DOCSLIB.ORG

Rolleicord CAMERAS Jos

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rolleicord CAMERAS Jos - CRollsifle" iRolleicoTd BURLEIGH BRooES INC. PHOTOGRAPHIC GOODS A UNlTEIJ STATES lMPORTERS AND NIKOR MANUFACTURERS' AGENTS FOR W RoLLEIFLEX & RoLLEICoRD CAMERAS JoS. SCHNEID ER & CO . LE NSES NIlioR PROD UCTS VEIGEL ENLARGERS FLASHFLEX FLASHGUN U. S. HEA n[J UAHTERS FOR ROLLEl SEHVI CE 19 5 5 10 WEST 46th STREET NEW YORI1 36, N. Y. Activities at the Franke and Heidecke Rollei Plant BURLEIGH BROOKS INC. PAGE INDEX BURLEIGH BROOKS INC. STAFF BUSINESS TERMS R OLLE I SCRIPT SALES AIDS SECTION Rollei Co meras ______________ _____ _____ __ _________________________ ________ . __ .......... _.. .... ___ .. A Rollei Accessories _.. .... _..... _............ .. ... .... _. __ ... .............. _........ _........ ___ ... A Rolleifla sh ____ .. __ ... __ ._._ .. ____ ... __ ..... ......... __ .. .... _._ ...... ____ ..... __ ... ______ ..... .. __ ... _A Flashflex __ ............. .. ______ _........ ___ ... ____ . ______ .. __ ..... _.... ................ __ .......... _. A Sch neider len ses __ ..... ... ..... _... .. _. ......... _. .. .. _.. _..... ... ............. __ .... _.. ___ ..... B Continental Gadget Bags ............................................... ___ ....... ___ .... __ .... B Nikor Tanks and Trimmers ... _... _. .. .... __ ... _._._. _.. ____ .. __ _... ....... _...... _....... ___ .. C Veigel En 10 rgers ___ .. _. _.. __ _._ .... ... __ ._ ... _______ ... _.. __.. _. __. __ .... __ ..... _. ... _._ .. __ . _. ___ D Miscella neous ______ .... __ ... ________ ... ______ ... _________ . __ .. _.. ___________ ._. __ . __ ...... _..... __ _D Back Cover Page: Condensed Rollei Price List BU R LE I G H B R OO K SIN C. BURLEIGH BROOKS IN C. IMPORTER AND PHOTOGRAPHIC GOODS MANUFACTURERS ' AGENT Ca ble Address, LENSMAN codes: TELEPHONE lOWEST 46th STREET W. U. 5 LETTE R 4955 r BEN TlEY JUds on 6-14956 NEW YORK 36, N. Y. l4957 JACK D. CALLAHAN FRANK J. RIZZATTI ARNE OGLAEND General Manager Sales and Advertising Manager General Correspondent JAMES ANDERER SIDNE Y J. FALEK Credit & Order Department Service Department TERRITORIES AND SALESMEN ARTHUR V. HOLT -W* Califor nia 3183 Weldon Ave. Arizona, Nevada Los Angeles 65, Calif. Cleve land 7·3222 BOB RELLE W ashington 707 W. Prospect 51. Oregon, Idaho Seattle 99, Wash. A!der 2904 SAM C. McAFEE -W* A laska 3704 East Howe Seattle, Wash. Bob Sam CANTY SALES CO. -W* Colorado, Utah STEVE CANTY New Mexico 1229 California St. Wyoming Denver 4, Colorado Monta na Acoma 2·9567 * Denotes Warehouse BURLEIGH BROOKS INC. HERBERT VOGel Pennsylvania 1597 Rosewood Ave. Ohio, Michigan Cleveland, Ohio lakewood 1-1434 Herb RICHARD HIRSCH New Yor k State 205 Pinehurst Ave. New York City Apartment 3 l (except Manhattan) New York 33, N. Y. lorraine 8-7764 New Jersey BEN ARKES Illinois, India na 7824 S. Pa xton Minnesota Dick Chicago 49, Ill. Wisconsi n Bayport 1·1103 Ben GEORGE A . PIERSOL New York City 10 W. 46 th 5t. (Manhattan only) New York 36, N. Y. TOM W . O ' CONNELL Missouri, Iowa 1029 lark Nebraska st. Loui s 22, Mo. George Yorktown 5·1292 MAURICE WOLF (RED) Massach usetts Tom 35 lakewood Rd. Con necticut Newton Hi g!onds 61, Ma ss. Rhode Island Bigelow 4· 8450 Vermont, Maine New Hampshire ''-..J GEORGE W, MAXWELL Tennessee 3688 Philwood Alabama Memphis, Tenn. Kentucky Red 33·6558 Mississippi SCHROEDER North Dakota George GENE 2625 Fenton South Da kota Den ver 14, Colo. ROBERT DORINSON - W * Texas 112 S. Poydros Kansas Dollas, Texas Oklahoma Riverside 6837 Louisiana RlcrlARD MANTZ Arkansas 6709 Lake Circle Drive Dollas, Texas 5Y KESS LER 7707 Robin Rood Sy Dick Bob Dallas, Texas CAMERA SERVICE CO. W* Georgia, Florida CHAS. S. SMITH, JR . No. & So. Carolina DAN WATKINS Washington, 0 , C. 2257 Ca scade Rd. SW Maryland, Virginia At lanta, Go . W. Virgi nia Amherst 2626 Delaware Dan Charlie * Denotes Warehouse B U RL E IGH BROOKS IN C. TERMS ORDERS Describe each item fully. When ordering accessories indicate camera model. Telephone or telegraph orders must be confirmed. Collect tele­ grams and telephone calls will not be accepted. All merchandise not shipped will be back-ordered unless otherwise instructed. Please use code on telegraph orders where possible. Orders requesting future dat­ ing will not be considered until billing period is open. Fair traded prices must be strictly adhered to. CREDIT All orders will be filled on a C.O.D. or cash in advance basis where credit has not been established. Returned merchandise will not be accepted for credit, unless written authorization has been obtained in advance. All transportation charges are at consignee's expense. DELIVERY Specific shipping instructions must appear on orders or on confirma­ tions. No goods will be delivered to messenger without pick-up order. PAYMENT All bills are due and payable NET on the 10th of the following month. If your remittance reaches us on or before the 10th of the month, you may deduct 2% cash discount. Any items shipped after the 26th of the month will be dated as of the coming month. DISCOUNT As per schedule to established photographic dealers only. GUARANTEE All Burleigh Brooks Inc. products are warranted free from defects either in workmanship or materials. SHIPPING AND All shipments valued up to $200.00 are sent parcel post where postal INSURANCE regulations permit. Otherwise railway express except where specific instructions are given. Every shipment is fully insured. SERVICE AND Repair estimates are made without charge. Labor charges are net, REPAIR parts less 25 %. We do not proceed with repairs until specific a~thor i­ zation is received. Completion date is specified at time of estimate. All repairs are guaranteed for one year. SALES AIDS Display signs and pictures, retail price list, brochures, mats, cu ts, and glossy prints available upon request. B U R LEIG H B R O O K S I NC. L COOPERATIVE ADVERTISING PLAN Effective January 1 st Burleigh Brooks will issue Rollei-Scrip with each invoice covering Rollei Camera or accessory sales to enable you to enjoy lowest possible cost in your local advertising on Rollei products. Yes! Rollei-Scrip is the same as $ $ $ and it means even more $ $ $ since the plan will automatically increase your high -profit Rollei volume. In the beginning Rollei-Scrip will be used for the introduction of the Rolleicord V in your local newspapers - but watch for our special bul­ letins as we enlarge the scope of Rollei-Scrip to include other business­ producing media such as Spot TV and Spot Radio, etc. J/-ow Rolli-Scrip Workj SIMPLE! A. To save time, we will send ready-to-run Rolleicord V ad mats right off to you, free of charge with your first shipment of the new cameras. Later we'll send you samples of a more complete selection of mats to choose from. EASY! B. After each ad has appeared, send us 3 tearsheets of the ad, and the invoice from the newspaper with space charges clearly marked. Enclose, with the in­ invoice and 3 tearsheets, Rollei-Scrip for one-half the bill (to the nearest dollarl. GENEROUS! C. We'" promptly give your account a merchandise credit in the amount due upon receipt of the above. IMPORTANT - Rollei-Scrip covers half of space charges only - not production or other costs. Space will include provision for one inch logo, the width of the ad. Rollei-Scrip sponsored ads must be separate, not included as part of larger store ads, and must not mention any product other than Rollei cameras and accessories. In order to qualify, your ad must run in local newspapers and be charged for at the lowest local rate. If you make up your own ads, they must be approved by Burleigh Brooks, Inc. before running. Burleigh Brooks reserves the right to refuse payment when, in their judgment, improper use has been made of Trade Marks or Fair Trade prices. B U RL E I G H BROOK S INC . New ROLLEI Sales Aids Here are the new sales aids ... display stands, window streamers, descriptive literature and accessory display racks . available to help you cash-in on ROLLE!'s broad and consistent advertising campaign in photographic and national consumer magazines. Order by the identifying numbers. #215-New Rollei literature .. covering Rollei comeros­ #214-Set-up Rollei camera display, Rollei accessories - and the attractive colors, for window use - underwater Rolleimarin. 12 " x 14". # 219 - Rollei trade-mark display for window or counter use, or wall hanging . # 212-Rollei camera dis­ play stand with rich black base. Only 4" high . # 224 (left) - Rolleicard V string of eight pennants. Total length 25 feet. Orange, white and black. He""... ~ # 217-Rollei neWs house or· ~@UU@U~@lf@ V ___ gan, and literature, describing exclusive Rollei features. ni •.•:ii;I.:I'1:- - Small Rollei # 223 - Ralleicard day-g low windo w stickers for use on letter­ streamer. Orange and black. heads, bills, etc. :# 221-Electros or mots of all Rollei cameras for 1 or 2 column use. (Specify whether for newspaper or magazine. ) # 213 - Handsome Rollei enlargements, assorted subjects, available in three # 222-Rallei trade-mark # 211 - Rollei accessory display rack, 18" x 24", mount sizes ... 16" x 20" - 19" X logotypes furnished in supplied with brackets and tees (Accessories not 24/1 or 28" x 35" . any size. wpplied.) BURLEIGH BROOKS INC. Rolleicord v $134.55 with Schneider Xenar 3.5 case extra $14.95 rr ... I~ . ",oJI wl·jllly «JIlJ c ,.~Jil t'n" in f~e p~olo9,.ap~lc worlJ: "Taken with a ROLLEr j The Amateur's Universal Camera With Schneider Xenar f:3.5/ 75 mm lens in Synchro- Com pur shutter (1 / 500th to 1 second, Time expos­ ures) with light value scale and self-timer. Viewing lens Heidosmat f:3.2/ 75 mm. Double bayonet rings around lenses for attaching optical lens accessories and lens hood.
Load more

Recommended publications
  • Phase One H 20 Getting Started
    H 20 GETTING START E D PostScript billede (black logo) Phase One A/S Phase One U.S. Roskildevej 39 24 Woodbine Ave DK-2000 Frederiksberg Northport, New York Denmark 11768 USA Tel +45 36 46 01 11 Tel +1 631-757-0400 Fax +45 36 46 02 22 Fax +1 631-757-2217 Notice The name Phase One is a trademark of Phase One A/S. The names Hasselblad, Mamiya and Rollei are registered trademarks of their respective companies. All specifications are subject to change without notice. Phase One takes no responsibility for any loss or damage sustained while using their products. This manual ©2003, Phase One A/S Denmark. All rights reserved. No part of this manual may be reproduced or copied in any way without prior written permission of Phase One. Printed in Denmark. Part #: 80016001 Table of Contents 1 Contents 1 I n t r o d u c t i o n . .2 2 Special Phase One H 20 features . .3 ISO Settings . .3 Double exposure protection . .3 IR filter on CCD . .4 Large format photography . .4 3 Getting ready for taking pictures . .6 Mounting the viewfinder mask . .6 Mounting the H 20 on a Hsselblad Camera . .7 Cable mounting on Hasselblad . .8 Hasselblad 553 ELX . .9 Hasselblad 555 ELD . .10 Hasselblad 501 CM and 503 CW . .10 Mamiya RZ67 Pro II . .11 Rolleiflex 6008 AF/Integrale . .13 4 Maintenance . .17 Cleaning the IR filter . .17 5 Technical data . .18 1 H 20 Getting Started 1 Introduction The Phase One H 20 single shot camera back, is designed for high-end advertising studios with a need for productivity, flexibility and the absolute best in image quality.
    [Show full text]
  • User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S
    User Manual Hasselblad CF Digital Camera Back Range C O N T E N T S Introduction 3 5 MENU—ISO, White balance, Media, Browse 31 1 General overview 6 Menu system overview 31 Parts, components and control panel 8 Navigating the menu system 31 Initial setup 10 Language choice 33 Shooting and storage modes 11 ISO 33 White balance 34 2 Initial General Settings 14 Media 34 Overview of menu structure 15 Browse 35 Setting the menu language 17 6 MENU—Storage 36 Delete 37 3 Storage overview – Format 42 working with media and batches 18 Copy 42 Batc hes 18 Batch 43 Navigating media and batches 18 Default Approval Level 44 Creating new batches 20 Using Instant Approval Architecture 21 7 MENU—Settings 45 Reading and changing approval status 22 User Interface 46 Browsing by approval status 22 Camera 48 Deleting by approval status 23 Capture sequence 50 Connectivity 51 4 Overview of viewing, deleting Setting exposure time/sequence 54 and copying images 24 Miscellaneous 56 Basic image browsing 24 About 57 Choosing the current batch 24 Default 58 Browsing by approval status 24 Zooming in and out 24 8 Multishot 59 Zooming in for more detail 25 Thumbnail views 25 General 59 Preview modes 26 Histogram 27 9 Flash/Strobe 60 Underexposure 27 General 60 Even exposure 27 TTL 60 Overexposure 27 Full-details 27 10 Cleaning 61 Battery saver mode 28 Full-screen mode 28 11 Equipment care, service, Overexposure indicator 28 technical spec. 63 Deleting images 29 General 63 Transferring images 29 Technical specifications 64 Inset photo on cover: © Francis Hills/www.figjamstudios.com.Not all the images in this manual were taken with a Hasselblad CF.
    [Show full text]
  • Possibilities of Processing Archival Photogrammetric Images Captured by Rollei 6006 Metric Camera Using Current Method
    The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2, 2018 ISPRS TC II Mid-term Symposium “Towards Photogrammetry 2020”, 4–7 June 2018, Riva del Garda, Italy POSSIBILITIES OF PROCESSING ARCHIVAL PHOTOGRAMMETRIC IMAGES CAPTURED BY ROLLEI 6006 METRIC CAMERA USING CURRENT METHOD A. Dlesk 1,*, P. Raeva 1, K. Vach 2 1 Department of Geomatics, CTU in Prague - [email protected] 2 EuroGV s.r.o. - [email protected] Commission II, WG II/8 KEY WORDS: Rollei 6006 metric, Photo negatives, Structure from motion, Archival data, Close range photogrammetry ABSTRACT: Processing of analog photogrammetric negatives using current methods brings new challenges and possibilities, for example, creation of a 3D model from archival images which enables the comparison of historical state and current state of cultural heritage objects. The main purpose of this paper is to present possibilities of processing archival analog images captured by photogrammetric camera Rollei 6006 metric. In 1994, the Czech company EuroGV s.r.o. carried out photogrammetric measurements of former limestone quarry the Great America located in the Central Bohemian Region in the Czech Republic. All the negatives of photogrammetric images, complete documentation, coordinates of geodetically measured ground control points, calibration reports and external orientation of images calculated in the Combined Adjustment Program are preserved and were available for the current processing. Negatives of images were scanned and processed using structure from motion method (SfM). The result of the research is a statement of what accuracy is possible to expect from the proposed methodology using Rollei metric images originally obtained for terrestrial intersection photogrammetry while adhering to the proposed methodology.
    [Show full text]
  • First Experiences with the New Digital Camera Rollei D7 Metric
    FIRST EXPERIENCES WITH THE NEW DIGITAL CAMERA ROLLEI D7 METRIC Prof. Dr.-Ing. Guenter Pomaska FH Bielefeld, University of Applied Sciences Department of Architecture and Civil Engineering Artilleriestr. 9 D-32427 Minden eMail: [email protected] CIPA Working Group II / V Keywords: Digital camera,CCD-sensor, digital photography Abstract: Numerous digital cameras with megapixel resolution are available today. The requirements to a metric camera are a fixed focus and focal length, known lens distortion and known position of the principle point relative to the sensor elements. Application software has to provide correction of those deformations. Image quality can be very important when using correlation procedures. Focusing on new presentation technologies like texture mapping, panoramic images, digital stereo pictures and internet presentation is a legitimation for those kind of cameras. Rollei Fototechnic has introduced a new digital camera with SLR technique, fixed focus and focal length and a sensor with 1.4 million pixels. Images are stored in a raw data format and can be corrected under respect of the factory calibration parameters. Details of camera construction and handling are discussed. Some applications best suited for digital camera recording are presented. 1. OPTICAL AND MECHANICAL COMPONENTS OF THE CAMERA The camera is designed in separate groups all assembled in a sturdy metal body. Lens, mirror, viewfinder and sensor are connected to the front plate of the body, while monitor, storage media, electronic elements and interfaces are fixed at the back of the camera housing. Figure 1 displays a principle construction drawing, here with a zoom lens. The SLR single lens reflection principle displays the image in the viewfinder exactly as it will be on the CCD- sensor.
    [Show full text]
  • Carl Zeiss Oberkochen Large Format Lenses 1950-1972
    Large format lenses from Carl Zeiss Oberkochen 1950-1972 © 2013-2019 Arne Cröll – All Rights Reserved (this version is from October 4, 2019) Carl Zeiss Jena and Carl Zeiss Oberkochen Before and during WWII, the Carl Zeiss company in Jena was one of the largest optics manufacturers in Germany. They produced a variety of lenses suitable for large format (LF) photography, including the well- known Tessars and Protars in several series, but also process lenses and aerial lenses. The Zeiss-Ikon sister company in Dresden manufactured a range of large format cameras, such as the Zeiss “Ideal”, “Maximar”, Tropen-Adoro”, and “Juwel” (Jewel); the latter camera, in the 3¼” x 4¼” size, was used by Ansel Adams for some time. At the end of World War II, the German state of Thuringia, where Jena is located, was under the control of British and American troops. However, the Yalta Conference agreement placed it under Soviet control shortly thereafter. Just before the US command handed the administration of Thuringia over to the Soviet Army, American troops moved a considerable part of the leading management and research staff of Carl Zeiss Jena and the sister company Schott glass to Heidenheim near Stuttgart, 126 people in all [1]. They immediately started to look for a suitable place for a new factory and found it in the small town of Oberkochen, just 20km from Heidenheim. This led to the foundation of the company “Opton Optische Werke” in Oberkochen, West Germany, on Oct. 30, 1946, initially as a full subsidiary of the original factory in Jena.
    [Show full text]
  • View Camera Solutions
    DIGITAL CAMERAS View Camera solutions With digital photography it has become easier to work the tilt/shift New ground breaking developments on the H3D camera system mechanism of a view camera and hereby achieve a special photo- allow for direct tilt/shift work using the new HTS1.5 tilt/shift graphic expression. The digital solutions however, are still heavy to adapter, and the new HVC view camera adapter kit allows for bring into the field, and controls to place the wanted focus correctly classic view camera work both un-tethered and with new levels of are not optimal. focus control. View Camera Connectivity The CF/CF-MS/CFV digital back can also be mounted onto a view All Hasselblad digital camera products can work with view cameras. camera platform. Two options are available to physically attach the digital capture Both the H3D camera products and the CF range of digital backs have unit to the view camera. The first is known as a Live Video Adapter, a sophisticated interface, and allow micro-processor controlled connec- as the only method of composing and focusing the image is done via tions to electronic shutters for full control capture mode (single-shot, the Live Video controls in Phocus. The second is the Sliding Adapter multi-shot) and of aperture, shutter and exposure. that allows use of a conventional ground glass screen for composition The remaining digital products are triggered by a simple flash sync and the ability to then slide the back in place. These items are easily connection. A summary is outlined in the table below.
    [Show full text]
  • Rolleifle,X 2.8F IMPROVING on When the Rolleiflex 2.8F Was Created, Astar Was Born
    HOW Amateur Photographer's... Ie P 0 06 MUCH o HEY PHOTOGRAPHER I PHOTOGRAPH I COST? AType 1Rolleiflex 2,8F with 80mm Planar and exposure AType 1version of the meter, showing late 1950s, with 75mm 'moderate/heavy use' 1/3.5 Planar and built­ with 'obvious wear in uncoupled exposure to the body covering' meter. Ihis one is in sold for [432,02 on as-bought condition eBay on 16 July, A and has not yet been dealer in Frankfurt cleaned for display sold anear-mint 2.8F with Planar and meter for [1.261 on 11 July. The 3.5F realises similar prices, with similar differences for condition. Amint example of the last 'wl\'ite face' 3.5F with meter and ERe [ever­ ready easel sold on eBay for [1,874 on, 16 July. AweU-used but sound 3.5F with ptanar and accessories sold for [436.20 on 14 July A3.5F with f/3.5 Xenotar and needing a the optical quality of the 80mm f/2.8 Carl shutter service [which Zeiss Planar and the ultimate mechanical could be pricey] sold leaf shutter of the time, the Synchro for [171 on 11 July. The classic Type 1of the 1960s, Compur As acreative tool, particularly for These examples show pictures of people, it was unsurpassed, that prices of 2.8F with 80mm f/28 Planar and built-in The companion to the 28F, the Rolleiflex and 3.5F Rolleiflexes 35F, had been launched in 1958 with either vary dramatically with selenium-cell exposure meter an f/35 Zeiss Planar or an f/35 Schneider condition.
    [Show full text]
  • Hasselblad Ixpress CF V1 1.Indd
    DIGITAL BACKS HASSELBLAD Ixpress CF 132 / Ixpress CF 528 The Ixpress CF line of digital backs offers 22Mpix digital capture with the Hasselblad open camera inter- face, the i-Adapter, and the option for true colour multi-shot capture. The Ixpress offers new levels of flexibility to the specialist profes- sional photographers enabling them to take full advantage of everything that leading edge digital photogra- phy can offer. Ixpress CF 132 Ixpress CF 528 Large format digital capture Working with multiple cameras — the i-Adapter Today’s photographers demand higher resolution, less noise, and The Ixpress CF interfaces with a simple 4-screw attached plate to improved flexibility, all of which the Ixpress CF addresses. The Ixpress most of the professional SLR and view cameras on the market. You CF suits cameras with an optical format allowing for digital capture can therefore obtain digital capture with your favourite cameras and with sensors more than twice the physical size of today’s 35mm lenses with one digital back. See detailed list of supported cameras sensors. The sensor therefore holds more and larger pixels, which below. secure a high-end image quality in terms of moiré free color rendering without gradation break-ups in even the finest lit surfaces. Direct shooting to Adobe DNG Hasselblad has partnered closely with Adobe to make its new prod- “Instant” user interface ucts fully compatible with Adobe’s raw image format DNG (‘Digital The Ixpress CF is operated with a straightforward user interface with NeGative’), bringing this new technology standard to the professional a series of “instant” one-button-click operations including: instant photographer for the first time.
    [Show full text]
  • Cal Olson and Photojournalism
    Cal Olson and Photojournalism By Sheldon Green Photo Studio Director, Concordia College In his coverage of the 1957 tornado that devastated Fargo, North Dakota, destroying 329 homes in the city’s north edge, Fargo Forum photographer Cal Olson used the best techniques of photography to tell the story of the tragedy. This was the heyday of the photo essay and photojournalism, where pictures were used to tell stories, particularly in publications like Life and Look magazines. In covering the tornado and in making his memorable photo of the man carrying a severely injured and soon to die baby, Olson used his camera to set the scene of the man walking through rubble with a dazed look on his face from the shock of the swiftness of the devastation, and the horror of finding and trying to save the young child. In one shot, Olson had managed to combine many images into a single frame of film that instantly told a vivid story. Olson’s vision that day was of a true, professional photo essayist or photojournalist. His ability to see an event literally taking form in front of him, defining itself through a clear and distinct visual configuration, is remarkable in itself. Olson’s ability to fix that event at the one moment when the pieces fit into a finished puzzle, at the instant when chaos coalesces into order before dissolving into chaos again, is hard to imagine, given the circumstances of the tragedy. It demands a special balance between attentiveness and detachment, expectancy and patience. And of course, a good dose of good fortune or the luck of being in the right place at the right time.
    [Show full text]
  • Visual Communications Journal
    Visual CommunicationsSpring 2017, Volume 53, Number 1 Journal Medium Format Cameras for Digital Photography CHRIS J. LANTZ, Ph.D. Volume 53 Number 1 SPRING 2017 Acknowledgements President – Mike Stinnett Royal Oak High School (Ret.) Editor 21800 Morley Ave. Apt 517 Dan Wilson, Illinois State University Dearborn, MI 48124 (313) 605-5904 Editorial Review Board [email protected] Cynthia Carlton-Thompson, North Carolina A&T State University President-Elect – Malcolm Keif Bob Chung, Rochester Institute of Technology Cal Poly University Christopher Lantz, Western Illinois University Graphic Communications Devang Mehta, North Carolina A&T State University San Luis Obispo, CA 93407 Tom Schildgen, Arizona State University 805-756-2500 Mark Snyder, Millersville University [email protected] James Tenorio, University of Wisconsin–Stout First Vice-President (Publications) Renmei Xu, Ball State University Gabe Grant Cover Design Eastern Illinois University School of Technology Ben Alberti, Western Technical College 600 Lincoln Avenue Instructor, Barbara Fischer Charleston, IL 61920 (217) 581-3372 Page Design, Layout, and Prepress [email protected] Janet Oglesby and Can Le Second Vice-President (Membership) Can Le Printing, Bindery, and Distribution University of Houston Harold Halliday, University of Houston 312 Technology Bldg. University of Houston Printing and Postal Services Houston, TX 77204-4023 (713) 743-4082 About the Journal [email protected] TheVisual Communications Journal serves as the official journal of the Graphic Secretary – Laura Roberts Communications Education Association, and provides a professional Mattoon High School communicative link for educators and industry personnel associated with 2521 Walnut Avenue design, presentation, management, and reproduction of graphic forms of Mattoon, IL 61938 communication. Manuscripts submitted for publication are subject to peer (217) 238-7785 review.
    [Show full text]
  • A History of the Photojournalism Department of the Deseret News 1948 to 1970
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 1972 A History of the Photojournalism Department of the Deseret News 1948 to 1970 Richard J. Nye Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the History Commons, Journalism Studies Commons, and the Mormon Studies Commons BYU ScholarsArchive Citation Nye, Richard J., "A History of the Photojournalism Department of the Deseret News 1948 to 1970" (1972). Theses and Dissertations. 4988. https://scholarsarchive.byu.edu/etd/4988 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A HISTORY OF THE PHOTOJOURNALISM DEPARTMENT OF THE DESERET NEWS 1948 TO 1970 A Thesis Presented to the Department of Communications Brigham Young University In Partial Fulfillment of the Requirements for the Degree Master of Arts by- Richard J. Nye May, 1972 This thesis, by Richard Jensen Nye, is accepted in its present form by the Department of Communications of Brigham Young University as satisfying the thesis require ment for the degree of Master of Arts. D<*te Raymond Beckham, Committee Chairman^ Owen Rich, Committee Member Edwin 0. Haroldsen, Department Chairman ii A HISTORY OF THE PHOTOJOURNALISM DEPARTMENT OF THE DESERET NEWS 1948 TO 1970 Richard Jensen Nye Department of Communications M.A. Degree, May 1972 ABSTRACT The photojournalism department of the Deseret News is presently one of the most highly organized and productive departments within the newspaper itself.
    [Show full text]
  • MEDIUM FORMAT 100Mm Lens
    Section1 MediumFormat Introduction . 10 Bronica 6x4.5 . 11-16 Bronica 6x6 . 17-22 Bronica 6x7 . 23-27 Fuji 6x4.5 . 28 Fuji 6x7 . 29 Fuji 6x8 . 30-32 Fuji 6x9 . 33 Hasselblad 6x6 . 34-54 LRX (Beattie) . 55-56 Mamiya 6x4.5 . 57-64 Mamiya 6x6 . 65-66, 75 Mamiya 6x7 . 67-82 Pentax 6x4.5 . 83-89 Pentax 6x7 . 90-95 Rollei 6x6 . 96-109 Hasselblad INTRODUCTION 6x6cm medium ➧ format camera ➧ Bronica MEDIUM FORMAT 100mm lens As the format of choice among wedding, fashion, and Today, most medium portrait photographers, Medium Format includes all format cameras are cameras which accept 120 or 220 film sizes. The out- “system cameras,” standing attraction of medium format is the superlative with popular image available due to the substantially larger film for- options that mat and increased image size on the negative or trans- include motor parency. Because medium format negatives require less winders, inter- enlargement than smaller 35mm negatives to produce changeable viewfinders the same image size on the print, identical negatives on with or without exposure meters, grips and an array or the same type of 35mm and 120/220 film will produce lenses rivaling 35mm in choice. These include perspective remarkably different prints. The 120/220 format delivers control lenses, tele-extenders and zooms. From the 24mm MEDIUM FORMAT more resolution, finer grain, an expanded grey scale, and full-frame fisheye lens to the 500mm telephoto lens with a visually more pleasing image. Medium format cameras low dispersion glass and floating elements, almost every are available in the following different variations: option is available.
    [Show full text]