The Steward of Christendom
Brooklyn Academy of Music 1997 Spring Season
Louise Bourgeios, Hamlet and Ophelia for BAM, 1996, lithograph, 29 1/4" x 41"
The Steward of Christendom
BAM 1997 Spring Season and 135th Anniversary Season are sponsored by Philip Morris Companies Inc.
BAM Prefers I v1s1 l
BAM 1997 Spring Season and 135th Anniversary Season are sponsored by Philip Morris Companies Inc.
BAM Theater, Opera and Dance The Steward of Christendom Additional support provided by supporters: Major corporate sponsor: France Telecom North America The Andrew w. Mellon Foundation Mr. Socrates Nicholas and Mr. Gerard Bell The Harold and Mimi Steinberg TIME WARNER Fribourg Foundation, Inc. Charitable Trust American Friends or the Paris The Fan Fox and Leslie R. Samuels Additional support provided by Opera & Ballet Foundation, Inc. European American Bank The Norman and Rosita Winston British Airways-Official Airline Special support for Les Arts Florissants: Foundation, Inc. ~ kane• T•le
The Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board
Harvey Lichtenstein President & Executive Producer
presents
the Out of Joint production of The Steward of Christendom
by Sebastian Barry
Running time: BAM Majestic Theater approximately two and January 18, 1997 at 7pm one half hours, January 19 & 26 at 3pm including intermission January 20, 21, 23-25 & 28-31 at 8pm February 1, 4-8, 11-15 & 18- 22 at 8pm February 2, 9, 16 & 23 at 3pm
Director Max Stafford-Clark Design Julian McGowan Lighting Design Johanna Town Music Shaun Davey Sound Design Paul Arditti Production Manager Rob Young Company Stage Manager Rob Young Deputy Stage Manager Sally McKenna American Stage Manager Robert Bennett Costume Supervisor Jenny Cook Production Assistant Sally Pearson Child Chaperon Jan Widger Press (for Out of Joint) Cameron Duncan Production Photographer John Haynes Producer (for Out of Joint) Sonia Friedman
Original Co-production by Out of Joint and the Royal Cou rt Theatre
Major Corporate Sponsor: TIME WARNER
Special support provided by European American Bank British Ai rways-Official Airline
BAM wishes to thank Theatre Development Fund for its support of this presentation. Out of Joint is the London based touring company founded by Max Stafford-Clark and Sonia Friedman in 1993. Max Stafford-Clark comes to Out of Joint from The Royal Court Theatre where he was Artistic Director from 1979 to 1993. Prior to this he founded Joint Stock Theatre Group with William Gaskill and Out of Joint's name celebrates this link. The company's aim has been to generate and produce new writing for the stage and to tour this work both nationally and internationally. On occasion a classic ha~ been paired with a new play and both have been performed in repertory. Out of Joint's inaugural production was Sue Townsend's The Queen and I, initially produced with Jim Cartwright's 1980s classic, Road. The Queen and I toured and played in the West End before touring Australia extensively earlier last year. Stephen Jeffreys' new play on the life of the Restoration rake and poet Earl of Rochester was called The Ubertine and played with a revival of Etherege's Restoration classic, The Man of Mode. Last year Timberlake Wertenbaker wrote The Break of Day which was produced in repertoire with Chekhov's Three Sisters. Three Sisters also played a memorable season in promenade at Rossway Park, a large country house outside London. The Steward of Christendom won much praise for Sebastian Barry, for Donal McCann and for the company. It has already run for two seasons at both the Royal Court Theatre in London and the Gate Theatre in Dublin. It has played to acclaim in Luxembourg, Australia and New Zealand. Out of Joint's most recent production, Shopping And Fucking, began life at the Royal Court in September 1996. It has already toured England and become a focus of national interest. It is currently being revived in the West End. Later this year it will embark on a world tour. Further ahead Out of Joint's production plans include new plays by Caryl Churchill, Sebastian Barry, April de Angelis and Mark Ravenhill. Out of Joint is a new voice in English theater, but has already become an · important producer of new writing and has shown that radical work generates animated audiences on tour as well as in London.
Out of Joint: 1994-1995 1995-1996 1996- 1997 The Productions The Queen and I: The Steward of Shopping And Fucking: S. Townsend Christendom: S. Barry M. Ravenhill Road: J. Cartwright Three Sisters: The Positive Hour: The Ubertine: A. Chekhov A. de Angelis S. Jeffreys The Break of Day: Blue Heart: The Man of Mode: T. Wertenbaker C. Churchill G. Etherege
Board of Directors For Out of Joint: Director Max Stafford-Clark Producer Sonia Friedman Linda Bassett, John Blackmore, Production Manager Rob Young Graham Cowley, Stephen Jeffreys, Administrative Assistant Sally Pearson Paul Jesson, Karl Sydow Literary Advisor Lee White Press Cameron Duncan
Out of Joint Registered Charity number: 1033059 The Cast Thomas Dunne Donal McCann
His daughters Maud Ali White Annie Tina Kellegher Dolly Aislin McGuckin
Willie, his son Carl Brennan
Matt, his son-in-law Rory Murray
Mrs. O'Dea Maggie McCarthy
Smith Kieran Ahern
Recruit Rory Murray
The play is set in the county home in Baltinglass, County Wicklow, Ireland, in about 1932 .
photo: John Haynes
Out of Joint first performed The Steward of Christendom at the Royal Court Theatre Upstairs 30 March, 1995 First performed on tour 25 April, 1995 First performed at the Royal Court Theatre Downstairs 2 September, 1995
Copyright agent for the play: The Agency (London) Ltd.
The ACTORS in The Steward of Christendom appear with the permission of Actors' Equity Association. The American Stage Manager is a member of Actors' Equity Association. From the Playwright The Steward of Christendom is the fifth in a series of plays looking for the lost, hidden or seldom mentioned people in one Irish family. The other plays are Boss Grady's Boys, Prayers of Sherkin, White Woman Street and The Only True History of Uzzie Finn. In a way, the approach to my great-grand father Thomas Dunne was the most worrying, because he was, according to whispered family history, the last Catholic head of the Dublin Metropolitan Police before its change in regime in 1922. In the folklore of Dublin working class life and Trades Union history he hardly holds an enviable place. He was the man with responsibility for Dublin Castle, the very hea rt of British rule in Ireland. Yet he was a cou ntryman, whose father was the steward of an old estate in Wicklow. His tastes were simple. He was a big strong person in his heyday. It was only when I began to think of him as an old man, alone in the county home in Baltinglass, boggy in the head and thinner and unpredictable enough to have his grandchildren kept away from him, that I was able to overcome a certain fear of his life and reach the man himself. I've had to recreate him from hints and largely imagine him. He is never going to be a comfortable ancestor. But he could not be denied his place among the plays for all that.
- Sebastian Barry, 1995 Background Robert Emmet was an Irish revolutionary hero who inspired the abortive rising of 1803. He was the youngest son of the physician to the Lord Lieutenant and had a distinguished career as a student at Trinity College, Dublin before he became prominent in United Irishmen's activities. Emmet led the Dublin rising in 1803 which led to the murder of the Lord Chief Justice but, rec ognizing the rising was a fiasco, lived in hiding in the Wicklow mountains and, before being able to flee the country, was captured, tried for treason, found guilty and hanged in September 1803.
Michael Collins was an Irish revolutionary leader and a hero of the struggle for independence. He entered the British Civil Service and went to London in 1906, where he became interested in Irish nationalist activities and joined the first Sinn Fein brotherhood. In 1916 Collins returned to Ireland to fight in the Easter Rising in Dublin, becoming the first Sinn Fein Minister for Home Affairs in 1918. Famous in a military capacity, Collins was the adjutant general of volunteers in the Irish Republican Army and signed the Peace Treaty in 1921. Collins was elected chairman of the provisional government but administration was impossible--civil life had been destroyed in the guerilla war. Collins flung himself into the Civil War, becoming Head of State Army after the death of Griffith. On 22 August, traveling to Cork, Collins' party was ambushed and he was shot through the head. In some respects Collins is considered a sort of "Irish JFK" figure.
James Larkin was born of an Irish family who had emigrated and settled in Liverpool. As a young man Larkin worked in the Liverpool Docks, becoming an active socialist and organizer of the National Union of Dock Laborers. He moved to Belfast in 1907 and founded the Irish Transport and General Workers Union, one of the first trade unions in Irish history, with membership reaching 10,000 by 1913. Larkin's strikes won pay raises for the workers; however, in the strike of the Dublin Tram workers 25,000 men were off work and faced a grim winter. Larkin asked the British TUC to take sympathetic strike action but they refused and the Irish strikers went back to work. Larkin then broke with the British TUC and left Ireland for America.
photos: left: Donal McCann as Thomas Dunne by John Haynes top: from Ireland: Photographs 1840-!930 by Sean Sexton and Carey Schofield, Laurence King Publishing above: from RT£ Ubrary, Cashman Collection le Heights
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Hansmann Norman & Liliane Peck Foundation Inc Architectural Systems Inc. The Haupt Foundation, Inc., Ms. Dara Perlbinder Ms. Mary Wolf Athens Printing in memory of Stuart Haupt The Perrier Group of Mr. Adam R. Wolfensohn Ave Woodward Corp./ Mr. Thomas P. Healy America Inc. The Zeitz Foundation Atlantic Scaffold Ira and Marilyn Hechler Mr. R. G. Peterson & Anonymous Ms. Rima Ayas Mr. Erik Hepler Ms. Ellen Flamm Ms. Judith B. Bass & Heritage Air Systems Joan Quinlan Mr. Jack Levy Mr. Steven L. Holley Arthur W. Reed Ustillll ccmplete as o1 August 1. 1996 BAM Board of Trustees Charles M. Diker Robert C. Rosenberg• BAM Endowment Trust Brendan J. Dugan Samuel H. Scripps Board of Trustees Chairman Arnold J. Eckerman• Arthur Shapiro Bruce C. Ratner* Mallory Factor Mikki Shepard Chairman Ronald E. Feiner, Esq. Paul Smith Richard B. Fisher President Alan H. Fishman • Lawrence J. Toal Harvey Lichtenstein* Thomas A. Florio Vaughn C. Williams, Esq. Members Susan Foote Anthony T. Dean Chairman Robert L. Forbes Honorary Trustees Alan H. Fishman•• • of the Executive Committee Michael Fuchs Seth Faison Jeffrey C. Keil William I. Campbell* Garrett W. Groscup Leonard Garment, Esq. Harvey Lichtenstein Sidney Kantor Paul Lepercq Hamish Maxwell Vice Chai rmen Stanley H. Kaplan James H. Ottaway, Jr. Neil D. Chri sman• Andrew K. Klink Ex·Oificio Steven C. Parrish Rita Hillman• Edgar A. Lampert* Hon. Rudolph Giuliani "*Chairman, The Campalgn for BAM I. Stanley Kriegel* John Lipsky Robert B. Catell, The Mayor's Franklin R. Weissberg* Eugene H. Luntey Representative Laurie Mallet Hon. Howa rd Golden Members Marti';fa Mertz Hon. Herbert E. Berman James T. Anderson John orning Hon. Schuyler G. Chapin Norman J. Buchan Jonathan Newcomb* Henry Christensen, Ill Evelyn Ortner BAM Archive Chairmen Robert A. Cohen Steven C. Parrish Barbara B. Haws, C. A. Beth Rudin DeWoody* David L. Ramsay, M.D., M.Ed. William Josephson Jonathan F. P. Rose • Executive Ccmmittee Executive and Program Staff Building Operations rsmael Colon Shelly Marshall Jack Dobson Lucas Demetrious Office Assistant Harvey Lichtenstein Diroctor ol Building Operations Donald Larrow General Management/Production President and Kevin R. Patterson Lavelle Saunderson General Manasement Executive Producer OffiCe Manager Rawle Scott Patrick Scully Karen Brooks Hopkins Collie Dean Leslie Stevens Associate General Manager Executive Vice President Security Operations Manager Lionel Stevens Mary E. Reilly Joseph V. Melillo Stephen Hollowell Jason Taylor Director of Artist Services Producing Director Director of Security Tammy Lee Alice Bernstein Daniel J. Dier Capital Projects Associate Director General Manager Building Services Assistant Mark London of Artist Services Tambra Di llon Altmease Frederick Capital Projects Manager Julia Smetianskia Vice President for Marketing Administrative Assistant Ken Rinker Artist Services Intern and Promotion Construction Coordinator Nancy Kramer Arthur J. Shaw Maintenance/Security Assistant General Manager Vice President for Finance Damon Armstrong Education and Humanities Robin M. Ford and Administration Ben McDonald Sharon M. DeMark Administtative Assistant Jayme Koszyn Roberto Solis Associate Director Dierdre Loveii-Othen Director ol Education Supervisors Mary Jo Ziesel Rentals Manager and Humanities Kenneth Aguillera Program Manager Calvin Brackett Josh Moyse Theater Manasement Administration Harold Heath Program Asststant Bob Riordan Elizabeth A. Sharp Michelle Hunter Aaron LOtenz Theater Manager Diroctor ol Pl!rsonnel Matthew James Educa!lon Assistant Christine Gruder Diana Fraz~er Egerton Kelly Associate Theater Manager Receptionist and Ron Rathan Finance Patrick Conlon AdministraHve Assistant Dwight Richardson Judith L. Stevens Jacqueline David Carmen J. Gonzalez Everton Smith Director of Accounting John Jones Assistant to the Vice Winston Smith and Finance Bernadine Thomas President and Pl!rsonnel Haskell Walker Pl!ter Gee Theater Staff Supervisors Budget Manager Box Office HVAC and Repair Services Cynthia Smith Production Ellen 0. Anderson Lazzaro Curato Payroll Manager Colman Rupp Treasurer HVAC Supervisor Tonya Cobb Production Manager Fred Dorso Courtney Harris Fiscal Coordinator Lauren MacKenney First Assistant Treasurer Bernard Lawrence Claudette Griffith Senior Production Coordinator Marsha Rosenberg Michael O'Hara Accounting Manager Patrick Heydenburg William Sheehan Anthony Shields Donna Abraham Don Coleman Assistant Treasurers Accounts Receivable/ Pl!ter Arbour Majestic Theater Cash Receipts Supervisor Production Coordinators Barry Jackson Marguerite Allen Peg Schuler Buikling Services Supervisor OffK:e Assistant Production Office Manager Crew Chief Community Relations and Matthew Bregman President's Office Thomas Paulucci Audience Development Director ot Institutional Giving Limor Tomer Pamela Mosley Brian W. Grundstr"'" Director ot LeperCQ Space Crew Community Relations F-.scal Manager Kathe Rogerson-Rein Henry Beckman Manager Usa Rodriguez Executive Secretary Utility Man Stephen P. Millikin Executive AssistanV Lawrence C. Henry Chris Buns Audience Development Offrce Manager Special Assistant to Head Electrician, Manager Richard Serrano the President LeperCQ Space Dewonnie Frederick Research Associate James D'Adamo Community Affairs Assistant Barbara Olsen Programming Head Electrician, Opera House and Bazaar Coordinator Development Associate Scott A. Watson Bill Horton, Jr. Robert Boyd Assistant to the Head Electrician, Playhouse Design Special Projects Producing Director James Kehoe Rafael Weil Jennifer Baker Dolores Lusitana Head Carpenter, Playhouse Director of Design CampaigrVMembership Visual Arts Initiative Howard Larson and Publications Coordinator Project Director Master of Properties Matthew Lanza Lauren Winarsky Carl Wurzbach Publications Manager Campaign Associate Accountants Scund Engineer Jason Ring Pamela Gill Lutz and Carr Lewis Resnick Designer Bookkeeper Campaign Consultant Electrician, Opera House HF Weissenstein & Co. Inc. Peter Shuskewitch Advertisins Sponsorships & Special Events Design Consultants Flyman, Opera House Jan Winarsky Lynn M. Stirrup Pentagram Cyrus Similly Advertising Manager Director of Sponsorship House Photographer Head Carpenter, Opera House and Special Events Daniel Rest Ernest Scuthe~and Pvf!licity & Pvblic Relations M. Lourdes Marquez Insurance House Maintenance William Murray Associate Director Marsh& Mclennan, Inc. Mary Lou Houston Director of Press of Sponsorship Legal Counsel Wardrobe Supervisor and Public Relations Andrew Wagner Kaufman, Feiner, Yamin, Gildin Heidi feldman Special Events Manager & Robbins Management Information Senior Press Representative Scott Rogers Medical Consultant Systems V.ctOfia Vazquez Benefit Manager Jonathan Lorch, MD Ranald T. Adams Press Associate Kendra Lott Publications Consultant Direct(){ of MIS Special Events Associate Debbie Millman Stuart Wong Subscription & Trcket SeNices Joelle Danant Sound Consultant Systems Manager Karen Winer fiscal Coordinator Abe Jacob Larry Rose Director of Ticket and Dan Goldberg Video Archivist Telecommunications Manager Customer Services Membership Manager Character Generators Inc., llya Gurtenboim Richard Larter Kelly Maginnis Mark Robison Programmer/Analyst Telemarketing and Patron Services Manager Telefunding Manager Robert Bangiola BAMbill produced by: Marketing and Promotions Trevor David Patron Services Coordinator Matthew Lanza; Jeffrey Levine; Marketing Ticket Services Manager Sarah Todd Jason Ring, Sophie Robertson; Jeffrey Levine Suzette Briscoe Patron Services Coordinator Rafael Weil; Jan Winarsky Director of Marketing Geneva Davis Alison Spiriti Scphie Robertson Gloria Hodgson Special Events Assistant Printed by Project Manager Ticket Service Associates Kelly Stirrup, Special Events Intern Direct Advantage Corp. Sarah Vyden Assistant to the Vice Planning and Development BAM Archive To reserve advertising space President for Marketing Development Sherry Hunter call 718.636.4113 and Promotion Denis Azaro Kei Andersen Director of Devek>pment BAM Box Office Hours WARNING The photographing or sound recording of any performance or the possession ot any device for M--f': 10an>-0pm; Sat: 12noon- such inside this theater, without written permission of the management, is prohibited by law. Violators may 6pm; Sun: perbmance times only. be punished by ejection and may be liable for money damages. Petformance days: until curtain FIRE NOTICE The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route BAM Majestic Bo< Office to the street. In the event of fire or other emergency please WALK TO THAT EXIT, FOLLOWING THE DIREC Open at perbmance times only. TIVES OF HOUSE STAFF. Thoughtless persons annoy patrons and endanger the safety of others by lighting matches or smoking in prohibited areas during the performances and intermissions. This violates a City ordi Restrooms nance and is punishable by law. -Fire Commissioner Opera House: mezzanine level The Brooklyn Academy of Music is a Charter Member of the League of Historic American Theatres. and 5th floor; handicapped - orchestra level. BAM Majestic: Backstage and front of House Employees are represented by the International Alliance of Theatrical Stage lobby level and gallery level. Employees Refreshments in the lobby by Lighting Equipment provided by BASH Theatrical Lighting. Concert Foods. Freight Transportation provided by Union-Transport Corporation. Hotel Accommodations provided by The Downtown Athletic Club. No food"' drinks permitted inside The design of the ties and scarves worn by the ushers has been generously donated by Isaac Mizrahi. These the theaters. items are available for sale exclusively at the BAMshop. Kieran Ahern (Smith) Theater credits include: Court Theatre Upstairs in March 1995, toured to The Steward of Christendom (Out of JoinVRoyal Brighton, Luxembourg and Liverpool and ran at Court Theatre); School for Wives, The Overcoat, the Gate Theatre in Dublin. It was revived at the Normal (Meridian); The Illusion (Charabanc); Royal Court Theatre Downstairs in August 1995, Tartuffe (Gate); Moll (Cork Opera House); The and toured to the Sydney Festival, to Adelaide and Government Inspector (Everyman); vhe Broken the Wellington Festival, and returned to the Gate .. Kiss (Andrews Lane); Lady Windermere's Fan Theatre in March 1996 for a ten week run. The (Rough Magic); The Odd Couple, Bedroom Farce Steward of Christendom received a Writer's Guild (Playwrights and Actors) and The Marvellous Award (Best Fringe Play 1995), a Critics Circle Adventure of Cabeza de Vaca (Triskal). TV Award (Best Play 1996) and was nominated for includes: Tough Love (Wild Acre); Amazing Love an Olivier Award (BBC Best Play 1995). Sebastian Stories (Sky TV); Against the Wind (ABC), Edward Barry won the Lloyd's Private Banking Playwright No Hands (RTE), The Governor (La Planta) and of the Year Award for The Steward of Christendom The Matchmaker. in 1995. He was Writer Fellow last year at Trinity College, Dublin. He lives in Wicklow with his wife Paul Arditti (Sound Design) is based in the UK, and twins. His plays are published by Methuen in where he has produced many sound designs for England and distributed by Heinemann in the US. the Royal Court Theatre, the Royal Shakespeare Company, the Royal National Theatre, and the Carl Brennan (Willie), age ten, has been a student Royal Opera House, as well as for a large number of the Maeve Widger School of Music and Drama of West End and regional theaters. In New York, for the past four years. He made his first appear Paul's work includes John Guare's Four Baboons ance at the Gate in the Opera Theatre Company's Adoring the Sun (Lincoln Center), which won the production of High Fidelity in 1993. This was 1992 Drama Desk Award for Outstanding Sound followed by his appearance in the DGOS produc Design; Peter Hall's celebrated Broadway produc tion of Madame Butterfly at the Gaiety Theatre. tions of Orpheus Descending, with Vanessa He appeared as the child in Famine for the Dublin Redgrave, and The Merchant of Venice, with Dustin Theatre Festival two years later. This was followed Hoffman. Paul designed the sound for Jez by Joseph & the Amazing Technicolor Dreamcoat Butterworth's hugely successful play Mojo at the with Philip Schofield at the Point in the Summer Royal Court Theatre, and has most recently been Joint production of The Steward of Christendom involved in recreating his work for Steppenwolf at the Gate Theatre for ten weeks in 1996 and the Theatre Company's current production in Chicago. Children's Group Christmas 1996 Production, Christmas Rapping. Sebastian Barry (Author) was born in Dublin in 1955 and educated at CUS, Leeson Street and Shaup Davey (Music) Theater credits include: Trinity College, Dublin. He lived here and there The Steward of Christendom (Out of JoinVRoyal in Europe for some years, returning to Ireland in Court Theatre); The Fair Maid of the West, Mary 1985. He published seven books of prose and and Lizzie, Troilus and Cressida, Columbus and poetry till 1988, when his play Boss Grady's Boys the Discovery of Japan, The Winter's Tale, King was performed at the Abbey Theatre (Peacock Lear, The Tempest, Romeo and Juliet (RSC); stage), Dublin. It later toured Ireland and received Catchpenny Twist, Prayers of Sherkin, The Corsican the BBC Stewart Parker Award in 1989. In 1990 Brothers, The Well of the Saints, Observe the he was Ansbacher Writer-in-Association at the Sons of Ulster Marching Towards the Somme, Abbey and Prayers of Sherkin was produced there The Crucible, Angels in America, The Only True in the same year (nominated for a Bank of Ireland/ History of Lizzie Finn, She Stoops to Folly (Abbey); Arts Show Award). White Woman Street was put White Woman Street (Bush/Abbey); Peer Gynt on at the Bush Theatre, London in 1992 and (Gate); and Kingdom Come (Kings Head/Lyric). toured to the Abbey (Peacock stage) . The Only TV and film includes: Catchpenny Twist, The True History of Lizzie Finn was premiered at the Spike, The Burke Enigma, Who Bombed Abbey in 1995 for the Dublin Theatre Festival. Birmingham, Pentecost, The Hanging Gale, The Steward of Christendom-an Out of JoinVRoyal Ballykissangel, Loving and Twelfth Night. Concert Court Theatre co-production-- AND ALL INVOLVED IN " THE STEWARD OF CHRISTENDOM. WE ARE PROUD To SPONSOR BAM's ThEATER SEASON. TIME WARNER • Movies • Sports • Politics • Restaurants • Nightclubs • Outdoors • Theater • Music • The Whole City at One Address www.citysearchNYC.com Where to go. What to do . . easy comprehensive searchable free Over 8,000 listings daily NewYork City ~li. CitySearch- ~ We've got BAM. We've got it all. • Readings • Donee • Cabaret • Mops • Opera • Art • Conventions • Libraries • Kids • y What will your kids get into next? When you live at Starrett at Spring Creek, your kids could end up in our After School Orchestra, playing with the Brooklyn Philharmonic. Or they could join our Teen Club and wind up in Albany participating in a mock legislative session . Your intermediate school-age kids f{' Starrett could attend an acclaimed Media School or join our atSpringCreek exciting Judo Club. Your preschoolers can grow and develop at our on-site Early Learning Center. We care about your children. And we do everything we can to encourage their growth and development. E N E G H Starrett ot Spring Creek, monoged by Grenodier Realty COfp. Unearth your perennial favorites as well as the cutting edge at Sotheby's many colorful auctions. Paintings and prints, watches and wine, cars and comics are just a few of the many affordable luxuries waiting co be d iscovered. SOTHEBY'S A UCT IO NS AND EXHIBIT I ONS AR E OPEN TO AL L. For more info, please call606-7000. Visit us on the World W ide Web at http://www.sothebys.com 4L Sotheby's, 1334 York Avenue, New York, NY 10021 Louise Bourgeois Although Louise In 1952, Bourgeois created the sets for Erick Hawkins' dance performance Hamlet and Ophelia lot BAM, 1996 The Bridegroom of the Moon. She designed the sets, costumes and poster for louise Bourgeois Paper and Image size: the Women's lnterl3rt Center production of Tennessee Williams' This Property 29 1/4" X 41 " is Condemned and August Strindberg's The Stronger in 1973. In 1982, the Each PJint signed and numbered by the artist. Museum of Modern Art in New York organized a traveling retrospecti ve of Edition: 50 Bourgeois' paintings, drawings and sculptu res. The Frankfurter Kunstverein Price, $1250 organized her fi rst major traveling European retrospective in 1989. In 1993, Framing available Printed by SOlo Impressions . Inc. Bourgeois represented the United States at the Venice Biennale. An expanded version of thTs exhibition, organized by the Brooklyn Museum, traveled to the Corcoran Gallery of Art in Washington DC, the Gallerie Rudolfinum in Prague, the Musee d'Art Moderne de Ia Ville de Paris, the Deichtorhallen in Hamburg, and the Musee d'Art Contemporain de Montreal. In 1995, the Museum of For purchase InformatiOn and other BAMart offerings contact Modern Art in New York organized a comprehensive traveling exhibition of Robert Bangjola. 718.636.4182 her print ouevre. This exhibition was accompanied by the publication of the catalogue raisonne of Bourgeois' prints. In 1996, she exhibited at the Sao Paulo Bienal in Brazil and also designed the exhibition posters. Louise Bourgeois has created sculptures commissioned by the city of Chicago, Battery Park City in New York and the Bibliotheque Nationale in Paris. She is currently working on a piece for the city of Pittsburgh. BAM Ticket Services Fax Orders Membership Brooklyn 718.636.4100 718.857.2021 7 18.636.4194 Philharmonic General information, Information on BAM's 718.636.4137 subscription sales, Student I Senior membership program BAMinsider and Rush Information and memberS' benefits. 651: An Arts Center Friends of BAM ticket 718.636.4100 718.636.4181 sales and customer For availability, please BAM Rentals service. call on the day of the 718.636.4198 Lost & Found performance. BAM stages are M- F: 9am- 5pm; Ticketmaster available for rent 718.636.4133 212.307.4100 Group Sales when not in use for Other times: Full price single tickets For orders BAM presentations. 718.636.4150 to all BAM, 651 and of 20 or more Past renters have Brooklyn Philharmonic In New York City: included MTV, HBO, BAM Homepage events. 212.398.8383 PolyGram, Long Island www.bam.org Outside New York University & American BAM bus City: 800.223.7565 Public Radio. 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