FREE WHY BUFFY MATTERS: THE ART OF BUFFY THE VAMPIRE SLAYER PDF

Rhonda V. Wilcox | 256 pages | 01 Dec 2005 | I.B.Tauris & Co Ltd | 9781845110291 | English | London, United Kingdom Joss Whedon 'Buffy the Vampire Slayer': The Movie - PopMatters

It's been 20 years since a midriff-baring California cheerleader leapt onto our television screens and became a riveting woman warrior — slaying vampires, demons and monsters. Her fantastical enemies were subversive metaphors for a corrupt and authoritarian culture. Today, Buffy the Vampire Slayer remains the most- studied show in television history. Many cultural critics believe Buffy the Vampire Slayer was a major influence on a generation of television production: long, sweeping narrative arcs; deep character development, set against a background of contemporary social anxieties and tensions. Pulitzer Prize-winning TV critic Emily Nussbaum considers the program, "art" and says it should be studied this way. No theme is too scary for Buffy to tackle. Toxic hyper-masculinity, the military-industrial complex, the cold rationale of the scientific id, a psychopathic internet troll, sleazy, corrupt politicians — she'll go there. But unlike past female super-heroes, like Wonder Woman and Charlie's Angels — who were sexualized and trivialized — Buffy not only slays society's enemies, she also maintains a deep and complex inner life as well. The program's prevailing messages: life can be hell, so expect it. In a society that medicates sadness and quirks of temperament, Buffy the Vampire Slayer asks us to consider emotional pain as a part of being human. And to be alive to the Why Buffy Matters: The Art of Buffy the Vampire Slayer, and joys, around us — and inside us. It invites us to be engaged, to strive towards good. It does not leave apathy as an option. In the words of British theatre critic Ian Shuttleworth, it's a "program more relevant today than ever". Pseudonyms will no longer be permitted. By submitting a comment, you accept that CBC has the right to reproduce and publish that comment in whole or in part, in any manner CBC Why Buffy Matters: The Art of Buffy the Vampire Slayer. Please note that CBC does not endorse the opinions expressed in comments. Comments on this story are moderated according to our Submission Guidelines. Comments are welcome while open. We reserve the right to close comments at any time. Ideas Why "Buffyworld" still matters It's been 20 years since a midriff-baring California cheerleader leapt onto our television screens and became a riveting woman warrior — slaying vampires, demons and monsters. Today, "Buffy the Vampire Slayer" remains the most-studied show in television history. Social Sharing. Why Buffy Matters: The Art of Buffy the Vampire Slayer (Paperback) - -

Hugely enjoyable, long awaited book by top world authority on "Buffy the Vampire Slayer". Buffy is still on screens and on DVD in home television libraries of a wide array of TV watchers and fans. This is also the student text for TV and cultural studies at colleges and universities where Buffy is widely taught. Rhonda Wilcox is a world authority on "Buffy the Vampire Slayer", who has been writing and lecturing about the show since its arrival on our Why Buffy Matters: The Art of Buffy the Vampire Slayer. This book is the distillation of this remarkable body of work and thought, a celebration of the series that she proposes is an aesthetic test case for television. Buffy is enduring as art, she argues, by exploring its own possibilities for long-term construction as well as producing individual episodes that are powerful in their own right. She examines therefore the larger patterns that extend through many episodes: the hero myth, the imagery of light, naming symbolism, Spike, sex and redemption, Buffy Summers compared and contrasted with Harry Potter. She then moves in to focus on individual episodes, such as the "Buffy musical Once More, with Feeling", the largely silent Hush and the dream episode "Restless" T. Eliot comes to television. She also examines Buffy's ways of making meaning - from literary narrative and symbolism to visual imagery and sound. Combining great intelligence and wit, written for the wide Buffy readership, this is the worthy companion to the show that has claimed and kept the minds and hearts of watchers worldwide. Purchased as a gift for a friend who is a BTVS fanatic. She loved the book. Gave her new perspectives to look at while she watches the show. This is a splendid read for Buffy fans who sense deeper meanings to the stories in the Buffiverse but tend to get strange looks from their adult educated friends. Sometimes Wilcox's analogies can seem a little stretched - e. For example the connection between Spike and light is something I now see when I watch the episodes back but didn't Why Buffy Matters: The Art of Buffy the Vampire Slayer clock at the time. An engagingly written book. Here at Walmart. Your email address will never be sold or distributed to a third party for any reason. Sorry, but we can't respond to individual comments. If you need immediate assistance, please contact Customer Care. Your feedback helps us make Walmart shopping better for millions of customers. Recent searches Clear All. Enter Location. Update location. Learn more. Report incorrect product information. Rhonda Wilcox. Walmart Book Format. Select Option. Current selection is: Paperback. Pickup not available. Add to list. Add to registry. Seraph of the End: Seraph of the End, Vol. About This Item. We aim to show you accurate product information. Manufacturers, suppliers and others provide what you see here, and we have not verified it. See our disclaimer. Specifications Publisher Bloomsbury Academic. Write a review See all reviews Write a review. Average Rating: 5. December 26, Why Buffy Matters: The Art of Buffy the Vampire Slayer purchase. See more. Reviewed by edenskye edenskye. Average Rating: 4. March 18, Written by a librarything. Ask a question Ask a question If you would like to share feedback with us about pricing, delivery or other customer service issues, please contact customer service directly. Your question required. Additional details. Send me an email when my question is answered. Please enter a valid email address. I agree to the Terms and Conditions. Cancel Submit. Pricing policy About our prices. We're committed to providing low prices every day, on everything. So if you find a current lower price from an online retailer on an identical, in-stock product, tell us and we'll match it. See more details at Online Price Match. Related Pages :. Email address. Mobile apps. Walmart Services. Get to Know Us. Customer Service. In The Spotlight. Shop Our Brands. All Rights Reserved. To ensure we are able to help you as best we can, please include your reference number:. Thank you for signing up! How was your Why Buffy Matters: The Art of Buffy the Vampire Slayer with this page? Thank you. Thank you! Why Buffy Matters - Wikipedia

Jenny Calendar is a fictional character in the fantasy television series Buffy the Vampire Slayer — Unbeknownst to Buffy or anyone else, Jenny Calendar has been sent to Sunnydale to keep an eye on Angel. In the first two seasons of the series, Jenny Calendar is Rupert Giles ' primary romantic interest. She serves to counter his technophobia and is a rare adult female role model for the young women in Buffy's circle. During the second season her true identity is revealed: she is Janna of the Kalderasha member of the Romani group that cursed Angel. In response to an elder's visions that Angel is suffering less due to his growing romance with Buffy, Jenny is instructed to impede their relationship. As a result of events during the second season storylines, Angel loses his soul and becomes evil, reverting to his former ways of torturing Why Buffy Matters: The Art of Buffy the Vampire Slayer killing, eventually making Jenny his victim. Among the main cast, she is the series' first recurring character to die, and the manner of her death is noted for its disturbing Why Buffy Matters: The Art of Buffy the Vampire Slayer on audiences. Buffy the Vampire Slayer was first created by Joss Whedon as a feature film in Unhappy with the film, Whedon later revived for television the concept of an adolescent girl who is given superhuman powers by mystical forces to defeat evil. The film only touches on the adult world surrounding Buffy Summers, while the series explores it in greater depth. Originally trained as a dancer who toured and appeared in music videos with PrinceRobia LaMorte won the part of Jenny Calendar. LaMorte had appeared in contemporary television series such as Beverly Hills,but remarked specifically that she knew at once the material given to her to read in the audition for Buffy was different: "Sometimes you get scripts, and you just know. The words just fit in your mouth a different way when you know you're supposed to speak them. And I kind of knew I was going to get it. When it came time for them to enter the audition room together, Why Buffy Matters: The Art of Buffy the Vampire Slayer handed him the chewing gum from her mouth only to learn that he was the actor cast to play opposite her. Jenny Calendar's first appearance is in the episode " I Robot, You Jane ", which deals with the risks of online romance. Willow Rosenberg Alyson Hanniganone of Buffy's friends, is spending time online with someone she knows as Malcolm, who turns out to be a demon named Moloch the Corrupter. The series regularly employs monsters and elements of dark fantasy to represent real-life problems. He has a large collection of books detailing the demon realms, upon which he relies as the main tool of research and problem-solving. Jenny challenges his traditional approach and helps him to solve the Why Buffy Matters: The Art of Buffy the Vampire Slayer of how to find and kill the demon when Giles reveals himself to be a technophobe; she both frustrates and flirts with him in the process. Jenny's role as a recurring character was cemented in " Prophecy Girl ", Why Buffy Matters: The Art of Buffy the Vampire Slayer she acknowledges that she is aware of the many evil forces in Sunnydale and indicates she is willing to join the Scoobies in their fight against them. She says she does not have the necessary power to be a witch, but is adept at researching demons and other occult topics to assist Giles and Buffy. Jenny introduces viewers to the series' expression of magic. Furthermore, many of Jenny's qualities demonstrate a closer kinship with the adolescent characters than the adult ones. In the first season, the female adolescents—Buffy, Willow, and Cordelia Charisma Carpenter — establish their identities in contrast to older women, usually parents or teachers. Jenny's youthful style and her rejection of a staid way of life indicate that she is a role model for the young female characters. They do not see her as an adversarial adult. The conflicts in the second season broaden to explore the difficulties faced by Buffy as she becomes torn between love and duty—a theme which is also reflected in Jenny's storyline. At the end of the episode, she tells Giles she needs some time away from him. She was called upon to throw Giles across the room and slam his head onto a table. Jenny and Giles tentatively reignite their relationship in " Ted ". His relationship with Jenny also allows them to emphasize the generation gap between themselves and adults: they consider the idea of him as a sexual being "gross". Author Tracy Little asserts that in addition to the theme of love vs. Her true name is Janna pronounced Yannahand she has been sent to ensure he continues to suffer for his past brutality. Janna's Uncle Enyos Vincent Schiavelli comes to remind her of her duty to her people and he expresses his disappointment that, as a woman from a group of people wary of technology and intermarriage with outsiders, she has become a computer teacher in a relationship with a non-Gypsy. An "Elder Woman," however, has had visions that Angel's pain is lessening and that this cannot be allowed to happen—Jenny must separate him from Buffy, as she is the cause of his relief. Enyos does not tell her a significant element of the curse: should Angel ever experience even one moment of true happiness, his soul will again disappear, making him "Angelus", the evil vampire he was. This factor comes into play when Buffy and Angel have sex in " Innocence " as in the intimacy of that experience he feels happiness deep enough to trigger the loss of his soul. Angelus becomes the second season's Big Bad and begins to terrorize Buffy and her inner circle by stalking and threatening them. This revelation causes a deep rift between Jenny and the rest of the Scoobies and effectively halts her romance with Giles. Buffy demands that she curse Angel again, but Jenny does not know how to do this. Angelus' first act is to kill Enyos, thus revealing that Angel already knew Jenny's true identity and motives prior to losing his soul at some point. For most of the rest of the second season Jenny remains estranged from Buffy's circle; only Willow, who Jenny asks to teach her computer class for her, regularly interacts with her. By the episode " Passion " it has become clear that Angelus is targeting Buffy's friends and family and has, in Giles' words, "regained his sense of whimsy", demonstrated by petty cruelties that keep the group unsettled and frightened. In their first real conversation since estrangement, Giles warns Jenny to beware of the increasing danger to them all; during this conversation she admits to Giles that she has fallen in love with him and they agree to meet later. Despite the improbability of success and without telling Giles or Buffy, Jenny attempts to restore Angel's soul Why Buffy Matters: The Art of Buffy the Vampire Slayer using her computer to translate the ancient curse. Upon learning what she is doing, Angelus destroys the computer, taunts Jenny, then laughs as he chases her through the school, finally killing her by snapping her neck. He then takes Jenny's body to Giles' apartment and sets up music, champagne, and roses, as if she is awaiting him in his bedroom for a romantic encounter; Giles then finds her dead body arranged on his bed. Steve Vineberg, a film and theater professor, asserts in a article in The New York Times that the character's death marked "the most terrifying and upsetting phase of the show". It was integral that the show make clear to the audience that "not everything is safe, that not every one is safe Jenny's death was also used to make clear that Angel, in his incarnation as Angelus, is truly evil and now Buffy's mortal enemy whom she must kill. After much discussion, Whedon and the writers decided that Angel should not bite Jenny, but instead break her neck as a show of his contempt for her: "I'm not even going to feed" is the attitude Whedon wanted to communicate, as well as Angel's evident pleasure in the act. Whedon also felt that it was important that Angel do so wearing his vampire face as they planned to bring the re-ensouled Angel back later, and it would be "too disturbing" to the audience to accept Buffy ever kissing him again had the murder been committed while in his normal visage. Whedon stated that the writing team wanted the prospect of bringing Angel back after the murder of Jenny Calendar to be very difficult and so fraught with consequences that even the characters would not be sure they wanted him to return. Following her death, Jenny Calendar's character continues to have an influence on the series. Among the female Scoobies, it is Willow who most looks up to Jenny. Willow is skilled with computers and her mother is emotionally distant from her; Willow expresses several times that her parents are mostly uninterested in her. As Jenny offers both mentoring and validation for Willow, she becomes a substitute mother for her. Author J. Williams asserts that Jenny Calendar's feminist viewpoints resonate with Willow, as Willow receives similar commentary about patriarchy in the media on the rare occasions her mother speaks to her. Her first lessons from her people are about vengeance, and she is fully committed to her duty to watch Angel. Although she treats Giles as an equal and demands the same from him, her deference to her uncle stifles her. Enyos' withholding information from Jenny is echoed in Giles' frequent ignorance of Why Buffy Matters: The Art of Buffy the Vampire Slayer the Watcher's Council deliberately withholds from him. Williams writes, "Whether Buffy will eventually provide an alternative model of womanhood is perhaps the series' most intriguing Why Buffy Matters: The Art of Buffy the Vampire Slayer. In an analysis of the treatment of Romani people in literature and media, Nikolina Dobreva asserts that the show deserves to be criticized for associating Gypsies with curses and primitivism, for stereotyping Gypsies as "irrevocably foreign" in clothing and speech, and for perpetuating the persistent air of mystery surrounding them. In the episode " Becoming ", Willow finds the spell that Jenny translated and casts it herself, successfully restoring Angel's soul and leading to her own foray into magic. Willow attempts to learn more about magic in the fourth season by joining her college Wicca group, only to be met by women who are ineffectual, whom she labels "wanna-blessed-bes". She takes magic very seriously, becoming competent enough in the fifth season to achieve what Buffy cannot. By the seventh season, Willow's magical gifts are so powerful that she is the strongest person in Buffy's circle. Additionally, Jenny's comfort in expressing sexuality is a model Why Buffy Matters: The Art of Buffy the Vampire Slayer all the young women. Her "sexual or sensual aggression" is noted by writers. Jenny appears twice more in the series, first in "Becoming", as part of an illusion the vampire Drusilla Juliet Landau creates to beguile Giles into telling Angelus, who is torturing him, what he needs to know. From Wikipedia, the free encyclopedia. Buffy the Vampire Slayer. Canon Index Awards. Buffering the Vampire Slayer podcast Fan productions. Buffy studies In popular culture Whedonverse. Book Category. Categories : Buffy the Vampire Slayer characters Buffyverse characters who use magic Female characters in television Television characters introduced in Fictional Romani people Fictional schoolteachers Fictional technopaths. Hidden categories: Articles using Infobox character with multiple unlabeled fields. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Buffy the Vampire Slayer character. Robia LaMorte as Jenny Calendar. You, Jane "