A Quaker Weekly

Total Page:16

File Type:pdf, Size:1020Kb

A Quaker Weekly A Quaker Weekly VOLUME 1 DECEMBER 17, 1955 NUMBER 25 IN THIS ISSUE ~RE is in us a haunt­ ing conviction that if we are to match these days, if we are Christmas Carols to meet the colossal obliga­ tions which God in His provi­ by Freda Morrill Abrams dence has imposed on us as a people, then God H imself must invade us from the out­ side. We MUST have a fresh Internationally Speaking encounter with the living by Richard R. Wood Lord of the Universe who alone can fashion us into a people we never yet have been, yet always have longed Our London Letter to be. -EDWARD L. R. Er.soN, Amer­ by Horace B. Pointing ica's Spiritual Recovery (Fleming H. Revell Company) Self-Help Projects in Korea Religious Broadcasting, Editorial Comments FIFTEEN CENTS A COPY $4.00 A YEAR 390 FRIENDS JOURNAL Decetnber 17, -1955 Internationally Speaking R etrospect FRIENDS JOtJRNAL HE year 1955 has been one of both progress and T retrogression. There have been instances of in­ creased irritability in relations between East and West, and, as the year draws to a close, there seetns to be a return to the feeling of bitter suspicion that tnakes con­ structive diplotnacy difficult and that so easily diverts attention fron1 the search for satisfactory international relations to considerations of tnilitary pressure. Published weekly at 1515 Cherry Street, Philadelphia 2, Yet 1955 has seen sotne relaxation of tension and Pennsylvania (Rittenhouse 6-7669) By Friends Publishing Corporation sotne evidence that coexistence is possible. WILLIAM HUBBEN JEANNE CAVIN Editor and Manager Advertisements Is War Impracticable'! MILDRED A. PURNELL LOUISE K. CLEMENT Associate Editor Subscriptions Rivalry in tnilitary preparations, particularly in the CONTRIBUTING CORRESPONDENTS developtnent of nuclear weapons, continues. Yet the itn­ RICHARD R. WOOD, Philadelphia pression seems to be increasingly widely held that nu­ Africa .. ......................... Maurice Webb, Durban England .. ... .. ............ Joan Hewitt, London clear weapons- at least the weapons of tnass destruction Horace B. Pointing, London Germany .....•. •. ......... Wilhelm Kllhler, Braunschweig as distinguished fron1 tactical weapons-will never be India . ..... • ....... .. ..... Benjamin Polk, New Delhi Japan ... .... • . • . .. ... Bruce L. Pearson, Osaka used. The reasons for this feeling are: (1) the unimagin­ Tatsunoauke Ueda, Tokyo Jordan ... ...... ... • ... .. ... Graham Leonard, Ram allah able horror of the results of explosions of large H-botnbs Scandinavia . .. .. .. .. .... Ole Olden, Stavanger, Norway Switzerland ..... .... ....... .. Robert J. Leach, Geneva in populated areas; (2) the unpredictable and uncon­ Turkey ........ ............... William L. Nute, Ankara Lake Erie Association . ... W inthrop M. Leeds, Pittsburgh trollable nature of a war in which such weapons are Midwest (Five Years) .. .. .. Russell E. ~s. Richmond New England .......... .. ... Thomas R. Bodine, Hartford used; and (3) the belief that world public opinion West Coast ............... Ferner Nuhn, Claremont, Calif. would react so strongly against any nation resorting to BOARD OF MANAGERS the use of weapons of tnass destruction that their use 1955-1956: Howard H. Brinton, Sarah P. Brock, Margaret L. Matthews, Lawrence McK. Miller, Jr., Sarah F. Splint. would be self-defeating. 1955-1957: Eleanor S. Clarke, Barbara L. Curtis, Arthur M. Dewees, Irving Hollingshead, Emily C. Johnson. 1955- In brief, 1955 saw sotnething very close to general 1958: Carol P. Brainerd, Willis H. Satterthwaite, Lydia F. Taylor, Daniel D. Test, Jr., Anne Wood. recognition that. as an instrutnent of national policy, THE JOURNAL ASSOCIATES are friends who add five dollars or more to their subscriptions annually to help war with large-scale atotnic weapons is not practicable. meet the over-all cost of publication. SUBSCRIPTION RATES: United States and POssessions: Danger Remains $4.00 a year, $2.00 for six months. Foreign countries: $4.50 a year. Single copies: fifteen cents. Cheeks should be made payable to Friends Publishing Corporation. A serious danger retnains. Military pressure is still Sample copies sent on request. being applied directly or indirectly at several points of Re-entered as second-class matter July 7, 1955, at the post office at Philadelphia, Pennsylvania, under the Act of friction: for instance, between Fortnosa and tnainland March 8, 1879. China; between North and South Korea; between Israel and the Arab States. And both East and West seen1 still to hope that the threat of war will deter war. Although recognizing the necessity of avoiding all-out war with nuclear weapons. the nations continue to use the kinds Contents Page of pressure that, backed by the threat of tnilitary power, have in the past led to situations in which international Internationally Speaking-Richard R. Wood. 390 tensions have broken down into open war. Editorial Cotntnents . ... ............. ... 391 This is a tnatter which should concern public opin­ Our London Letter- Horace B. Pointing ..... 392 ion as well as statestnen. Christmas Carols- Freda Morrill Abrams .. ... 393 Basic Requirements For Christtnastitne and After (poem)-Sheila One basic requiretnent for lasting peace is an inter­ Leslie ........ ................... 395 national organization adequate to enable nations to find Self-Help Projects in Korea ... ...... ... 396 mutually satisfactory solutions of the conflicts which naturally and nortnally arise atnong thetn. The United Books ........ ......... .. ......... ..... 396 Nations appears capable of being developed into such Friends and Their Friends . 397 an organization; but national statestnen seen1 unlikely Letters to the Editor . 399 (Continued on page 397) FRIENDS JOURNAL Successor to THE FRIEND (1827-1955) and FRIENDS INTELLIGENCER (1844-1955) ESTABLISHED 1955 PHILADELPHIA, DECEMBER 17, 1955 VOL. 1-No. 25 Editorial Comments Religious Broadcasting The study of the National Council, entitled T he HRISTMAS and Easter are the seasons when re­ Television-Radio Audience and R eligion (Harper and C ligion is likely to receive a slightly larger share of Brothers), reports that religious programs tend to be time in broadcasting programs. A two-year study con­ watched by specific audiences rather than a broad cross ducted by the National Council of Churches informs section of the population. They rank sixth in general us that radio and television devote only about two per popularity. Roman Catholic programs have a much cent of their time to religious broadcasts while giving larger audience than Protestant ones. Protestant audi­ nearly 80 per cent to entertainment. Frequently they put ences are found largely among persons of late middle religious programs at the least desirable hour. Liston age or older. Few pastors of local churches have given Pope, dean of Yale Divinity School, which supervised serious consideration to the impact of radio or TV upon the study, thinks that these two facts are an unmistak­ their constituencies. A number of stations have been able indication of the industry's own appraisal of re­ lost for religious broadcasting, but the demand for copies ligious programs. His trenchant criticism of religious of sermons or scripts of plays is larger than a year ago. broadcasts in Christianity and Crisis (November 14, Religious broadcasting is still in its infancy and will 1955) reproaches the churches for the inept use they are need more experimenting, the employment of creative making of these new media of mass communication. imagination, and artistic skill. Ultimately, only an in­ Musical programs run the range from the worst to the spired ministry will decide whether the churches are best, while some of the dullest sermons seem more sin­ making the right use of radio and TV. We shall have to cere than the spectacular ones. Popular skits about ask questions such as these: "Is the level of a sermon to wholesome Christian family life too often fail to make be broadcast such that it deserves large and unseen audi­ their point because they employ sentimental moralisms ences? Is the expectation of display or pageantry in TV and pleasantries that seem merely to prove that it pays a temptation for ministers to surrender to eye appeal to be good. Brotherhood sermons tend to demand instead of centering on the message? Would fewer but brotherhood to keep America strong in the name of more carefully selected programs acquire higher stand­ religion, forgetting its origin in God's fatherhood. The ing in the audiences' judgment?" peace-of-mind type program centers man upon his own Women in the Society of Friends neuroses rather than on renewed obedience to God. Pope asks, "When shall we be led again by the Christian Elizabeth Gray Vining's Ward Lecture, given at religion to Gethsemane rather than to the psychiatrist's Guilford College on Founders Day, November 11, 1955, couch, to the heights and depths of life as viewed in Women in the Society of Friends, is now available in Christian perspective rather than to the misty plains print, as announced elsewhere in this issue. The author where the mass audience is said to live? When will re­ stresses that Friends .have always done more than accord ligious broadcasts learn to inspire reverence rather than women a mechanical recognition of equality. They have receptivity?" accepted women "as individual human beings, as valid disciples as men, as competent as they for spiritual A Medium of the Future? leadership." It is essential to stress these points since It has been said that the new means for
Recommended publications
  • Kevin Mcbeth, Conductor Take 6 St. Louis Symphony in UNISON
    Kevin McBeth, conductor Thursday, December 20, 2018 Take 6 at 7:30PM St. Louis Symphony IN UNISON Chorus Kevin McBeth, director COLERIDGE-TAYLOR Christmas Overture JEFFERY AMES A Festive Praise orch. Michael B. Dunsmoor St. Louis Symphony IN UNISON Chorus LEONTOVICH/arr. Cates Carol of the Bells St. Louis Symphony IN UNISON Chorus arr. Dawson “Mary Had a Baby” Beth Enloe Fritz, conductor Samantha Minor, soprano St. Louis Symphony IN UNISON Chorus ROBERT RAY He Never Failed Me Yet orch. Keith Christopher Cynthia Davis, soprano St. Louis Symphony IN UNISON Chorus DAVID PACK “The Biggest Part of Me” orch. Keith Christopher BERNARD/arr. Goodwin Winter Wonderland BRIAN MCKNIGHT/arr. Dent “He Never Sleeps” Take 6 CEDRIC DENT/arr. Goodwin “Family of Love, Family of God” Take 6 St. Louis Symphony IN UNISON Chorus arr. Goodwin “Joy to the World” Take 6 INTERMISSION 23 arr. Floyd “Oh What a Wonderful Child (Glory to the Newborn King)” Cassandra Gilyard, alto Charles Stancil, bass St. Louis Symphony IN UNISON Chorus arr. Speed “Sweet Little Jesus Boy” Karen Hylton, soprano St. Louis Symphony IN UNISON Chorus ANITA WATKINS-STEVENS “…And He Blessed My Soul” Randell McGee, baritone St. Louis Symphony IN UNISON Chorus PAUL DAVID WILSON “Hallelujah” from Handel’s Messiah: arr. Warren/Jackson/ A Soulful Celebration Kibble/Hey/Chinn In Memory of Curtis McGruder Reginald Davis, bass St. Louis Symphony IN UNISON Chorus BAKER/arr. Goodwin “Do You Hear What I Hear?” Take 6 arr. Speed “Mary” Take 6 St. Louis Symphony IN UNISON Chorus BRAHE/orch. Dent “Bless This House” CEDRIC DENT “Over the Hill Is Home” Take 6 ACKNOWLEDGMENT This concert is supported by Monsanto Fund.
    [Show full text]
  • Little Library Program Provides Books and Mittens
    FREE Volume 66, Issue 24 · www.wilcoxnewspapers.com Extra Edition • Thursday, November 12, 2020 Little Library program provides books and mittens By Jason Wesseldyk and longtime community Sports Editor member Nancy Boettcher, who enlisted the help of an For the past few years, “army of volunteers.” children have been able to “More than 100 visit one of the six Little individuals have been Library locations in the involved in knitting the hats Otsego area to pick out and mittens, with many of books to borrow for free. them continuing to help, With winter—and the including several from the colder weather that comes Otsego Congregational with it—drawer ever closer, Church,” Watson said. there is now another reason “The yarn is donated and to make the trip to one of they often donate the hats the Little Libraries. and mittens to the schools. Otsego elementary But we thought placing literacy coach Gina Watson them in the Little Libraries has partnered with Brenda’s would be another avenue to Mitten Mission to provide take in getting them into the knitted hats and mittens in hands and onto the hands of addition to books. children.” Brenda Powers started Powers’ great-grandson Brenda’s Mitten Mission Navene Town—a three decades ago as a sixth grader at Otsego service to children in the Elementary School—is Otsego area and throughout among those who have Allegan County. Since her continued Powers’ legacy. passing, dozens of people “Thirty years ago my have continued her mission. great-grandmother started Watson was one of the giving away the hats and many people who have mittens and this year we been inspired by Powers’ have a free scoopie token generosity and giving spirit.
    [Show full text]
  • Gospel Christmas
    2017 2018 SEASON Kevin McBeth, conductor Thursday, December 14, 2017 at 7:30PM Dianne Reeves, vocalist Peter Martin, piano Romero Lubambo, guitar Reginald Veal, bass Terreon Gully, drums St. Louis Symphony IN UNISON Chorus Kevin McBeth, director CRAIG COURTNEY “Festival Gloria” St. Louis Symphony IN UNISON Chorus STEVEN AMUNDSON Rejoice! DAN FORREST “A Christmas Lullaby” St. Louis Symphony IN UNISON Chorus TIM HOSMAN “A King Is Born” arr. Robert Sterling Reginald Davis, bass St. Louis Symphony IN UNISON Chorus STYNE “Let It Snow! Let It Snow! Let It Snow!” arr. Peter Martin GUARALDI “Christmas Time Is Here” arr. Martin/Maness STYNE “Christmas Waltz” arr. Peter Martin WAYNE SHORTER “Infant Eyes” arr. Peter Martin Dianne Reeves, vocalist Peter Martin, piano Romero Lubambo, guitar Reginald Veal, bass Terreon Gully, drums St. Louis Symphony IN UNISON Chorus PAUL DAVID WILSON “Hallelujah” from Handel’s Messiah: A Soulful Celebration arr. Warren/Jackson/ Curtis McGruder, tenor Kibble/Hey/Chinn St. Louis Symphony IN UNISON Chorus INTERMISSION ISRAEL HOUGHTON “You Are Good” arr. Camp Kirkland arr. Bradley Knight “God Rest Ye Merry Gentlemen” Karen Hylton, soprano St. Louis Symphony IN UNISON Chorus ADAM “O Holy Night” arr. Smith Robert Jackson, tenor St. Louis Symphony IN UNISON Chorus arr. Floyd “Oh What a Wonderful Child (Glory to the Newborn King)” Cassandra Gilyard, alto Charles Stancil, bass St. Louis Symphony IN UNISON Chorus THAD JONES “A Child Is Born” arr. Peter Martin KENT “I’ll Be Home for Christmas” arr. Peter Martin TORMÉ “Christmas Song (Chestnuts Roasting on an Open Fire)” arr. Peter Martin DAVIS “The Little Drummer Boy” arr.
    [Show full text]
  • THE CULTURAL IMPACT of KANYE WEST This Page Intentionally Left Blank the Cultural Impact of Kanye West
    THE CULTURAL IMPACT OF KANYE WEST This page intentionally left blank The Cultural Impact of Kanye West Edited by Julius Bailey THE CULTURAL IMPACT OF KANYE WEST Copyright © Julius Bailey, 2014. Softcover reprint of the hardcover 1st edition 2014 978-1-137-39581-8 All rights reserved. First published in 2014 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-48439-3 ISBN 978-1-137-39582-5 (eBook) DOI 10.1057/9781137395825 Library of Congress Cataloging-in-Publication Data The cultural impact of Kanye West / edited by Julius Bailey. pages cm Includes bibliographical references and index. 1. West, Kanye—Criticism and interpretation. 2. Rap (Music)— History and criticism. 3. Rap musicians—United States. I. Bailey, Julius, editor of compilation. ML420.W452C85 2014 782.421649092—dc23 2013036142 A catalogue record of the book is available from the British Library. Design by Newgen Knowledge Works (P) Ltd., Chennai, India. First edition: March 2014 10 9 8 7 6 5 4 3 2 1 To all those whose complexities are misunderstood and rendered pathological when all you ever need and want is appreciation.
    [Show full text]
  • Towards an African-American Genealogy of Market and Religion in Rap Music
    POPULAR MUSIC AND SOCIETY, 2018 https://doi.org/10.1080/03007766.2018.1458275 Towards an African-American Genealogy of Market and Religion in Rap Music Kevin Pyon The University of North Carolina, Chapel Hill, NC, USA ABSTRACT This essay provides a new reading of the intersections between religion and rap music in its genealogical consideration of how black laborers’ orientations to the market—from the antebellum slave market to the contemporary music industry—have informed their consequent commodifications of race and religion. The essay (1) traces the informal economy and sacred world of the slaves to the twinned births of the modern black prosperity gospel and hip-hop culture and (2) connects the religio-economic modalities of postbellum peddling and celebrity preachers to contemporary black prosperity preachers and hip-hop moguls. Finally, this essay concludes that the commodified formulations of race and religion in rap music represent transformations of spiritual and market categories of “authenticity” and “freedom” which have structured and sometimes limited our understandings of distinct articulations of race, religion, and the market throughout African-American history. Articulations of Race, Religion, and the Market This essay situates hip-hop music within a lineage of black laborers who have both nego- tiated with and disrupted the market’s commodification of them through various means: the medium of the market itself, their religious belief and practices, and—oftentimes—a paradoxical combination of both.1 It argues that the
    [Show full text]
  • Winners Hot New Releases
    sue 543 $6.00 May 19, 1997 Volume 11 HANSON WINNERS EARPICKS BREAKOUTS ILDCARD HANSON Mercury EN GUE EW/EEG COUNTING CROWS DGC SHERYL CROW A&M THIRD EYE BLIND Elek/EEG TIW SPROCKET Col/CRG BEE GEES Poly/A&M See P. e 14 For Details SHERYL CROW A&M INDIGO GIRLS Epic JON BON JOVI Mercury MEREDITH BROOKS Capitol JON BON JOVI Mercury BOB CARLISLE Jive COUNTING CROWS DGC STEADY MOBB'N Priority SISTER HAZEL Universal M.M. BOSSTONES Mercury HOT NEW RELEASES AALIYAH ALISHA'S ATTIC BABYFACE COLLECTIVE SOUL EN VOGUE 4 Page Letter I Am, I Feel How Come, How Long Listen Whatever Bel/MI/MI G 98021 Mercury N/A Epic N/A AtI/Atl G 84006 EW/EEG N/A JAMIROQUAI JONNY LANG PAUL McCARTNEY MASTA P Virtual Insanity Lie To Me The World Tonight If I Could Change WORK N/A A&M N/A Capitol N/A NI/Priority 53273 REAL Mc SHADES STEVE WINWOOD I Wanna Come (With You) Serenade Spy In The House Of Love Arista N/A Motown 3746-32062-2 Virgin N/A 117-- World Party It Is Time THE ENCLAVE 936 Broadway new york.n.y 10010, www.the-enclave.com May 19, 1997 Volume 11 Issue 543 $6.00 DENNIS LAVINTHAL Publisher LENNY BEER VIBE-RATERS 4 Winning Ticket Editor In Chief Hanson are in the middle of somewhere and Meredith Brooks TONI PROFERA moves to the edge while the debuting Sammy Hagar and Executive Editor Supergrass grow. DAVID ADELSON Vice President/Managing Editor KAREN GLAUBER MOST POWERFUL SONGS 6 Senior Vice President Spice Girls just want to have fun at #1 over runner-up Mary J.
    [Show full text]
  • ''Moments of Clarity''and Sounds of Resistance: Veiled Literary
    “Moments of Clarity” and Sounds of Resistance: Veiled Literary Subversions and De-Colonial Dialectics in the Art of Jay Z and Kanye West A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English Language and Comparative Literatures of the College of Arts and Sciences by Sha’Dawn D. Battle B.A., Central State University 2007 M.A., Wright State University 2009 November 2016 Committee Chair: Sharon Dean, PH.D. Abstract “‘Moments of Clarity’ and Sounds of Resistance: Veiled Literary Subversions and De- Colonial Dialectics in the Art of Jay Z and Kanye West” employs rap music as an object of inquiry into the question of contemporary manifestations of anti-Black oppression, demonstrating the ways in which the art of rappers Jay Z and Kanye West in particular, covertly elucidates the conditions and discursive and ideological mechanisms of power that make possible the exploitation, repression, and destruction of Black bodies in America. In the first two chapters, I argue that this illuminative potential is, in part, what attributes to the political utility of mainstream rap music. My first goal is therefore to make apparent mainstream rap music’s rightful place in Black liberation politics given its ability to unveil the functionality of age-old Eurocentric, white supremacist paradigms, such as rendering Black bodies incorrigibly animal, denying Black bodies access to subjectivity, or negating Black ontology. These ideologies give rise to exclusionary monolithic constructions of what it means to be human, pathological constructions of “blackness,” Black masculinity especially, and subsequently, the arbitrary conferral of power (to both state apparatuses and individuals racially coded as “superior”), which manifests in the form of systematic and institutional racism, and ultimately, Black male disembodiment.
    [Show full text]
  • Behind the Beat: Technical and Practical Aspects of Instrumental Hip-Hop Composition
    Behind the Beat: Technical and Practical Aspects of Instrumental Hip-Hop Composition A thesis submitted by Michael A. D’Errico In partial fulfillment of the requirements for the degree of Master of Arts in Musicology TUFTS UNIVERSITY Graduate School of Arts & Sciences May, 2011 ADVISER: Joseph Auner ABSTRACT From DJ Premier’s beat productions in the early ’90s to Kanye West’s live performance at the 2010 Video Music Awards, the Akai MPC has long been considered standard sampling technology in any hip-hop production studio. Expanding upon the various techniques developed by pioneering hip-hop DJs—including beat-juggling, cutting, and mixing—the MPC introduced a much wider range of possibilities regarding not only the manipulation of individual samples, but their assemblage into a musical composition as well. Furthermore, the expansion of the machine has coincided with the musical development of the hip-hop tradition, as producers have responded and reacted to changing technological trends with increasingly innovative trends in performance practice. Through analyses of several tracks by DJ Shadow, Madlib, and Flying Lotus, this paper will fill a major gap in hip-hop scholarship by exploring both the technical aspects of the music’s construction as well as how these producers have responded and reacted to the changing characteristics of the MPC throughout its development. In exposing diverse technical and musical trends that have received little attention from scholars, this paper hopes to provide a missing link to the way we analyze hip-hop music and culture. TABLE OF CONTENTS Introduction: Notes on the “Underground” 1 I. Endtroducing… the Akai MPC 19 II.
    [Show full text]
  • Middleborough-1984.Pdf (13.49Mb)
    n n\rncr 1984 r j r TaaTiAT REPORT in sjaaot ANNUAL E'T ",j |, I :* , ■ ? : ANNUAL REPORT of the TOWN OF MIDDLEBOROUGH MASSACHUSETTS For the Year Ended December 31 1984 Cranberry Capital of the World 315 Years of Progress ' MIDDLEBOROUGH MASSACHUSETTS General Information Elevation - 100 feet above sea level Settled - 1660 Incorporated as a Town - 1669 Population - 16,437 Valuation - $328,862,752.00 Tax Rate - Residential - $19.32 — Commercial - $24.81 Area - 68.1 Square Miles Number of Dwellings - 4,351 Number of Manufacturers - 28 Municipally Owned - Water, Sewer, Gas, Electric Light Plants Motorized Police and Fire Departments Schools Accredited Recreation Available Swimming Pool, Tennis Courts, Playgrounds PRINCIPAL INDUSTRIES Fire Apparatus Lumber Cranberries Shoes Calendars Grain Elevators Brass Goods Bricks Novelty Items and many other diversified products THE CRANBERRY CAPITAL OF THE WORLD Located: 38 Miles from Boston 22 Miles from New Bedforc 30 Miles from Providence, R.I. On Route 44 to Plymouth and Route 28 and Route 495 to Cape Cod On Roue 79 to Fall River and Routes 18 and 105 to New Bedford One Route 44 to Taunton and Providence, Rhode Island DIRECT BUS CONNECTIONS WITH Boston - New Bedford - Bridgewater - West Bridgewater - Freetown - Taunton 2 Private Airstrips for Small Plane Landings 3 WHERE TO CALL FOR SERVICE Aid to Dependent Children Welfare Office, Taunton 823-2571 Animal Inspector Inspector of Animals 947-6853 Dog Pound or 947-7766 Police Station or 947-1212 Bills and Accounts Town Accountant 947-0780 Birth Certificates Town Clerk 947-0780 Building Permits Building Inspector 947-6339 Burial Permits Health Officer or 947-2450 Town Manager 947-0928 Business Certificates Town Clerk 947-0780 Business & Indusrial Comm.
    [Show full text]
  • Record of the Year Album of the Year Song of the Year
    RECORD OF THE YEAR Doo-Wops & Hooligans Rolling In The Deep Bruno Mars Adele Adkins & Paul Epworth, Rolling In The Deep [Elektra] songwriters (Adele) Adele Track from: 21 Track from: 21 Loud [XL Recordings/Columbia Records] [XL Recordings/Columbia Records] Rihanna [Def Jam] BEST NEW ARTIST Holocene Bon Iver SONG OF THE YEAR The Band Perry Track from: Bon Iver [Jagjaguwar] All Of The Lights Bon Iver Jeff Bhasker, Stacy Ferguson, Malik Grenade Jones, Warren Trotter & Kanye West, J. Cole Bruno Mars songwriters (Kanye West, Rihanna, Track from: Doo-Wops & Hooligans Kid Cudi & Fergie) Nicki Minaj [Elektra] Track from: My Beautiful Dark Twisted Fantasy Skrillex The Cave [Roc-A-Fella] Mumford & Sons BEST POP SOLO Track from: Sigh No More The Cave PERFORMANCE [Glassnote Records] Ted Dwane, Ben Lovett, Marcus Mumford & Country Winston, Someone Like You Firework songwriters (Mumford & Sons) Adele Katy Perry Track from: Sigh No More Track from: 21 Track from: Teenage Dream [Glassnote Records] [XL Recordings/Columbia Records] [Capitol] Grenade Yoü And I ALBUM OF THE YEAR Brody Brown, Claude Kelly, Philip Lady Gaga Lawrence, Ari Levine, Bruno Mars & Track from: Born This Way 21 Andrew Wyatt, songwriters (Bruno [Streamline/Interscope/Kon Live] Adele Mars) [XL Recordings/Columbia Records] Track from: Doo-Wops & Hooligans Grenade [Elektra] Bruno Mars Wasting Light Track from: Doo-Wops & Hooligans Foo Fighters Holocene [Elektra] [RCA Records/Roswell Records] Justin Vernon, songwriter (Bon Iver) Track from: Bon Iver Born This Way [Jagjaguwar] Lady Gaga [Streamline/Interscope/Kon Live] page 1 Firework The Road From Memphis Call Your Girlfriend Katy Perry Booker T. Jones Robyn Track from: Teenage Dream [Anti Records] Track from: Body Talk Pt.
    [Show full text]
  • Writers by Score: 1000 to 11834
    Writers By Score: 1000 to 11834 1001 James MTUME 1062 Matt AITKEN 1123 Marilyn McLEOD 1184 Luther VANDROSS 1002 Wilson PICKETT 1063 Mike STOCK 1124 Edna LEWIS 1185 Merle KILGORE 1003 Jean VILLARD 1064 Pete WATERMAN 1125 Jake HOOKER 1186 Tom BAILEY 1004 Booker T. JONES Jr. 1065 Al CAPPS 1126 Alan MERRILL 1187 Alannah CURRIE 1005 Dickie GOODMAN 1066 Robin LUKE 1127 Rudy JACKSON 1188 Billy NICHOLS 1006 Jack FULTON 1067 Vinnie BARRETT 1128 Elvin BISHOP 1189 Boyd BENNETT 1007 Lois STEELE 1068 Billy MYLES 1129 John Buck WILKIN 1190 Georgia DOBBINS 1008 Gwen GORDY 1069 John LODGE 1130 Dan HILL 1191 Ian HUNTER 1009 Phil GERNHARD 1070 Fred BURCH 1131 Victor WILLIS 1192 Henry GROSS 1010 Barry MANILOW 1071 Billy Dawn SMITH 1132 Richard MULLAN 1193 Arthur VENOSA 1011 Al LEWIS 1072 Joe YOUNG 1133 Rodger PENZABENE 1194 Gary BENSON 1012 Kim GANNON 1073 Kathryn FULTON 1134 Frank MUSKER 1195 Bill CONTI 1013 Jimmy DeKNIGHT 1074 John CAFFERTY 1135 Christine YARIAN 1196 Vito PICONE 1014 Max C. FREEDMAN 1075 Tom KEIFER 1136 Jack RICHARDS 1197 Arlester CHRISTIAN 1015 John WAITE 1076 Milt GABLER 1137 Ludwig VAN BEETHOVEN 1198 J. Fred COOTS 1016 Sid MANKER 1077 Robert BLACKWELL 1138 Sandy NELSON 1199 Franke PREVITE 1017 John HORNSBY 1078 Dino ESPOSITO 1139 Wayne WALKER 1200 Charlie FOXX 1018 Gary OSBORNE 1079 Rohusuke EI 1140 Cory LERIOS 1201 Sherman MARSHALL 1019 Alex CALL 1080 Mike PHILLIPS 1141 Angelo BOND 1202 Marc BOLAN 1020 Johann Sebastian BACH 1081 Shelley PINZ 1142 James McCULLOCH 1203 Clark DATCHLER 1021 Michael OMARTIAN 1082 Jim GOLD 1143 Mickey NEWBURY 1204 Julie GOLD 1022 David STEELE 1083 Edwin HAWKINS 1144 George Richard DAVIS Jr.
    [Show full text]
  • A Gospel Christmas-Holiday Celebration
    CONCERT PROGRAM December 18-21, 2014 LIVE AT POWELL HALL Kevin McBeth, conductor Oleta Adams, vocalist St. Louis Symphony IN UNISON® Chorus Kevin McBeth, director A GOSPEL CHRISTMAS JOHN WASSON Festival Fanfare for Christmas JOHN LEAVITT “Festival Sanctus” St. Louis Symphony IN UNISON® Chorus arr. Michael Abels “Angels We Have Heard on High” Denise Brunson Harris, soprano Kwamina Walker-Williams, alto St. Louis Symphony IN UNISON® Chorus arr. Stacey V. Gibbs “See Dat Babe” St. Louis Symphony IN UNISON® Chorus OLETA ADAMS “Circle of One” arr. Franck van der Heijden Oleta Adams, vocalist Tanya Hawkins, soprano Chauncey Strayhorn, alto Montel Moore, tenor OLETA ADAMS “All the Love” arr. Willem Friede Oleta Adams, vocalist Tanya Hawkins, soprano Chauncey Strayhorn, alto Montel Moore, tenor OLETA ADAMS “There’s Still My Joy” Oleta Adams, vocalist Melissa Brooks, cello BERNARD IGHNER “Everything Must Change arr. D. Louie Oleta Adams, vocalist 27 OLETA ADAMS “Power of Sacrifice” arr. Franck van der Heijden Oleta Adams, vocalist Tanya Hawkins, soprano Chauncey Strayhorn, alto Montel Moore, tenor INTERMISSION PAUL DAVID WILSON “Hallelujah” from Handel’s Messiah: arr. Warren/Jackson/ A Soulful Celebration Kibble/Hey/Chinn Curtis McGruder, tenor St. Louis Symphony IN UNISON® Chorus arr. Jeffrey L. Ames “Oba ti de (Here Comes the King)” Duane Foster, tenor St. Louis Symphony IN UNISON® Chorus arr. McElroy/Joubert/Red “Infant Lowly, Infant Holy” Salethia Harris, alto St. Louis Symphony IN UNISON® Chorus arr. Goss/Lawrence Overture of Joy (A Christmas Medley) PHIL NAISH “When the Little Baby Boy Was Born” arr. Clydesdale Cynthia Davis, soprano St. Louis Symphony IN UNISON® Chorus arr.
    [Show full text]