Lions in Sight Lions Are Known for Their Sightfirst Activities
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The Trophy Hunting of African Lions: Scale, Current Management Practices and Factors Undermining Sustainability
The Trophy Hunting of African Lions: Scale, Current Management Practices and Factors Undermining Sustainability Peter Andrew Lindsey1,2*, Guy Andrew Balme1,3, Paul Funston1, Philipp Henschel1, Luke Hunter1, Hilary Madzikanda4, Neil Midlane3, Vincent Nyirenda5 1 Lion Program, Panthera, New York, United States of America, 2 Mammal Research Institute, Department of Zoology and Entomology, University of Pretoria, Pretoria, Gauteng, South Africa, 3 Department of Biological Sciences, University of Cape Town, Cape Town, Western Cape, South Africa, 4 Zimbabwe Parks and Wildlife Management Authority, Harare, Mashonaland East, Zimbabwe, 5 Zambia Wildlife Authority, Chilanga, Lusaka Province, Zambia Abstract The trophy hunting of lions Panthera leo is contentious due to uncertainty concerning conservation impacts and because of highly polarised opinions about the practice. African lions are hunted across at least ,558,000 km2, which comprises 27– 32% of the lion range in countries where trophy hunting of the species is permitted. Consequently, trophy hunting has potential to impart significant positive or negative impacts on lions. Several studies have demonstrated that excessive trophy harvests have driven lion population declines. There have been several attempts by protectionist non-governmental organisations to reduce or preclude trophy hunting via restrictions on the import and export of lion trophies. We document the management of lion hunting in Africa and highlight challenges which need addressing to achieve sustainability. Problems include: unscientific bases for quota setting; excessive quotas and off-takes in some countries; fixed quotas which encourage over-harvest; and lack of restrictions on the age of lions that can be hunted. Key interventions needed to make lion hunting more sustainable, include implementation of: enforced age restrictions; improved trophy monitoring; adaptive management of quotas and a minimum length of lion hunts of at least 21 days. -
Prescription Before Diagnosis: the Dynamics of Public Policy Construction in the BC Liberal New Era, 2001-2005
Prescription Before Diagnosis: The Dynamics of Public Policy Construction in the BC Liberal New Era, 2001-2005 By George Malcolm Abbott B.A., University of British Columbia, 1975 M.A., University of Victoria, 1978 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of Political Science © George Malcolm Abbott, 2019 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo- copying or other means, without the permission of the author. Prescription Before Diagnosis: The Dynamics of Public Policy Construction in the BC Liberal New Era, 2001-2005 By George Malcolm Abbott B.A., University of British Columbia, 1975 M.A., University of Victoria, 1978 Supervisory Committee Dr. Colin Bennett, Supervisor (Department of Political Science) Dr. Jamie Lawson, Departmental Member (Department of Political Science) Dr. James Tully, Departmental Member (Department of Political Science) Dr. Evert Lindquist, Outside Member (School of Public Administration) ii Supervisory Committee Dr. Colin Bennett, Supervisor (Department of Political Science) Dr. Jamie Lawson, Departmental Member (Department of Political Science) Dr. James Tully, Departmental Member (Department of Political Science) Dr. Evert Lindquist, Outside Member (School of Public Administration) ABSTRACT The BC Liberal New Era was an intense and often controversial period in the province’s political history. One day after being sworn into office with a massive majority, Premier Gordon Campbell announced a 25 percent personal income tax cut, potentially relinquishing one billion dollars in tax revenue. Seven weeks later, Campbell and his Finance Minister followed up with another billion dollars in business and corporate tax cuts. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Descriptive Metadata in the Music Industry 1
DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 1 Descriptive Metadata In The Music Industry: Why It Is Broken And How To Fix It Tony Brooke December 2014 Author Note Tony Brooke is a media asset manager in San Francisco, California. He holds a Master’s degree in Library and Information Science (with a concentration in media asset management and audiovisual metadata) from San José State University, and has been an audio engineer in San Francisco since 1992. Correspondence regarding this should be made to Tony Brooke, Silent Way Media Asset Management, San Francisco, (415) 826-2888. http://www.silentway.com/research This is a corrected postprint of an article originally published in two parts, February- March 2014 in the Journal of Digital Media Management. Keywords: metadata, standards, music, descriptive, open, proprietary, database, identifier, credits, schema, persistent DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 2 Table Of Contents Abstract 3 Introduction 4 Descriptive Metadata: Now And Then 5 Terminology 8 Reasons for the Lack of Descriptive Metadata 17 The Silos 20 The DDEX Suite of Standards and CCD 30 Part Two 33 Why Hasn’t This Been Fixed Yet? 33 Toward A Globally Unique Abstracted Persistent Identifier (GUAPI) 40 Proposed Study: Quantifying Descriptive Metadata Value 49 Research Questions 49 Participants 50 Data Collection Instrument 50 Procedure 51 Conclusion And Recommendations 53 References 59 Appendix: Acronym Reference 67 Document Control Version history Version Date Version notes 1.0 June 19, 2013 Initial draft, circulated privately, APA citations. 1.1 July 14, 2013 Revised draft. 2.0 October 15, 2013 Significant rewrite, with different conclusion. -
Strengthen the Pride Through Service PAGE 2 JANUARY 2015
` New York State aNd Bermuda multiple diStrict 20 l ioNS January 2015 Congratulations to Chris Han the MD-20 Winner of the 2014-2015 Lions International Peace Poster Contest Strengthen the Pride Through Service PAGE 2 JANUARY 2015 Council Chairman’s Message up to the big July 2017 Lions Clubs International Convention in Chicago. To get started now you can participate in your local club Centennial Committee Welcome to the over 500 new Lions that you asked to or contact your District Centennial Coordinator. Be sure to also check out the join our clubs during the past three months and greetings new “one-stop shop for all things centennial” website at www.Lions100.org to the 28 charter members of the new Piermont Lions for more promotional materials like brochures, fact sheets, press releases, Club in district 20-R1 and the 32 charter members of the logos, and videos, etc. New York Bangladeshi American Club in district 20-R- 2. This is also a great time (for some of us) to make a New Year’s resolution to increase the frequency of the club’s monthly service activity reporting (SAR). Happy New Year, Lions of New York State & Currently, about two-thirds of the clubs regularly report their activities. Bermuda! There is a lot to see in this issue of the MD20 Throughout the next three years we and LCI will be tracking our local and Lion magazine. You’ve all been very active with global progress towards the CSC goals. There will be periodic recognition and fundraisers, service actions and district conventions. -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
Audacity of Hope Personified by AMOS OLADELE
GLOBAL ADVERTISING SPEND SET TO RISE BY 7.1% TO $660BN IN 2020 MARKETINGPromoting the brand idea. Issue 65, February/March 2020 N2000EDGE US$ 6.5 ISSN 1597-1201 FORCES BEHIND THE BRANDS & BRANDS TO WATCH SERIES 1 SBI Media wins 9Mobile media Account AB InBev projects 10% DR. FELIX KING decline in first-quarter profit EIREMIOKHAE: Insight @ 40, stays true to transformation FirstBank’s CEO, Adeduntan Audacity receives Cranfield Alumnus 2020 Award of Hope GDM Celebrates @ 10, unveils new logo Personified Sell your car for 30% More Cash on Cars45 Marketplace How it works 1 Get your car inspected and listed on the marketplace 2 Get connected to a buyer 3 Smile to the bank cars45.com 081 8984 0160 CONTENTS MARKETING EDGE Address all editoral, business and production correspondences to MARKETING EGDE, 11, Fadeyi Aladura Street, off Balogun Street, off Awolowo Way, Balogun Bus/stop, Ikeja, Lagos. Submissions of manuscripts, photographs, artworks, or other materials to MARKETING EDGE should be delivered by hand or via e-mail to [email protected]. While every effort has been made to ensure the correctness of all information, however, MARKETING EDGE is not responsible for advertising, errors or omissions. MARKETING EDGE is a publication on the platform of MEDIA EDGE Limited with ISSN 60 COVER STORY 1597-1201. All rights reserved. Reproduction in full or part of any content from MARKETING EDGE without the prior written consent of the publisher is strictly prohibited. FORCES BEHIND Hot advert lines: 08023243054, 08023039359, 08066879292 THE BRANDS 32 FOREIGN NEWS 114 OPINION 10 Local News Unilever adopts BRANDS: THRIVING AT new marketing and DEFINING MOMENTS advertising principles 24 NEWS FEATURE for children JC DECAUX backs down, . -
Mondi Nuovi a Teatro: L'immagine Del Mondo Sulle Scene Europee Di Cinquecento E Seicento
AperTO - Archivio Istituzionale Open Access dell'Università di Torino Mondi nuovi a teatro: l'immagine del mondo sulle scene europee di Cinquecento e Seicento This is a pre print version of the following article: Original Citation: Availability: This version is available http://hdl.handle.net/2318/86509 since Publisher: Mimesis Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 07 October 2021 CHIARA LOMBARDI MONDI NUOVI A TEATRO L’immagine del mondo sulle scene europee di Cinquecento e Seicento: spazi, economia, società MIMESIS Volume stampato con il contributo dell’Università degli Studi di Torino, Dipartimento di Scienze del Linguaggio e Letterature moderne e comparate. © 2011 – MIMESIS EDIZIONI (Milano – Udine) www.mimesisedizioni.it / www.mimesisbookshop.com Via Risorgimento, 33 – 20099 Sesto San Giovanni (MI) Telefono e fax: +39 02 89403935 Via Chiamparis, 94 – 33013 Gemona del Friuli (UD) E-mail: [email protected] In copertina: Jacopo Zucchi (1541-1596), Allegoria della scoperta dell’America INDICE PREMESSA p. 9 INTRODUZIONE p. 13 1. GEOGRAFIE TEATRALI La maturazione della cultura rinascimentale: p. 33 una nuova rappresentazione del mondo Il teatro e l’allegoria p. 33 Scrivere l’altro: immagini, riproduzione, circolazione p. 35 L’economia entra in scena p. 41 Mercantilismo e teorie economiche moderne p. -
Blue Rodeo Ebook, Epub
BLUE RODEO PDF, EPUB, EBOOK Jo-Ann Mapson | 336 pages | 01 May 1995 | HarperCollins Publishers Inc | 9780060926359 | English | New York, NY, United States Blue Rodeo PDF Book Lakefront cottages are the dream, but Blue Rodeo fills in for those who do without. Your Globe Build your personal news feed Hide info. Adding to that name is a unique sound. Feb 14, Sandra rated it liked it. Cuff the Duke singer Wayne Petti joined the band onstage, adding his sweet-toned vocals to the harmonious mix. A tale of love between a city girl and a country boy. Cuddy, Keelor, Donovan and Cripps have all released solo albums, and Glenn Milchem performs his own solo music under the pseudonym "the swallows". I love being in that space of writing songs so I just keep writing them. On songs like the excellent Waiting For the World, Sheba, Arizona, In My Bones, the fragile soulfulness of the best country- folk shines through as acoustic guitars, pedal steels and violins pluck at your heartstrings. The band is playing to its strengths, and playing as well as it ever has. Investigations History Featurettes. Crazy Credits. Craft is the operative word, and despite the occasionally sprawling nature of The Things We Left Behind, a double-disc set marking their 13th release not counting solo outings and a greatest hits collection , the package as a whole is surprisingly intimate. It was not until years later, after university, when most of our friends were getting jobs that we decided to start a band. Read our privacy policy to learn more. -
RESTLESS BLOOD Frans Blom, Explorer and Maya Archaeologist
RESTLESS BLOOD Frans Blom, Explorer and Maya Archaeologist High resolution version and version in single pages for printing available at www.mesoweb.com/publications/Blom Tore Leifer Jesper Nielsen Toke Sellner Reunert RESTLESS BLOOD Frans Blom,Explorer and Maya Archaeologist With a preface by Michael D. Coe Middle American Research Institute Tulane University, New Orleans Precolumbia Mesoweb Press San Francisco Contents 6 Author biographies 7 Acknowledgements 8 Preface by Michael D. Coe 10 Introduction: A Life 13 Chapter 1. A Wealthy Merchant’s Son (1893-1919) 38 Chapter 2. Revolution and Rebels (1919) 58 Chapter 3. Oil, Jungles and Idols of Stone (1919-1922) 90 Chapter 4. The Right Track (1922-1924) 120 Chapter 5. The Great Expeditions (1925-1931) 163 Chapter 6. A Temple in Tulane (1932-1943) 197 Chapter 7. Return to the Great Forests (1943-1944) 219 Chapter 8. A Lady in Gray Flannel (1944-1950) 262 Chapter 9. Na Bolom – House of the Jaguar (1950-1963) 288 Epilogue: The Cross from Palenque 290 Archival Sources 290 End Notes 297 Illustration Credits 298 Bibliography 308 Index © 2017 The authors, Middle American Research Institute, and Precolumbia Mesoweb Press Translated from Det urolige blod – Biografi om Frans Blom © 2002 The authors and Høst & Søn / Rosinante & Co, Copenhagen All rights reserved Translated by Julie Nehammer Knub and the authors Produced and designed by Joel Skidmore and Chip Breitwieser Library of Congress Control Number 2017952616 ISBN 978-0-9859317-4-2 Printed in the United States of America 6 7 Acknowledgements This book could not have been written without the enthusiasm and generous help of the American documentary filmmaker Jaime Kibben, who Author Biographies was killed in a tragic car accident in 2003, just two months after its initial Tore Leifer (1964), MA in Musicology, Film, and Media from the University publication in Danish. -
First the Crisis, Now the Damages
M i n i t - E d Pretty hard to find a newspaper picture of Arafat the Assassin these days except the ones in which he is found, benign soul, kissing babies. The build-up of Arafat is reminiscent of the early days of Castro when the newspapers described him as just an ex (Sonrotercial U Teaiier baseball pitcher interested in democracy and good deeds. With a little more iron in his backbone, Jack Kennedy could have wiped and SOUTIT BERGEN REVIEW out Castro and blunted the Cuban knife that has been at America’s throat ever since. Second-Class postage paid at Rutherford .N.J Maybe Israel won’t make the same mistake VOL. 60 NO. 52 25C THURSDAY, JULY 22, 1982 Published at 251 Ridge Rd.. Lyndhurst Subscription $8.00 Published Weekly in Lebanon. First The Crisis, Well W ater for Township Now The Damages of Lyndhurst residents - only The water crisis is over But the stores, taverns, sumed while health of by the area volunteers — but the cost remains to bakeries and other food ficials monitored the water The township set up a be totalled. handling businesses which until it reached potable command room at the L I M I T 4 GALLONS Lyndhurst underwent were forced to spend the levels. Town Hall in the mayor s m P E R S O N still another water shut week-end idle suffered At 6 p.m. Friday Lyn office. There conditions down last week-end and it considerable losses. dhurst was notified by Jer were assayed and steps to PiEASC 08EY was not until afternoon Lawyers have assured sey City officials that the alleviate the situation , MSKWG RC6UUTIWIS Monday -
Real Rock: Authenticity and Popular Music in Canada, 1984-1994
REAL ROCK: AUTHENTICITY AND POPULAR MUSIC IN CANADA, 1984-1994 PAUL DAVID AIKENHEAD A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HISTORY YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2018 © PAUL DAVID AIKENHEAD, 2018 Abstract This dissertation investigates the production and reception of English-Canadian rock music sound recordings, from 1984 to 1994, in relation to mutually constitutive understandings of race, ability, gender, sexuality, class, age, and place. It examines how different forms of domestic Anglo rock served to reinforce or subvert the dominant ideologies undergirding the social order in Canada during the late twentieth century. This study analyzes a multifaceted discourse about authenticity that illustrates the ways in which a host of people – including musicians, music journalists, record label representatives and other professionals from across the music industries, government administrators, and consumers – categorized recorded sound, defined bodily norms, negotiated commerce and technology, and evaluated collective communication in Canada. This study finds that the principle of originality fundamentally structured the categorization of sound recordings in Canada. Originality, according to rock culture, encompassed the balancing of traditionalism with innovation. This dissertation determines that Whiteness organized English-Canadian rock culture in terms of its corporeal standards. White bodies functioned as the norm against which racialized Others were compared and measured. This study also shows how the concept of autonomy encouraged the proper negotiation of commerce and technology in an increasingly neoliberal political and economic condition. Independence of will fostered acceptable behaviour. Finally, this dissertation reveals that the rock status of a given concert rested upon the actions of the performers as well as the composition and reactions of ticket holders in the audience.