Klearchos in Xenophon's Anabasis
Klearchos in Xenophon’s Anabasis Joseph Roisman Having brought the history of Kyros’ expedition to the point where Tissa phernes seized the generals of the Greek mercenaries, Xenophon breaks the narrative of the Anabasis to draw the portrait of three of them, namely of Klearchos, Proxenos, and Meno/ The portraits deal, by and large, with the strategoi’s character and ambitions. Thus the sketch of Klearchos the Spartan is dominated by three themes: his being aner philopolemos, polemikos, and archikos (2.6Ἰ-15). Although Xenophon thinks well of Klearchos the war rior and his ability to turn his troops into an efficient war machine (2.6. 7-8, 11, 14), the scale is clearly tipped towards criticism when he describes him as almost obsessed with a love of war, enforcing discipline by fear and punish ment, and gaining command because of his rank and his followers’ difficult circumstances (2.6.2-6, 9-10, 12-15). The characterisation of Klearchos is brief, occupying about 63 lines in the Teubner edition of Xenophon’s Anaba sis? Yet its impact on students of Xenophon who evaluated Klearchos’ role in the expedition seems to have been out of proportion to its size. Two examples may illustrate the phenomenon: a) After their arrival at Tarsos the mercenar ies refused to follow Kyros to the Euphrates. Klearchos persuaded them to change their minds by using manipulative tactics which would have made a veteran demagogue green with envy.1 23 However, due to the impact of Klear chos’ portrait in 2.6.1-5, it has been concluded that on this occasion Klear- 1 Xenophon, Anabasis 2.6.
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