Presto Gives More Big Bang for Your Buck
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INDICE 1. Introduzione 3 2. Rassegna Della Letteratura 7 3. Metodo 15 4
INDICE 1. Introduzione 3 2. Rassegna della letteratura 7 2.1. Introduzione 7 2.2. Studi linguistici sulla sitcom The Big Bang Theory 7 2.3. Conclusioni 13 3. Metodo 15 3.1. Introduzione 15 3.2. Quesiti della ricerca 15 3.3. Quadro teorico di riferimento 15 3.3.1. Il Principio Cooperativo di Grice 16 3.3.2. La Teoria della Pertinenza di Sperber e Wilson 22 3.3.3. La cortesia 25 3.3.3.1. Il modello di Leech 26 3.3.3.2. Il modello di Brown e Levinson 32 3.3.3.3. Conclusioni 36 3.4. Raccolta, preparazione e analisi dei dati 37 3.4.1. Raccolta dei dati 37 3.4.2. Preparazione dei dati 38 3.4.3. Analisi qualitativa 40 3.4.4 Analisi quantitativa 53 3.5. Conclusioni 53 4. Risultati 55 4.1. Introduzione 55 4.2. Risultati analitici quantitativi e qualitativi della ricerca 55 4.2.1. Risultati della prima stagione 56 4.2.2. Risultati della seconda stagione 62 4.2.3. Risultati della terza stagione 69 4.2.4. Risultati della quarta stagione 75 4.2.5. Risultati della quinta stagione 82 4.2.6. Risultati della sesta stagione 88 4.2.7. Risultati della settima stagione 94 4.2.8. Risultati della ottava stagione 101 4.2.9. Risultati della nona stagione 107 1 4.2.10. Risultati della decima stagione 114 4.3. Risultati quantitativi e qualitativi sintetici della ricerca 120 4.3.1. (In)efficienza comunicativa 120 4.3.1.2. Il Principio Cooperativo di Grice 120 4.3.1.3. -
Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult. -
EMMY®-WINNING COMEDIAN PATTON OSWALT SET to HOST the 21St ANNUAL ART DIRECTORS GUILD’S EXCELLENCE in PRODUCTION DESIGN AWARDS
FOR IMMEDIATE RELEASE: EMMY®-WINNING COMEDIAN PATTON OSWALT SET TO HOST THE 21st ANNUAL ART DIRECTORS GUILD’S EXCELLENCE IN PRODUCTION DESIGN AWARDS Oscar®-Winning Director Brad Bird, Emmy-winning Production Designer René Lagler and late Production Designer Gene Allen will be honored at the Feb. 11 ceremony LOS ANGELES, Feb. 2, 2017 – Emmy®-winning comedian Patton Oswalt will host the 21st Annual Art Directors Guild’s Excellence in Production Design Awards (IATSE Local 800) announced today by ADG Council Chair Marcia Hinds and Awards Producers Thomas Wilkins and Thomas Walsh. The Awards, celebrating “Return to Hollywood,” will be held Saturday, February 11, 2017 at the Ray Dolby Ballroom at Hollywood and Highland. A comedian, actor, and writer, Patton Oswalt continues to find success in all areas of entertainment. From his Grammy®-nominated comedy specials to his many memorable film roles and guest appearances on his favorite TV shows (including Parks and Recreation, for which he received a TV Critics Choice Award), Oswalt continues to choose work that inspires him and entertain audiences. Oswalt recently won an Emmy for 'Outstanding Writing for a Variety Special’ for his sixth comedy special Talking for Clapping (Netflix) and was nominated for a Grammy Award for his comedy album of the same name. He is currently on the Netflix show Lady Dynamite, starring fellow comedian Maria Bamford, and on HBO’s Veep. Oswalt will next be seen on the big screen this April in the film adaptation of Dave Eggers’ novel The Circle, alongside Tom Hanks and Emma Watson. Oswalt has appeared in many films including The Secret Life Of Walter Mitty with Ben Stiller, Steven Soderbergh’s The Informant alongside Seth Rogen, Observe and Report, Magnolia, Zoolander, Starsky and Hutch, and Reno 911!: Miami, among many others. -
Program Guide Report
Schedule Program Guide For GTV/SD Sun Feb 12, 2012 06:00 GO, DIEGO, GO Repeat G Save The Giant Tortoises Diegos Papi introduces Diego and Dora to a very special animal, Lonely Louie, the Giant Tortoise. 06:30 DORA THE EXPLORER Repeat G Swiper The Explorer Dora and Boots are playing catch when they discover a lost Baby Fox. 07:00 WEEKEND TODAY Captioned Live WS NA Join Cameron Williams and Leila McKinnon as they bring you the latest in news, current affairs, sports, politics, entertainment, fashion, health and lifestyle. 10:00 SURFSPORT WS NA U.S. Open Surfing Highlights from U.S. Open Surfing. DISCOVER DOWNUNDER - SUMMER 11:00 SERIES WS G (*Season Final*) Western Australia is where youll find the extraordinary Turquoise Coast, and this week its where youll find Brooke Hanson and Tim Smith. Taking the Campervan from Jurien Bay to Geraldton, youll be amazed by what they discover& 11:30 PYRAMID Captioned Repeat WS C Pyramid is a fun, fast-paced game show the whole family can enjoy. Two teams go head to head in a competition to describe a series of simple objects, places or things, without actually using the object's name. 12:00 WILDFIRE WS PG Commitment Issues Kris fights to get her jockey license reinstated just as Flame is ready for his first race. Starring: Greg Serano, Andrew Hoeft, Dennis Weaver 13:00 AUSTRALIAN ATHLETICS TOUR 2012 WS NA Perth Track Classic Australia's best athletes prepare for London. Hosted by Tony Jones and Melinda Gainsford-Taylor. 14:00 ONE DAY SERIES - AUSTRALIA V INDIA Captioned Live WS NA Australia v India - PM Session Wide World Of Sports presents Australia v India live from the Adelaide Oval. -
Bazinga! Uma Análise Neotribal Da Sitcom the Big Bang Theory Arthur
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XVI Congresso de Ciências da Comunicação na Região Sudeste – São Paulo - SP – 12 a 14 de maio de 2011 Bazinga! Uma Análise Neotribal Da Sitcom The Big Bang Theory 1 Arthur Carlos FRANCO OLIVEIRA 2 Mirna TONUS 3 Universidade Federal de Uberlândia, Uberlândia, MG RESUMO O presente artigo tem como objetivo analisar a sitcom The Big Bang Theory sob a ótica da teoria neotribalista proposta por Michel Maffesoli. A partir do método observacional, assistiu-se a todos os episódios das quatro temporadas da sitcom, procurando identificar em seus personagens elementos que os relacionassem a uma neotribo. Assim, foi possível concluir que os sujeitos analisados não atendem a todas as características de uma neotribo. PALAVRAS-CHAVE: sitcom, neotribalismo, televisão, humor. “Bazinga!” – Sheldon Cooper Desde o surgimento da televisão, suas funções têm sido as mais diversas. Informar, emocionar e fazer rir são alguns dos papéis que ela exerce no contexto atual. Suas atrações sempre buscam aumentar a audiência e cativar o público, sendo que, nos últimos anos, a televisão tem mais do que nunca se utilizado do público para fazer sucesso. Séries humorísticas, programas de auditório recheados de casos engraçados e comentários ácidos e inteligentes são alguns artifícios veiculados para divertir o público. E, entre os programas de humor, estão as chamadas sitcoms . O termo, segundo o Dicionário da Língua Portuguesa4, é uma série televisiva que aborda situações do dia–a-dia em tom de comédia. A palavra vem do termo inglês “situation comedy ”, que, literalmente, significa situação de comédia. Desde o seu 1 Trabalho apresentado no DT 4 – Comunicação Audiovisua do XVI Congresso de Ciências da Comunicação na Região Sudeste realizado de 12 a 14 de maio de 2011. -
REDEFINING “NERDINESS”: the Big Bang Theory Reconsidered REDEFINING “NERDINESS”: Many Studies Define “Nerdiness” Differently
ARTICLE Title REDEFINING “NERDINESS”: The Big Bang Theory Reconsidered REDEFINING “NERDINESS”: Many studies define “nerdiness” differently. Some textual cues including explicit and implicit cues. These would define gifted students as “nerds” (O’Connor 293), terms are adopted from Culpeper’s The Language and The Big Bang Theory Reconsidered suggesting that the word is based solely on intelligence. Characterisation: People in Plays and Other Texts, in which he Others may define “nerds” as “physical self-loathing [and explains that these textual cues can help a viewer make having] technological mastery” (Eglash 49), suggesting certain inferences about a specific character (Language that “nerds” have body issues or are somehow more and Characterisation 167). Explicit cues are when charac- BY JACLYN GINGRICH technologically savvy than the average person. Bednarek ters specifically express information about themselves or defines “nerdiness” as displaying the following linguistic others (Language of Characterisation 167). An example framework: “believes in his own intelligence,” “was a child would be when Leonard says, “Yeah, I’m a frickin’ genius” ABSTRACT it is that they are average people socializing with each prodigy,” “struggles with social skills,” “is different,” “is health (“The Middle Earth Paradigm”). Here he is explicitly other and living normal lives. The Big Bang Theory displays This paper analyzes the linguistic characteristics of Leonard obsessed/has food issues,” “has an affinity for and knowl- saying that he believes he has intellectual superiority. the comical reality of what normally happens in these Hofstadter, television character from The Big Bang Theory and edge of computer-related activities,” “does not like change,” Implicit cues are implied. -
October 2008 Comedy Channel Highlights
www.comedychannel.com.au OCTOBER 2008 HIGHLIGHTS THE MERRICK & ROSSO SHOW WORLD PREMIERE Thursday October 2 @ 8.30pm Continues Thursdays at 8.30pm Merrick and Rosso are back on the box where they belong, with the keys to the Foxtel car - and enough fuel in the tank to really cause some chaos! They’ll finally return to their broadcasting birth place at The Comedy Channel with THE MERRICK & ROSSO SHOW. So what’s on the cards for the new show? Each week the boys will front up before a live studio audience with their unique take on anything and everything. From what’s happening in the world of news to the big questions: Can you deep fry a watermelon? On THE MERRICK & ROSSO SHOW, celebrities will make regular guest appearances from in-studio interviews to recorded comedy pieces to show you a side of them never before seen. Into the mix will go plenty of studio audience interaction and more mayhem and stupidity than is legal in three states. For perhaps the first time, Merrick Watts and Tim Ross will truly focus the energy and excitement of their legendary sell-out live comedy shows and bring that force to the electric television. It’s hotter than Gordon Ramsay’s kitchen, is sure to top Brendan Nelson’s approval ratings and it’s ‘wronger’ than an Austrian family get-together. THE MERRICK & ROSSO SHOW will allow nobody to be immune from their parodies and sketch comedy. Finally, as Merrick and Rosso are keen to point out, “Put simply, the show is Morcambe and Wise meets The Star Wars Christmas Special at an Alcoholics Anonymous meeting during The French Renaissance… on a weeknight.” Buckle up Australia, for a riotous half hour of THE MERRICK & ROSSO SHOW. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Actors' Stories Are a SAG Awards® Tradition
Actors' Stories are a SAG Awards® Tradition When the first Screen Actors Guild Awards® were presented on March 8, 1995, the ceremony opened with a speech by Angela Lansbury introducing the concept behind the SAG Awards and the Actor® statuette. During her remarks she shared a little of her own history as a performer: "I've been Elizabeth Taylor's sister, Spencer Tracy's mistress, Elvis' mother and a singing teapot." She ended by telling the audience of SAG Awards nominees and presenters, "Tonight is dedicated to the art and craft of acting by the people who should know about it: actors. And remember, you're one too!" Over the Years This glimpse into an actor’s life was so well received that it began a tradition of introducing each Screen Actors Guild Awards telecast with a distinguished actor relating a brief anecdote and sharing thoughts about what the art and craft mean on a personal level. For the first eight years of the SAG Awards, just one actor performed that customary opening. For the 9th Annual SAG Awards, however, producer Gloria Fujita O'Brien suggested a twist. She observed it would be more representative of the acting profession as a whole if several actors, drawn from all ages and backgrounds, told shorter versions of their individual journeys. To add more fun and to emphasize the universal truths of being an actor, the producers decided to keep the identities of those storytellers secret until they popped up on camera. An August Lineage Ever since then, the SAG Awards have begun with several of these short tales, typically signing off with his or her name and the evocative line, "I Am an Actor™." So far, audiences have been delighted by 107 of these unique yet quintessential Actors' Stories. -
The Persuasive Power of Ridicule: a Critical Rhetorical Analysis
THE PERSUASIVE POWER OF RIDICULE: A CRITICAL RHETORICAL ANALYSIS OF GENDER AND HUMOR IN U.S. SITCOMS Leah E. Waters Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2017 APPROVED: Koji Fuse, Committee Chair Megan Morrissey, Committee Member James Mueller, Committee Member Dorothy Bland, Director of the Frank W. Mayborn Graduate Institute of Journalism and Dean of the Frank W. and Sue Mayborn School of Journalism Victor Prybutok, Vice Provost of the Toulouse Graduate School Waters, Leah E. The Persuasive Power of Ridicule: A Critical Rhetorical Analysis of Gender and Humor in U.S. Sitcoms. Master of Arts (Journalism), May 2017, 92 pp., 4 tables, references, 75 titles. The serious investigation of humor’s function in society is an emerging area of research in critical humor studies, a “negative” subsect of the extensive and “positive” research that assumes humor’s goodness. Using Michael Billig’s theory of ridicule as a framework, this study explored how humor operated to discipline characters who broke social norms or allowed characters to rebel against those norms. Layering this with gender performative theory, the study also investigated how different male and female characters used ridicule and were subject to it themselves. After examining ridicule in The Big Bang Theory, 2 Broke Girls, and The Odd Couple using a critical rhetorical analysis, the findings revealed that disciplinary ridicule was used more overtly throughout all three programs, while potentially rebellious ridicule emerged in only a few scenes. In addition, men were overwhelmingly the subjects of disciplinary ridicule, although women found themselves as subjects throughout all three programs as well. -
Getting to Know Siri
Chapter 1 Getting to Know Siri In This Chapter ▶ Seeing what — or rather, who — Siri is ▶ Setting up Siri for your personal use ▶ Exploring different ways to use Siri ▶ Finding out how to get fast and reliable replies ▶ Teaching Siri what to call you ongratulations! You’re now the owner of the most definitive Cguide to Siri on the planet. This easy-to-read For Dummies title will teach you everything you need to know about Siri — and then some. Be prepared to master all of Siri’s amazing features, at your own pace, so you can get a lot more out of your beloved iPhone, iPad (and iPad mini), or iPod touch. But first, a few words about my introduction to Siri, what Siri is exactly, and a bit of history. As a longtime technology reviewer, I firmly believe Siri (pronounced SEAR-ree) is the start of something very special, and it was love at first sight — er, speech. Here I am, sitting in the crowd at Apple headquarters in Cupertino, California, on October 4, 2011. The exclusive press event is called “Let’s Talk iPhone,” and like many other journalists and analysts in theCOPYRIGHTED room, I was expecting Apple CEO MATERIAL Tim Cook to take the wraps off the iPhone 5. When the iPhone 4S was initially debuted, you could sense the ini- tial disappointment among the attendees — after all, there were so many rumors leading up to the event that it seemed inevitable that a dramatically new smartphone would be unveiled that day. But that letdown feeling completely vanished the moment Siri was introduced. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Representations of Female Nerds in U.S.-American Sitcoms“ verfasst von / submitted by Beate Reichl, BA BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2018 / Vienna 2018 Studienkennzahl lt. Studienblatt / A 066 844 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Anglophone Literatures and Cultures degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Alexandra Ganser-Blumenau Acknowledgements First, I would like to thank my supervisor, Prof. Alexandra Ganser-Blumenau. Then, I would like to offer my special thanks to my aunt, Susanne Reichl, for being my continuous role model and adviser. Finally yet importantly, I wish to acknowledge the never-ending support provided by my husband, Manuel Engel, my parents and close friends. Table of Contents List of Figures .............................................................................................. i 1 Introduction ................................................................................................ 1 2 Representations of the Nerd ...................................................................... 2 Representation .................................................................................... 2 Stereotypes ......................................................................................... 3 The Nerd