!:,:rree of Master of Arts Department of Art History University of Louisville Loui :sville, Kentucky December 2004 SOME SOCIAL CONSIDERATIONS IN THE FEMALE PORTRAITS OF PALMA VECCHIO By Sarah Elizabeth Fruehling B.A., Mount Vernon Nazarene College, 2000 A Thesis Approved on December 3,2004 by the following Thesis Committee: Thesis Director 11 DEDICATION This thesis is dedicated to my parents Rev. and Mrs. Robert & Paula Fruehling. With your enduring love and support I have accomplished many things. -
Monotype LETS 2018.07.18 新書体一覧:1,174書体
Monotype LETS 2018.07.18 新書体一覧:1,174書体 FAMILY FONT NAME FILE NAME WEIGHT SIZE-Byte FOUNDRY LANGUAGES FORMAT CATEGORY Albertina™ Albertina MT Bold [Windows TrueType] albd____.ttf Bold 64592 Monotype Basic Latin TrueType TT Serif Albertina™ Albertina MT Bold Italic [Windows TrueType] albdit__.ttf Bold Italic 63536 Monotype Basic Latin TrueType TT Serif Albertina™ Albertina MT Italic [Windows TrueType] alit____.ttf Italic 65236 Monotype Basic Latin TrueType TT Serif Albertina™ Albertina MT Medium [Windows TrueType] almd____.ttf Medium 66032 Monotype Basic Latin TrueType TT Serif Albertina™ Albertina MT Medium Italic [Windows TrueType] almdit__.ttf Medium Italic 65252 Monotype Basic Latin TrueType TT Serif Albertina™ Albertina MT [Windows TrueType] alrg____.ttf Regular 65516 Monotype Basic Latin TrueType TT Serif Albertus® Nova Albertus Nova Black AlbertusNova-Black.otf Black 198276 Monotype Basic Latin,Latin Extended,Greek,Cyrillic OpenType OT CFF Serif Albertus® Nova Albertus Nova Bold AlbertusNova-Bold.otf Bold 198176 Monotype Basic Latin,Latin Extended,Greek,Cyrillic OpenType OT CFF Serif Albertus® Nova Albertus Nova Light AlbertusNova-Light.otf Light 198620 Monotype Basic Latin,Latin Extended,Greek,Cyrillic OpenType OT CFF Serif Albertus® Nova Albertus Nova Regular AlbertusNova-Regular.otf Regular 195980 Monotype Basic Latin,Latin Extended,Greek,Cyrillic OpenType OT CFF Serif Albertus® Nova Albertus Nova Thin AlbertusNova-Thin.otf Thin 196008 Monotype Basic Latin,Latin Extended,Greek,Cyrillic OpenType OT CFF Serif Allegro Allegro BT [OpenType -
Style Guide Table of Contents
STYLE GUIDE TABLE OF CONTENTS Brand Guidelines Digital Media Templates Overview ................................. 3 Website ..................... 18 Letterhead & Envelopes ................ 25 Vision, Mission, Values .......... 4 Social Media ............. 21 Media Releases ............................ 26 Marks - Logo, Seal & Spur ..... 6 E-Mail Signature ....... 23 Proclamations & Resolutions ........ 28 Department Logos ................. 9 PowerPoint ............... 24 Ordinances .................................... 29 Use of Marks ........................ 10 Council Communications .............. 30 Colors ................................... 11 Request for Proposals .................. 31 Fonts .................................... 12 Printed Materials ........................... 32 City Designed Logos ............ 13 Business Cards ............................ 36 Photography ......................... 17 Identification .................................. 38 Vehicles ........................................ 39 Quick Guides Uniforms ....................................... 40 City .........................................A Parks & Recreation ................B Signage – Facilities ...................... 41 Police .................................... C Fire Rescue .......................... D Transit ....................................E 2 | Page Brand Guidelines These guidelines are designed to establish and strengthen brand equity through integrated messaging and usages for the city. This document is a guide to managing the City of Steamboat -
Information, Please
Aa Bb Cc Dd Ee Ff Gg1-11-11iJj Kk LI Mm Nn Oo Pp Qq RrSsTt UuVvWwXxYy Zz1234567890&/ECEW£70!?( )[] PUBLISHED BY THE INTERNATIONAL TYPEFACE CORPORATION. VOLUME ONE, NUMBER ONE , 1973 UPPER AND LOWER CASE, THE INTERNATIONAL JOURNAL OF TYPOGRAPHICS In this issue: Typography' and the Information, Typography and the New Technologies New Technologies Please A retrospective by Aaron Burns of the development of the emerging technologies in the 20th Century; the challenges, the opportunities. Information, Please a The New York Times Information Bank is a hen I went to uppose that you computerized system that can help you find out art school, I learned that many of my fel- wonted to find out... WHO is the new head of the low students had problems when it came Johnson Foundation? everything about anybody or anything— to drawing certain parts ofthe human ana- WHAT were the basic terms of the General Motors-Curtiss-Wright agreement for the Wonkel that was reported in a newspaper or magazine. tomy. They simply could not draw hands engine? Stop the "Perpetrators" or feet. WHEN was the Amchitka otomictestconducted? I first became conscious of their diffi- WHERE will Swindell-Dressler Company build a A scathing indictment by Edward Rondthaler of culties when I noticed that the people steel foundry in Russia? the unscrupulous typeface design pirate companies who appeared in their layouts never had WHY did Secretary Volpe sign a transportation which unconscionably copy for cut-rate sale hands or feet. Hands always seemed to research agreement with the Polish Government? the original work of creative artists.