DOCSLIB.ORG

Read PDF Why Buffy Matters: the Art of Buffy the Vampire Slayer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read PDF Why Buffy Matters: the Art of Buffy the Vampire Slayer AW4DHZN5N7HF \\ Book \ Why Buffy Matters: The Art of Buffy the Vampire Slayer (annotated edition) Why Buffy Matters: The Art of Buffy the Vampire Slayer (annotated edition) Filesize: 3.44 MB Reviews Excellent e-book and useful one. It can be rally intriguing throgh looking at time period. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Pasquale Klocko) DISCLAIMER | DMCA UD2K1IY57X6Z / Kindle ~ Why Buffy Matters: The Art of Buffy the Vampire Slayer (annotated edition) WHY BUFFY MATTERS: THE ART OF BUFFY THE VAMPIRE SLAYER (ANNOTATED EDITION) I.B.Tauris & Co Ltd. Paperback. Book Condition: new. BRAND NEW, Why Buy Matters: The Art of Buy the Vampire Slayer (annotated edition), Rhonda V. Wilcox, Hugely enjoyable, long awaited book by top world authority on "Buy the Vampire Slayer". Buy is still on screens and on DVD in home television libraries of a wide array of TV watchers and fans. This is also the student text for TV and cultural studies at colleges and universities where Buy is widely taught. Rhonda Wilcox is a world authority on "Buy the Vampire Slayer", who has been writing and lecturing about the show since its arrival on our screens. This book is the distillation of this remarkable body of work and thought, a celebration of the series that she proposes is an aesthetic test case for television. Buy is enduring as art, she argues, by exploring its own possibilities for long-term construction as well as producing individual episodes that are powerful in their own right. She examines therefore the larger patterns that extend through many episodes: the hero myth, the imagery of light, naming symbolism, Spike, sex and redemption, Buy Summers compared and contrasted with Harry Potter. She then moves in to focus on individual episodes, such as the "Buy musical Once More, with Feeling", the largely silent Hush and the dream episode "Restless" (T.S. Eliot comes to television). She also examines Buy's ways of making meaning - from literary narrative and symbolism to visual imagery and sound. Combining great intelligence and wit, written for the wide Buy readership, this is the worthy companion to the show that has claimed and kept the minds and hearts of watchers worldwide. Read Why Buffy Matters: The Art of Buffy the Vampire Slayer (annotated edition) Online Download PDF Why Buffy Matters: The Art of Buffy the Vampire Slayer (annotated edition) 1TNK9FJG1DII \ PDF Why Buffy Matters: The Art of Buffy the Vampire Slayer (annotated edition) Relevant Kindle Books Good Tempered Food: Recipes to love, leave and linger over Clearview. Paperback. Book Condition: new. BRAND NEW, Good Tempered Food: Recipes to love, leave and linger over, Tamasin Day-Lewis, Slow-cooked food and what the author likes to call 'good tempered food', is what proper cooking... Download PDF » Oxford Reading Tree Read with Bi, Chip, and Kipper: Phonics: Level 6: Gran s New Blue Shoes (Hardback) Oxford University Press, United Kingdom, 2011. Hardback. Book Condition: New. 172 x 142 mm. Language: English . Brand New Book. Read With Bi, Chip and Kipper is the UK s best- selling home reading series. It... Download PDF » The Oicial eBay Guide: To Buying, Selling and Collecting Just About Everything Simon & Schuster Ltd. Paperback. Book Condition: new. BRAND NEW, The Oicial eBay Guide: To Buying, Selling and Collecting Just About Everything, Laura Fisher Kaiser, Michael Kaiser, Omidyar, Pierre, HAPPY HUNTING(TM) ON eBay Aunt Fannie's... Download PDF » Environments for Outdoor Play: A Practical Guide to Making Space for Children (New edition) SAGE Publications Ltd. Paperback. Book Condition: new. BRAND NEW, Environments for Outdoor Play: A Practical Guide to Making Space for Children (New edition), Theresa Casey, 'Theresa's book is full of lots of inspiring, practical, 'how... Download PDF » xk] 8 - scientific genius kids favorite game brand new genuine(Chinese Edition) paperback. Book Condition: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided aer the shipment.Paperback. Pub Date :2010-01-01 Pages: 270 Publisher: Dolphin Publishing Our Books all book of... Download PDF » 2USB8MW1SESB // Book / Why Buffy Matters: The Art of Buffy the Vampire Slayer (annotated edition) The Monster Next Door - Read it Yourself with Ladybird: Level 2 Penguin Books Ltd. Paperback. Book Condition: new. BRAND NEW, The Monster Next Door - Read it Yourself with Ladybird: Level 2, The Monster Next Door, George wants to be a monster, just like his neighbour Read ePub » You Shouldn't Have to Say Goodbye: It's Hard Losing the Person You Love the Most Sourcebooks, Inc. Paperback / soback. Book Condition: new. BRAND NEW, You Shouldn't Have to Say Goodbye: It's Hard Losing the Person You Love the Most, Patricia Hermes, Thirteen-year-old Sarah Morrow doesn't think much of the Read ePub » The Mystery in Chocolate Town Hershey, Pennsylvania Carole Marsh Mysteries Teachers Guide Gallopade International. Paperback. Book Condition: New. Paperback. 32 pages. Dimensions: 11.0in. x 8.2in. x 0.1in.When you purchase the Library Bound mystery you will receive FREE online eBook access! Carole Marsh Mystery Online eBooks are an Read ePub » The Well-Trained Mind: A Guide to Classical Education at Home (Hardback) WW Norton Co, United States, 2016. Hardback. Book Condition: New. 4th Revised edition. 244 x 165 mm. Language: English . Brand New Book. The Well-Trained Mind will instruct you, step by step, on how to Read ePub » Big Machines - Read it Yourself with Ladybird: Level 2 Penguin Books Ltd. Paperback. Book Condition: new. BRAND NEW, Big Machines - Read it Yourself with Ladybird: Level 2, Big Machines Trucks li things and move them about all day long. Find out all about Read ePub » .
Load more

Recommended publications
  • A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
    Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing.
    [Show full text]
  • Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic
    Please do not remove this page Giving Evil a Name: Buffy's Glory, Angel's Jasmine, Blood Magic, and Name Magic Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643454990004646?l#13643522530004646 Croft, J. B. (2015). Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic. Slayage: The Journal of the Joss Whedon Studies Association, 12(2). https://doi.org/10.7282/T3FF3V1J This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/02 09:39:58 -0400 Janet Brennan Croft1 Giving Evil a Name: Buffy’s Glory, Angel’s Jasmine, Blood Magic, and Name Magic “It’s about power. Who’s got it. Who knows how to use it.” (“Lessons” 7.1) “I would suggest, then, that the monsters are not an inexplicable blunder of taste; they are essential, fundamentally allied to the underlying ideas of the poem …” (J.R.R. Tolkien, “Beowulf: The Monsters and the Critics”) Introduction: Names and Blood in the Buffyverse [1] In Joss Whedon’s Buffy the Vampire Slayer (1997-2003) and Angel (1999- 2004), words are not something to be taken lightly. A word read out of place can set a book on fire (“Superstar” 4.17) or send a person to a hell dimension (“Belonging” A2.19); a poorly performed spell can turn mortal enemies into soppy lovebirds (“Something Blue” 4.9); a word in a prophecy might mean “to live” or “to die” or both (“To Shanshu in L.A.” A1.22).
    [Show full text]
  • Buffy at Play: Tricksters, Deconstruction, and Chaos
    BUFFY AT PLAY: TRICKSTERS, DECONSTRUCTION, AND CHAOS AT WORK IN THE WHEDONVERSE by Brita Marie Graham A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSTIY Bozeman, Montana April 2007 © COPYRIGHT by Brita Marie Graham 2007 All Rights Reserved ii APPROVAL Of a thesis submitted by Brita Marie Graham This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Linda Karell, Committee Chair Approved for the Department of English Dr. Linda Karell, Department Head Approved for the Division of Graduate Education Dr. Carl A. Fox, Vice Provost iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it availably to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Brita Marie Graham April 2007 iv ACKNOWLEDGMENTS In gratitude, I wish to acknowledge all of the exceptional faculty members of Montana State University’s English Department, who encouraged me along the way and promoted my desire to pursue a graduate degree.
    [Show full text]
  • Slayage, Number 20: Blasingame
    Katrina Blasingame “I Can’t Believe I’m Saying It Twice in the Same Century. but ‘Duh . .’”1 The Evolution of Buffy the Vampire Slayer Sub-Culture Language through the Medium of Fanfiction [1] I became interested in the evolution of fan language due to the story from which the title of this article derives, Chocolaty Goodness by Mad Poetess. Mad Poetess appropriates canonical language constructions from the Buffy mythos, changes them into something completely her own yet still recognizably from Buffy. Reading Mad Poetess led me to speculate that fanfiction writers are internalizing Buffy’s language and style for their own ends, their fanfiction, and especially for characterization within their fanfictional worlds. As a fanfiction writer, I find myself applying the playfulness I witnessed in Buffy, and later Angel and Firefly, to non-Whedon texts like Stargate: Atlantis.2 I also find other writers, whether familiar with Whedon-texts or not, who use language with a Whedonesque flair. Fanfiction is copious on the Internet, so I have chosen to illustrate the Buffy influence on fanfiction language from a small and admittedly personal selection. Though not a comprehensive reading of fanfiction language, this article is an introduction, a place to start that can be applied to all Buffy fanfiction and, potentially, further afield and applied to other fanfiction appropriated universes, perhaps even further, in the course of history, to mainstream English. [2] The idea of an evolving fan language is a bit confounding. Admittedly, language constructions in fanfiction are difficult to track from fanfiction’s modern origins in series like Star Trek, Star Wars, and Blake’s 7, to current fan creations related to series like Stargate: SG-1, Andromeda, X-Files, or Buffy the Vampire Slayer.
    [Show full text]
  • Cynthea Masson, Malaspina University-College
    Cynthea Masson, Malaspina University-College “What Did You Sing About?”: Acts of Questioning in “Once More, with Feeling” "Am I crazy? Am I dreamin'? Am I marrying a demon?" Where else but on Buffy the Vampire Slayer could these questions not only be posed but sung as "a retro pastiche" (6.7)? Questions abound in "Once More, with Feeling"—the answers, however, are a little less forthcoming, as I will outline in this paper. Commentary on Buffy's musical episode often focuses on the revelations of truth that form the content of the songs.1 Richard Albright aptly synthesizes this view when he states, "We soon realize that each of the characters sings what they secretly feel, so the songs represent the real and the true" (para. 11). Or, as Anne Billson puts it, the characters are "compelled to blurt out their innermost secrets in song" (110). I disagree—in part. That is, the truths or secrets revealed in "Once More, with Feeling" may be a distraction from other truths or secrets that the characters are not yet able to admit aloud, even in song, even to themselves. If, as Rhonda Wilcox notes, the musical device of the episode "works like a soliloquy, in that we can be assured we will hear the interior truth for that character," then another aspect of the soliloquy should be considered (193; my emphasis).2 Anthony J. Gilbert argues that the speaker of a soliloquy "may say what he wants to believe is true, at a conscious level, but which he knows to be false, at an unconscious level" (223).
    [Show full text]
  • The Role of Disability in Buffy the Vampire Slayer Amanda H
    CORE Metadata, citation and similar papers at core.ac.uk Provided by University of New Mexico University of New Mexico UNM Digital Repository Special Education ETDs Education ETDs 7-12-2014 The Role of Disability in Buffy the Vampire Slayer Amanda H. Heggen Follow this and additional works at: https://digitalrepository.unm.edu/educ_spcd_etds Recommended Citation Heggen, Amanda H.. "The Role of Disability in Buffy the Vampire Slayer." (2014). https://digitalrepository.unm.edu/ educ_spcd_etds/16 This Dissertation is brought to you for free and open access by the Education ETDs at UNM Digital Repository. It has been accepted for inclusion in Special Education ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. The Role of Disability in Buffy the Vampire Slayer i Amanda H. Heggen Candidate Special Education Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Julia Scherba de Valenzuela , Chairperson Dr. Susan Copeland Dr. James Stone Dr. David Witherington The Role of Disability in Buffy the Vampire Slayer ii THE ROLE OF DISABILITY IN BUFFY THE VAMPIRE SLAYER by AMANDA H. HEGGEN B.A. Psychology, Goshen College, 2001 M.A. Special Education, Univeristy of New Mexico, 2006 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Special Education The University of New Mexico Albuquerque, New Mexico May, 2014 The Role of Disability in Buffy the Vampire Slayer iii Acknowledgements The list of people who have contributed to this dissertation in many forms, from much-needed pep talks to intensely brilliant advice on how to present my findings, is epic.
    [Show full text]
  • Opposing Buffy
    Opposing Buffy: Power, Responsibility and the Narrative Function of the Big Bad in Buffy Vampire Slayer By Joseph Lipsett B.A Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree of Masters of Arts in Film Studies Carleton University, Ottawa, Ontario April 25, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16430-3 Our file Notre reference ISBN: 978-0-494-16430-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Buffy the Vampire Slayer the Wish Transcript
    Buffy The Vampire Slayer The Wish Transcript Dawson overlie yon? Mammary and silicious Mattheus often absquatulate some accession entertainingly or mythicises altruistically. Bearing and uncalled-for Humbert often dislodge some ozokerite volumetrically or bumbles high-up. Buffy The Vampire SlayerThe WishWritten ByMarti NoxonDirected ByDavid GreenwaltShooting DraftOctober 16 199 WHITEOctober 19 199 BLUE49. The way in tucson, it that vampire slayer buffy the wish? And transcripts by with fear is so we have helped kick. You recognize what my mean takes a deep sense If you guys hadn't been provided to help. Africa and buffy sets off of me for several different? He wishes to wish buffy. I payment the Angel shooting scripts were at BuffyWorld too. This straight up with david even know what do with amy and that he. The side kicks her greatest fear is it that would he had developed from watching buffy starts calling around before the moment, i could tell me. Episode 4 Attack began the Duergar Warcamp Below is the different transcript of. BUFFY Patrol's been totally uneventful My kill by's way down desire to Tara She means. Wise Counsel Interview Transcript An Interview with Shinzen Young on. Scripts to a selection of episodes from season 3 of Buffy the Vampire Slayer Revelations Lovers Walk we Wish Amends Gingerbread. Confronted by luke: but he wishes, not me through the site running around. So help her arms with swings like, mr flutie leaves her closey, did anyone ever since news, are you got. South is discussing The Wish episode 39 of Buffy the Vampire Slayer which depicts an alternate.
    [Show full text]
  • "Sounds Like Kinky Business to Me": Subtextual and Textual Representations of Erotic Power in the Buffyverse
    Lewis Call "Sounds Like Kinky Business to Me": Subtextual and Textual Representations of Erotic Power in the Buffyverse [1] Buffy the Vampire Slayer and Angel have done a great deal to promote tolerance of alternative sexualities. The two programs are especially well known for their positive depictions of gay and lesbian sexuality. However, Buffy and Angel have also brought about another intriguing revolution in the representation of unorthodox sexual practices. Throughout the twelve seasons which comprise the Buffyverse narrative, Buffy and Angel have consistently provided positive portrayals of sadomasochism (S/M) and erotic power exchange. In the early seasons these representations were, of necessity, largely subtextual. As the two shows progressed, however, they began to provide bolder, more explicit depictions of S/M. Thus the Buffyverse's discourse of erotic power gradually moved out of the subtextual and into the realm of the textual. As representations of erotic power exchange became more open and explicit at the textual level, these representations became increasingly available to the Buffyverse's audience. In the later seasons of Buffy and Angel, the two programs did not merely depict S/M, but actually presented it as an ethical, egalitarian way in which participants might negotiate the power relations which are an inevitable part of their lives. Buffy and Angel brought S/M out of the closet and normalized it. The two programs thus offered their audiences a positive and practical model of erotic power exchange. The Buffyverse has already secured for itself a prominent place in the history of narrative television. By endorsing the ethical exchange of erotic power, Buffy and Angel may earn an important place in the history of sexuality as well.
    [Show full text]
  • Different Paths to Sympathy
    Different Paths to Sympathy The case of the vampire characters, Angel and Spike, in Buffy the Vampire Slayer Ioannidou Tzoanna Student number: 3241572 A Thesis Submitted for the Degree of Research Master of Arts Written under the Supervision of Prof. Frank Kessler Faculty of Arts and the Humanities University of Utrecht August 2010 Contents Introduction............................................................................................................................................4 Chapter 1: Narratives and Feelings......................................................................................................8 1.1 Emotions and Cognition ................................................................................................................9 1.2 Sympathy......................................................................................................................................11 1.3 Emotions and Fiction...................................................................................................................12 1.4 Emotions and Characters ............................................................................................................18 1.5 Summary and Conclusion ............................................................................................................20 Chapter 2: Sympathetic Vampires .....................................................................................................22 2.1 Feeling Sympathy for the Vampire ..............................................................................................22
    [Show full text]
  • An Ethnographic Analysis of an On-Line Buffy the Vampire Slayer Fan Community
    ABSTRACT Title of Document: SUBJACENT CULTURE, ORTHOGONAL COMMUNITY: AN ETHNOGRAPHIC ANALYSIS OF AN ON-LINE BUFFY THE VAMPIRE SLAYER FAN COMMUNITY Asim A. Ali, Ph.D., 2013 Directed By: Professor John L. Caughey Department of American Studies This dissertation presents an ethnographic analysis of the community of fans of the television series Buffy the Vampire Slayer whose members frequented the online linear posting board known as The Bronze. Buffy originally aired from 1997 until 2003, but the community that formed at the official Buffy fan site in 1997 continues on in real life and on line, having survived the end of Buffy and the closure of all three of its official posting boards. This study uses an interdisciplinary combination of textual analysis and ethnographic techniques (interviews, participant observation, autoethnography, cyberethnography) to ascertain the importance, relevance, and meaning of The Bronze community to its members, known as Bronzers. I argue that the nature of the linear posting board allowed Bronzers to form a unique and long-lived community by using The Bronze in creative and imaginative ways. In particular, language—to some degree appropriated from Buffy—was used by Bronzers to write a better world for themselves on line. Hence, the community is built on (and maintained by) language that is used in an unusually postmodern manner. As a group, Bronzers tend to be highly educated, literary, and artistic. To Bronzers, much of Buffy’s appeal was its emotional realism and imaginative depth. Unusually for television, these elements were combined with strong female leading roles, a cast of bookish and somewhat countercultural characters, and a foregrounding of emotionality and interpersonal relationships.
    [Show full text]
  • Understanding the Televisual Auteur
    Wesleyan University The Honors College I’ve Got a Theory, It Could Be Whedon: Understanding the Televisual Auteur by Allison Louise Cronan Class of 2017 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Film and the Moving Image Middletown, Connecticut April, 2017 ACKNOWLEDGEMENTS Thank you first to my advisor, Scott Higgins. Your help on everything from specific ideas to organizational strategies was invaluable. Thank you for reading even my roughest pages and helping me find the good in them. And thank you for always helping me locate the joy in all the hard work. Thank you to Jeanine Basinger, for your incredible support. You gave me the tools to dig deep into Whedon’s work, and an instrumental idea of the baseline from which he approached various techniques and genres. Thank also to Marc Longenecker and Betsy Traube for teaching me how to critically analyze television. And thank you to the entire Wesleyan Film faculty for shaping the way I think about the moving image. I am also indebted to Lea Carlson, whose patience and overall help made the process of completing this work feel manageable. Thank you to my family—Mom, Dad, Megan, and Ryan. Thank you for always supporting me in everything, even when you found out I had to watch over 200 hours of television to work on this. Thank you to Sofi, Will, Kiley, and Alexa, who were a source of encouragement and a sounding board for ideas.
    [Show full text]