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CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Léon Goossens and the Oboe Quintets Of
Léon Goossens and the Oboe Quintets of Arnold Bax (1922) and Arthur Bliss (1927) By © 2017 Matthew Butterfield DMA, University of Kansas, 2017 M.M., University of Wisconsin-Madison, 2011 B.S., The Pennsylvania State University, 2009 Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Chair: Dr. Margaret Marco Dr. Colin Roust Dr. Sarah Frisof Dr. Eric Stomberg Dr. Michelle Hayes Date Defended: 2 May 2017 The dissertation committee for Matthew Butterfield certifies that this is the approved version of the following dissertation: Léon Goossens and the Oboe Quintets of Arnold Bax (1922) and Arthur Bliss (1927) Chair: Dr. Margaret Marco Date Approved: 10 May 2017 ii Abstract Léon Goossens’s virtuosity, musicality, and developments in playing the oboe expressively earned him a reputation as one of history’s finest oboists. His artistry and tone inspired British composers in the early twentieth century to consider the oboe a viable solo instrument once again. Goossens became a very popular and influential figure among composers, and many works are dedicated to him. His interest in having new music written for oboe and strings led to several prominent pieces, the earliest among them being the oboe quintets of Arnold Bax (1922) and Arthur Bliss (1927). Bax’s music is strongly influenced by German romanticism and the music of Edward Elgar. This led critics to describe his music as old-fashioned and out of touch, as it was not intellectual enough for critics, nor was it aesthetically pleasing to the masses. -
95.3 Fm 95.3 Fm
October/NovemberMarch/April 2013 2017 VolumeVolume 41, 46, No. No. 3 1 !"#$%&'95.3 FM Brahms: String Sextet No. 2 in G, Op. 36; Marlboro Ensemble Saeverud: Symphony No. 9, Op. 45; Dreier, Royal Philharmonic WHRB Orchestra (Norwegian Composers) Mozart: Clarinet Quintet in A, K. 581; Klöcker, Leopold Quartet 95.3 FM Gombert: Missa Tempore paschali; Brown, Henry’s Eight Nielsen: Serenata in vano for Clarinet,Bassoon,Horn, Cello, and October-November, 2017 Double Bass; Brynildsen, Hannevold, Olsen, Guenther, Eide Pokorny: Concerto for Two Horns, Strings, and Two Flutes in F; Baumann, Kohler, Schröder, Concerto Amsterdam (Acanta) Barrios-Mangoré: Cueca, Aire de Zamba, Aconquija, Maxixa, Sunday, October 1 for Guitar; Williams (Columbia LP) 7:00 am BLUES HANGOVER Liszt: Grande Fantaisie symphonique on Themes from 11:00 am MEMORIAL CHURCH SERVICE Berlioz’s Lélio, for Piano and Orchestra, S. 120; Howard, Preacher: Professor Jonathan L. Walton, Plummer Professor Rickenbacher, Budapest Symphony Orchestra (Hyperion) of Christian Morals and Pusey Minister in The Memorial 6:00 pm MUSIC OF THE SOVIET UNION Church,. Music includes Kodály’s Missa brevis and Mozart’s The Eve of the Revolution. Ave verum corpus, K. 618. Scriabin: Sonata No. 7, Op. 64, “White Mass” and Sonata No. 9, 12:30 pm AS WE KNOW IT Op. 68, “Black Mass”; Hamelin (Hyperion) 1:00 pm CRIMSON SPORTSTALK Glazounov: Piano Concerto No. 2 in B, Op. 100; Ponti, Landau, 2:00 pm SUNDAY SERENADE Westphalian Orchestra of Recklinghausen (Turnabout LP) 6:00 pm HISTORIC PERFORMANCES Rachmaninoff: Vespers, Op. 37; Roudenko, Russian Chamber Prokofiev: Violin Concerto No. 2 in g, Op. -
How Much Should Guests Expect to Spend This Wedding Season?
How Much Should Guests Expect to Spend This Wedding Season? Cost of attending weddings, bachelor/bachelorette parties and showers adds up fast NEW YORK – March 28, 2018 – Wedding guests should be prepared to spend hundreds, if not thousands, of dollars per celebration this wedding season, according to a new Bankrate.com report. This includes the cost of attending the wedding, as well as associated events like bachelor/bachelorette parties and wedding showers. Click here for more information: https://www.bankrate.com/personal-finance/smart-money/cost-of-attending-wedding-survey- 0318/ The most expensive commitment comes with being a part of the wedding party. Members of the wedding party can expect to spend an average of $728 on the wedding and related festivities of the bachelor/bachelorette party and wedding shower (including gifts, travel, attire and more). Northeastern wedding party members shell out even more than that, with an average all-in cost of $1,070 to partake in all three events. Attending a wedding for a close friend or family member when not part of the wedding party is not cheap, either. Guests attending those weddings and associated pre-parties spend an average of $628. Those attending weddings and related events for more distant friends/family members will experience some financial relief, comparatively, with a total average cost of $372. When it comes to gift-giving, Millennial guests (ages 18-37) seem to be less generous than the national average. Young adults report spending an average of just $57 on wedding gifts when part of the wedding party, $47 for close friends/family when not in the wedding party and $48 for more distant relationships. -
Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
*l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. -
Boston Symphony Orchestra Concert Programs, Season 68, 1948-1949
(fr) BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON Vk [Q m A* ^5p — H & #i SIXTY-EIGHTH SEASON 1948-1949 Tuesday Evening Series Boston Symphony Orchestra [Sixty-eighth Season, 1948-1949] SERGE KOUSSEVITZKY, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin, Joseph de Pasquale Raymond Allard Concert-master Jean Cauhap6 Ernst Panenka Alfred Krips Georges Fourel Ralph Masters Gaston Elcus Eugen Lehner Rolland Tapley Albert Bernard Contra-Bassoon Norbert Lauga Emil Kornsand Boaz Piller George Zazofsky George Humphrey Paul Cherkassky Louis Artieres Horns Harry Dubbs Charles Van Wynbergen Willem Valkenier Vladimir Resnikoff Hans Werner James Stagliano Principals Joseph Leibovici Jerome Lipson Harry Einar Hansen Siegfried Gerhardt Shapiro Harold Daniel Eisler Meek Violoncellos Paul Keaney Norman Carol Walter Macdonald Carlos P infield Samuel Mayes Osbourne McConath) Paul Fedorovsky Alfred Zighera Harry Dickson Jacobus Langendoen Trumpets Minot Beale Mischa Nieland Georges Mager Frank Zecchino Hippolyte Droeghmans Roger Voisin Karl Zeise Principals Clarence Knudson Josef Zimbler Marcel La fosse Pierre Mayer Bernard Parronchi Harry Herforth Manuel Zung Enrico Fabrizio Ren£ Voisin Samuel Diamond Leon Marjollet Victor Manusevitch Trombones James Nagy Flutes Jacob Raichman Leon Gorodetzky Georges Laurent Lucien Hansotte Raphael Del Sordo James Pappoutsakis John Coffey Melvin Bryant Phillip Kaplan Josef Orosz John Murray Piccolo Tuba Lloyd Stonestreet Vinal Smith Henri Erkelens George -
Sergei Prokofiev
Sergei Prokofiev Sergei Sergeyevich Prokofiev (/prɵˈkɒfiɛv/; Russian: Сергей Сергеевич Прокофьев, tr. Sergej Sergeevič Prokof'ev; April 27, 1891 [O.S. 15 April];– March 5, 1953) was a Russian composer, pianist and conductor. As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard works as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet – from which "Dance of the Knights" is taken – and Peter and the Wolf. Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, and nine completed piano sonatas. A graduate of the St Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915 Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev – Chout, Le pas d'acier and The Prodigal Son – which at the time of their original production all caused a sensation among both critics and colleagues. Prokofiev's greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev's one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and subsequently performed over the following decade in Europe and Russia. -
Symphonic Band Program
proudly presents the 2020-2021 Student Ensemble Series “Snow of an Aynu Village” William Kinne, conductor Stephen Meyer, guest conductor with Sarah Baker, graduate conductor Shannon Spark, graduate conductor Steven Quintana, graduate conductor Friday, October 2, 2020 7:30 p.m., Online livestream: nau.edu/music/events Program NAU Symphonic Band Brass Choir A Western Fanfare (1997) Eric Ewazen (b. 1954) Shannon Spark, graduate conductor “March” from The Love for Three Oranges (1921) Sergei Prokofiev (1891–1953) Shannon Spark, graduate conductor Emma Catherine (2004) Omar Thomas (b. 1984) Stephan Lamer and Kathryn Reichdan, euphoniums James Stanton and Taigen Williams, tubas Two Pieces from Lieutenant Kijé (1934) Sergei Prokofiev I. Wedding of Kijé (1891–1953) II. Troika Stephen Meyer, conductor NAU Percussion Ensemble Institutionalized (2016) Josh Gottry (b. 1974) Liam Burns, Noah Chesterman, Noah Garza, and Justin Lea, percussion ~ Intermission ~ NAU Symphonic Band “Blue” Fortress (1989) Frank Ticheli (b. 1958) Steven Quintana, graduate conductor Snow of an Aynu Village (2007) Hirokazu Fukushima (b. 1971) Sarah Baker, graduate conductor Albanian Dance (2005) Shelley Hanson (b. 1951) Stephen Meyer, guest conductor NAU Symphonic Band “Gold” Fortress (1989) Frank Ticheli (b. 1958) Steven Quintana, graduate conductor Snow of an Aynu Village (2007) Hirokazu Fukushima (b. 1971) Sarah Baker, graduate conductor Albanian Dance (2005) Shelley Hanson (b. 1951) Stephen Meyer, guest conductor NAU Symphonic Band Personnel Flute: Alto Saxophone: Euphonium: -
Part Three Repertory List
Part Three Repertory List of Suggested Music for the Wedding Ceremony III - 1 Table of Contents for Part Three Organ Solo III - 3-7 Collections for Organ Solo III - 8 One Trumpet and Organ III - 9 Collections for One Trumpet and Organ III - 10 Solo Instrument and Organ III - 10 Collections for Solo Instrument and Organ III - 11 Two Trumpets and Organ III - 11 Collections for Two Trumpets and Organ III - 11 Two Instruments and Organ III - 11 Brass Quartet/Ensemble and Organ III - 12 Strings and Organ III - 12 Vocal and Choral Music III - 12-13 III - 2 Suggested Repertory List Organ Solo Composer Title Publisher Alcock, John (1715-1806) Voluntary in D (Old English Music for Manuals, Book 5) Oxford Andrews, Carroll T. Processionals and Recessionals GIA Arne, Thomas (1710-1778) Allegro (Old English Organ Music for Manuals, Book 3) Oxford Bach, J. S. (1685-1750) In Dir Ist Freude (Orgelbuchlein) Various Editions Jesu, Joy of Man's Desiring Various Editions Preludes and Fugues Various Editions Presto (from Concerto in G, Orgelwerke, Vol. 8) Barenreiter Sheep May Safely Graze Oxford & H.W. Gray Baker, Philip E. Suite for Organ Hinshaw Beethoven, Ludwig van (1770-1827) Hymn to Joy (arr. Ian Hare) Oxford Processional of Joy (arr. Hal Hopson) Carl Fischer Bliss, Sir Arthur (1891-1975) Fanfare for the Bride (Royal Fanfares and Interludes) Novello A Wedding Fanfare (Royal Fanfares and Interludes) Novello Bloch, Ernest (1880-1959) Wedding March No. I (Four Wedding Marches for Organ) G. Schirmer Wedding March No. III (Four Wedding Marches for Organ) G. Schirmer Boellmann, Leon (1862-1897) Suite Gothique Belwin Mills Heures Mystiques Kalmus (Warner)-2 Vols. -
Wedding Handbook
CATHEDRAL WEDDING HANDBOOK WEDDING MUSIC GUIDE MUSIC FOR THE WEDDING LITURGY (1 of 4): Policies and Guidelines The Cathedral of Saint Joseph is a popular choice for weddings, for obvious reasons: it is a beautiful sacred space, and a regional landmark known for its stunning art and architecture. The Cathedral will bring a sense of awe, grandeur, prayer, and beauty to your wedding. At the same time, as the Mother Church for the Diocese and the seat of the Bishop, the Cathedral has specific liturgical and musical guidelines that may be different than those of other churches or non-church wedding venues. This document will help to guide you through our music policies and answer common questions about Cathedral weddings. The Cathedral Music Director (Dr. Jared Ostermann; [email protected]; 605-336-7390) is responsible for approving all wedding music, and assigning musicians to your wedding. It is important to contact the Music Director at least two months before your wedding, and sooner if possible. The most important general policy is that all music played or sung in the Cathedral must be sacred in nature. Appropriate INSTRUMENTAL music (music without any singing) is, generally speaking, any music that does not have a specific non-sacred context or reference. This means that a well-known theme from a pop song, movie soundtrack or Broadway musical would not be appropriate in the Cathedral. See below for some specific examples of appropriate music. Appropriate VOCAL music (music sung by the congregation or soloists) needs to have a sacred text - whether taken from the Bible or from the Church's texts for the liturgy (example: Gloria, Lamb of God, Responsorial Psalm) or from an approved Catholic hymnal. -
8 Décembre 2011-2 Septembre 2012 Les Arts Décoratifs Le Département
Activités autour de l’exposition Les Arts Décoratifs 107 rue de Rivoli, 75001 Paris Atelier enfants 4 à 10 ans tél/phone : 01 44 55 57 50 / fax : 01 44 55 57 84 La maison de Babar www.lesartsdecoratifs.fr Babar et la mode Réservation : fnac.com Il était une fois Babar Babarmania Heures d’ouverture du mardi au dimanche de 11h à 18h nocturne : jeudi de 18h à 21h. Fermé le lundi Parcours conté Opening hours Tuesdays to Sundays from 11 a.m. to 6 p.m. et stages enfants 4 à 10 ans et famille Nocturne: Thursdays from 6 to 9 p.m. Closed on Mondays En voyage avec Babar Babar, mon héros métro : Palais-Royal, Tuileries, Pyramides Babar fait son carnaval bus : 21, 27, 39, 48, 68, 69, 72, 81, 95 8 décembre 2011- 2 septembre 2012 Dessine moi une histoire parkings : Carrousel du Louvre, Pyramides Pour tous renseignements et inscriptions : accès gratuit pour les moins de 26 ans 01 44 55 59 25 free access under 26 [email protected] accessible par un ascenseur aux personnes à mobilité réduite au 105 rue de Rivoli disabled access via lift located at 105 rue de Rivoli Activities relating to the exhibition Children’s workshop 4-10 year olds Le département pédagogique et culturel Babar’s House organise des visites pour adultes, groupes ou individuels Babar and fashion réservation : 01 44 55 59 26, et des visites-ateliers et visites Once upon a Time with Babar guidées autour d’une exposition pour les jeunes de 4 à 18 ans, Babarmania réservation : 01 44 55 59 25 organises museum tours for adults, groups and individuals, Narrated tours reservations: +33 -
Oberlin Opera: Conversations with William Bolcom and Joan Morris
Oberlin Opera: Conversations with William Bolcom and Joan Morris By Mike Telin Last week the Oberlin Conservatory of Music’s Opera theatre presented four performances of American composer William Bolcom’s comic opera A Wedding. Bolcom was present for Wednesday’s opening performance as well as to give a talk on Friday about his career and his work in opera. A Wedding was preceded by McTeague, and A View from the Bridge. All three operas were commissioned by Chicago Lyric Opera. On Thursday morning only minutes prior to an interview on WCPN’s “Around Noon” program, the composer and his long-time performance collaborator and wife, mezzo- soprano Joan Morris, were beaming at the success of the previous night’s opening performance. “I am so pleased with the way it went”, Bolcom said with a smile. “The conductor had the perfect tempos, and that’s always a concern of mine.” Bolcom was soon ushered into the studio with “Around Noon” host Dee Perry, and the two had an engaging conversation about how A Wedding came to be and his about career as a composer and teacher. Although Ms. Morris must have heard these stories before, as well as living many of them, she listened attentively to the interview in the green room, smiling and nodding with affirmation as Bolcom and Perry conversed. “She’s very good” Bolcom said of Perry following the interview, “Very well prepared, and she asked good questions”. A few minutes later, Bolcom, Morris, and Oberlin Conservatory Assistant Director of Communications Jessica Downs and I took our seats for lunch.