Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre DETROIT OPERA HOUSE • HOME of MICHIGAN OPERA THEATRE

Total Page:16

File Type:pdf, Size:1020Kb

Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre DETROIT OPERA HOUSE • HOME of MICHIGAN OPERA THEATRE Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre DETROIT OPERA HOUSE • HOME OF MICHIGAN OPERA THEATRE The Official MagaZine of the Detroit Opera House Michigan Opera Theatres 2000-2001 Season is lOvingly dedicated to the memory of Lynn A. Townsend and Robert E. Dewar BRAVO IS A MICHIGAN OPERA THEATRE PUBLICA TION Dr. David-DiChiera, General Director Laura Wyss, Editor CONTRIBUTORS MICHIGAN OPERA THEATRE STAFF Charlene Baldridge Joy Hajduk-DeGraff BERESH JEWELERS Timothy Paul Lentz Parklane Twin Towers Francois Thiolat Hubbard Dr. & Southfield Fwy. PUBLISHER Dearborn, MI 48126 Live Publishing Company 800.55l.1250 Frank Cucciarre, Design and Art Direction We appraise and set diamonds Chuck Rosenberg, Copy Editor purchased over the internet. Toby Faber, Director oj Advertising Sales COVER PHOTO Mark J Mancinelli, MJM Photography A speCial thanks to Jeanette Pawlaczyk Michigan Opera Theatre would like to thank Harmony House Records for donating season recordings and videos_ Michigan Opera Theatre's 2000-2001 subscription and single tickets have been graCiously sponsored by Hunter House, Harmonie Park. Physicians' service provided by Henry Ford Medical Center. METAL RESTORATION Alitalia is the official airline of Michigan Opera Theatre. D ent and scratd,. removal Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House. Re-atta.chment Starbucks Coffee is the official coffee of the Detroit Opera House. S terling, brass, copper, bronze, and plate Steinway is the official piano of the Detroit Opera House and Michigan Opera Theatre. Steinway pianos are provided by Hammel Music, exclusive representative B en Wearley, sJ versmith for Steinway and Sons in Michigan. (248) 549-3016 President Tuxedo is the official provider of formal wear for the Detroit Opera House . Wearley Studio Gallery Michigan Opera Theatre is a nonprofi t cultural organization whose activities are supported in part by the Michigan Council for Arts and Cultural Affairs, the National Endowment fo r the Arts, and other 1 7 19 West Fourteen M ile Road individuals, corporations and foundations. Michigan Opera Theatre is an Equal Opportunity Employer. Royal O ak (E ast of Woodwa rd Ave., at eroobs Rd., next to tlIe sw corner) J'{ City of Detroit Open Tuesday through Saturday Cultural Affairs ; t ', j~ · tt ~ m~ ; i L Department References avaJable upon requ est Detroit Opera House www.MichiganOpera.org BRAVO 3 Copyright 2010, Michigan Opera Theatre MICHIGAN Q:l~ ""--..... __ ... F~1r Season MESSAGE From the General Director .... ......... ... ........ .. ... 6 INMEMORlAM Lynn A. Townsend . .. .. ....... ... ...... .. ... .. .. 8 Robert E. Dewar . .. .. .. ... .. ... .. .. ......... 9 ON STAGE La Boheme . 11 "Renting" La Boheme . ..... ... .. ..... .. .. .. .... ... 14 COS! fan tutte ... .. .. ... ... ... .. .. ..... ... .. .. 19 A Post-Liberation Look at Cosl ...... ... .............. 22 Cendrillon (Cinderella) . .. .. ..... ..... .... ... .. ...... 27 ORCHESTRA &:£ CHORUS Michigan Opera Theatre Orchestra and Chorus ............. 32 MICHIGAN OPERA THEATRE Board of Directors and Trustees . ... .. .. .. .... .. .. 34 OUTREACH &:£ EDUCATION Community Programs . ....... ....... .. ...... ..... .. 36 CONTRIBUTORS New Century Fund . ... ... .. .. ........ .. ....... 38 Named Gifts . ..... .. .. .. .... .. 39 Michigan Opera Theatre Contributors ..... .. .. ........... 40 Avanti Society . .. .... .... ... 43 MICHIGAN OPERA THEATRE Administration and Staff. ........ .. .. ... .. 44 Volunteers .... .......... ........... .. .. .... 45 General Information . .. ... ........ .. .... .... ... 46 4 BRAVO Copyright 2010,www.MichiganOpeTa.OTg Michigan Opera Theatre Detroit Opera House JOHN GEORGE BROWN THE HARPIST r870 OIL ON CANvAS, 30" X 35" THE MAscO COLLECTION QUALITY. You KNOW IT WHEN YOU SEE IT. !lJl'::::OSE WHO ENRICH THE QUALITY OF OUR LIVES- THE ARTISTS, FRIENDS AND SUPPORTERS OF THE MICHIGAN OPERA THEATRE­ WE SALUTE YOU. CONGRATULATIONS FROM THE MAsco FAMILY OF QUALITY COMPANIES AND BEST WISHES FOR AN OUTSTANDING SEASON. MASCO Great Products for America's Great Homes'" Copyright 2010, Michigan Opera Theatre MESSAGE A Message from the General Director "We grow great by dreams:' - Woodrow Wilson Welcome to Michigan Opera Theatre's Now we dream of an opera house Thirtieth Anniversary Season! complete. Last summer, with the unfor­ I love this -quotation by President gettable Three Tenors concert at Tiger Woodrow Wilson, because it exemplifies Stadium , we launched our New Century the journey that is Michigan Opera Theatre Fund Campaign, an initiative that will (MOT). Fueled by a commitment to the help us provide our community with a wonderful art form of opera, the dreams state-of-the-art Educational Resource of MOT's founders have become the vision Center, retire our accumulated debt and of many. The systematic realization of establish a substantial endowment. those dreams has built our estimable his- These dreams fulfilled will bring dynamiC _tory ar'!d has made this company one of artistic growth and community involve­ the largest and most respected opera ment. Michigan Opera Theatre is now companies in the country. The ability of poised to influence the lives of thousands all of us to continually envision bigger of school children by providing unparal­ and better dreams drives our future. leled arts education throughout the next century. Abov,e all, from our formative years to the present, we have been blessed with Michigan Opera Theatre has thrived great vocal talent, continued to expand leaders and volunteers who, in the face of during its three decades due to the our repertoire and laid the groundwork doubt, believed in this company's success. enthusiasm, talent and support of many; for a new home. many people. I am extremely proud of In our first decade, we dreamed of Sadly, both of these aforementioned our accomplishments to date and look providing Detroit with an opera company. extraordinary leaders, Lynn Townsend forward with renewed excitement to the After seven years of touring to schools and Robert Dewar, recently passed away challenges that lie ahead. You will be and community centers throughout Their vital roles in the establishment and hearing much in the coming months southeastern Michigan, we were confident development of this great company are about our future plans. Meanwhile, I there was an audience to support a pro­ undeniable, and their legacy is ensured. thank you for being a part of this very fessional opera company. In 1971, under We pay tribute to them on pages 8 and 9 special anniversary season and for con­ the leadership of Lynn and Ruth Townsend of this book and dedicate the 2000-2001 tinuing to provide the love, support and our Founding Directors, the first of Season to their memory. They will be and enthusiasm that have allowed many dreams came true. During our first profoundly missed. Michigan Opera Theatre to reach this decade, we saw this small company Significant milestone. It is truly a spe­ emerge as one of the nation's great Our third decade saw the fruition of cial occasion to share with you our regional opera companies, serving our efforts to find a permanent home, Thirtieth Season. Detroit and the State of Michigan. one which has allowed us to fulfill our dream of providing our community Enjoy the performance! In the early 1980s, despite the with opera and dance on a world -class tremendous challenge of sustaining an stage. Hard to believe, but next April opera company against a backdrop of we will celebrate our fifth season in the inflation and economic recession, we Detroit Opera Housel dreamed of expansion - expanding our programs, our base of support and our So, Michigan Opera Theatre is thriv­ David DiChiera role in the community. At that time, under ing, and Detroit has one of the finest Founder and General Director the leadership of Robert E. Dewar, MOT's opera houses in the world. Where do we Michigan Opera Theatre Chairman of the Board since 1980, we go from here? With dreams this extraor­ helped to develop some of the world's dinary journey began; with dreams we shall press on. 6 BRAVO Copyright www.MichiganOpera.org2010, Michigan Opera Theatre Detroit Opera House • Sunrooms • Conservatories • Patio Rooms • Skylights Copyright 2010, Michigan Opera Theatre IN MEMORIAM Left: Lynn Townsend (left) and Governor "Soapy" Williams at the opening night performance of Falstaff, 1.987, Fisher Theatre, Detroit. Above: (left to right) Lynn and Ruth Townsend with Lisa and David DiChiera. Lynn A. Townsend 1919-2000 While Michtgan Opera Theatre marks its 30th season since Townsend became the Chairman of both boards. In 1980 the launching of its first season in 1971, it was the activities Lynn Townsend was succeeded by Robert Dewar as Chairman of the preceding decade that provided the foundation for the of its Board of Directors. Lynn remained Chairman of the establishment of the Opera Company Board of Trustees until 1987 when he was named Chairman In 1963 the Detroit Grand Opera Association invited Dr. Emeritus. In recognition of Ruth and Lynn Townsend); inde­ DiChiera, then a newly arrived professor of music at Oakland fatigable leadership and zealous commitment to the establish­ University, to take over an educational initiative called "Over­ ment of the Opera Company, Michigan Opera Theatre dedicat­ ture to Opera." He quickly expanded the program to consist ed the 1987/88 season to these two outstanding community luminaries. of fully produced scenes from the operas presented in Detroit
Recommended publications
  • Treasure Is Where You Find It
    TREASURE I S W HER E YOU FIN D IT Williaa Cowie Residenoe Northeast corner o£ Canfield Avenue We.t and Third Avenue Built in 1676 - Razed after 1957 1'rom ~ '!istoQ: ~ Detro! t ~ Michigan by Silas F .......r Volume I, 1689, page 420 Publication underwritten by a grant trom The Hiatorio Memorials Sooiety in Detroit, Miohigan April 1969 OUTLINE HISTORY OF CANFIELD AVENUE WEST BETWEEN SECOND BOULEVARD AND THIRD AVENUE IN HONOR OF ITS ONE HUNDREDTH BIRTHDAY 1869 - 1969 by Mrs. Henry G. Groehn One lovely Wednesday afternoon, in the 1870's, two little girls sat on the McVittie front steps on the south side of Canfield Avenue West, between Second Boulevard and Third Avenue. They were watching the carriagos and horses as they clip-clopped to a stop in front of the Watton carriage stone next door. The ladies in elegant afternoon attire were "com!"" to call" on Mrs. Walter I"atton, the wife of a prominent Detroit denti"t.. Wednesday was the day Mrs. Watton IIreceived," and this was duly noted in a Detroit society blue book, which was a handy reference book for the lIin societyll ladies. Once again, almost one hundred years later, the atmosphere of ele­ gantly built homes with beautiful, landscaped lawns and quiet living can become a reality on tilis block. The residents who are now rehe.bilitating these homes are recognizing the advantage of historic tOlm house lh-;.ng, wi th its proximity to the center of business, cultural, and educati'm"~_ facilities. Our enthusiasm has blossomed into a plan called the CanfIeid West-Wayne Project, because we desire to share with others our discovery of its unique historical phenomenon.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings.
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • 26 June 2020 Page 1 of 12 SATURDAY 20 JUNE 2020 Danish National Radio Choir, Stefan Parkman (Conductor) Fibich: Symphony No
    Radio 3 Listings for 20 – 26 June 2020 Page 1 of 12 SATURDAY 20 JUNE 2020 Danish National Radio Choir, Stefan Parkman (conductor) Fibich: Symphony No. 3 etc. Janáček Philharmonic Orchestra SAT 01:00 Through the Night (m000k3dq) 05:32 AM Marek Stilec (conductor) Chamber music from Belgrade Alexis Contant (1858-1918) Naxos 8574120 Les Deux Ames - overture https://www.naxos.com/catalogue/item.asp?item_code=8.57412 Concert by the Colluvio Chamber Music Academy in a Edmonton Symphony Orchestra, Uri Mayer (conductor) 0 programme of Beethoven, Shostakovich, Ravel and Copland. Jonathan Swain presents. 05:42 AM Arrigoni: Tiranni Affetti - Works for Mandolin and Voice Zoltan Kodaly (1882 - 1967) Marta Fumagalli (mezzo-soprano) 01:01 AM Adagio for clarinet and piano (1905) Davide Ferella (mandolin) Ludwig van Beethoven (1770-1827) Kalman Berkes (clarinet), Zoltan Kocsis (piano) Barbara Altobello (violin) Piano Trio in G, op. 121a, 'Ten Variations on ‘Ich bin der Claudia Poz (cello) Schneider Kakadu’' 05:50 AM Diego Cantalupi (archlute) Anastasia Galenina (piano), Hans Christian Aavik (violin), Sebastian Le Camus (c.1610--1677),Gaspard le Roux,Michel Gabriele Levi (harpsichord/organ) Pavle Popovic (cello) Lambert (1610-1696) Accademia degli Erranti 2 French airs and 1 piece for harpsichord Dynamic CDS7878 01:19 AM Ground Floor, Juliette Perret (soprano), Marc Mauillon (tenor), Dmitry Shostakovich (1906 -1975) Elena Andreyev (cello), Etienne Galletier (theorbo), MacMillan: Symphony No. 4 & Viola Concerto Piano Quintet in G minor, Op 57 Gwennaelle
    [Show full text]
  • Bohemians: Greenwich Village and the Masses Joanna Levin Chapman University, [email protected]
    Chapman University Chapman University Digital Commons English Faculty Books and Book Chapters English 12-2017 Bohemians: Greenwich Village and The Masses Joanna Levin Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/english_books Part of the American Popular Culture Commons, Literature in English, North America Commons, Other American Studies Commons, and the Other English Language and Literature Commons Recommended Citation Levin, Joanna. "Bohemians: Greenwich Village and The Masses." American Literature in Transition,1910–1920. Edited by Mark W. Van Wienen, Cambridge University Press, 2018, pp. 117-130. This Book is brought to you for free and open access by the English at Chapman University Digital Commons. It has been accepted for inclusion in English Faculty Books and Book Chapters by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. CHAPTER 8 Bohemians Greenwich Village and The Masses Joanna Levin Ever since Rodolphe, Henri Murger's prototypical struggling writer, stood before the grave of Mimi, his lost love and partner in the romance of bohemia, crying, "Oh my youth, it is you that is being buried," la vie boheme has represented a fabled transitional period between youth and mature adulthood in many an individual life, memoir, and Bildungsroman (Seigel 45). Similarly, ever since its inception in the wake of the 1830 Rev­ olution in France, bohemianism - as a larger subcultural movement has flourished during periods of historical transition. It was in the tumultuous lead-up to the Civil War that la vie boheme first took root in the United States (in a basement beer hall beneath the sidewalks of Broadway and Bleecker and on the pages of the New York Saturday Press), but it was dur­ ing the 1910s, the decade known for ushering in a host of radical and mod­ ernist movements, that bohemia assumed its most famous American form in New York City's Greenwich Village.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • 01 Programma-Di-Sala.Pdf
    Progetto5_v 18/12/15 18:51 Pagina 1 the quintessence of the precious gems THEMERCHANTOFVENICE.COMTHEMERCHANTOFVENICE.COM VENEZIAMUSICA sommario e dintorni La locandina 7 Lirica e Balletto Rinaldo in breve 9 StagioneLirica e Balletto2020-2021 di Emilio Sala Stagione 2018-2019 Argomento 12 Opera inaugurale Il libretto 15 Rinaldo, ovvero la contesa dell'arte e dell'ideologia 35 di Reinhard Strohm MacbethRinaldo Pier Luigi Pizzi: «Una macchina teatrale umanizzata» 50 a cura di Leonardo Mello Federico Maria Sardelli: «Una festa dei colori strumentali» 53 Teatro La Fenice Dall’Archivio storico del Teatro La Fenice 56 a cura di Franco Rossi venerdì 23 novembre 2018 ore 19.00 turno A inTeatro diretta Lasu Fenice Biografie 67 domenicamartedì 25 novembre 31 agosto 2018 2021 ore ore 15.30 19.00 turno B martedìgiovedì 27 novembre 2 settembre 2018 2021 ore ore19.00 19.00 turno D giovedìsabato 29 novembre 4 settembre 2018 2021 ore ore 19.00 19.00 turno E sabato 1 dicembre 2018 ore 15.30 turno C Fondazione Teatro La Fenice Rinaldo opera seria in tre atti HVW 7 libretto di Giacomo Rossi su una sceneggiatura di Aaron Hill dalla Gerusalemme liberata di Torquato Tasso musica di Georg Friedrich Händel prima rappresentazione assoluta: Londra, Queen’s Theatre, 24 febbraio 1711 edizione a cura dell’Archivio Musicale del Maggio Musicale Fiorentino personaggi e interpreti Goffredo, generale dell’esercito cristiano Leonardo Cortellazzi Almirena, sua figlia, promessa sposa di Rinaldo Francesca Aspromonte Rinaldo, eroe Teresa Iervolino Argante, re di Gerusalemme,
    [Show full text]
  • Downtown Detroit Self-Guided Walking Tour D N O C E S
    DOWNTOWN This self-guided tour is a great intro to downtown! Be sure to join us on one of our public tours or contact DETROIT us to a create a customized experience that fits your schedule. DOWNTOWN DETROIT SELF-GUIDED WALKING TOUR SECOND C H E R R Y P L U M Midtown M O N T C A L M J N O E L I Z A B E T H H N GRAND RIVER AVE C P L U M C O L U M B I A L WOODWARD AVE C H U R C H O MICHIGAN AVE THIRD D TRUMBULL G E L I Z A B E T H E E L I Z A B E T H COMERICA PARK BRUSH FORD FIELD ADAMS TENTH B E E C H C L FORD FIELD I P SECOND F A Corktown F R F O F I R S T O K U R P L A Z A R A BEAUBIEN B A G L E Y T D V EIGHTH H E M BROOKLYN A R D 13 11 I S N O N 12 H O B A G L E Y J GRATIOT AVE L A B R O S S E RANDOLPH 12 BROADWAY M U L L E T MICHIGAN AVE 1 TIMES SQUARE 10 P O R T E R WASHINGTON BLVD E A V DETROIT EXPERIENCE C L I N T O N E R G R A N D R I V LIBRARY9 FACTORY Lafayette Park A B B O T T A B B O T T STATE S T A N T O I N E M A C O M B PA R K P L A C E GRISWOLD 11 2 F A H O W A R D WASHINGTON BLVD R M O N R O E 8 TENTH BROOKLYN 10 M 10 375 E R FIFTH TRUMBULL E LAFAYETTE W LAFAYETTE BLVD W LAFAYETTE BLVD SHELBY SIXTH EIGHT 1 BRUSH 3 C A S S AV E S F O R T E RANDOLPH WOODWARD AVE F O R T 9 F O R T T PEOPLE MOVER A (ELEVATED MONORAIL) B BEAUBIEN E C O N G R E S S E C O N G R E S S W C O N G R E S S W J E F F E R S O N A V E 4 2 E L A R N E D RIVARD 6 3 4 7 COBO CENTER E JEFFERSON AVE W JEFFERSON AVE 5 7 5 8 RivertownW O O D B R I D G E W O O D B R I D G E RIOPELLE JOE LOUIS ARENA S T A U B I N O R L E A N S F R A N K L I N D U B O I S C I V I C C E N T E R AT W AT E R RIVARD PLAZA Detroit River 6 AT W AT E R AT W AT E R MILLIKEN STATE PARK DETROIT RIVER People Mover Tour Stops MAP LEGEND DXF Welcome Center Stations DXF creates experiences that are enlightening, entertaining and led by Detroiters.
    [Show full text]
  • Bill T. Jones / Arnie Zane Dance Company
    FALL 2018 DANCE SEASON B R AVO Bill T. Jones/ Arnie Zane Company OCTOBER 27, 2018 BALLETMET The Nutcracker NOVEMBER 24-25, 2018 Too Hot to Handel DECEMBER 1, 2018 The 2018–2019 Dance Season is made possible by the Lear Corporation ENGAGED IN THE ARTS. COMMITTED TO CULTURE. IMPACTING OUR COMMUNITY. The Community Foundation for Southeast Michigan proudly supports the Michigan Opera Theatre as part of our mission to assist organizations creating a lasting, positive impact on our region. CFSEM.org 313-961-6675 Fall 2018 BRAVO Contents Dance Season ON STAGE The Official Magazine of Michigan Opera Theatre FEATURE STORY: ‘Tis the Season for Holiday Performances ......... 6 Profiles from the Pit: All About that Bass ............................................... 7 Erica Hobbs, Editor Bill T. Jones/Arnie Zane Company ............................................................ 8 Jocelyn Aptowitz, Contributor BalletMet’s The Nutcracker ........................................................................14 Publisher: Too Hot To Handel .........................................................................................20 Echo Publications, Inc. Royal Oak, Michigan www.echopublications.com MICHIGAN OPERA THEATRE Tom Putters, President Boards of Directors and Trustees .............................................................. 4 Physicians’ services provided by Welcome ............................................................................................................. 5 Henry Ford Medical Center. MOTCC: A Winter Fantasy ..........................................................................19
    [Show full text]
  • Marina Serpagli - Biography
    Mezzo-Soprano Jack Price Founding Partner / Managing Director Marc Parella Partner / Director of Operations Mailing Address: 520 Geary Street Suite 605 San Francisco CA 94102 Telephone: Toll-Free 1-866-PRI-RUBI (774-7824) 310-254-7149 / Los Angeles 415-504-3654 / San Francisco Email: [email protected] [email protected] Website: Contents: http://www.pricerubin.com Biography Yahoo!Messenger Resume pricerubin Reviews Repertoire Complete artist information including video, audio and interviews are available at www.pricerubin.com Marina Serpagli - Biography Marina Serpagli was born in Pavia (Italy), in a family dealing with business and trade, totally outside of the Art World. Nevertheless, when she was offered the opportunity to get a musical education, she accepted with enthusiasm and dedication. As a child she studied piano and choir singing. Some years later her music teachers encouraged her to approach Lyrical Singing. Since then she’s been constantly improving and taking care of her vocal talent, that was also incentive for her personal growth. She deeply believes in the uniqueness and fulfillment of every artistic journey, beyond common sense and standard rules. She obtained her Lyrical Singing Diploma - mezzosoprano - at the Conservatory of Music “G.Nicolini” in Piacenza. She graduated in foreign languages from the University of Pavia and obtained one Deutsch Institute Diploma and two Cambridge Certificates (PET, FCE). She speaks English, French and German, in addition to her native Italian. At the beginning of her career she sang in important philharmonic choirs: Verdi Choir in Milan, Maghini Choir and RAI National Orchestra in Turin, having the opportunity to work with R.
    [Show full text]
  • North Shore Teacher Hit Outside High School GCHS Honors Its All-County
    Volume XXII No. 27 Hometown Newspaper for Glen Cove, Sea Cliff, Glen Head, Glenwood, Locust Valley and Brookville Week of 3/7/13 75C North Shore Teacher Hit Outside High School By Carol Griffin Christopher Whalley, a North Shore School Latin teacher, was struck and in- jured by a reckless driver on Glen Cove Avenue as he was crossing the road go- ing from the high school to the middle school on March 1 at about 10:30 a.m. Police believe that the teacher had the right of way and was in the crosswalk when he was struck by a Lexus. The driver, Cruz Correa, 28 years old from Glen Cove, was driving a 1991 Lexus when he hit the teacher. He also hit and seriously injured a couple that was com- ing toward him in the southbound lane in Volkswagen. Law enforcement officials said they believe the Correa’s ability to drive at the time was impaired. Correa was arrested and charged with reckless driving. Police said he will be arraigned after he recovers from his injuries. Speaking with Chief Michael Ric- cardo of Glenwood Fire Company, he said the call on “pedestrian struck” came into his department shortly after it oc- curred. He said Glenwood responded with an ambulance, he requested am- bulances from Sea Cliff a from Nassau County. He also radioed Roslyn Rescue Fire Department for their EMS Unit for assistance. The horrible accident started with the 1991 Lexus (inset- top left) hitting a teacher who was walking on Glen Cove Avenue. It then hit a Volkswagen (insert- top right).
    [Show full text]